This is the second anthology of dark fiction and verse collected by W.A. Grüppe. Between its covers you will find short stories and verse delving into horror, supernatural and paranormal phenomena, crimes of passion and crimes by psychopaths. Enjoy each dark paragraph as you read the prose by seven original authors.
The third anthology of dark fiction and verse collected by W.A. Grüppe. Between its covers you will find short stories and verse delving into horror, supernatural and paranormal phenomena, crimes of passion and crimes by psychopaths. Enjoy each dark paragraph as you read the prose by seven original authors.
This is the first anthology of dark fiction and verse collected by W.A. Grüppe. Between its covers you will find short stories and verse delving into horror, supernatural and paranormal phenomena, crimes of passion and crimes by psychopaths. Enjoy each dark paragraph as you read the prose of by seven original authors.
W.A. Gruppe brings another collection of dark fiction to the masses. With a postmaster targeting a new clerk for a special mission into the unknown, train journeys of life and death, trials of sanity, dead people avoiding libel and writing to the national newspapers. And email recipients instructed to murder for the sake of their family.
At the heart of this anthology is the village of East Scythe, firmly rooted in the imagination, situated a few miles to the east of Sutton Hoo and on the northern most edge of Rendlesham Forest, in Suffolk, England. Close by is Butley River and access to the coast. Since East Scythe entered the history books, sometime around the sixteenth century, it has remained the small village it started as, drawing its wealth from the land and the sea via Butley River. But not forgoing progress; it has moved with the times. This anthology delves into East Scythe's history; past, present and future, giving an insight into its population, their perspectives, goals and aspirations, but mostly the traumas that have plagued the community ever since the village was first settled. As with all the Writers Anonymous anthologies each story is bracketed by short and poignant verse.
“Nicolette Hahn Niman sets out to debunk just about everything you think you know . . . She’s not trying to change your mind; she’s trying to save your world.”—Los Angeles Times “Elegant, strongly argued.”—The Atlantic (named a “Best Food Book”) As the meat industry—from small-scale ranchers and butchers to sprawling slaughterhouse operators—responds to COVID-19, the climate threat, and the rise of plant-based meats, Defending Beef delivers a passionate argument for responsible meat production and consumption–in an updated and expanded new edition. For decades it has been nearly universal dogma among environmentalists that many forms of livestock—goats, sheep, and others, but especially cattle—are Public Enemy Number One. They erode soils, pollute air and water, damage riparian areas, and decimate wildlife populations. As recently as 2019, a widely circulated Green New Deal fact sheet even highlighted the problem of “farting cows.” But is the matter really so clear-cut? Hardly. In Defending Beef, Second Edition, environmental lawyer turned rancher Nicolette Hahn Niman argues that cattle are not inherently bad for the earth. The impact of grazing can be either negative or positive, depending on how livestock are managed. In fact, with proper oversight, livestock can play an essential role in maintaining grassland ecosystems by performing the same functions as the natural herbivores that once roamed and grazed there. With more public discussions and media being paid to connections between health and diet, food and climate, and climate and farming—especially cattle farming, Defending Beef has never been more timely. And in this newly revised and updated edition, the author also addresses the explosion in popularity of “fake meat” (both highly processed “plant-based foods” and meat grown from cells in a lab, rather than on the hoof). Defending Beef is simultaneously a book about big issues and the personal journey of the author, who continues to fight for animal welfare and good science. Hahn Niman shows how dispersed, grass-based, smaller-scale farms can and should become the basis of American food production.
The setting : migration, social trust, and religion -- The sources of risk : inequality, the racial order, and group competition -- The draw of religion : accessibility, portability and promise -- The culture of connection : practices and principles -- The shape of identity : visions, revisions and negotiations -- The nature of faith : between believing and belonging
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities.
Can career mums have a fulfilling career and a happy family? Director, strategy expert, actuary, former General Manager at the Commonwealth Bank and mother of three, Nicolette Rubinsztein experienced the tough journey of juggling motherhood and her career. Both were important to her, but the status quo was brutal. By applying the same strategic rigour she used in business to her life as a career mum she learned how to genuinely ‘lean in’ to her career AND enjoy raising her family. In Not Guilty, Nicolette gives career mums the practical tools to approach their work and life through the lens of strategy and business decision-making rather than emotion and guilt. Learn why flexibility is nirvana for career mums, how to get a part-time position, getting on the same page as your partner, curating your “childcare jigsaw”, the importance of outsourcing and how to have a good relationship with your boss. Structured according to the McKinsey 7S strategic framework, one of the most well known strategic frameworks used for business, Not Guilty is a call to arms and saving grace for women who want to make career and motherhood work, but don’t know where to start.
The beginning of the decline -- Characterising harm -- Loss of autonomy? -- Defining the problem -- Notes -- Injured bodies -- Natural born reproducers -- Wrongful pregnancy as a personal injury -- Orthodox injuries -- Harmed minds, harmed bodies -- Paradigm shifts -- Conclusion -- Notes -- Health, disability and harm -- Emerging dichotomies -- The disability exception -- Parental autonomy -- The importance of context -- Rees in the House of Lords -- Conclusion : what kind of autonomy? -- Notes -- The harm paradox -- The mitigation ethic -- Mitigation is dead -- Long live choice -- My family and other animals -- Conclusion : a harm paradox? -- Notes -- Constructions of the reasonable woman -- On being responsible -- Responsible women -- Self-regarding woman : still a choice -- Natural woman : she had no other choice -- The woman in need -- Conclusion : not a choice? -- Notes -- Reproductive choice, reproductive reality -- A (wo)man's right to choose -- Reversing nature's discrimination -- In practice abortion is not a choice -- Women do not experience abortion as a choice -- Women are conforming, not choosing -- Conclusion -- Notes -- The moral domain of autonomy -- What kind of person? -- Beyond personhood -- A relational approach -- Being responsible beings -- Concluding remarks.
This ambitious study links William Langland's great poem Piers Plowman to wider medieval enquiries into the nature of intellectual and spiritual desire. Zeeman's radical approach opens up a completely fresh reading of Piers Plowman and sheds light on the history of medieval psychology.
Whether building vocabulary, practicing conversation, or reading and writing about Dakota history, this collection of fun and informative lessons provides numerous entry points for language learners inside the classroom and beyond.
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