A picture-perfect trip goes horribly wrong in this fast-paced exploration of friendship and the dark side of social media, perfect for fans of Lucy Foley and Andrea Bartz. Everyone wants to be them, but internet fame comes at a price… Two days after arriving in Iceland for a promotional trip, Instagram influencer Alabama Wood goes missing. With no leads, the Icelandic police start their investigation by focusing on the two influencers seemingly closest to Alabama on the trip: Celeste Reed, Alabama’s best friend of ten years, and Hollie Goodwin, fitness guru and Alabama's unwilling idol. Celeste and Alabama have grown apart recently because Celeste has been too distracted by her five-year-old’s behavioral issues and her husband’s refusal to admit that there’s a problem. What Celeste doesn’t tell them is how she has been coping with these worries and how it involves Alabama in ways no one would guess. On the outside, Hollie appears to have everything—the husband, the body, and over one million Instagram followers. In reality, however, Hollie came to Iceland to escape the implosion of her life behind the screen. The only person who suspected something amiss behind Hollie’s precisely filtered pictures is Alabama. As secrets are revealed and loyalties are tested, debut author Nicole Hackett asks: do we control our online image, or does it control us?
In De instauranda Aethiopum salute (1627)--the earliest known book-length study of African slavery in the colonial Americas--Jesuit priest Alonso de Sandoval described dozens of African ethnicities, their languages, and their beliefs, and provided an exposé of the abuse of slaves in the Americas. This collection of previously untranslated selections from Sandoval's book is an invaluable resource for understanding the history of the African diaspora, slavery in colonial Latin America, and the role of Christianity in the formation of the Spanish Empire; it also provides insights into early modern European concepts of race. A general Introduction and headnotes to each selection provide cultural, historical, and religious context; copious footnotes identify terms and references that may be unfamiliar to modern readers. A map and an index are also provided.
Although many assumed that lovely widow Marianne Hughes would marry again, she has no desire to do so and is content with her independent single state. But her status as a respectable widow makes her an ideal chaperone, so she reluctantly agrees to guide the beautiful Louisa Crookshanks in her first London season. She never imagines that soon she and Louisa will be rivals for the same enigmatic gentleman. John, Marquess of Gillingham had been a recluse since smallpox had left him scarred, too proud to be the object of pitiful stares. But the need for an heir has forced him to London to seek a bride. One golden beauty catches his eye, but it is her elegant chaperone who keeps his attention. Soon he finds himself entangled in a web of desire and deception, but someone else is spinning a web of danger around them all, and threatens to destroy all John and Marianne hold dear, including each other.
For readers of VE Schwab and The Witcher, science and magic clash in atmospheric gaslight-era Prague. In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters - a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavica, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischer - a widow with secrets of her own. When Domek finds himself stalked by the spirit of the White Lady - a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o'-the-wisp captured in a mysterious container. Now, as it's bearer, Domek wields its power, but the wisp, known for leading travellers to their deaths, will not be so easily controlled. After discovering a conspiracy amongst the pijavice that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.
When late eighteenth-century New Spanish viceregal administrators installed public lamps in the streets of central Mexico City, they illuminated the bodies of Indigenous, Afro-descended, and plebeian Spanish urbanites. The urban patrolmen, known as guarda faroleros, or “lantern guards,” maintained the streetlamps and attempted to clear the streets of plebeian sexuality, embodiment, and sociability, all while enforcing late colonial racial policies amid frequent violent resistance from the populace. In The Enlightened Patrolman Nicole von Germeten guides readers through Mexico City’s efforts to envision and impose modern values as viewed through the lens of early law enforcement, an accelerated process of racialization of urban populations, and burgeoning ideas of modern masculinity. Germeten unfolds a tale of the losing struggle for elite control of the city streets. As surveillance increased and the populace resisted violently, a pause in the march toward modernity ensued. The Enlightened Patrolman presents an innovative study on the history of this very early law enforcement corps, providing new insight into the history of masculinity and race in Mexico, as well as the eighteenth-century origins of policing in the Americas.
Mice are used as model organisms across a wide range of fields in science today—but it is far from obvious how studying a mouse in a maze can help us understand human problems like alcoholism or anxiety. How do scientists convince funders, fellow scientists, the general public, and even themselves that animal experiments are a good way of producing knowledge about the genetics of human behavior? In Model Behavior, Nicole C. Nelson takes us inside an animal behavior genetics laboratory to examine how scientists create and manage the foundational knowledge of their field. Behavior genetics is a particularly challenging field for making a clear-cut case that mouse experiments work, because researchers believe that both the phenomena they are studying and the animal models they are using are complex. These assumptions of complexity change the nature of what laboratory work produces. Whereas historical and ethnographic studies traditionally portray the laboratory as a place where scientists control, simplify, and stabilize nature in the service of producing durable facts, the laboratory that emerges from Nelson’s extensive interviews and fieldwork is a place where stable findings are always just out of reach. The ongoing work of managing precarious experimental systems means that researchers learn as much—if not more—about the impact of the environment on behavior as they do about genetics. Model Behavior offers a compelling portrait of life in a twenty-first-century laboratory, where partial, provisional answers to complex scientific questions are increasingly the norm.
Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes – especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organizes the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development...), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.
This handbook presents a comprehensive survey of the latest research in communication disorders. Reflecting the rapid advances in the field, the handbook features in-depth coverage of the major disorders of language and speech, including perception.
“The definitive history of the studio” created by the larger-than-life team of Spielberg, Geffen, and Katzenberg (Los Angeles Times). For sixty years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte, who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened. Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often-otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions of dollars, its rich owners get richer, and everybody else suffers. LaPorte displays Geffen, seducing investors like Microsoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is a blockbuster behind-the-scenes Hollywood story—up close, glamorous, and gritty.
How medical education and practice can move beyond a narrow focus on biological intervention to recognize the lived experiences of illness, suffering, and death. In Afflicted, Nicole Piemonte examines the preoccupation in medicine with cure over care, arguing that the traditional focus on biological intervention keeps medicine from addressing the complex realities of patient suffering. Although many have pointed to the lack of compassion and empathy in medical practice, few have considered the deeper philosophical, psychological, and ontological reasons for it. Piemonte fills that gap, examining why it is that clinicians and medical trainees largely evade issues of vulnerability and mortality and, doing so, offer patients compromised care. She argues that contemporary medical pedagogy and epistemology are not only shaped by the human tendency to flee from the reality of death and suffering but also perpetuate it. The root of the problem, she writes, is the educational and institutional culture that promotes reductionist understandings of care, illness, and suffering but avoids any authentic confrontation with human suffering and the fear and self-doubt that can come with that confrontation. Through a philosophical analysis of the patient-practitioner encounter, Piemonte argues that the doctor, in escaping from authentic engagement with a patient who is suffering, in fact “escapes from herself.” Piemonte explores the epistemology and pedagogy of medicine, examines its focus on calculative or technical thinking, and considers how “clinical detachment” diminishes physicians. She suggests ways that educators might cultivate the capacity for authentic patient care and proposes specific curricular changes to help students expand their moral imaginations.
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