Will Baker was a jerk. A chiseled, green-eyed, hypnotizingly delicious jerk. And like a bad penny, he just kept showing up. Crashed my bike? There he was. Flat tire? One more time. And yet he thought I was the one stalking him. Seriously. How paranoid do you have to be? But the more I got know my intense new neighbor, the more his hard shell cracked, revealing a soulful man starved for affection. A man whose secrets were eating him alive. Just like mine. He was broken. I was broken. But together we seemed whole. Maybe, just maybe, we could fix each other. If our secrets didn't break us first. Author's Note Hollywood Secret was originally published as Discreet, a steamy, 120,000-word celebrity romance from USA Today bestselling author Nicole French.
Sexiest man alive. Playboy movie star. Reckless actor. Will Baker, better known as “Fitz,” is back, and the world has questions. Where did he go? Why is he back? Who was I, Maggie Sharp, the girl who found him? As Will and I fled my family’s troubles, we returned to a world most only dream of, where privacy belongs to the highest bidders, and loving Will might cost me the freedom I fought so hard to attain. Secrets mean betrayal, and Will’s are bigger than most. As he returns to a life of wealth and excess, will he fall back into his old vices too? Or is loving each other the one thing that will save us both? Author's note: Hollywood Chase was previously published as Indiscreet, the second book of the Discreet Duet.
Two years I’ve been gone. Two years locked in a juvenile detention facility for a crime that took seconds to commit, losing my sense of self and direction. Two years since I’ve seen my family and friends, since I’ve seen New York City and all its chaos. Some things are still the same. There are still five of us crammed in a one-bedroom apartment in Hell’s Kitchen––six when my mother’s boyfriend decides that he and his fists should stay the night. There are still four kids here who never have enough to eat and wannabe thugs lurking the neighborhood, trying to pull me back to a life of trouble. But now I’m a little older. A little wiser. A little bigger. A little stronger. And if I can focus on the future instead of the past, maybe I can make things a little better. Two years I’ve been gone. But now I’m back. It’s time to adjust my compass and find the right path. Authors note: Broken Arrow is a standalone prequel novella to the Bad Idea series, chronicling the young life of its hero. For more on this series, visit www.nicolefrenchromance.com/badidea
Through a series of case studies spanning the bounds of literature, photography, essay, and manifesto, this book examines the ways in which literary texts do theoretical, ethical, and political work. Nicole Simek approaches the relationship between literature, theory, and public life through a specific site, the French Antillean islands of Guadeloupe and Martinique, and focuses on two mutually elucidating terms: hunger and irony. Reading these concepts together helps elucidate irony’s creative potential and limits. If hunger gives irony purchase by anchoring it in particular historical and material conditions, irony also gives a literature and politics of hunger a means for moving beyond a given situation, for pushing through the inertias of history and culture.
The definitive survey of an essential feminist poet. In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian. Avant Desire moves through Brossard’s body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers. Through their selections, the editors trace Brossard’s fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking. Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard’s thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.
This book explores the results of language contact in Michif, an endangered Canadian language that is traditionally claimed to combine a French noun phrase with a Cree verb phrase, and is hence usually considered a 'mixed' language. Carrie Gillon and Nicole Rosen provide a detailed account of the Michif noun phrase in which they examine issues such as the mass/count distinction, plurality, gender, articles, and demonstratives. Their analysis reveals that while parts of the Michif noun phrase have French lexical sources, and the language has certain features that are borrowed from French, its syntax in fact looks very much like that found in other Algonquian languages. The final chapter of the book discusses the wider implications of these findings: the authors argue that contact does not create a whole new language category and that Michif should instead be considered an Algonquian language with French contact influence; they also extend their analysis to other mixed languages and creoles. The book will be of interest to Algonquian scholars, formal linguists in the fields of syntax, morphology, and semantics, and to all those working on issues of language contact.
Pleasure," Jennifer Moxley writes in her introduction to this volume, "is the word that first comes to mind at the mention of Nicole Brossard's poetry." This volume provides English-language readers with an overview of the life and work of Nicole Brossard, poet, novelist, and essayist, who is widely recognized in her native Québec and throughout the French-speaking world as one of the greatest writers of her generation. Brossard's poetry is rooted in her investigations of language, her abiding commitment to a feminist consciousness, and her capacity for renewing meaning as a virtual space of desire. The reader enters a poetic world in which the aesthetic is joined with the political, and the meaning of both is enriched in the process. The selections in this volume include translations of some of Brossard's best-known works-Lovhers, Ultra Sounds, Museum of Bone and Water, Notebook of Roses and Civilization-along with short prose works, an interview with Brossard, and a bibliography of works in French and English, and constitute the most substantial English-language sampling published to date of one of Canada's greatest living poets.
Repeat after me: stay away from the hot girl. The beautiful girl. The f**king ray of sunshine in the middle of your delivery route. Layla Barros is everything I never knew I wanted. Everything I'll never have.She's an innocent young student. I'm a convicted felon. She's a rich girl from a nice family. I've got nothing but a broken home.But if I'm an addict, she's my drug. I can't stay away, even though I know I'll ruin her in the end. She might be the girl of my dreams, but I was always a bad idea.
The Franco-Algerian War (1954–62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations. Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.
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