Dazzlingly effective . . . not easy to forget' FINANCIAL TIMES 'Continually surprising, witty and often disquieting, Walking Naked is one of Nina Bawden's most impressive novels' COSMOPOLITAN 'Among the most perceptive and accomplished novelists writing today' P. D. JAMES Laura is happily married, a mother and a successful novelist. Although she is prey to night terrors, she is adept at smoothing the disorder of reality into controlled prose. Walking Naked telescopes the whole of Laura's life - childhood, marriages, triumphs and disappointments - into a day in which the past and present converge. It begins with a game of tennis played for duty rather than amusement and progresses, via an afternoon party of old friends and jaded emotions, to a bewildering visit to Laura's son, imprisoned on a drugs' charge. At its close, the possibility of death within the family hauls unresolved conflicts centre stage and Laura strips herself of the posturing and self-deceit with which she has cloaked her vulnerability.
The reader is thoroughly entranced and entertained' TIMES LITERARY SUPPLEMENT 'Among the most perceptive and accomplished novelists writing today' P. D. JAMES 'There's a speck of surprise on most every page' KIRKUS REVIEWS After an expensive dinner on their thirteenth wedding anniversary, James calmly announces that he wishes to leave Bridie. A cherished adopted child, she stepped into marriage - and a pet name - at the age of nineteen and has nurtured two step-children and a daughter. The habit of protecting others is strong is Bridie but now, redundant and with her happiness turned into a charade, she is uncertain of her identity. Unless she reclaims a portion of her past, Bridie fears she will have no future. The mysteries and consequences of Bridie's adoption form the bedrock of this enticing and skilfully woven novel. Here, with her characteristic wit and acuity, Nina Bawden peers into the familiar passions of family life, remembered insults, ancient scars and old deceptions.
Bawden has concentrated on the careful depiction of character, feelings and behaviour' GUARDIAN 'On every page there is a shock of recognition' SUNDAY TELEGRAPH 'Among the most perceptive and accomplished novelists writing today' P. D. JAMES It is the year of the Queen's Coronation and Joanna, Kate and Poll who are eighteen, twelve and six are living in a riverside suburb of London with their mother Ellen, and their stepfather Boyd. Accepting his wise, unstinting love in their apparently secure lives, they are incurious about their vanished natural father. But the past arrives to upset the present in the person of Aunt Hat, a gossipy old friend with a husband imprisoned for assaulting her, and who seems to bring news from a different world of chaos and drama. The real danger, however, comes not from Aunt Hat's indiscretions but the girls themselves . . . Perfectly balanced between pain and laughter, A Little Love, A Little Learning combines a touching and convincing family portrait with the lively evocation of a small community.
“Give this to fans of Lowry’s The Giver.”—Booklist It is the year 2035, and kids are the only ones who matter. In Tom’s world, every family has only one child. “Brother” and “sister” are insults. And the Oldies, like Gandy—Tom’s grandfather—are taken away to Memory Theme Parks. On the way to the Theme Park, Gandy escapes into the Wild Wood, the dangerous world outside their walled city. Tom has no choice but to follow. The wilderness is like nowhere he’s ever been before, and the more he learns at Gandy’s side, the more he wonders: Is the wall meant to keep the Outsiders out, as he’s been taught in school—or the Insiders in? “Nina Bawden’s skill is placing a set of vibrant characters in a compelling plot seasoned with cold reality, the warmth of enduring relationships, and moral ironies.”—Kirkus Reviews
Absorbing and quietly uncompromising, redolent with the vibrant smells and colours of Majorca, and of Spain' DAILY TELEGRAPH 'A highly revealing account, not only of a woman's life, but of a whole extraordinary passage in one contemporary European country' FINANCIAL TIMES 'Nina Bawden is one of the really attractive practitioners of the genre the feminine novel-not a dismissive referral in her case' KIRKUS REVIEWS Elizabeth and Richard, are on holiday in Morocco, travelling from its fertile coast to the barren uplands beyond the Atlas mountains. During the expedition's adventures and mishaps, Elizabeth surveys her eighteen-year marriage and its accumulations of grievance, frustration and betrayal. Nina Bawden allows us to see the ambivalences and deceptions on both sides as this touching and often subversively comic novel moves towards a shocking catastrophe and a wryly surprising coda.
This is the off-side of lust in plush suburbia, described by a crypto-moralist with a mischievous sense of humour' SUNDAY TIMES 'A born story-teller' INDEPENDENT 'The modest and moderating virtues of Nina Bawden's novels can easily be demonstrated by her earlier title, The Grain of Truth' KIRKUS REVIEWS Emma's anxious and manipulative plea, 'Someone listen to me', opens - and closes - this deliciously uncomfortable novel in which Nina Bawden explores myriad emotional disguises with her characteristic acuity. When Emma's father-in-law falls down the stairs to his death, she is convinced she pushed him in an act of wish-fulfilment. To her husband Henry and her close friend Holly, this is unthinkable. Guilt is simply Emma's obsession in a humdrum domestic existence enlivened by romantic fantasy. For Holly, who successfully fields a string of love affairs, sexual pleasures are more easily attainable, whereas Henry, a Divorce lawyer, prides himself on being a realist. Each tells their story in turn, illuminating and distorting their separate versions of the truth. As they do so, an intricate jigsaw of the private deceits with which they shore up everyday life emerges.
A darkly comedic tale of adultery that features a dangerously "good" and disciplined heroine' KIRKUS REVIEWS 'Throughout her career Bawden has concentrated on the careful depiction of character, feelings and behaviour' GUARDIAN At fifteen, Daisy, confident and cherished, is appalled to hear that Ruth's father locked her in the old garden ice house as a childhood punishment: no wonder her friend shelters in make believe. The revelation of that primitive cruelty cements a friendship in which protection plays no small part. Years later, middle aged, they remain close friends and live on the same street. So when Daisy's husband dies suddenly, Ruth's discovery that the marriage was unhappy is the first stage in the unravelling of the certainties she has wrapped around her adult life. Friendship, love, marriage and above all, the scorching effects of adultery, come under the microscope in this dextrous novel. Journeying from a terrifying suburban household to its unexpected conclusion in the Egyptian Pharaoh's tombs, The Ice House is startling, tragic and humorous by turns.
Originally abandoned by her actor parents who later attempt to gain custody, Cat wages a spirited campaign to decide her own fate and remain with her grandmother.
SHORTLISTED FOR THE LOST MAN BOOKER PRIZE 'Nina Bawden gets inside the skins of all her people and shows them as paradoxical, crotchety, adulterous, ambitious and completely human . . . A beautifully sustained impression of the impossibility of family life' INDEPENDENT 'A story about a middle-class family in crisis, which is so good, and so true' GUARDIAN The expulsion from school of their eldest son shatters the middle-class security of Maggie, a writer, and Charlie, a journalist. Since childhood, Toby has been diffident and self-absorbed, but the threat of drug-taking and his refusal - or inability - to discuss his evident unhappiness, disturbs them sufficiently to seek professional help. Veering between private agony and public cheerfulness, Maggie and Charlie struggle to support their son and cope with the reactions- and advice- of friends and relatives. Noted for the acuity with which she reaches into the heart of relationships, Nina Bawden here excels in revealing the painful, intimate truths of a family in crisis. Toby's situation is explored with great tenderness, while Maggie's grief and self-recrimination are rigorously, if compassionately, observed.
A born story-teller, a gift as evident in this autobiography as in her novels' INDEPENDENT 'A joy' David Holloway, DAILY TELEGRAPH 'Casts light on the perennially fascinating relationship between the life and works of a writer' SUNDAY EXPRESS Nina Bawden's career spans twenty adult novels and seventeen for children. She turns now to her own story and in simple vignettes takes the reader through her life, revealing the inspirations of many of her books. It describes her childhood evacuation to Suffolk and Wales, and her years at Oxford where she met Richard Burton and Margaret Thatcher. And, she gives an account of her oldest son, Niki who was diagnosed schizophrenic.
A born story-teller' INDEPENDENT 'Nina Bawden has always presented such ingratiating characters that you wonder, distantly, at her interest in Anna' KIRKUS REVIEWS 'Throughout her career Bawden has concentrated on the careful depiction of character, feelings and behaviour' GUARDIAN Who is Anna? Is she Anna-May Gates, the war-time evacuee who encounters neglect and unwitting abuse on a Welsh farm? The reticent, dutiful daughter of her foster-mother, Crystal? Giles's shy child-bride? Conscientious mother and housewife? Or Daniel's undemanding but sophisticated mistress? It takes catastrophe for Anna to emerge as an individual, claiming her own identity. Nina Bawden, as ever both acute and generous, delves skilfully into character and offers the richly textured story of a woman's life and stratagems, and of the flawed, kindly people who surround her.
One of the wisest and most versatile of our novelists' CHRISTOPHER WORDSWORTH, GUARDIAN 'So intelligent and clear-eyed that every page seems to peel another layer of pretence' ISABEL QUIGLEY, FINANCIAL TIMES 'Nina Bawden's novels are self-perpetuating pleasures' KIRKUS REVIEWS 'Today, Tuesday, the day that Penelope has chosen to leave her husband, is the first really warm day of spring . . . ' Penelope has always done her best to be a good wife, a good mistress, a good mother - and a good magistrate. Today she is more conscious that usual of the thinness of the thread that distinguishes good from bad, the law-abiding from the criminal. Sitting in court, hearing a short, sad case of indecent exposure and a long, confused theft, she finds herself examining her own sex life - what would that sound like in court? - and her own actions and intentions. How would the court judge what she's about to do this afternoon . . . ?
On the Scottish island of Skua, friendship develops between the lonely and mysterious Perdita and a blind girl, Janey. Both possess a kind of second sight - Janey's is the ability to hear, feel and remember more than others, and Perdita's is the ominous legacy of her being a witch's daughter. When Janey's brother, Tom, starts investigating a cluster of mysterious events and suspicious characters, all three become entwined in an adventure of hidden jewels, desperate criminals and dangerous detection. Written in 1963, The Witch's Daughter showcases Nina Bawden's innate regard for the integrity of her young characters. As she has said: 'I like writing for children. It seems to me that most people underestimate their understanding and the strength of their feelings and in my books for them I try to put this right.' Hugely admired on publication by both reviewers and readers, it was described as 'thrilling' by the Times Literary Supplement.
As Tom Grant saw it, when he and Louise turned up at London Airport to welcome Jay Nbola of Kenya, there was no reason for behaving as though anything extraordinary was happening: he had invited a friend to stay with them during his year at London University; what did it matter that the friend was black? Louise Grant couldn’t see the occasion as all that ordinary, but it did give her the chance to prove she was none of those things she would genuinely have hated to be—prejudiced, provincial, reactionary. Thus Louise’s greeting to Jay was more cordial even than her husband’s. In this affectionate and ironic novel, Nina Bawden has created two thoroughly decent and likable people. Yet the Grants, without realizing it, have settled for the most indulgent view of themselves and their own motives. The advent of a visitor from Kenya jolts that settled view. Reality gets under their skins: the presence in their homes of a “primitive” African triggers explosions of alarmingly primitive behaviour in their English hearts. And Jay Nbola goes through a considerable amount of hell before his host and hostess have suffered enough to see him as the wholly separate human being he is. When that has happened, they have also learned some crucial things about their feelings for one another. First published in 1964, Nina Bawden’s dialogue is a delight, and her cool and wry compassion reveals the people of her novel as the very closest kin to all of us—under the skin.
A cast of nice, idiosyncratic characters . . . in the Turkish political climate' NEW YORK TIMES 'She held her readers' attention with her taut, inventive unfolding of twists and turns' GUARDIAN 'The comedy lies, as in the best and subtlest of comedies, in the exquisite patterning' NEW STATESMAN George is an unusually successful travel agent, providing other people with the adventures he dare not risk. Though content to wrap himself in fantasies, he is haunted by the fact that 'the important things happened whilst his back was turned' and by the belief that he fathered the daughter - now a desirable young woman - of his best friends, Sam and Claire. To avoid temptation, George stumbles into a disastrous marriage and determines to mould himself into a supportive husband. But a holiday in Turkey snaps his private world when George finds himself in the midst of intrigue and murder and is forced to acknowledge that life is not the fairy-tale he'd imagined. In this superbly constructed and mercilessly observed novel, part comedy, part thriller, Nina Bawden exposes the fictions we impose on our lives.
An extremely mesmerising woman, Venetia holds everyone she comes across enraptured. So when Venetia is found dead in suspicious circumstances the question is: exactly who would want to kill the beautiful Venetia? Those who were close to Venetia find themselves forced together as the web around this compelling woman rapidly unfolds. Suspicion and mistrust mount to boiling point as events reveal more and more about the kind of woman Venetia really was. Who Calls the Tune oozes the claustrophobic atmosphere it creates until the reader feels as though they are ensconced amongst the pages, alongside this quirky cast of characters. This novel is a classic murder mystery which will keep you guessing until the final pages.
When Tom Harrington embarks on an affair with the beautiful and affectionate Emily Hunter, he has no idea how seriously his life will be affected. At first, it is a straightforward deception, requiring only the usual expected tasks of lying to their respective spouses and hiding their relationship from the public eye. Before a year is out, however, Tom and Emily’s love has somehow become the epicenter of a quickly unraveling web of treachery, jealousy, intrigue, and even murder. As the facts become muddied and the casualties pile up, Tom tries to make sense of it all: his own responsibility and guilt; his mistress’s secrets and her husband’s slick exterior; his wife’s desperation and confusion. But the more control he tries to take, the less he finds he has, and the situation spirals ever quicker. Change Here for Babylon is a gripping story of misplaced emotion and misguided action. It grabs the reader from the very start, racing along with the suspense of a brilliant crime novel and moving with grim inevitability towards its surprising conclusion.
It is a measure of Bawden's skill, that she manages to show both the terrors of extreme longevity and its comic potential' THE TIMES 'An upper-middle class version of Mike Leigh's Secrets and Lies' INDEPENDENT ON SUNDAY 'Bawden has a penetraing eye for both the insalubrious and gorgeous detail, homing in with language that is always crisp and precise' GUARDIAN In six days, Silas Mudd will celebrate his 100th birthday. He is alarmingly healthy and tough as old boots - which is more than can be said of his son Will. 'Not sure he'll make old bones,' Silas confides loudly to Coral, his daughter-in-law. Grumpily flattered by the fuss over his impending party - even from his irritating family, Silas' greater pleasure is 'to go over his life' and the women whom he loved and who made trouble for him: his sterling and capable Aunt; his wonderfully vulgar second wife Bella; Molly, a music-hall singing sister; and Effie, his first and hopeless wife. But there is no doubt that Silas's son and his two daughters will be at the party. Best outfits and good form are what they think Silas wants served up, and they dare not disappoint him. This is not a family that reveals disturbing thoughts or truths. Silas is the only one left who knows exactly what is shoring up his family. So he sits, waiting and thinking, wondering what would happen if he were to tell.
The Solitary Child is a story of violent death and suspicion. Harriet becomes engaged to James Random, a gentleman farmer, monied but unpretentious. But his first wife, Eva, had died in what were called ‘unforgettable circumstances’; James was charged with murdering her and was acquitted. Breaking the news to her mother of her engagement was Harriet’s first ordeal: facing Maggie, the solitary child who was James’ and Eva’s daughter was more complex. Suspicions are not always cleared away by a verdict of ‘not guilty’. Here the suspicion which Harriet found surrounding her new home was so oppressive it distorted the relationships of the people involved into a nightmare climax.
Lucy’s trouble is that the exercise of her ambition is trammelled by the letter, though not the spirit, of such contemporary morality as has been distilled to her. Quite intelligent and attractive enough to get on under her own steam, her desire to live in a manner she is not accustomed to and her fascinated preoccupation with the ‘marvellous secret society’ of rich and educated people, side-track her into some very false moves, such as her marriage with the unspeakable Jebb. With good writing, exact observation and easy invention, Nina Bawden provides a cool and humorous commentary on society as it was.
SUMMARY: A family's visit to a country under the rule of a dictator involves the children in a startling revolutionary secret, and leads them to suspect that their stepfather is a spy.
Accidents happen to other people. But on On May 10th 2002, Nina Bawden discovered what it feels like to be one of the 'other people'. It was to be a lovely outing to Cambridge for a friend's birthday party. Nina Bawden and her husband Austen Kark boarded the 12:45 from Kings Cross and settled down with their books and papers. A few minutes later the train derailed. Seven people were killed and 76 badly hurt. Nina Bawden was gravely injured and Austen was killed instantly. In this powerful and poignant letter to her husband, Nina Bawden uses her considerable writing skills to try and make sense of it all. She explains how she - now in her late 70s - found herself the outspoken spokesperson for the survivors of the crash, interviewed here and abroad and even one of the characters portrayed in David Hare's The Permanent Way. Although liability has finally been admitted, as of October 2004, there has been no resolution to this tragedy, nor a public enquiry into how it happened.
Nine-year-old Philip has always lived with his grandmother, but when his widowed father remarries he finds that he must suddenly adjust to a new way of life with his father and stepmother.
A Puffin Book - stories that last a lifetime. Carrie's War by Nina Bawden is an unforgettable Second World War story. 'I did a dreadful thing...or I feel that I did, and nothing can change it...' It is the Second World War and Carrie and Nick are evacuated from London to a small town in Wales, where they are placed with strict Mr Evans and his timid mouse of a sister. Their friend Albert is luckier, living in Druid's Bottom with Hepzibah Green who tells wonderful stories, and the strange Mister Johnny, who speaks a language all of his own. Carrie and Nick are happy to visit Albert there, until one day when Carrie does a terrible thing - the worst thing she ever did in her life... Based on her own childhood, Nina Bawden's enchanting story Carrie's War has delighted a whole generation of readers. Nina Bawden is without question one of the very best writers for children' Daily Telegraph Perfect for fans of Goodnight Mister Tom by Michelle Magorian. Now part of the A Puffin Book - stories that last a lifetime - series Nina Bawden is one of today's best writers for both adults and children. she has often used her own childhood experiences in her books - Carrie's War is set in the mining valley in Wales where she lived as an evacuee in wartime. She studied philosophy, politics and economics at Somerville College, Oxford and finished her first novel the year after she took her degree. She won the Guardian Award for Children's Fiction for The Peppermint Pig.
A family's visit to a country under the rule of a dictator involves the children in a startling revolutionary secret and leads them to suspect that their stepfather is a spy.
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