Using, or rather mimicking, traditional forms of storytelling Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme. Selected from Evenings on a Farm near Dikanka, Mirgorod, and the Petersburg tales and arranged in order of composition, the thirteen stories in The Collected Tales of Nikolai Gogolencompass the breadth of Gogol's literary achievement. From the demon-haunted “St. John's Eve ” to the heartrending humiliations and trials of a titular councilor in “The Overcoat,” Gogol's knack for turning literary conventions on their heads combined with his overt joy in the art of story telling shine through in each of the tales. This translation, by Richard Pevear and Larissa Volokhonsky, is as vigorous and darkly funny as the original Russian. It allows readers to experience anew the unmistakable genius of a writer who paved the way for Dostevsky and Kafka.
Nikolai Gogol is considered the father of Russian realism. He has influenced thousands of writers--but who influenced him? Read about his life in this eBook.
Welcome to the 7 Best Short Stories book series, were we present to you the best works of remarkable authors. This edition is dedicated to the uruguayan author Nikolai Gogol. Nikolai Gogol was a Russian novelist, short story writer and playwright of Ukrainian origin. All his work is founded on realism, but a realism of his own, with traces of what would become surrealism. Works selected for this book: - The Nose; - The Viy; - The Cloak; - Old-Fashioned Farmers; - The Overcoat; - Memoirs of a Madman; - The Mysterious Portrait. This book also contains biographical comments by William Ralston Shedden-Ralston and William Lyon Phelps. If you appreciate good literature, be sure to check out the other Tacet Books titles!
The works of Gogol are compiled here with a biography about his life and times. Works include: The Calash The Cloak Dead Souls The Inspector-General The Mantle A May Night Memoirs of a Madman The Mysterious Portrait The Nose St. John’s Eve The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich Taras Bulba The Viy
Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
Collected here are Gogol’s finest tales—stories that combine the wide-eyed, credulous imagination of the peasant with the sardonic social criticism of the city dweller—allowing readers to experience anew the unmistakable genius of a writer who paved the way for Dostoevsky and Kafka. All of Gogol’s most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know. The wholly unique blend of the mundane and the supernatural that Gogol crafted established his reputation as one of the most daring and inventive writers of his time. From the acclaimed translators of War and Peace, Crime and Punishment, and The Brothers Karamazov, a brilliant translation of Nikolai Gogol’s short fiction.
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Nikolai Gogolwhich areDead SoulsandTaras Bulba. Nikolai Vasilievich Gogol was a Ukrainian-born Russian writer. He contributed to Russian literature through his magnificently crafted dramas, novels and short stories. He was one of the major proponents of the natural school of Russian literary realism. Novels selected for this book: - Dead Souls - Taras Bulba This is one of many books in the seriesEssential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
Dead Souls by Nikolai Gogol Dead Souls is a prime example of 19th century Russian Literature. In the novel, the shady character Chichikov seeks to exploit a tax loophole in a get-rich-quick scheme. When the rumors begin to fly, Chichikov is disgraced among the town officials and he is forced to flee in disgrace. Structured similarly to Homer's The Odyssey and Dante's Purgatorio, Dead Souls is an insightful look at the Russian political system and the corruption which abounded at the time.
Gogol's 1842 novel Dead Souls, a comic masterpiece about a mysterious con man and his grotesque victims, is one of the major works of Russian literature. It was translated into English in 1942 by Bernard Guilbert Guerney; the translation was hailed by Vladimir Nabokov as "an extraordinarily fine piece of work" and is still considered the best translation of Dead Souls ever published. Long out of print, the Guerney translation of Dead Souls is now reissued. The text has been made more faithful to Gogol's original by removing passages that Guerney inserted from earlier drafts of Dead Souls. The text is accompanied by Susanne Fusso's introduction and by appendices that present excerpts from Guerney's translations of other drafts of Gogol's work and letters Gogol wrote around the time of the writing and publication of Deal Souls. "I am delighted that Guerney's translation of Dead Souls [is] available again. It is head and shoulders above all the others, for Guerney understands that to 'translate' Gogol is necessarily to undertake a poetic recreation, and he does so brilliantly."—Robert A. Maguire, Columbia University "The Guerney translation of Dead Souls is the only translation I know of that makes any serious attempt to approximate the qualities of Gogol's style—exuberant, erratic, 'Baroque,' bizarre."—Hugh McLean, University of California, Berkeley "A splendidly revised and edited edition of Bernard Guerney's classic English translation of Gogol's Dead Souls. The distinguished Gogol scholar Susanne Fusso may have brought us as close as the English reader may ever expect to come to Gogol's masterpiece. No student, scholar, or general reader will want to miss this updated, refined version of one of the most delightful and sublime works of Russian literature."—Robert Jackson, Yale University
In Nikolai Gogol's short story "May Night, or the Drowned Maiden," a single night ends up changing the lives of many. Young Levko is the son of the head of a Ukrainian village and madly in love with a maiden named Hanna. To Levko's dismay, his father attempts to break off the romance in secret. What follows is a night during which both the alive and dead seek vengeance. In this tale wrapped in mysterious folktale, family ties are put to the test and characters are faced with a lesson or two. The story was adapted into two operas in the late 19th century and a Soviet film in 1952. Ukrainian-born writer and dramatist Nikolai Gogol (1809-1852) is considered one of the most prominent figures in Russian literature. His unconventional works are often touched by folklore or a hint of the unusual, providing the reader with surprising turns and characters. Gogol has been attached to a range of different literary styles, including Russian literary realism and even surrealism. His stories include the short story "The Nose" and the famous satirical novel Dead Souls. Gogol's works have inspired numerous stage, film and television adaptations including the movie Inspector General (1949), based loosely on his play with the same name.
Nikolai Vasilievich Gogol (1809 - 1852) was a Ukrainian-born Russian dramatist, novelist and short story writer. Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol's work a fundamentally romantic sensibility, with strains of Surrealism and the grotesque. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls), leading to his eventual exile. The novel Taras Bulba (1835) and the play Marriage (1842), along with the short stories "Diary of a Madman," "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich," "The Portrait" and "The Carriage," round out the tally of his best-known works. In this book: The Mantle and Other Stories Translator: Claud Field The Inspector-General Translator: Thomas Seltzer Dead Souls Translator: D. J. Hogarth Taras Bulba and Other Tales
The Nose" is a satirical short story by Nikolai Gogol. Written between 1835 and 1836, it tells of a St. Petersburg official whose nose leaves his face and develops a life of its own. Dmitri Shostakovich's opera The Nose, first performed in 1930, is based on this story. A short film based on the story was made by Alexandre Alexeieff and Claire Parker in 1963 and used pinscreen animation.
Dead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form.
This early work by Nikolai Gogol was originally published in 1830 and we are now republishing it with a brand new introductory biography. 'St. John's Eve' is a short story about young lovers that are kept apart by the girl's father. The boy then gets convinced to accept a dangerous deal from a witch in order to win the right to his love. Nikolai Vasilievich Gogol was born in Sorochintsi, Ukraine in 1809. In 1831, Gogol brought out the first volume of his Ukrainian stories, 'Evenings on a Farm Near Dikanka'. It met with immediate success, and he followed it a year later with a second volume. 'The Nose' is regarded as a masterwork of comic short fiction, and 'The Overcoat' is now seen as one of the greatest short stories ever written; some years later, Dostoyevsky famously stated "We all come out from Gogol's 'Overcoat'." He is seen by many contemporary critics as one of the greatest short story writers who has ever lived, and the Father of Russia's Golden Age of Realism.
One of the most influential short stories ever written, Nikolai Gogol's ''The Overcoat'' first appeared in 1842 as part of a four-volume publication of its author's Collected Works. The story is considered not only an early masterpiece of Russian Naturalism-a movement that would dominate the country's literature for generations-but a progenitor of the modern short story form itself. "We all came out from under Gogol's 'Overcoat'" is a remark that has been variously attributed to Dostoevsky and Turgenev. That either or both might have said it is an indication of the far-reaching significance of Gogol's work. Gogol's writings have been seen as a bridge between the genres of romanticism and realism in Russian literature. Progressive critics of his day praised Gogol for grounding his prose fictions in the everyday lives of ordinary people, and they claimed him as a pioneer of a new "naturalist" aesthetic. Yet, Gogol viewed his work in a more conservative light, and his writing seems to incorporate as much fantasy and folklore as realistic detail. "The Overcoat," which was written sporadically over several years during a self-imposed exile in Geneva and Rome, is a particularly dazzling amalgam of these seemingly disparate tendencies in Gogol's writing. The story begins by taking its readers through the mundane and alienating world of a bureaucratic office in St. Petersburg where an awkward, impoverished clerk must scrimp and save in order to afford a badly needed new winter coat. As the story progresses, we enter a fairy-tale world of supernatural revenge, where the clerk's corpse is seen wandering city streets ripping coats off the backs of passersby. Gogol's story is both comic and horrific-at once a scathing social satire, moralistic fable, and psychological study. List of Contents: Introduction to Nikolai Gogol Book 1: The Overcoat Book 2: Taras Bulba Book 3: St. John's Eve Book 4: The Nose Book 5: The Mysterious Portrait Book 6: The Calash
The Government Inspector, also known as The Inspector General , is a satirical play by the Russophone Ukrainian playwright and novelist Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin, the play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia. According to D. S. Mirsky, the play "is not only supreme in character and dialogue in it is one of the few Russian plays constructed with unerring art from beginning to end. The great originality of its plan consisted in the absence of all love interest and of sympathetic characters. The latter feature was deeply resented by Gogol's enemies, and as a satire the play gained immensely from it. There is not a wrong word or intonation from beginning to end, and the comic tension is of a quality that even Gogol did not always have at his beck and call. The dream-like scenes of the play, often mirroring each other, whirl in the endless vertigo of self-deception around the main character, Khlestakov, who personifies irresponsibility, light-mindedness, absence of measure. "He is full of meaningless movement and meaningless fermentation incarnate, on a foundation of placidly ambitious inferiority" (D.S. Mirsky). The publication of the play led to a great outcry in the reactionary press. It took the personal intervention of Tsar Nicholas I to have the play staged, with Mikhail Shchepkin taking the role of the Mayor.
A masterpiece of satire and a key work of the Russian "fantastic" movement. One of the most celebrated tales in Russian literature. Collegiate Assessor Kovalyov awakens to discover that his nose is missing, leaving a smooth, flat patch of skin in its place. He finds and confronts his nose in the Kazan Cathedral, but from its clothing it is apparent that the nose has acquired a higher rank in the civil service than he and refuses to return to his face. THE ART OF THE NOVELLA Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers but beloved and practiced by literature's greatest writers. The Art of the Novella Series celebrates this renegade art form and its practitioners. The series has been recognized for its "excellence in design" by AIGA.
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