In Behind the Plough, agricultural historian Nigel Agar surveys a century of agricultre in Hertfordshire, the first time such a history has been written. The 19th century saw changes in agriculture just as dramatic as the developments taking place in industry. Throughout the period under consideration, Herrtfordshire was almost entirely rural but its proximity to London meant that it was in no sense isolateed. Indeed, the needs of the capital influenced the way agriculture was carried out in the county.
This is a collection of extracts from Parliamentary Papers and documentary material in Bedfordshire County Record Office to describe the life of the farm worker in nineteenth-century Bedfordshire. A general overview is followed by sections concerned with the poor law, the life of the labourer, migration and emigration, housing, access to land and education, and the Agricultural Labourers' Union. The volume begins with a tribute In Memoriam to Harold Owen White, secretary of BHRS 1965-1980.
What goes on in creative writers’ heads when they write? What can cognitive psychology, neuroscience, literary studies and previous research in creative writing studies tell creative writers about the processes of their writing mind? Creative writers have for centuries undertaken cognitive research. Some described cognition in vivid exegetical essays, but most investigated the mind in creative writing itself, in descriptions of the thinking of characters in fiction, poetry and plays. The inner voicings and inner visualising revealed in Greek choruses, in soliloquies, in stream-of-consciousness narratives are creative writers’ ‘research results’ from studying their own cognition, and the thinking of others. The Creative Writer’s Mind is a book for creative writers: it sets out to cross the gap between creative writing and science, between the creative arts and cognitive research.
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