The word 'athletics' is derived from the Greek verb 'to struggle for a prize'. After reading this book, no one will see the Olympics as a graceful display of Greek beauty again, but as war by other means. Nigel Spivey paints a portrait of the Greek Olympics as they really were - fierce contests between bitter rivals, in which victors won kudos and rewards, and losers faced scorn and even assault. Victory was almost worth dying for, and a number of athletes did just that. Many more resorted to cheating and bribery. Contested always bitterly and often bloodily, the ancient Olympics were not an idealistic celebration of unity, but a clash of military powers in an arena not far removed from the battlefield.
In the late nineteenth century, the first discoveries of prehistoric painting were greeted with incredulity. How could there have been such deft and skillful artists in the world over 30,000 years ago? Noted art historian Nigel Spivey begins with this puzzle to explore the record of humanity's artistic endeavors, and their impact on our own development. How Art Made the World , in conjunction with the PBS miniseries, reveals how artists from the earliest caveman to the most studied Renaissance master have grappled with the same questions in their work: What is a man? Why must we die? Is there a God? With the help of vivid color illustrations of some of the world's most moving and enduring works of art, Spivey shows how that art has been used as a means of mass persuasion, essential to the creation of hierarchical societies, and finally, the extent to which art has served as a mode of terror management in the face of our inevitable death. Packed with new insights into ancient wonders and fascinating stories from all around the globe, How Art Made the World is a compelling account of how humans made art and how art makes us human.
The author presents a retelling of classic Greek mythology including dramatic versions of "Jason and the Argonauts," "The Travels of Odysseus," "The Wrath of Achilles," and much more.
In the late nineteenth century, the first discoveries of prehistoric painting were greeted with incredulity. How could there have been such deft and skillful artists in the world over 30,000 years ago? Noted art historian Nigel Spivey begins with this puzzle to explore the record of humanity's artistic endeavors and their impact on our own development. Embarking with the motto, “Everyone is an artist,” Spivey takes us on a quest to find out when and how we humans began to explore the deepest questions of life, using visual artforms. With the help of vivid color illustrations of some of the world's most moving and enduring works of art, Spivey shows how that art has been used as a means of mass persuasion, essential to the creation of hierarchical societies, and finally, the extent to which art has served as a mode of terror management in the face of our inevitable death. Packed with new insights into ancient wonders and fascinating stories from all around the globe, How Art Made the World is a compelling account of how humans made art and how art makes us human.
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Describes when and how humans first acquired and then utilized symbolic representation and explores how art has been used throughout history as a means of mass persuasion.
The author presents a retelling of classic Greek mythology including dramatic versions of "Jason and the Argonauts," "The Travels of Odysseus," "The Wrath of Achilles," and much more.
The Kaleidoscopic Vision of Malcolm Lowry: Souls and Shamans is an interdisciplinary investigation of the multifaceted, intuitive insight of international modernist writer Malcolm Lowry through an analysis of a selection of works and correspondence. Nigel H. Foxcroft analyzes his psychogeographic perception of the interconnectedness of East-West cultures and civilizations in terms of pre-Columbian Mesoamerican customs; the Mexican Day of the Dead festival; the Atlantis myth; surrealism; and Russian literary, filmic, and political influences. He traces his intellectual efforts in pursuing philosophical and cosmic knowledge to bridge the gap between the natural sciences and the humanities. This monograph identifies Lowry’s attempts to reintegrate modernism with primitivism in his quest for an elixir of life for the survival of humanity on the brink of global catastrophe, as indicated in In Ballast to the White Sea and Under the Volcano. It also examines his sustained endeavors to attain psychoanalytical atonement with himself and his environment in Ultramarine, Swinging the Maelstrom, “The Forest Path to the Spring,” and October Ferry to Gabriola. It also discusses the odyssey on which Lowry and his literary protagonists embark to connect with the past and to gain a deeper insight into human nature in Dark as the Grave Wherein My Friend is Laid, La Mordida, and “Through the Panama.” Scholars of cultural studies, history, humanities, Latin American studies, literature, and Russian studies will find this book particularly useful.
Ancient Greek sculpture seems to have a timeless quality – provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly illustrated and carefully written survey, encompassing works from c.700 BC to the end of antiquity, Nigel Spivey expounds not only the social function of Greek sculpture but also its aesthetic and technical achievement. Fresh approaches are reconciled with traditional modes of study as the connoisseurship of this art is sympathetically unravelled, while source material and historical narratives are woven into detailed explanations, putting the art into its proper context. Greek Sculpture is the ideal textbook for students of classics, classical civilisation, art history and archaeology – and an accessible account for all interested readers.
A concise and accessible study of the foundations, development and enduring legacy of the cultures of Greece and Rome, centred on ten locations of seminal importance in the development of Classical civilisation. Starting with Troy, where history, myth and cosmology fuse to form the origins of Classical civilisation, Nigel Spivey explores the contrasting politics of Athens and Sparta, the diffusion of classical ideals across the Mediterranean world, Classical science and philosophy, the eastward export of Greek culture with the conquests of Alexander the Great, the power and spread of the Roman imperium, and the long Byzantine twilight of Antiquity. A secure grasp of the nature of our Greek and Roman heritage is absolutely fundamental to a true understanding of contemporary European society and culture. Nigel Spivey outlines and explains that heritage with supreme passion, rigour and clarity.
In a work that is part memoir, part monograph, Nigel Duffield offers a set of lyrical reflections on theories of Psycholinguistics, which is concerned with how speakers use the languages they control, as well as with how such control is acquired in the first place. Written for professionals and enthusiastic amateurs alike, this book offers a 'well-tempered' examination of the conceptual and empirical foundations of the field. In developing his ideas, the author draws on thirty years of direct professional experience of psycholinguistic theory and practice, across various sub-disciplines, including theoretical linguistics, cognitive psychology, philosophy, and philology. The author's personal experience as a language learner - more importantly, as the father of three bilingual children - also plays a crucial role in shaping the discussion. Using examples from popular literature, song, poetry, and comedy, the work examines many of the foundational questions that divide researchers from different intellectual traditions: these include the nature of 'linguistic competence', the arbitrariness of language, and the theoretical implications of variation between speakers and across languages.
By setting epinician in dialogue with the colorful stories about athletes that circulated in the same period, The Poetics of Victory in the Greek West offers a new and compelling account of the Deinomenids' self-promotion and of the complex communities within and around the Deinomenid empire.
Psychology: The Science of Mind and Behaviour is here with a new, fully updated and revised third edition. Bringing new developments in the field and its renowned pedagogical design, the third edition offers an exciting and engaging introduction to the study of psychology.This book’s scientific approach, which brings together international research, practical application and the levels of analysis framework, encourages critical thinking about psychology and its impact on our daily lives. Key features: Fully updated research and data throughout the book as well as increased cross cultural referencesRestructured Chapter 3 on Genes, Environment and Behaviour, which now starts with a discussion of Darwinian theory before moving on to Mendelian geneticsCore subject updates such as DSM-5 for psychological disorders and imaging techniques on the brain are fully integratedRevised and updated Research Close Up boxesCurrent Issues and hot topics such as, the study of happiness and schizophrenia, intelligence testing, the influence of the media and conflict and terrorism are discussed to prompt debates and questions facing psychologists todayNew to this edition is Recommended Reading of both classic and contemporary studies at the end of chapters Connect™ Psychology: a digital teaching and learning environment that improves performance over a variety of critical outcomes; easy to use and proven effective. LearnSmart™: the most widely used and intelligent adaptive learning resource that is proven to strengthen memory recall, improve course retention and boost grades. SmartBook™: Fuelled by LearnSmart, SmartBook is the first and only adaptive reading experience available today.
The Poetics of Victory in the Greek West examines the relationship between epinician and the heroizing narratives about athletes, or "hero-athlete narratives," that circulated orally in Sicily and Italy in the late archaic and early classical period. Drawing on the colorful stories told about athletes in later sources, the fragments of Simonides, and the surviving odes of Pindar and Bacchylides, it argues that epinician was formed in opposition to orally transmitted narratives and that these two forms-epinician and the hero-athlete narrative-promoted opposed political visions, with epinician promoting the Deinomenid empire and its structures and the hero-athlete narrative opposing Deinomenid rule. Combining an intimate knowledge of the material culture of the Greek West with an innovative use of available source material, The Poetics of Victory in the Greek West exposes the rich intersections between athletics and politics in Sicily and Italy, offering a new and compelling account of Deinomenid self-promotion and of the varied and complex communities that operated under the Deinomenids' control or within their shadow. Further, by establishing models of production and interpretation for the orally transmitted narratives and bringing them into dialogue with epinician, The Poetics of Victory in the Greek West reveals much about epinician as a form, how it developed in the Greek West, what meanings it already carried, and what meanings it accrued as it was appropriated by Hieron the second Deinomenid ruler.
Worldwide, more and more people are living in cities, with suburbs conceived as appendages to the city, rather than being part of the city system, which is densely populated and offers a full range of services. But suburbs are not the city spread too thin, and in fact hold potential for a lived complexity as satisfying as that assumed to be available in inner cities. Just as the ecological function of wetlands was ignored by modernist planning, and swamps once-drained are now recognised as vital to water cycles, suburbs are increasingly recognised as part of a city’s wellbeing with their own alternative ideology and opportunities for urbanity and ecological sustainability. Suburbia Reimagined shows how such subdivision structures can offer new possibilities for sustainably integrating living between generations and between established and arriving migrant communities. The authors worked locally and internationally with university campuses, shopping centres, hospitals, airports, and other large entities spread through suburbia, to identify a broad range of suburban situations that have been modified to ensure that residents have a full access to amenities and services. The book addresses the history and design of suburbia, from the post-war soldier settlements of the 40s and 50s to the university hinterlands of Silicon Valley in order to reappraise the locked potential within such subdivision patterns. The authors propose a new model forward, examining case studies ranging from repurposed malls and railways for ecological sustainability to cul-de-sacs as social units and post-industrial factory conversions, ultimately showing the nascent patterns in suburbia that have the potential to support a rich life for all age groups.
Crowther offers a fascinating look at the role of sport as practiced in several important civilizations in the ancient world. He not only probes the games themselves, but explores the ways in which athletics figured into cultural arenas that extended beyond physical prowess to military associations, rituals, status, and politics. Sport in Ancient Times has four distinct parts: the Prehistoric Age, historic Greece, ancient Italy, and the Byzantine Empire. Beginning with the earliest civilizations, Crowther examines the military and recreational aspects of sports in prehistoric Egypt, with brief references to other river-valley cultures in Sumeria, Mesopotamia, and Persia. He looks at the rituals of Cretan bull-leaping and boxing in the Bronze Age, the high status of sports in Mycenaean Greece, and the funeral games in the Trojan War as described by the epic poet Homer. In what he terms the historic period, Crowther examines the significance of the ancient Olympic Games, the events of Greek athletics, and the attitude of other civilizations (notably Rome) towards them. He attempts to discover to what extent the Romans believed in the famous ideal of Juvenal, a sound mind in a sound body, and discusses the significance of the famous Baths not only for sport, but also for culture and society. He likewise explores the Roman emphasis on spectator sports and the use of gladiatorial contests and chariot racing for political purposes (the concept of bread and games). The section on the Byzantine Empire focuses, notably, on chariot racing and the riots at sporting contests—riots reminiscent of crowd violence in modern sports such as soccer. Crowther closes with perspectives that bring to life some of the issues revealed in previous chapters. These include a comparison of the social status and significance of a famous Olympic athlete (Milo), a Roman gladiator (Hermes), and a Byzantine chariot racer (Porphyrius). He also addresses the changing role of women in sports in antiquity. Women were prominent in sport in Egypt, for example, but almost entirely absent from the ancient Olympic Games. The final chapter discusses team sports and ball games. Although these were comparatively rare in the ancient world, one may see in those that did exist the forerunners of modern football and hockey.
A tale of tomb raiders, legal battles, suspicious death, and a 2,500-year-old vase: “Spivey proves a diligent detective and an engaging storyteller.” —Times Literary Supplement Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation, international outrage, and possibly even homicide. How this came about is told by Nigel Spivey in a book that braids together the creation and adventures of this extraordinary object with an exploration of its abiding influence. Spivey takes us on a dramatic journey, beginning with the krater’s looting from an Etruscan tomb in 1971 and its acquisition by the Metropolitan Museum of Art, New York, followed by a high-profile lawsuit over its status and its eventual return to Italy. He explains where, how, and why the vase was produced, retrieving what we know about the life and legend of Sarpedon. Spivey also pursues the figural motif of the slain Sarpedon portrayed on the vase and traces how this motif became a standard way of representing the dead and dying in Western art, especially during the Renaissance. Fascinating and informative, The Sarpedon Krater is a multifaceted introduction to the enduring influence of Greek art on the world. “The story of the Sarpedon Krater has been brilliantly told by Nigel Spivey, author and presenter of the BBC television series, How Art Made the World. Spivey traces the strange and wondrous journey of the Sarpedon Krater from ancient Athens in the sixth century B.C.to the present.” —Art Eyewitness
A masterly investigation into the Classical roots of Western civilization, taking the reader on an illuminating journey from Troy, Athens, and Sparta to Utopia, Alexandria, and Rome. An authoritative and accessible study of the foundations, development, and enduring legacy of the cultures of Greece and Rome, centered on ten locations of seminal importance in the development of Classical civilization. Starting with Troy, where history, myth and cosmology fuse to form the origins of Classical civilization, Nigel Spivey explores the contrasting politics of Athens and Sparta, the diffusion of classical ideals across the Mediterranean world, Classical science and philosophy, the eastward export of Greek culture with the conquests of Alexander the Great, the power and spread of the Roman imperium, and the long Byzantine twilight of Antiquity.
Once the pride of New York's Metropolitan Museum of Art, the Sarpedon krater is a wine-mixing bowl crafted by two Athenians, Euxitheos (who shaped it) and Euphronios (who decorated it), in the late 6thc BC. The moving image Euphronios created for the krater, depicting the stricken Trojan hero Sarpedon being lifted from the battlefield by 'Sleep' and 'Death', was to have an influence that endured well beyond Antiquity. Nigel Spivey not only explores the particular culture that produced the vase, but also reveals how its central motif was elaborated throughout classical antiquity and then reworked as a Christian tableau. The Sarpedon Krater is both the extraordinary story of a small and occasionally scandalous object, once consigned to the obscurity of an Etruscan tomb, and a fascinating case study of the deep classical roots of the ideas and iconography of Western art.
Taking a new approach to the subject, the author here examines the contexts in which classical statuary was made and displayed, restoring its former cultural significance and explaining the techniques of the manufacture of Greek sculpture.
This imaginative approach to the era in which Western civilization was born is a thorough--and thoroughly accessible--synthesis of the Greek, Roman, and Etruscan worlds, spanning the period from Late Geometric Greece in around 700 b.c., to the rule of Constantine in the early 4th century a.d. The authors incorporate important developments in recent scholarship, including ideas of gender, war and pacifism, imperialism and dissent, political propaganda, economy, cultural identity, racism, hygiene and diet, and public and private uses of space. The book highlights the modern relevance of classical antiquity, from its influence on contemporary politics to the representation of the female body in Western art, and concludes by charting the history of classical civilization. The extensive reference section includes biographies, an introduction to classical mythology, a glossary of technical terms and vase shapes, as well as a timeline, map, bibliography, and index.
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
A stunning art gallery in a book, art, annotated spans more than 3,000 years of paintings, sculptures, and prints. Combining reproductions of each work of art with precise annotations and visual analysis, it is an expertly curated selection of the finest art ever created. Immerse yourself in this book and learn all about art - how Michelangelo painted nudes, what cubism is, and where abstraction came from. Discover ancient Egyptian frescoes, read the visual clues to Leonardo da Vinci's Last Supper, and find out what inspired Louise Bourgeois and Banksy. In this art book, you will find: Art from all over the world exploring key elements such as composition, color, technique, and symbolism. Profiles the work of more than 450 artists from across the world and many different cultures, covering every period and major art movement. Art set in its historical context, which makes art, annotated a complete overview of art history. An optional 32-page directory of biographies of all the artists featured at the back of the book. Packed with information and full of inspiration, art, annotated brings the finest paintings and sculptures right into your home. It is the ultimate history of art and visual sourcebook for all art lovers.
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