The ABC of Communism is a book written by Nikolai Bukharin and Evgenii Preobrazhensky in 1919, during the Russian Civil War. Originally written to convince the proletariat of Russia to support the Bolsheviks, it became "an elementary textbook of communist knowledge". It became the best known and most widely circulated of all pre-Stalinist expositions of Bolshevism and the most widely read political work in Soviet Russia. Long out of print, and often only being available with the abridged first few chapters, this version includes completed new transcriptions of the last eight chapters along with the Programme of the Communist Party of Russia, a glossary, and a new word index. The ABC of Communism is written to be a systematic description of communism and the proletarian condition under capitalism, away from the reality of Soviet life, into a redirection towards a militant optimism on the horizon. This book in the Radical Reprint series from Pattern Books is made to be accessible and as close to manufacturing cost as possible.
Bukharin's analysis is still in advance of much contemporary discussion ? Without a development of his arguments, albeit a critical one, the modern world cannot be understood.' - Michael Haynes, Nikolai Bukharin and the Transition from Capitalism to Socialism
Here at last in English is Nikolai Bukharin's autobiographical novel and final work. Many dissident texts of the Stalin era were saved by chance, by bravery, or by cunning; others were systematically destroyed. Bukharin's work, however, was simultaneously preserved and suppressed within Stalin's personal archives. At once novel, memoir, political apology, and historical document, How It All Began, known in Russia as "the prison novel," adds deeply to our understanding of this vital intellectual and maligned historical figure. The panoramic story, composed under the worst of circumstances, traces the transformation of a sensitive young man into a fiery agitator, and presents a revealing new perspective on the background and causes of the revolution that transformed the face of the twentieth century. Among the millions of victims of the reign of terror in the Soviet Union of the 1930's, Bukharin stands out as a special case. Not yet 30 when the Bolsheviks took power, he was one of the youngest, most popular, and most intellectual members of the Communist Party. In the 1920's and 30's, he defended Lenin's liberal New Economic Policy, claiming that Stalin's policies of forced industrialization constituted a "military-feudal exploitation" of the masses. He also warned of the approaching tide of European fascism and its threat to the new Bolshevik revolution. For his opposition, Bukharin paid with his freedom and his life. He was arrested and spent a year in prison. In what was one of the most infamous "show trials" of the time, Bukharin confessed to being a "counterrevolutionary" while denying any particular crime and was executed in his prison cell on March 15, 1938. While in prison, Bukharin wrote four books, of which this unfinished novel was the last. It traces the development of Nikolai "Kolya" Petrov (closely modeled on Nikolai "Kolya" Bukharin) from his early childhood though to age fifteen. In lyrical and poetic terms it paints a picture of Nikolai's growing political consciousness and ends with his activism on the eve of the failed 1905 revolution. The novel is presented here along with the only surviving letter from Bukharin to his wife during his time in prison, an epistle filled with fear, longing, and hope for his family and his nation. The introduction by Stephen F. Cohen articulates Bukharin's significance in Soviet history and reveals the troubled journey of this novel from Stalin's archives into the light of day.
For many years a neglected figure, Nikolai Bukharin has recently been the subject of renewed interest in the West. Now regarded as a leading Marxist theorist, Bukharin's work has wide appeal to those interested in Soviet history and Marxist economics as well as to those concerned with theories of development and socialist economies.
Systematic criticism (written in 1914 from the point of view of Marxism), of bourgeois capitalist economic theories of value, of marginal utility and of profit - includes a bibliography pp. 211 to 215.
Bukharin’s Philosophical Arabesques was written while he was imprisoned in the Lubyanka Prison in Moscow, facing trial on charges of treason, and later awaiting execution after he was found guilty. After the death of Lenin, Bukharin cooperated with Stalin for a time. Once Stalin's supremacy was assured he began eliminating all potential rivals. For Bukharin, the process was to end with his confession before the Soviet court, facing the threat that his young family would be killed along with him if he did not. While awaiting his death, Bukharin wrote prolifically. He considered Philosophical Arabesques as the most important of his prison writings. In its pages, he covers the full range of issues in Marxist philosophy—the sources of knowledge, the nature of truth, freedom and necessity, the relationship of Hegelian and Marxist dialectic. The project constitutes a defense of the genuine legacy of Lenin's Marxism against the use of his memory to legitimate totalitarian power. Consigned to the Kremlin archives for a half-century after Bukharin’s execution, this work is now being published for the first time in English. It will be an essential reference work for scholars of Marxism and the Russian revolution and a landmark in the history of prison writing.
Here, with critical notes and context, are V.I. Lenin’s Imperialism: The Highest Stage of Capitalism and Nikolai Bukharin’s Imperialism and World Economy. They are both essential for understanding the nature of imperialism and war historically—and today. V.I. Lenin (1870–1924) was a leader of the Russian Revolution and wrote extensively on the issues facing the working-class movement of his time. Nikolai Bukharin (1888–1938) was a Bolshevik leader and intellectual, and later a Soviet politician until his execution at the hands of Stalin’s government. Phil Gasper is a professor of philosophy at Notre Dame de Namur University in California. He writes extensively on politics and the philosophy of science and is a frequent contributor to CounterPunch. He is the author of Haymarket Books’ The Communist Manifesto: A Road Map to History’s Most Important Political Document.
The ABC of Communism is a book written by Nikolai Bukharin and Evgenii Preobrazhensky in 1919, during the Russian Civil War. Originally written to convince the proletariat of Russia to support the Bolsheviks, it became "an elementary textbook of communist knowledge". It became the best known and most widely circulated of all pre-Stalinist expositions of Bolshevism and the most widely read political work in Soviet Russia. Long out of print, and often only being available with the abridged first few chapters, this version includes completed new transcriptions of the last eight chapters along with the Programme of the Communist Party of Russia, a glossary, and a new word index. The ABC of Communism is written to be a systematic description of communism and the proletarian condition under capitalism, away from the reality of Soviet life, into a redirection towards a militant optimism on the horizon. This book in the Radical Reprint series from Pattern Books is made to be accessible and as close to manufacturing cost as possible.
Much like Vladimir Lenin, his onetime rival for the leadership of the Bolshevik party during its formative years, Alexander Bogdanov (1873–1928) was a visionary. In two science fiction novels set on Mars, Bogdanov imagined a future in which the workers of the world, liberated from capitalist exploitation, create a “physiological collective” that rejuvenates and unites its members through regular blood exchanges. But Bogdanov was not merely a dreamer. He worked tirelessly to popularize and realize his vision, founding the first research institute devoted to the science of blood transfusion. In A Martian Stranded on Earth, the first broad-based book on Bogdanov in English, Nikolai Krementsov examines Bogdanov’s roles as revolutionary, novelist, and scientist, presenting his protagonist as a coherent thinker who pursued his ideas in a wide range of venues. Through the lens of Bogdanov’s involvement with blood studies on one hand, and of his fictional and philosophical writings on the other, Krementsov offers a nuanced analysis of the interactions between scientific ideas and societal values.
Krementsov examines a particular fascination with the dream of immortality and the place of science and fiction in its pursuit in Russia during roughly a decade that followed the country's political revolutions of 1917. It argues that contemporary scientific experiments aimed at the control over life, death, and disease inspired many Russian writers to conduct their own literary experiments with the ideas and techniques offered by experimental biology and medicine, which found expression in both popular-science writings and a new literary genre, science fiction.
Some scholars have viewed the Soviet state and science as two monolithic entities--with bureaucrats as oppressors, and scientists as defenders of intellectual autonomy. Based on previously unknown documents from the archives of state and Communist Party agencies and of numerous scientific institutions, Stalinist Science shows that this picture is oversimplified. Even the reinstated Science Department within the Central Committee was staffed by a leading geneticist and others sympathetic to conventional science. In fact, a symbiosis of state bureaucrats and scientists established a much more terrifying system of control over the scientific community than any critic of Soviet totalitarianism had feared. Some scientists, on the other hand, developed more elaborate devices to avoid and exploit this control system than any advocate of academic freedom could have reasonably hoped. Nikolai Krementsov argues that the model of Stalinist science, already taking hold during the thirties, was reversed by the need for inter-Allied cooperation during World War II. Science, as a tool for winning the war and as a diplomatic and propaganda instrument, began to enjoy higher status, better funding, and relative autonomy. Even the reinstated Science Department within the Central Committee was staffed by a leading geneticist and others sympathetic to conventional science. However, the onset of the Cold War led to a campaign for eliminating such servility to the West. Then the Western links that had benefited genetics and other sciences during the war and through 1946 became a liability, and were used by Lysenko and others to turn back to the repressive past and to delegitimate whole research directions.
For many years a neglected figure, Nikolai Bukharin has recently been the subject of renewed interest in the West. Now regarded as a leading Marxist theorist, Bukharin's work has wide appeal to those interested in Soviet history and Marxist economics as well as to those concerned with theories of development and socialist economies.
A “harrowing” true story of World War II—the forced repatriation of two million Russian POWs to certain doom (The Times, London). At the end of the Second World War, a secret Moscow agreement that was confirmed at the 1945 Yalta Conference ordered the forcible repatriation of millions of Soviet citizens that had fallen into German hands, including prisoners of war, refugees, and forced laborers. For many, the order was a death sentence, as citizens returned to find themselves executed or placed back in forced-labor camps. Tolstoy condemns the complicity of the British, who “ardently followed” the repatriation orders.
What is international science and how does it function? This book answers these questions through a detailed study of international congresses on genetics held from 1899 to 1939. It presents a portrait of international science as a product of continuous interactions that involved scientists and their patrons within specific political, ideological, and disciplinary contexts. Drawing on a variety of archival sources - ranging from Stalin's personal papers to the records of the Gestapo and from the correspondence among scientists in different countries to the minutes of the Soviet government's top-secret meetings - it depicts the operations of international science at a time of great political tensions. Krementsov breaks with the view of science as either inherently national or quintessentially international, examining instead the intersection between national and international agendas in scientists' activities. Focusing on the dramatic history of the Seventh international genetics congress, he investigates contradictions inherent to scientists' dual loyalties to their country and their science. Through analysis of negotiations among three groups of actors involved with the organization of the congress, Krementsov examines the role of ideologies, patronage, and personal networks in the operations of international science.
Russia and the United States—an account of American-Russian relations written for an American audience by Soviet historians—represents a novel venture for both scholarship and publishing. Its often startling perspective on American foreign policy is required reading for anyone wishing to understand the increasingly troubled relations between the two nations. Sivachev and Yakolev trace the course of the U.S.-Russian relations from the years preceding the American Revolution to the 1970s, when human rights issues began to cause friction. Those relations, the authors believe, were characterized by America's repeated failure to take advantage of opportunities to improve them. Recognizing the controversial nature of the book, Sivachev said in an interview with the New York Times: "We did not set out to please the American reader, nor did the University of Chicago Press ask us to. On the contrary, they recommended that we should feel free to present our own views." "Scholars and students of American foreign policy . . . are likely to be alternatively interested, intrigued, angered, and sometimes illuminated by some of the interpretations found in this work."—Perspective "An American reader should not prejudge this book as simply another dreary contribution to the rhetoric of Soviet propaganda. It is more than this. The book is an expression of a view of the world that is truly and strikingly different from an American one and it is important to understand that it is a theory of reality that is shared by most, if not all, Soviet intellectuals who study America and its foreign policy. It is not enough simply to establish the inaccuracies and misrepresentations contained in such a view. One must go further and understand that such a view of reality is sincerely deeply held and that it is a part of a larger belief system that gives the authors' scholarly work coherence and meaning."—Boston Sunday Globe
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Here at last in English is Nikolai Bukharin's autobiographical novel and final work. Many dissident texts of the Stalin era were saved by chance, by bravery, or by cunning; others were systematically destroyed. Bukharin's work, however, was simultaneously preserved and suppressed within Stalin's personal archives. At once novel, memoir, political apology, and historical document, How It All Began, known in Russia as "the prison novel," adds deeply to our understanding of this vital intellectual and maligned historical figure. The panoramic story, composed under the worst of circumstances, traces the transformation of a sensitive young man into a fiery agitator, and presents a revealing new perspective on the background and causes of the revolution that transformed the face of the twentieth century. Among the millions of victims of the reign of terror in the Soviet Union of the 1930's, Bukharin stands out as a special case. Not yet 30 when the Bolsheviks took power, he was one of the youngest, most popular, and most intellectual members of the Communist Party. In the 1920's and 30's, he defended Lenin's liberal New Economic Policy, claiming that Stalin's policies of forced industrialization constituted a "military-feudal exploitation" of the masses. He also warned of the approaching tide of European fascism and its threat to the new Bolshevik revolution. For his opposition, Bukharin paid with his freedom and his life. He was arrested and spent a year in prison. In what was one of the most infamous "show trials" of the time, Bukharin confessed to being a "counterrevolutionary" while denying any particular crime and was executed in his prison cell on March 15, 1938. While in prison, Bukharin wrote four books, of which this unfinished novel was the last. It traces the development of Nikolai "Kolya" Petrov (closely modeled on Nikolai "Kolya" Bukharin) from his early childhood though to age fifteen. In lyrical and poetic terms it paints a picture of Nikolai's growing political consciousness and ends with his activism on the eve of the failed 1905 revolution. The novel is presented here along with the only surviving letter from Bukharin to his wife during his time in prison, an epistle filled with fear, longing, and hope for his family and his nation. The introduction by Stephen F. Cohen articulates Bukharin's significance in Soviet history and reveals the troubled journey of this novel from Stalin's archives into the light of day.
Bukharin's Philosophical Arabesques was written while he was imprisoned in the Lubyanka Prison in Moscow, facing trial on charges of treason, and later awaiting execution after he was found guilty. After the death of Lenin, Bukharin cooperated with Stalin for a time. Once Stalin's supremacy was assured he began eliminating all potential rivals. For Bukharin, the process was to end with his confession before the Soviet court, facing the threat that his young family would be killed along with him if he did not. While awaiting his death, Bukharin wrote prolifically. He considered Philosophical Arabesques as the most important of his prison writings. In its pages, he covers the full range of issues in Marxist philosophy--the sources of knowledge, the nature of truth, freedom and necessity, the relationship of Hegelian and Marxist dialectic. The project constitutes a defense of the genuine legacy of Lenin's Marxism against the use of his memory to legitimate totalitarian power. Consigned to the Kremlin archives for a half-century after Bukharin's execution, this work is now being published for the first time in English. It will be an essential reference work for scholars of Marxism and the Russian revolution and a landmark in the history of prison writing.
Bukharin’s Philosophical Arabesques was written while he was imprisoned in the Lubyanka Prison in Moscow, facing trial on charges of treason, and later awaiting execution after he was found guilty. After the death of Lenin, Bukharin cooperated with Stalin for a time. Once Stalin's supremacy was assured he began eliminating all potential rivals. For Bukharin, the process was to end with his confession before the Soviet court, facing the threat that his young family would be killed along with him if he did not. While awaiting his death, Bukharin wrote prolifically. He considered Philosophical Arabesques as the most important of his prison writings. In its pages, he covers the full range of issues in Marxist philosophy—the sources of knowledge, the nature of truth, freedom and necessity, the relationship of Hegelian and Marxist dialectic. The project constitutes a defense of the genuine legacy of Lenin's Marxism against the use of his memory to legitimate totalitarian power. Consigned to the Kremlin archives for a half-century after Bukharin’s execution, this work is now being published for the first time in English. It will be an essential reference work for scholars of Marxism and the Russian revolution and a landmark in the history of prison writing.
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