Irreverent and iconoclastic, Nigel Coates has been stirring up the architectural scene for over 40 years. In this warm and compelling autobiography, he explores the highs and lows of life at the cutting edge of architecture and design. Coates’ work often treads playfully at the intersection between bodies, sexuality and design. His portfolio includes interiors for Liberty, Jigsaw and Caffè Bongo in Tokyo, the Body Zone in the Millennium Dome, and built work such as Noah's Ark and the Wall (both in Tokyo) and the Geffrye Museum extension, London. He has also collaborated with high-end product and lighting manufacturers Fornasetti, Fratelli Boffi and Slamp. Formerly the Head of Architecture at the Royal College of Art, London, he is now a leading light of the new London School of Architecture. Featuring over 100 images of Coates’ most celebrated projects, this memoir is a visual feast for any devotee of contemporary British design. It encompasses his childhood in postwar provincial Malvern, student years at the Architectural Association, the founding of radical architectural group NATØ, 70s and 80s London club culture and lost loves along the way, as well as his prolific professional career, which has spanned buildings, interiors, teaching, exhibitions, furniture and products. This is a searingly honest, unvarnished personal history of one of the UK’s most versatile designers.
The first book to look architectural narrative in the eye Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative Architecture explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development. Authored by Nigel Coates, a foremost figure in the field of narrative architecture, the book is one of the first to address this subject directly Features architects as diverse as William Kent, Antoni Gaudí, Eero Saarinen, Ettore Sottsass, Superstudio, Rem Koolhaas, and FAT to provide an overview of the work of NATO and Coates, as well as chapters on other contemporary designers Includes over 120 colour photographs Signposting narrative's significance as a design approach that can aid architecture to remain relevant in this complex, multi-disciplinary and multi-everything age, Narrative Architecture is a must-read for anyone with an interest in architectural history and theory.
Nigel Coates is the name behind some of the most talked about commissions of the 1990s. He designs interiors, exhibitions, furniture and objects, and his futuristic work has made him a maverick. This book looks at a range of his recent projects.
In this encyclopedic book, British architectural visionary Nigel Coates asks us to reimagine the city as a dynamic hybrid of inventive design and cross-cultural political empowerment. His innovative view of the contemporary metropolis is presented in the form of Ecstacity, a hypothetical place that collapses the real into the imaginary, with fragments of cities from around the world woven together into one multifaceted urban fabric. With streetscapes, buildings, and plans appropriated from Tokyo, Cairo, London, New York, Rome, Mumbai, and Rio de Janeiro, Ecstacity constructs an urban kaleidoscope marked by cultural diversity and suggests that pluralism, and not uniformity, is the best response to the multiplication of modern lifestyles and revolutions in global communication"--Bookjacket.
The book is designed to give a stimulating idea of the current direction of international interior design by Nigel Coates, one of the foremost practitioners in the field. The author has selected approximately 30 international designers whose work he thinks is especially interesting. The book will then present a selection of work by these designers in such a way that the relations between different designers (both the differences and similarities) are brought out as well as broader themes in current interior design. While each project selected will be featured over a series of pages, the same project may crop up at various other points through book. The purpose of this is to draw comparisons between each project by letting them cross over into one another’s territory. Hence ‘Collidoscope’, the provisional title of the publication. As such, it should work both as a sourcebook with reference to current tendencies in design and to the ideas that underpin them. It will foreground the designers yet raise challenging differences and overlaps between them.
Godalming's early prosperity came from water power supplied by the River Wey and plentiful wool from the sheep folded on the high ground. Building stone was quarried from the surrounding hills, while timber came from the nearby Wealden forest. The town's position between London and Portsmouth also brought it wealth as did its many coaching inns. 'To any Godhelmian, past and present, this book is a must ... I commend it to you all ..." Godalming Museum
In 1903, W. E. B. Du Bois wrote about the Talented Tenth in an influential essay of the same name. The concept exalted college-educated Blacks who Du Bois believed could provide the race with the guidance it needed to surmount slavery, segregation, and oppression in America. Although Du Bois eventually reassessed this idea, the rhetoric of the Talented Tenth resonated, still holding sway over a hundred years later. In Rethinking Racial Uplift: Rhetorics of Black Unity and Disunity in the Obama Era, author Nigel I. Malcolm asserts that in the post–civil rights era, racial uplift has been redefined not as Black public intellectuals lifting the masses but as individuals securing advantage for themselves and their children. Malcolm examines six best-selling books published during Obama’s presidency—including Randall Kennedy’s Sellout, Bill Cosby’s and Alvin Poussaint’s Come On, People, and Ta-Nehisi Coates’s Between the World and Me—and critically analyzes their rhetorics on Black unity, disunity, and the so-called “postracial” era. Based on these writings and the work of political and social scientists, Malcolm shows that a large, often-ignored, percentage of Blacks no longer see their fate as connected with that of other African Americans. While many Black intellectuals and activists seek to provide a justification for Black solidarity, not all agree. In Rethinking Racial Uplift, Malcolm takes contemporary Black public intellectual discourse seriously and shows that disunity among Blacks, a previously ignored topic, is worth exploring.
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