After killing her family while driving drunk, Pagan Jones, once America's sweetheart, is released from a reformatory in 1962 to star in a film in West Berlin, under the guardianship of mysterious Devin Black.
Though much has been written about connections between early modern utopia and nascent European imperialism, the author brings a fresh perspective to the topic by exploring it through some of the sub-genres that comprise early modern utopia, identifying and discussing each specific form in the cultural and historical contexts that render it suitable for the creation and promulgation of utopian programs, whether imaginary or intended for actual implementation. This study transforms scholarly understanding of early modern utopia by first complicating our notion of it as a single genre, and secondly by fusing our paradoxically fragmented view of it as alternately a literary or social phenomenon. Her analysis shows early modern utopia to be not a single genre, but rather a conglomeration of many forms or sub-genres, including travel writing, ethnography, dialogue, pastoral, and the sermon, each with its own relationship to nascent imperialism. These sub-genres bring to utopian writing a variety of discourses - anthropological, theological, philosophical, legal, and more - not usually considered fictional; presented in a humanist guise, these discourses lend to early modern utopia an authority that serves to counteract the general contemporary distrust of fiction. The author shows how early modern utopia, in conjunction with the authoritative forms of its sub-genres, is not only able to impose its fictions upon the material world but in doing so contributes to the imperialistic agendas of its day. This volume contains a bibliographical essay as well as a chronology of utopian publications and projects, in Europe and the New World.
Everyone has secrets. I had no idea mine would lead me into shadow. Dez has found the place where she belongs. With the otherkin. With Caleb. Or so she thought. As the barriers between our world and Othersphere fall, a wall rises between Dez and Caleb, leaving her fiercest enemy her only friend. And maybe something more. Now Dez must make a devastating choice: keep the love of her life, or save the otherkin from annihilation. "Be prepared to lose some sleep. Otherkin is full of non-stop action and suspense, and you're not going to be able to put it down!" --Brigid Kemmerer, author of the Elemental Series
With help from the boy she loves and the boy who can't stand her, Dez must confront a monster in the Othersphere, where she will have to choose between her human form and her tiger form.
I thought I knew myself. Then I met Caleb. Dez is a good girl who does as she's told and tries not to be noticed. Then she rescues a boy from a cage, and he tells her secrets about herself. Now inside her burns a darkness that will transform her. Everything is about to change--and neither Caleb, nor the Otherkin, nor those who hunt them, are prepared for what Dez will unleash. "Be prepared to lose some sleep. Otherkin is full of non-stop action and suspense, and you're not going to be able to put it down!" --Brigid Kemmerer, author of the Elemental series "Get caught up in a dangerous world of shadow magic, shifters, and secrets." --New York Times bestselling author Jennifer Estep "Berry's debut offers just the right combination of high-stakes exploits and steamy love scenes to keep readers up until the wee hours. . .ripe with issues that will resonate with readers. From body image to friendship, first love and betrayal, [OTHERKIN] explores the truth that no matter who or what you are, there's no escaping the politics of high school." – Kirkus Reviews
An enlightening and delicious look at how vegans – and their critics – are redefining the way the world eats in the twenty-first century. For years, there has been no doubt that widespread consumption of meat is both environmentally destructive and morally dubious. A growing chorus of scientists, health experts, and activists champion the benefits of a plant-based diet. Nevertheless, change has been slow to arrive, and the chasm between our appetites and our collective well-being seems impossibly vast. We know we must transition to a more plant-based world. But what would such a world look like, and how do we realistically get there? One group of people has been grappling with this question for decades: vegans. Once mocked for its hempy puritanism, the vegan movement has grown from a fringe identity into a veritable cultural juggernaut. Yet visions of what our food system should look like continue to conflict. Is the healthful vegan lifestyle appealing-or alienating? Are high-tech meat alternatives merely a repeat performance of harmful fast-food values? Is modern veganism itself misguided-a wrong answer to the right questions? In The Good Eater, Harvard-trained sociologist (and vegan) Nina Guilbeault, PhD vividly explores the movement's history and its present-day tensions by grappling with the most fundamental question of all: Is there a truly ethical way to eat? What emerges is a fascinating portrait of how social change happens, with profound implications for our plates-and our planet.
“A celebration of [fruit] and vegetable treasures . . . packed with clear, concise recipes, written in a no–nonsense style” (Farmers Weekly). No one knows fresh vegetables like Nina Planck. She grew up in Virginia, picking tomatoes, corn, beans, melons, and more on the family farm, and selling it all at nascent farmers’ markets. From the age of nine, she’s answered every question urban—and country—eaters have about produce. In 1999, Nina found herself living in London and, homesick for local food, she started London’s first farmers’ market. In The Farmers’ Market Cookbook, Nina explains what the farmer knows about every vegetable from asparagus to zucchini—and what the cook needs to know. In more than thirty chapters, each dedicated to cooking with the freshest fruits and vegetables, Nina offers simple and delicious recipes for beef, pork, chicken, and fish, as well as a passel of ideas for perfect side dishes, soups, and desserts—all with produce in the lead role. Try Roast Pork Chops with Apple & Horseradish Stuffing, Blueberry & Almond Crisp, and Risotto with Oyster Mushrooms. Nina also offers tips only farmers would know, kitchen strategies, options for a surplus, advice on what to buy at the market and when, what to look for in an eggplant or a blueberry, and how to keep it all fresh. As informative as it is beautiful, The Farmers’ Market Cookbook is perfect for any cook who has stared helplessly at fresh produce, praying for inspiration. Foreword by Nigel Slater, English food writer, journalist, and broadcaster.
A modern ghost story about trauma and survival, Watch Over Me is the much-anticipated new novel from the Printz Award-winning author of We Are Okay ★ “Gripping; an emotion-packed must-read.” –Kirkus, starred review ★ “A painfully compelling gem from a masterful creator.” –Booklist, starred review ★ “Moving, unsettling, and full of atmospheric beauty.” –SLJ, starred review Mila is used to being alone. Maybe that’s why she said yes. Yes to a second chance in this remote place, among the flowers and the fog and the crash of waves far below. But she hadn’t known about the ghosts. Newly graduated from high school, Mila has aged out of the foster care system. So when she’s offered a teaching job and a place to live on an isolated part of the Northern California coast, she immediately accepts. Maybe she will finally find a new home—a real home. The farm is a refuge, but it’s also haunted by the past. And Mila’s own memories are starting to rise to the surface. Nina LaCour, the Printz Award–winning author of We Are Okay, delivers another emotional knockout with Watch Over Me about trauma and survival, chosen family and rebirth.
In an insightful exploration of gender relations during the Civil War, Nina Silber compares broad ideological constructions of masculinity and femininity among Northerners and Southerners. She argues that attitudes about gender shaped the experiences of the Civil War's participants, including how soldiers and their female kin thought about their "causes" and obligations in wartime. Despite important similarities, says Silber, differing gender ideologies shaped the way each side viewed, participated in, and remembered the war. Silber finds that rhetoric on both sides connected soldiers' reasons for fighting to the women left at home. Consequently, although in different ways, women on both sides took up new roles to advance the wartime agenda. At the same time, both Northern and Southern women were accused of waning patriotism as the war dragged on, but their responses to such charges differed. Finally, noting that our postwar memories are often dominated by images of Southern belles, Silber considers why Northern women, despite their heroic contributions to the Union cause, have faded from Civil War memory. Silber's investigation offers a new understanding of how Unionists and Confederates perceived their reasons for fighting, of the new attitudes and experiences that women--black and white--on both sides took up, and of the very different ways that Northern and Southern women were remembered after the war ended.
A beautiful new edition of the stunning debut novel by Nina LaCour, award-winning author of We Are Okay “Hold Still may be the truest depiction of the aching, gaping hole left in the wake of a suicide that I’ve ever read. A haunting and hopeful book about loss, love, and redemption.” – Gayle Forman, #1 bestselling author of If I Stay and I Have Lost My Way That night Ingrid told Caitlin, I’ll go wherever you go. But by dawn Ingrid, and her promise, were gone. Ingrid’s suicide immobilizes Caitlin, leaving her unsure of her place in a new life she hardly recognizes. A life without the art, the laughter, the music, and the joy that she shared with her best friend.... But Ingrid left something behind. In words and drawings, Ingrid documented a painful farewell in her journal. Journeying through Ingrid’s final days, Caitlin fights back through unspeakable loss to find renewed hope. Hold Still is the indelible debut that launched Nina LaCour, the award-winning author of We Are Okay. LaCour’s breakthrough novel brings the changing seasons of Caitlin’s first year without Ingrid to the page with indelible emotion and honesty. Includes an all-new essay from the author to commemorate 10 years in print!
From the award-winning, bestselling author of Hold Still and We Are Okay. (Cover may vary) Colby and Bev have a long-standing pact: graduate, hit the road with Bev's band, and then spend the year wandering around Europe. But moments after the tour kicks off, Bev makes a shocking announcement: she's abandoning their plans - and Colby - to start college in the fall. But the show must go on and The Disenchantments weave through the Pacific Northwest, playing in small towns and dingy venues, while roadie- Colby struggles to deal with Bev's already-growing distance and the most important question of all: what's next? Morris Award–finalist Nina LaCour draws together the beauty and influences of music and art to brilliantly capture a group of friends on the brink of the rest of their lives.
Nina LaCour's award-winning, achingly beautiful novel is now available in paperback! –Includes a new foreword by Nicola Yoon, #1 bestselling author of The Sun is Also a Star and Everything, Everything– Winner of the Michael L. Printz Award “Short, poetic and gorgeously written.” –The New York Times Book Review “A beautiful, devastating piece of art." –Bookpage You go through life thinking there’s so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart. An intimate whisper that packs an indelible punch, We Are Okay is Nina LaCour at her finest. This gorgeously crafted and achingly honest portrayal of grief will leave you urgent to reach across any distance to reconnect with the people you love. Praise for We Are Okay “Nina LaCour treats her emotions so beautifully and with such empathy.” —Bustle ★ “Exquisite.” —Kirkus ★ “LaCour paints a captivating depiction of loss, bewilderment, and emotional paralysis . . . raw and beautiful.” —Booklist ★ “Beautifully crafted . . . . A quietly moving, potent novel.” —SLJ ★ “A moving portrait of a girl struggling to rebound after everything she’s known has been thrown into disarray.” —Publishers Weekly ★"Bittersweet and hopeful . . . poetic and skillfully crafted." —Shelf Awareness “So lonely and beautiful that I could hardly breathe. This is a perfect book.” —Stephanie Perkins, bestselling author of Anna and the French Kiss “As beautiful as the best memories, as sad as the best songs, as hopeful as your best dreams.” —Siobhan Vivian, bestselling author of The Last Boy and Girl in the World “You can feel every peak and valley of Marin’s emotional journey on your skin, in your gut. Beautifully written, heartfelt, and deeply real.” —Adi Alsaid, author of Never Always Sometimes and Let’s Get Lost
This new series is sure to be a hit! --RT Book Reviews, 4 stars I always wanted to know where I came from. Now that knowledge could destroy me. Dez thought she knew who her mother was, who she was. Thought she had friends, a boy who loved her, and a school where she finally fit in. But across the veil linking our world and the next lurks a monster which can annihilate. . .or liberate her. Now she must confront it there with help from one boy who loves her and one who can't stand the sight of her. Dez thought she understood her tiger form, her deepest self. But in this treacherous place, she'll have to choose between the two halves of her soul--and determine which world survives. "Be prepared to lose some sleep. Otherkin is full of non-stop action and suspense, and you're not going to be able to put it down!
Fresh, fun ideas for children's storytime fill this book. The author, a long-time storytime facilitator, has put together 52 weekly themes plus additional plans for holidays, all with detailed instructions for talking about the theme and choosing the books, crafts, songs, poems, games and snacks. Each storytime idea is illustrated with photographs of a suggested craft and snack for easy reference. Libraries, bookstores, preschools and parents alike can use this book to offer themed storytimes that include discussion, literature, art, music, movement and food. Options are provided for each storytime, so the ideas can be used year after year.
From award-winning, bestselling author Nina Laden comes a poetic picture book about having the courage and resilience to plant "seeds" that will improve ourselves and our community. Sow seeds of strength, Ride out the storm. Sow seeds of compassion, Make hearts warm. After seeing an area in her local, Madagascar community devastated from drought, a young girl gets inspired. She should plant a garden—what could be more perfect? She gathers her friends, cooperates to make a plan, and gets to work. But when things go devastatingly wrong, what can they do? It takes a lot of courage, but with the support of her whole community on her side, this girl won't give up. One way or another, she'll sow the seeds of change she's been dreaming of. With sweet, lush art from Sawyer Cloud, this lyrical picture book about making the effort to invest in the future of ourselves and our community teaches an invaluable lesson about having the patience to see that, in time, effort will blossom into a more peaceful, loving, and accepting world.
Tales from the Three Ninth Kingdom" is semibiographical memoirs, written in format of imaginative fairytale, where characters are fictional and unanimous, suitable for gregarious and illustrious times immemorial. In process, she pieced together entertaining tales, epicurean quotations, proverbs and anecdotes, enriching them with the fantasy, only fairytale permit. It is a diary of consummation of culinary delights on all levels: from the doomed world of Romanoff and even more mysterious and strange times before; uncertain dimension of which served exactly the concept of this book It is a small forest of colorful stories, tailored with the twist on established genre of food memoirs: The first part of the book is nostalgic flash back to the postwar childhood, exploring a difficult and colorful survival, where reality was bearable only, when one applies a good doze of fantasy. The second part is a colorful world, occupied by eccentric and decadent characters, whose eponymous life still used as a source for hilarious entertainment. The third part is memorabilia of forgotten recipes, originated in palaces, urban mansions, hunting lodges, ancient monasteries and summer estates, unraveling culinary traditions and history of food, which always followed the rhythm of the changing Four Seasons. This book is contribution to the multicultural canvas of America, where among hundreds ethnic infusions, the Russian cuisine have been noticeably implanted.
Talking to paper is talking to the divine. Paper is infinitely patient. Each time you scratch on it, you trace part of yourself, and thus part of the world, and thus part of the grammar of the universe. It is a huge language, but each of us tracks his or her particular understanding of it." —from A Walk Between Heaven and Earth Unlike any other guide to journal writing, A Walk Between Heaven and Earth is itself written as a personal journal and as a meditation on the flow of creation. Burghild Nina Holzer demonstrates that the creative process is in fact a large, ongoing movement in our lives and that we may gradually discover the pattern and direction of it by trusting whatever it is we choose to confide to the page. She helps would-be writers recognize the power and importance of opening themselves to the present moment and recording whatever they find there. Holzer's book is both inspiration and model. It will appeal not only to those who wish to explore the creative process as a mystical path, but to all who desire to express themselves through writing.
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
Where do international adventures begin? Well, this one begins in the head of an imaginative mixed-race British girl who grows to be a frustrated journalist in recession-hit, racist Britain in the 1990s. Real Live Gangster is the true story of Nina Bhadreshwar, the British editor of the Real State magazine, later recruited by Death Row Records, the infamous LA-based record label that forever changed the music industry and not a few lives. An anorexic depressive, fed up of UK prejudice, Nina sets up her own magazine, the Real State, on her quest for "the real" in 1992. Finding a fellow seeker in Tupac Shakur during one of her graffiti missions to New York, they start a pen-friendship while her magazine is picked up by several international distributors. Decamping to Watts, South Los Angeles, just after the riots, her world is blown wide open by the injustice she witnesses. Her own delayed puberty kicks in, and with it, come the opportunities. Recruited by Westwood-based Death Row Records to help launch its own cultural magazine, Death Row Uncut, the mute British girl soon becomes one of the family and its voice and writer. But just as the dreams become reality, the cataclysm hits. This is the chronicle of the real—no more, no less—as told by a participator, not a theorist or a spectator.
Comedians of the San Francisco Bay Area changed comedy forever. From visiting acts like Richard Pryor, Steve Martin and Whoopi Goldberg to local favorites who still maintain their following and legacy, the Bay Area has long been a place for comedians to develop their voice and hone their stand-up skills. Popular spots included Cobb's, the Purple Onion, Brainwash, and the holy grail of San Francisco comedy during the 1980s boom, the Holy City Zoo. For over seventy years, these iconic venues and others fostered talent like Ali Wong, Moshe Kasher and the Smothers Brothers, introducing them to local crowds and the world beyond. Join comedians Nina G and OJ Patterson on a hilarious and thoughtful tour through the history of Bay Area comedy.
A history of coffee from the sixth century to Starbucks that’s “good to the last sentence” (Las Cruces Sun News). One of Library Journal’s “Best Business Books” This updated edition of The Coffee Book is jammed full of facts, figures, cartoons, and commentary covering coffee from its first use in Ethiopia in the sixth century to the rise of Starbucks and the emergence of Fair Trade coffee in the twenty-first. The book explores the process of cultivation, harvesting, and roasting from bean to cup; surveys the social history of café society from the first coffeehouses in Constantinople to beatnik havens in Berkeley and Greenwich Village; and tells the dramatic tale of high-stakes international trade and speculation for a product that can make or break entire national economies. It also examines the industry’s major players, revealing the damage that’s been done to farmers, laborers, and the environment by mass cultivation—and explores the growing “conscious coffee” market. “Drawing on sources ranging from Molière and beatnik cartoonists to the Food and Agriculture Organization, the authors describe the beverage’s long and colorful rise to ubiquity.” —The Economist “Most stimulating.” —The Baltimore Sun
Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.
2016 Chanticleer Media's Chatelaine Book Awards Finalist Beautiful, headstrong Marcella Scimenti has the affection of a handsome neighborhood boy, the love of her large Italian family, and serious dreams of singing in Hollywood. But the course of true love—nor the journey to finding one’s true self—never did run smooth. In America follows the story of Marcella, the daughter of the characters at the center of Nina Romano’s continent-spanning Wayfarer Trilogy, as she comes of age in Bay Ridge, Brooklyn, in the late 1920s. In the trilogy’s heartwarming conclusion, Marcella must learn to balance new friendships, promising suitors, and life as a modern working girl with the expectations of her tradition-bound family, all against the backdrop of a looming economic depression and a changing world. Along the way, she unearths a devastating family secret that shakes her to her core and tests the boundaries of her love, loyalty, and faith.
This book deftly extends previous research on post-1965 immigration to the United States in order to examine the cultural, socioeconomic, structural, and political adaptation of Eastern European immigrants after 1991. Also, the book engages in a systematic examination of adaptation experiences through the lenses of existing theories of adaptation, and fills a gap in the literature on this understudied immigrant population. Using the latest quantitative data, Nina Michalikova contributes to the field of immigration studies by revealing the diverse adaptation experiences of contemporary American immigrants through cross-country and cross-group comparisons.
A history of letters draws on the author's personal correspondence experiences while celebrating what is special about hand-written letters, exploring the traditions of ancient and historical cultures, the practices of famous notables and her thoughts about modern-world communication habits.
In Rethinking Language Arts: Passion and Practice, Second Edition, author Nina Zaragoza uses the form of letters to her students to engage pre-service teachers in reevaluating teaching practices, thus bringing to life a vision of an alternative classroom environment in which the teacher is the prime mover and creative leader. Zaragoza discusses and explains the need for teachers to be decision makers, reflective thinkers, political beings, and agents of social change in order to create a positive and inclusive classroom setting. This book is both a critical text that deconstructs the way language arts are traditionally taught in our schools as well as a visionary text with clear, no-nonsense directions on how to provide much needed change in our schools.
From the author of Love, Nina -- a hilarious ode to the joys and insanities of the most wonderful time of the year. Every family has its Christmas traditions and memories, and Nina Stibbe's is no exception. From her kitchen-phobic mother's annual obsession with roasting the perfect turkey (an elusive dream to this day) to the quest for a perfect teacher gift (memorable for all the wrong reasons); from the tragic Christmas tree ("is it meant to look like that?") to the acceptable formula for thank-you letters (must include Health Inquiry and Interesting Comment), Nina Stibbe captures all that is magical and maddening about the holidays.
Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.
From the beloved author of Love, Nina, a frank, tender, and poignantly funny story about the ebb and flow of female friendship over half a lifetime. Susan and Norma have been best friends for years, at first thrust together by force of circumstance (a job at The Pin Cushion, a haberdashery shop in 1990s Leicestershire) and then by force of character (neither being particularly inclined to make friends with anyone else). But now, thirty years later, faced with a husband seeking immortality and Norma out of reach on a wave of professional glory, Susan begins to wonder whether she has made the right choices about life, love, work, and, most importantly, friendship. Nina Stibbe's new novel is the story of the wonderful and sometimes surprising path of friendship: from its conspiratorial beginnings, along its irritating wrong turns, to its final gratifying destination.
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