Winner of the National Book Critics Circle Award A Smithsonian Book of the Year A New York Review of Books “Best of 2020” Selection A New York Times Best Art Book of the Year An Art Newspaper Book of the Year A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.
Nicole R. Fleetwood explores how blackness is seen as a troubling presence in the field of vision and the black body is persistently seen as a problem. She examines a wide range of materials from visual and media art, documentary photography theatre, performance and more.
Troubling Vision addresses American culture’s fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles “Teenie” Harris to the “excess flesh” performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. “Troubling Vision is a path-breaking book that examines the problem of seeing blackness—the simultaneous hyper-visibility and invisibility of African Americans—in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois’s idea of double vision into a broad questioning of whether ‘representation itself will resolve the problem of the black body in the field of vision.’ With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of ‘non-iconicity’ in the photographs of Charles (Teenie) Harris, the ‘visible seams’ in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies.”—Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize
A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.
What meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography’s role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons “signify”? Nicole R. Fleetwood’s answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis. Offering an overview of photography’s ability to capture shifting race relations, Fleetwood spotlights in each chapter a different set of iconic images in key sectors of public life. She considers flash points of racialized violence in photographs of Trayvon Martin and Emmett Till; the political, aesthetic, and cultural shifts marked by the rise of pop stars such as Diana Ross; and the power and precarity of such black sports icons as Serena Williams and LeBron James; and she does not miss Barack Obama and his family along the way. On Racial Icons is an eye-opener in every sense of the phrase. Images from the book. (http://rutgerspress.rutgers.edu/pages/Fleetwood.aspx)
This book is intended for human resources management academics, researchers, students, organizational leaders and managers, HR Practitioners, and those responsible for helping support employees in the 21st-century workplace. It offers a path forward to create an environment that will not only build a healthier workplace by providing appropriate and effective well-being interventions but also offers solutions to manage multi-generational and ‘holistic’ employees within the employment relationship. The book describes the factors that promote healthy and WELL organizations and introduces concepts and strategies to reduce workplace stress and mental health issues and improve workplace well-being toward sustained organizational success. Employers that embrace the corporate responsibility of promoting the health and well-being of multi-generational, holistic employees will reap cost savings, employee engagement, and productivity advantages, as well as a healthier and more productive workforce.
Love and Tragedy is about Nicoles own true love storyhow she met her husband, Sabian, and how he felt that it was love at first sight. He didnt give up on her and chased her. They fell in love and grew from being best friends to the love of each others lives. This book tells the story of how they grew as people and parents. While he began to know her, her ex-boyfriend died, and he helped her through. He was there to comfort her when someone died or when her dog died. She could always count on him to be there when she was sad. Love and Tragedy celebrates Sabian and Nicoles irrevocable love and deplores his tragic death.
Harlequin® Historical brings you three new titles for one great price, available now! This Harlequin® Historical bundle includes Breaking the Rake's Rules by Bronwyn Scott, Taming His Viking Woman by Michelle Styles and The Knight's Broken Promise by Nicole Locke. Look for 6 compelling new stories every month from Harlequin® Historical!
To support U.S. Department of Defense (DoD) efforts to create a unified, comprehensive strategic plan for suicide prevention research, a RAND study cataloged studies funded by DoD and other entities, examined whether current research maps to DoD’s strategic research needs, and provided recommendations to encourage better alignment and narrow the research-practice gap when it comes to disseminating findings to programs serving military personnel.
Was wir wahrnehmen, nehmen wir auch für wahr. Keinem Organ wird hierbei mehr Evidenz zugesprochen als dem Auge. Dabei ist das Sehen keineswegs unvoreingenommen. Perspektive, Wissen und Intuition prägen die Visualität. Was Realität ist und was Einbildung lässt sich hier kaum noch auseinanderhalten. Eindrücklicher Beleg hierfür ist Taryn Simons neue Fotoserie The Innocents. Zu sehen sind Menschen an unterschiedlichen Orten, die eint, irrtümlich anhand von Zeugenaussagen und Fotografien für Gewaltverbrechen verurteilt und inhaftiert worden zu sein. Wenn sie für die Aufnahmen nun an die Orte ihrer Verhaftung, des Verbrechens, der falschen Bezichtigung oder ihres Alibis zurückkehren, dann werden sie selbst Zeugen. An Kreuzungen, an denen Realität zu Fiktion und Einbildung zu Wahrheit erklärt wurde, blicken sie fragend in die Weite oder in die Kamera, um der lebende Beweis für die vermeintliche Objektivität und die Ambivalenz der Sinne zu sein.
Contains inspiring, in depth word searches. Topics range from sports such as football, baseball, basketball, car racing, snow skiing, and golf to games such as board games, card games, and arcade games. There are a handful of Spanish puzzles. Also included, are activities like sewing, food, leaf collection, and horse terminology. Occupations and technical topics are covered along with a wide range of music related topics. Originally these word searches were created to be uplifting and provide a positive activity for people in correctional facilities. A portion, of the proceeds from this word search book, will be used to purchase word search books for correctional facilities. These books will be distributed to correctional facilities by an outreach ministry called Christmas Behind Bars. Further information about this organization is available at www.christmasbehindbars.org If you choose to support or sponsor this ministry in providing bibles, inspirational literature, and distribution of word searches for correctional facilities, contact: (260)824-3182 Lemuel Vega (260)824-8642 fax Christmas Behind Bars P.O. Box 474 Bluffton, IN 46714 To purchase word searches for correctional facilities, contact: Nicole Sprankles P.O. Box 105
USA TODAY BESTSELLER An intimate and uplifting story of one family’s journey from tragedy to triumph, inspiring readers to transform life’s obstacles into opportunities for growth and change. "Nicole Avant gives a raw and courageous look into how she found the light in her darkest moment. She reminds us that grief is different for everyone, and we have the power to move through it in our own unique way." —Cleo Wade, New York Times bestselling author "A love song to a great woman told through the eyes of the great woman she created." —Tyler Perry Nicole Avant—diplomat, philanthropist, filmmaker—shares her deeply personal journey of resilience and legacy. Raised in a vibrant home where artists, politicians, and business leaders gathered, Nicole's extraordinary upbringing shaped her into a force for positive change. Her parents—entertainment mogul Clarence Avant and philanthropist Jacqueline Avant—turned their home into a place of refuge and inspiration for a generation of geniuses, from Ella Fitzgerald to Bill Withers to Quincy Jones. This foundation guided Nicole through a trailblazing career in music, diplomacy, and film. Then, an unthinkable tragedy struck: her mother was fatally shot in December 2021. In this powerful memoir, Nicole transforms grief into a catalyst for profound personal growth and a renewed commitment to service. Think You'll Be Happy—her mother's final words—becomes a mantra for resilience, guiding readers toward hope, purpose, and positive change, even in life's darkest moments.
What do boy bands from the 1990s have in common with the Beatles? Why are some pop artists, such as Justin Timberlake, considered controversial? Readers will discover these answers and the stories behind beloved artists from the Beach Boys to Lady Gaga through fun and fact-filled text about the roots of pop music and how it has spread around the world. Readers will gain a deeper appreciation for their favorite artists and the pop stars who came before them as they explore a discography of important albums, full-color photographs, annotated quotes from artists and journalists, and fascinating sidebars.
From the poems of Anne Bradstreet, Phillis Wheatley, and Emily Dickinson emerges what the author calls FemPoetiks, a discourse of female empowerment. Situating the work of these poets in their historical eras, Linda Nicole Blair considers a sampling of their poems side-by-side with a number of song lyrics by singer-songwriters Brandi Carlile, Rhiannon Giddens, and Lucinda Williams, having found commonalities of theme, motif, and language between them. Blair argues that while FemPoetiks has continued to develop in various ways in American poetry by women, the fact that this discourse finds expression in songs by Americana female artists indicates a matrilineal line of influence from the 1630s to today. In order to show the omnipresence of this powerful feminist discourse, she closes this book with eleven interviews she conducted with female singer-songwriters from around the United States. The phenomenon of FemPoetiks is not limited to the arts but extends into all areas of American life, from the domestic to the political. FemPoetiks is a woman’s truth.
The Philippine Revolution of 1896–1905, which began against Spain and continued against the United States, took place in the context of imperial subjugation and local resistance across Southeast Asia. Yet scholarship on the revolution and the turn of the twentieth century in Asia more broadly has largely approached this pivotal moment in terms of relations with the West, at the expense of understanding the East-East and Global South connections that knit together the region’s experience. Asian Place, Filipino Nation reconnects the Philippine Revolution to the histories of Southeast and East Asia through an innovative consideration of its transnational political setting and regional intellectual foundations. Nicole CuUnjieng Aboitiz charts turn-of-the-twentieth-century Filipino thinkers’ and revolutionaries’ Asianist political organizing and proto-national thought, scrutinizing how their constructions of the place of Asia connected them to their regional neighbors. She details their material and affective engagement with Pan-Asianism, tracing how colonized peoples in the “periphery” of this imagined Asia—focusing on Filipinos, but with comparison to the Vietnamese—reformulated a political and intellectual project that envisioned anticolonial Asian solidarity with the Asian “center” of Japan. CuUnjieng Aboitiz argues that the revolutionary First Philippine Republic’s harnessing of transnational networks of support, activism, and association represents the crucial first instance of Pan-Asianists lending material aid toward anticolonial revolution against a Western power. Uncovering the Pan-Asianism of the periphery and its critical role in shaping modern Asia, Asian Place, Filipino Nation offers a vital new perspective on the Philippine Revolution’s global context and content.
Numerous movies, YouTube videos, books, and public service announcements have begun to address people with narcolepsy, and this discourse has led to greater visibility and understanding about an often-misunderstood condition. In Narratives of Narcolepsy in Everyday Life: Exploring Intricacies of Identity, Sleepiness, and Place, Nicole Eugene draws on in-depth interviews, participant observation, and field notes to examine life with narcolepsy, witha particular focus on how certain socially-defined places play significant roles in determining the meaning of sleepiness, medication side effects, and other narcolepsy symptoms. Eugene also includes one autoethnographic essay that explores her own experiences with narcolepsy as a Black woman, refracted through the lens of the various places where sleepiness may arise. Throughout the book, an emphasis on making sense of narcolepsy by communicating with others with the condition demonstrates a peer-based approach to researching health communication and disabilities. Drawing on feminist disability studies, health communication, narrative inquiry, and autoethnography, this book is an example of interpretive qualitative communication research that renders the lives of vulnerable people with compassion and understanding.
A critique of attempts by conservative eighteenth- and nineteenth-century authors to appropriate the rhetoric of victimhood and appeals to "rights" to safeguard the status of the powerful. As revolution and popular unrest roiled the final decades of the eighteenth century, authors, activists, and philosophers across the British Empire hailed the rise of the liberal subject, valorizing the humanity of the marginalized and the rights of members of groups long considered inferior or subhuman. Yet at the same time, a group of conservative authors mounted a reactionary attempt to cultivate sympathy for the privileged. In Defending Privilege, Nicole Mansfield Wright examines works by Tobias Smollett, Charlotte Smith, Walter Scott, and others to show how conservatives used the rhetoric of victimhood in attempts to convince ordinary readers to regard a privileged person's loss of legal agency as a catastrophe greater than the calamities and legally sanctioned exclusion suffered by the poor and the enslaved. In promoting their agenda, these authors resuscitated literary modes regarded at the time as derivative or passé—including romance, the gothic, and epistolarity—or invented subgenres that are neglected today due to widespread revilement of their politics (the proslavery novel). Although these authors are not typically considered alongside one another in scholarship, they are united by their firsthand experience of legal conflict: each felt that their privilege was degraded through lengthy disputes. In examining the work of these eighteenth- and early nineteenth-century authors, Wright traces a broader reactionary framework in the Anglophone literary legacy. Each novel seeks to reshape and manipulate public perceptions of who merits legal agency: the right to initiate a lawsuit, serve as a witness, seek counsel from a lawyer, and take other legal actions. As a result, Defending Privilege offers a counterhistory to scholarship on the novel's capacity to motivate the promulgation of human rights and champion social ascendance through the upwardly mobile realist character.
Greenspan examines a selection of Cromwell’s conflicts, policies and imperial ventures to explore the ways in which the media was instrumental in developing, promoting and legitimizing government actions.
Buying a property isn’t easy. It’s not meant to be. It’s one of the biggest financial decisions you’ll make in your life. But it is worth it. At thirty, journalist Nicole Haddow had an unstable income, no financial plan and only credit-card debt to her name. But less than two years later she was a homeowner. In Smashed Avocado, Nicole explains the steps she took to purchase her own home, and interviews other people who have found diverse ways to enter the property market, including rentvesting, flipping, Airbnb, tiny homes and buying regionally. She shares practical tips from property experts and the acquired wisdom of a new generation of homeowners – down to the micro-details. She even thrashes it out with Bernard Salt, the man who said young people should stop splashing out on expensive brunches if they want to own their own home. Nicole’s story is inspiring and optimistic – but, most importantly, it’s realistic. The home ownership dream might look different today, but it’s still possible to make it a reality. ‘A refreshingly real, informative and thoroughly researched must-read for anyone struggling to enter the housing market’ —Lucy Feagins, The Design Files
Abby Brookshire's world is turned upside down when the historic tree she's strived to preserve as the head groundskeeper at the Kissing Tree Inn is put in danger of removal. Making matters worse, the only way she can ensure its protection is to partner with the man who broke her heart years ago. Will she have the courage to move on from the past and start a new beginning? Heartwood is a sweeping novella from contemporary romance author, Nicole Deese.
Practical Veterinary Urinalysis is a comprehensive, clinically relevant resource for the veterinary laboratory. This bench-top guide covers sample handling guidelines, interpretation of dry chemical analysis, and recommendations for physical and microscopic evaluation. Emphasizing diagnostic techniques and result interpretation, Practical Veterinary Urinalysis is an ideal aid for anyone who performs and interprets urinalysis testing. Beginning with an overview of renal physiology and urine production, the main focus of the book is examination and analysis of urine samples, including physical properties, chemical analysis, and sediment examination. Additional chapters review diagnostic tests and considerations for proteinuria, advanced diagnostics, quality assurance and laboratory set-up. Practical Veterinary Urinalysis is an invaluable tool for achieving accurate and reliable laboratory results and is a useful addition to any veterinary library.
This hip, candid guide brings you the lowdown on nightlife in one of the world's most exciting cities--from the performing arts to pool halls, from dance clubs to the best jazz and blues, from cigar bars and micro breweries to adult entertainment.
Was wir wahrnehmen, nehmen wir auch für wahr. Keinem Organ wird hierbei mehr Evidenz zugesprochen als dem Auge. Dabei ist das Sehen keineswegs unvoreingenommen. Perspektive, Wissen und Intuition prägen die Visualität. Was Realität ist und was Einbildung lässt sich hier kaum noch auseinanderhalten. Eindrücklicher Beleg hierfür ist Taryn Simons neue Fotoserie The Innocents. Zu sehen sind Menschen an unterschiedlichen Orten, die eint, irrtümlich anhand von Zeugenaussagen und Fotografien für Gewaltverbrechen verurteilt und inhaftiert worden zu sein. Wenn sie für die Aufnahmen nun an die Orte ihrer Verhaftung, des Verbrechens, der falschen Bezichtigung oder ihres Alibis zurückkehren, dann werden sie selbst Zeugen. An Kreuzungen, an denen Realität zu Fiktion und Einbildung zu Wahrheit erklärt wurde, blicken sie fragend in die Weite oder in die Kamera, um der lebende Beweis für die vermeintliche Objektivität und die Ambivalenz der Sinne zu sein.
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