The Industrial Workers of the World, or Wobblies, a radical labor union, played an important role in Oklahoma between the founding of the union in 1905 and its demise in 1930. In Oil, Wheat, & Wobblies, Nigel Anthony Sellars describes IWW efforts to organize migratory harvest hands and oil-field workers in the state and relationships between the union and other radical and labor groups such as the Socialist Party and the American Federation of Labor. Focusing on the emergence of migratory labor and the nature of the work itself in industrializing the region, Sellars provides a social history of labor in the Oklahoma wheat belt and the midcontinent oil fields. Using court cases and legislation, he examines the role of state and federal government in suppressing the union during World War I. Oil, What, & Wobblies concludes with a description of the IWW revival and subsequent decline after the war, suggesting that the decline is attributable more to the union's failure to adapt to postwar technological change, its rigid attachment to outmoded tactics, and its internal policy disputes, than to political repression. In Sellars's view, the failure of the IWW in Oklahoma largely explains the failure of both the IWW and the labor movement in the United States during the twenties.
Many thousands of men died during the Great War. They came from every place and class. The very cream of the Nation joined up thinking it a great adventure but, all too often, never returned. This book is dedicated to the memory of an elite few of such men the Rugby Internationals who fell in The Great War. Among the hundreds of thousands who served and died for their country were one hundred and thirty Rugby Internationals.To place the loss of these men in perspective, it is important to appreciate that Rugby Union was, arguably, bigger in its day than soccer is today. It attracted men from every walk of life. Many became national icons just as David Beckham and Wayne Rooney are now. These were men whose names were common currency in almost every household in Britain; men who were widely admired and emulated.Yet their physical strength, fitness, prowess and courage made these heroes no less vulnerable to enemy bullets, shells and mines than their less celebrated comrades-in-arms. One hundred years on, the Author decided that any player who perished, whether he had won a single cap for his country or a hundred, would be included within this book.Into Touch encapsulated the magnitude of a generation's sacrifice. Thanks to the Author's research into these players' service for their country, both on the playing field and battlefield, it will fascinate all with an interest in The Great War and, most particularly, those with a love for The Glorious Game and its history.As featured in the Cardiff Times and Derby Telegraph.
The Lisle gold rush of 1879 was the biggest seen in Tasmania, and at the height of the boom Lisle was easily our third largest town. The alluvial gold was soon exhausted, however, and no reef was ever found. When small miners blocked the release of land to farmers, the town was doomed.This is the history of Lisle, from the first prospector’s arrival in 1878, to when the last resident left in 1963.
Frantz Fanon was a French psychiatrist turned Algerian revolutionary of Martinican origin, and one of the most important and controversial thinkers of the postwar period. A veritable "intellect on fire," Fanon was a radical thinker with original theories on race, revolution, violence, identity and agency. This book is an excellent introduction to the ideas and legacy of Fanon. Gibson explores him as a truly complex character in the context of his time and beyond. He argues that for Fanon, theory has a practical task to help change the world. Thus Fanon's "untidy dialectic," Gibson contends, is a philosophy of liberation that includes cultural and historical issues and visions of a future society. In a profoundly political sense, Gibson asks us to reevaluate Fanon's contribution as a critic of modernity and reassess in a new light notions of consciousness, humanism, and social change. This is a fascinating study that will interest undergraduates and above in postcolonial studies, literary theory, cultural studies, sociology, politics, and social and political theory, as well as general readers.
There's so much more to Ray's on-screen tough-guy image, and his path to the top has been anything but plain sailing. He was every inch the rebel in his youth and was even a London schoolboy boxing champion; but he always had an affinity for acting. Deciding to pursue his dream through drama school, he soon found himself an outsider and was expelled. But he managed to blag his way into an audition for what would prove to be his big break -- his cocky, aggressive boxer's gait making him perfect for the lead in Alan Clarke's Scum. Going on to both small -- and big-screen success, as well as in the theatre, Ray really cemented his place in the pantheon of British acting greats with his breathtaking performance in Nil By Mouth, which earned him a BAFTA nomination. His subsequent roles in the likes of Sexy Beast, The War Zone and Last Orders, won him plaudits and continued his tradition of portraying tough, uncompromising men. But every tough guy has a heart, and Ray has tempered these roles with those in more light-hearted, romantic comedies such as Fanny and Elvis and There's Only One Jimmy Grimble. With roles in Indiana Jones 4, Beowulf (with Angelina Jolie) and London Boulevard, and with such great British telefilms as Henry VIII, Sweeny Todd and Vincent under his belt, Ray Winstone continues to go from strength to strength. From the humble East End to the glitz of the BAFTAs, Ray Winstone is now regarded as one of the foremost actors of his generation and the ultimate screen hard man. In this insightful biography, we see the man behind the tough, unflinching on-screen exterior.
Take 25 of the liveliest philosophers of our time. Talk to each about one of the most intriguing topics you can think of--from ethics to aesthetics to metaphysics. The result is a Philosophy Bite - a lively, informal conversation that brings the subject into focus.First made public on the enormously popular Philosophy Bites podcast, these entertaining, personal, and illuminating conversations are presented in print. The result is a book that is a taster for the whole enterprise of philosophy, and gives unexpected insights into hot topics spanning ethics,politics, metaphysics, aesthetics, and the meaning of life.
This collection of critical thinking situates the satire of Jonathan Swift within both its eighteenth-century contexts and our modern anxieties about personal identity and communication. Augustan satire at its most provocative is not simply concerned with the public matters of politics or religion, but also offers a precise medium in which to express the paradox of ironic detachment amidst deep conviction. The critics chosen for this volume demonstrate the complexity of Swift's work. Its four sections explore matters of authorial identity, the relation between Swift's writing and its historical context, the full range of his comments on gender, and his deployment of metaphor and irony to engage the reader. Swift has often been regarded as a writer who anticipated many twentieth-century cultural preoccupations, and this volume provides an opportunity to test just how modern he actually was. It also provides an answer to those who would wish to simplify his writing as that of Tory and misogynist. The theoretical perspectives of the contributors are lucidly explained and their critical terms located in the wider contexts of contemporary theory in the introduction and headnotes. The volume places Swift historically within the philosophical and religious traditions of eighteenth-century thought.
A dazzling history of the Tower of London, one of the world's busiest tourist attractions, and the people who populated it. Castle, royal palace, prison, torture chamber, execution site, zoo, mint, home to the crown jewels, armory, record office, observatory, and the most visited tourist attraction in the UK: The Tower of London has been all these things and more. No building in Britain has been more intimately involved in the island's story than this mighty, brooding stronghold in the very heart of the capital, a place which has stood at the epicenter of dramatic, bloody and frequently cruel events for almost a thousand years. Now historian Nigel Jones sets this dramatic story firmly in the context of national—and international—events. In a gripping account drawn from primary sources and lavishly illustrated with sixteen pages of stunning photographs, he captures the Tower in its many changing moods and its many diverse functions. Here, for the first time, is a thematic portrayal of the Tower of london not just as an ancient structure, but as a living symbol of the nation of Great Britain.
With access to Messiaen's private archive, the authors have been able to trace the origins of many of his greatest works and place them in the context of his life. --book jacket.
When Olivier Messiaen died in 1992, the prevailing image was of a man apart; a deeply religious man whose only sources of inspiration were God and Nature and a composer whose music progressed along an entirely individual path, artistically impervious to contemporaneous events and the whims both of his contemporaries and the critics. Whilst such a view contains a large element of truth, the past ten years has seen an explosion of interest in the composer, and the work of a diverse range of scholars has painted a much richer, more complex picture of Messiaen. This volume presents some of the fruits of this research for the first time, concentrating on three broad, interrelated areas: Messiaen's relationship with fellow artists; key developments in the composer's musical language and technique; and his influences, both sacred and secular. The volume assesses Messiaen's position as a creative artist of the twentieth century in the light of the latest research. In the process, it identifies some of the key myths, confusions and exaggerations surrounding the composer which often mask equally remarkable truths. In attempting to reveal some of those truths, the essays elucidate a little of the mystery surrounding Messiaen as a man, an artist, a believer and a musician.
This volume continues to explore the life of Nigel Quiney during the decade of the nineteen-seventies. Both his companies - Nigel Quiney Designs, and Ridley Quiney & Co Ltd - are successful and expanding. By then the decade of the 'sixties and Swinging London was maturing and London had become an extremely popular tourist destination drawn to the creativity of the theatre, music, fashion, designs and the arts generally. It was in this decade that Nigel began to explore the Far East as a source for new products and suppliers for the family business of RQ and Hong Kong was the first of many destinations that he explored. Later in 1976, having accepted one of the official invitations to visit China he flew the tortuous journey to Peking and then by train to Dairen and then Tientsin. In Dairen he was privileged to be shown the underground tunnels and excavations which took many years to create and were part of a defence system should the Russians invade. Back in Peking he was wandering around filming in Tiananmen Square which was packed with people and giant wreaths out to commemorate the death of Chou En-Lai. He was ushered away by his Chinese interpreter just before the authorities swooped and confiscated all film and arrested the few foreigners who were later jailed. He had escaped by just minutes. The same year Nigel was introduced to the amazing aspects of Bombay and touring Rajasthan by car. There he stayed at several palaces that had only just been turned into hotels where he and his two friends were the only guests. In the latter part of this decade Nigel explored Singapore, Malaysia, Thailand, The Philippines, Indonesia and South Korea looking for new suppliers which culminated in Ridley Quiney being the first importer of throw-away thin carrier bags into the UK. This memoir also records the love affair between Nigel and an American pop singer which sadly failed even after trips to Moscow and Ibiza. Later another affair, was also doomed. This was also the decade when industrial unrest in coal mining, steel production and manufacturing was producing strikes as the demand and competition from abroad threatened their survival. Also the decade when our various governments seemed unable to deal with these problems to the point that the UK was likened to a Banana Republic.Nigelaas love affair with America blossomed and in this period he took on the share of a flat in New York previously used by his friend, the musician and composer, Richard Rodney Bennett. In this exciting city Nigel promoted his Nigel Quiney Design products by taking space annually at trade shows and when not working took full advantage of the cityaas varied gay life. In Los Angeles, Nigel continued his close relationship with Edward and Gillian Thorpe and introduced his widowed mother to these trips where she became very much part of the entourage.
From the depths of outer space to the tight spaces of the inner mind, the short stories in this collection range from the confessions of a Shakespearian monster, to the rantings of a serial killer who exists outside time and space, and to the bemused thoughts of a man whose world is literally falling apart around him. Moving from the humorous The World, the Flesh, and Maxwell Harrison to the horrific Melissa's Bear and the cautionary Priorities, the Confession of Caliban and Other Stories seeks to go beyond the average science fiction or fantasy story and explore human experiences in a variety of writing styles, from the traditional to the experimental. Whether you come away with a smirk, a smile, or a decided chill up your spine, you will find these short stories an unforgettable experience.
These days, rural Oklahoma is the last place anybody would look for leftist revolutionaries, but in 1917 the area exploded into full-blown insurrection. The state's tenant farmers, many of whom were Socialist Party members, viewed the Great War in Europe as a conflict that benefited only the rich. When the federal government enacted a draft, an uprising in eastern Oklahoma saw local townspeople skirmishing with rebellious farmers, including whites, blacks, and American Indians. More than 250 men were arrested — some sentenced for up to ten years' imprisonment. This is the backdrop of William Cunningham's powerful novel The Green Corn Rebellion. First published in 1935, it tells the story of Jim Tetley, who wants simply to be a good farmer — if the banks will only let him. As Jim copes with poverty, family rivalries, and community tensions, he must also weigh the need to respond to the call for armed rebellion. Although the insurrection itself succeeded only in undermining the socialist movement and fueling the Red Scare of the 1920s, Cunningham's incendiary writing has been compared to that of Erskine Caldwell. A uniquely American story with roots set deep in Oklahoma soil, The Green Corn Rebellion will attract all readers interested in the state's tumultuous history and in populist causes.
The Industrial Workers of the World, or Wobblies, a radical labor union, played an important role in Oklahoma between the founding of the union in 1905 and its demise in 1930. In Oil, Wheat, & Wobblies, Nigel Anthony Sellars describes IWW efforts to organize migratory harvest hands and oil-field workers in the state and relationships between the union and other radical and labor groups such as the Socialist Party and the American Federation of Labor. Focusing on the emergence of migratory labor and the nature of the work itself in industrializing the region, Sellars provides a social history of labor in the Oklahoma wheat belt and the midcontinent oil fields. Using court cases and legislation, he examines the role of state and federal government in suppressing the union during World War I. Oil, What, & Wobblies concludes with a description of the IWW revival and subsequent decline after the war, suggesting that the decline is attributable more to the union's failure to adapt to postwar technological change, its rigid attachment to outmoded tactics, and its internal policy disputes, than to political repression. In Sellars's view, the failure of the IWW in Oklahoma largely explains the failure of both the IWW and the labor movement in the United States during the twenties.
The Earth has endured the Zaibatsu Wars, where multinational corporations and their private militaries battled each other for market access and territory. Humanity has also discovered mysterious, ancient star-gates built by aliens called the Gonaymne, the "Nameless Ones," who once ruled the galaxy but then inexplicably vanished. The star-gates allow humanity to colonize the stars, creating hundreds of differing human societies based on economic, social, racial, ethnic, and religious identities. But it also brings humans into conflict with bird-like aliens, the Iimarae. Diplomat Thom DuBois of Earth's Planetary League heads to the planet Askander and hopes to forge common cause against the Iimarae. Settled by free market extremists hoping to create a truly laissez-faire society, Askander has instead devolved into a neo-feudal society of family-owned corporate city-states bound by a religion that views the "invisible hand" of the market as God. The Askanderian families constantly intrigue against each other, and one noble, Don Ernesto abu Brion, has allied with the Iimarae, who have an ancient Gonaymne weapon that can make any star a supernova. Don Ernesto plans to bring all Askander under his control.
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