Women at War captures the reality of women at war in their own words, examining the enormously important part that women played in the major wars of the twentieth century.
The lamps are going out all over Europe; we shall not see them lit again in our life-time.' Sir Edward Grey, British foreign secretary, 3 August 1914. Drawing on a wealth of material from the Guardian archives When the Lamps Went Out presents a surprising, immediate, sometimes bleakly humorous, sometimes horrifying insight into life during the Great War. We see Boy Scouts patrolling the British coasts, David Lloyd George addressing women war workers, Charlie Chaplin impersonators on the Euston Road and Vesta Tilley at the Ardwick Empire. We see suffragist nurses on the Western Front and Bolsheviks in Glasgow, Pathan soldiers in Flanders and Anglo-Japanese armies in China. Small countries are saved - and aliens persecuted.New technologies - from picture houses to the first reports of gas weapons - are reported upon, as well as movie stars and John Buchan's bestsellers. The bloody battles, defeats, and victories are all here but When the Lamps Went Out focuses on the women, men and children who lived, loved, defied, perished, and survived in the war to end all wars.
Clichés, those trite little phrases that often get a point across quickly and efficiently, have become such a familiar part of the English language and people’s everyday speech. This entertaining book takes an in-depth look at hundreds of these common expressions in their many forms—where they came from, what they mean, how they’ve evolved over time, and their prominence in today’s society. Inside you’ll discover hundreds explored and explained, such as... · “Thinking outside the box” · “All hands on deck” · “My way or the highway” · “To be perfectly honest” · Technical terms, like “collateral damage” and “pushing the envelope” · And many others! You’ll quickly discover why this fun little compendium is truly the best thing since sliced bread!
The story of the music halls that once lit up townscapes, and those that still won't die - the tales of the stars, stooges, crooks, novelty acts, demolition gangs, runaways and diehards who never gave up. Every city that was part of an empire, there were Empire and imperial music halls, vaudevilles, opera houses, theatres or fledgling cinemas filled with prestige, glamour and dreams. Two world wars later, the empires, crumbled, and the Empires and imperials in these cities were fighting dry rot and television. Many lost the fight. But some did not. "Lost Empires" explores the fates of these fallen Empires and Imperials around the world, as well as the stories of the survivors, such as the splendid St Petersburg Imperial Theatre of the 1870s and the restored Hackney Empire in east London. From Leiden's Theater-imperium to Toowomba Queensland's Empire, we see what links these places of entertainment, and what divides them.
Contains detailed, eyewitness accounts of the most memorable exploits of Jacques de Lalaing, and leaves little reason to doubt that he was fit to be memorialised as a model of ideal knighthood. 'My honoured lord, I am sending you certain recollections of the high and admirable deeds of arms performed in the lists by your late son Jacques de Lalaing... But they are small memories in relation to the greatness of his deeds.' So begins a letter that Lefèvre de Saint-Remy, 'King of Arms' of one of the grandest orders of chivalry, the Burgundian Order of the Golden Fleece, wrote to Jacques's father following the young knight's dramatic death. It contains detailed, eyewitness accounts of many of his most memorable exploits, and leaves little reason to doubt that Jacques de Lalaing was a genuinely exceptional knight, fit to be memorialised as a model of ideal knighthood. This letter is just one of several components of the fascinating Book of the Deeds of the Good Knight Jacques de Lalaing. Not a biography by a single hand but a herald's compilation of existing documents - Lefèvre's letter, the records of other heralds and a previously lost section of Lefèvre's fine chronicle - the book traces Lalaing's career in absorbing detail. It is a remarkable story. After serving in the Burgundian conquest of Luxembourg, Lalaing set out across Europe, challenging and jousting wherever he went from Portugal to Scotland. Most famous of all was his elaborately staged deed of arms called the Fountain of Tears. Here, on a river island in Burgundy, he stood and fought all comers for an entire year in 1449-50. With grim irony Lalaing, as glamorous in his time as any sporting hero of today, was then killed by an unglamorous cannon ball in the Ghent War of 1453. Compiled largely from the work of heralds whose prime concern was accuracy, this book holds rich seams of information to be mined, offering invaluable insights into the behaviour and thinking of the nobility in the late Middle Ages. The Book of the Deeds of Jacques de Lalaing follows Nigel Bryant's previous translations of chivalric biographies from earlier centuries - those of William Marshal, Bertrand du Guesclin and Geoffroi de Charny. It shows that the ideals of chivalry - including even a commitment to crusade - were still very much alive even as the nature of warfare changed, and Jacques was a complete model of those ideals, a model which remained real, attainable and absolutely relevant.
Provides an introduction to elements, atomic structure, and the periodic table, discusses the discovery and properties of nitrogen and the elements of Group 14, and looks at the importance and use of nitrogen in everyday life.
Admiralty Jurisdiction and Practice is the definitive work on litigation in the Admiralty Court, providing in depth analysis and explanation of jurisdiction, practice and procedure, forms and precedents. It deals with several issues, not covered elsewhere, including the impact of insolvency, the interplay between the jurisdiction and practice, the series of rules on jurisdiction laid down by international conventions , limitation periods and collision action rules. The fourth edition has been updated comprehensively to include new case law and changes in Commercial Court practice and procedure. Admiralty Jurisdiction and Practice is an invaluable reference source for anyone concerned with admiralty law.
Laird of a small estate, Will Alexander of Menstrie, poet and tutor, was a man of modest ambitions. But when James VI learned of his poetic genius, the king had other plans for him. In 1603, when James VI of Scotland became James I of England, he summoned Will to London and commanded him to translate the Psalms for the new royal version of the Bible in English - which remains the definitive edition to this day. At the English court, Will Alexander consorted with the most famous poets of the age including Shakespeare and Jonson. By the time he died, the humble Scottish laird had become Earl of Stirling, Viscount of Canada, Governor of Nova Scotia and Secretary of State for Scotland. Laced with intrigue and absorbing historical detail, Nigel Tranter charts the extraordinary rise of William Alexander of Menstrie.
Son of the doomed Mary Queen of Scots, raised to rule two countries, James was one of the oddest kings ever to ascent any throne. Neither noble nor heroic, he confounded those who despised him by being shrewd enough to reign for fifty-eight years, survive countless plots and never go to war. 'A vastly entertaining addition to the historical novels of Scots author Nigel Tranter.' Glasgow Sunday Mail
George Hay, 8th Earl of Kinnoull, was an unconventional ambassador. A Scottish aristocrat who had been imprisoned for his Jacobite sympathies and almost bankrupted by his involvement in the South Sea Bubble, Lord Kinnoull had no previous diplomatic experience when he was unexpectedly appointed ambassador to the Ottoman Empire in 1729. Leaving his wife and family of ten at their Yorkshire home, Lord Kinnoull departed England for Constantinople with his political, financial and personal suitability for the role all in doubt. How would he cope with the complex world of international politics? Or negotiate the sensitive relationship between Muslims and Christians? And why was he subsequently recalled to England in disgrace?"The Earl and His Butler in Constantinople" traces Lord Kinnoull's eventful journey to the heart of the Ottoman Empire, where he served as ambassador for seven years - and back again. His butler, Samuel Medley, was his constant companion throughout this time and his is almost the only surviving servant's diary from the period. From this unique and colourful source, as well as from Lord Kinnoull's despatches and family letters, Nigel and Caroline Webb have produced a remarkable biography which casts fresh light on the Ottoman Empire and British politics in the 18th century. It also offers vivid portraits of the cosmopolitan city of Constantinople at this critical stage in its history and of an idiosyncratic Earl and his exceptional butler which will captivate readers.
This new edition of the only English language guide available solely on Belarus, opens the door on the many hidden delights of a country that Europe almost forgot.
The Tide of Destiny is a stunning novel set in 1799 through 1808 during the Napoleonic era. The story takes place in Southern Switzerland and on the Ligurian coast. Damien Andre Berra, son of a Swiss farmer, is exiled to northern Italy in the wake of Napoleon's crossing over the Saint Bernard Pass in 1799. Inspired by a number of amorous adventures, Damien becomes a renowned linguist and short story writer. His experiences during this turning point in European history are set amidst the political events and the women he meets. Damien becomes a famous linguist and a writer of short stories in both French and Italian. Giuseppe Spremuta is the Italian administrator who befriends him, and the five young women lovers who inspire him to write are Biquette, Esmeralda, Juliette, La Contessa, and Annunziata. About the Author: Nigel Patten lived in London until he was 21. He now lives in a ski resort near Montreux, Switzerland, and teaches English classes to students preparing for the French baccalaureat. He is writing his next novel, A Irreconcilable Passion. Publisher's website: http: //sbpra.com/NigelPatte
This book restores the long marginalised Scottish poet Robert Burns to his rightful place as a major poet of the 18th century and Romantic period. It discusses his education as a farmer during the revolutionary period of 'improvement' in 18th-century Scotland, decision to write 'Scots pastoral' poetry, and influence on Wordsworth and Coleridge.
There are hot-spots, sink-holes, and hell-holes all over the earth. They move around a bit. Baghdad in Iraq has been often a hot-spot, Kabul in Afghanistan is another. Then there's the sink-hole of Tehran in Iran, together with the recently war-torn Damascus in Syria. Don't blame the places, nor even the folks. New York in the USA, London in the UK, and Brussels in the EU are no different for being sometimes politically-sinking hot-spots or terrorist-targeted hell-holes. In terms of prophetic history, a welter of the world's biggest cities are everyday battlegrounds from which governmental academics compartmentalise their own specialist solutions. Most of these solutions, whether military or civic, fall so far short of the cosmic solution as to escalate the existing state of world disorder. Sure enough, without a barebones history of hell there's no point to fixing up hell-holes. Without the briefest history of heaven, it's also pointless to shore-up sink-holes. And as for the world's hot-spots, you have to look as deep into the souls of the good-guys as you do into the souls of the bad-guys. But you can't just walk off from compartmentalising a problem and expect it to sort itself out. For a workable solution you've got to bring back all the component parts together again that you first took apart and make them work together. That's exactly why this Soul-Catcher's Calling stops at nothing short of dealing with all things both under the sun and beyond the sun. Soul-catching is a military operation, at first under command, and then undertaken entirely by personal commitment. All such tours of duty overseas will be carefully monitored and guided by the most experienced of guardian angels. However perilous the front-line travel, none who seriously commit themselves to this soul-catching operation shall get left behind.
First published in 1971, Poison, Play and Duel explores the dominant symbols of the language and action of Hamlet. The Ghost first reveals that Claudius murdered his brother by poison, and this act of poisoning is then dramatically presented before the King. The ultimate consequence of the ‘poison in jest’ performed by the actors is the poisoned ‘play’ with rapiers between Laertes and Hamlet. This representation of violence, and the vengeful response to violence, creates the moral and the psychological problems of Hamlet. Critics naturally question, and disagree about, the way that Hamlet plays his role in this play because the role of Hamlet is a theatrical device designed to bring all human actions into debate and question. It is hardly surprising that audiences have seen mirrored in Hamlet their own most fundamental and inescapable problems. Nigel Alexander shows how Shakespeare, like Raphael, Titian and other Renaissance artists, developed and adapted the imagery inherited from the Christian and classical past. The battle within the soul, the choice of life, the hunt of passion, the triple face of prudence and the dance of the graces are given dramatic habitation in Hamlet’s soliloquies, in the inner-play and in the savage contrast of sexuality between Gertrude and Ophelia. This book will be of interest to students of literature, drama, psychology and philosophy.
One of the Broadway musicals that can genuinely claim to have transformed the genre, West Side Story has been featured in many books on Broadway, but it has yet to be the focus of a scholarly monograph. Nigel Simeone begins by exploring the long process of creating West Side Story, including a discussion of Bernstein's sketches, early drafts of the score and script, as well as cut songs. The core of the book is a commentary on the music itself. West Side Story is one of the very few Broadway musicals for which there is a complete published orchestral score, as well as two different editions of the piano-vocal score. The survival of the original copied orchestral score, and the reminiscences of Sid Ramin and Irwin Kostal, reveal details of the orchestration process, and the extent to which Bernstein was involved in this. Simeone's commentary considers: musical characteristics and compositional techniques used to mirror the drama (for example, the various uses of the tritone), motivic development, the use and reinvention of Broadway and other conventions, the creation of dramatic continuity in the score through the use of motifs and other devices, the unusual degree of dissonance and rhythmic complexity (at least for the time), and the integration of Latin-American dance forms (Mambo, Huapango and so on). Simeone also considers the reception of West Side Story in the contemporary press. The stir the show caused included the response that it was the angular, edgy score that made it a remarkable achievement. Not all reviews were uncritical. Finally, the book looks in detail at the making of the original Broadway cast recording, made in just one day, included on the accompanying CD.
Enlightened Oxford aims to discern, establish, and clarify the multiplicity of connections between the University of Oxford, its members, and the world outside; to offer readers a fresh, contextualised sense of the University's role in the state, in society, and in relation to other institutions between the Williamite Revolution and the first decade of the nineteenth century, the era loosely describable (though not without much qualification) as England's ancien regime. Nigel Aston asks where Oxford fitted in to the broader social and cultural picture of the time, locating the University's importance in Church and state, and pondering its place as an institution that upheld religious entitlement in an ever-shifting intellectual world where national and confessional boundaries were under scrutiny. Enlightened Oxford is less an inside history than a consideration of an institutional presence and its place in the life of the country and further afield. While admitting the degree of corporate inertia to be found in the University, there was internal scope for members so inclined to be creative in their teaching, open new research lines, and be unapologetic Whigs rather than unrepentant Tories. For if Oxford was a seat of learning rooted in its past - and with an increasing antiquarian awareness of its inheritance - yet it had a surprising capacity for adaptation, a scope for intellectual and political pluralism that was not incompatible with enlightened values.
In 1985, Dr. Nigel Barley, senior anthropologist at The British Museum, set off for the relatively unknown Indonesian island of Sulawesi in search of the Toraja, a people whose culture includes headhunting, transvestite priests and the massacre of buffalo. In witty and finely crafted prose, Barley offers fascinating insight into the people of Sulawesi and he recounts the tale of the four Torajan woodcarvers he invites back to London to construct an Indonesian rice barn in The British Museum. Previously published as "Not a Hazardous Sport".
What is the relationship between development as a globalizing project and the production of cultural specificities in developmental contexts? Utilising an architectural lens, this book illustrates how development instigates interest in the past and in the process, creates heritage. It show multiple uses of the past and their contestation in highly fluid social contexts.
Today we have television programmes such as Who Do You Think You Are to thank for the hundreds of thousands of enthusiasts who have now taken up the fascinating hobby of tracing their ancestors, learning about their careers and lives. The author was drawn to the history of HP Sauce and his family's involvement, having spent several years researching childhood anecdotes. His ancestors the Eastwood, Moore, and Britton families all had several business interests in the Victorian and Edwardian periods in the manufacturing industries that were commonplace throughout the North and Midlands of the United Kingdom during that period. HP Sauce perhaps being one of those most famous amongst them. With decades of rumours and myths about the true meaning of the acronym HP, and with the modern medium of the Internet adding to that speculation, the author set about to seek out the truth of his ancestors involvement with the sauce, and this interest brought about his book, HP Sauce: My Ancestors' Legacy and Its History from 1874 to 2013.
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