A dynamic historian revisits the workers’ internationals, whose scope and significance are commonly overlooked. In current debates about globalization, open and borderless elites are often set in opposition to the immobile and protectionist working classes. This view obscures a major historical fact: for around a century—from the 1860s to the 1970s—worker movements were at the cutting edge of internationalism. The creation in London of the International Workingmen’s Association in 1864 was a turning point. What would later be called the “First International” aspired to bring together European and American workers across languages, nationalities, and trades. It was a major undertaking in a context marked by opening borders, moving capital, and exploding inequalities. In this urgent, engaging work, historian Nicolas Delalande explores how international worker solidarity developed, what it accomplished in the nineteenth and twentieth centuries, and why it collapsed over the past fifty years, to the point of disappearing from our memories.
Rampant abuse, hate speech, censorship, bias, and disinformation - our Internet has problems. It is governed by technology companies - search engines, social media platforms, and infrastructure providers - whose hidden rules influence what we are allowed to see and say. In Lawless, Nicolas P. Suzor presents gripping examples of exactly how tech companies govern our digital environment and how they bend to pressure from governments and other powerful actors to censor and control the flow of information online. We are at a constitutional moment - an opportunity to rethink the basic rules of how the Internet is governed. Suzor offers a vision of a vibrant, diverse, and flourishing internet that can protect our fundamental rights from the lawless rule of tech. The culmination of more than ten years of original research, this groundbreaking work should be read by anyone who cares about the internet and the future of our shared social spaces.
Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. A People’s Art History of the United States places art history squarely in the rough–and–tumble of politics, social struggles, and the fight for justice from the colonial era through the present day. Author and radical artist Nicolas Lampert combines historical sweep with detailed examinations of individual artists and works in a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, western expansion, the suffragette movement and feminism, civil rights movements, environmental movements, LGBT movements, antiglobalization movements, contemporary antiwar movements, and beyond. A People’s Art History of the United States introduces us to key works of American radical art alongside dramatic retellings of the histories that inspired them. Stylishly illustrated with over two hundred images, this book is nothing less than an alternative education for anyone interested in the powerful role that art plays in our society.
Nicolas Walter was the son of the neurologist, W. Grey Walter, and both his grandfathers had known Peter Kropotkin and Edward Carpenter. However, it was the twin jolts of Suez and the Hungarian Revolution while still a student, followed by participation in the resulting New Left and nuclear disarmament movement, that led him to anarchism himself. His personal history is recounted in two autobiographical pieces in this collection as well as the editor’s introduction. During the 1960s he was a militant in the British nuclear disarmament movement—especially its direct-action wing, the Committee of 100—he was one of the Spies for Peace (who revealed the State’s preparations for the governance of Britain after a nuclear war), he was close to the innovative Solidarity Group and was a participant in the homelessness agitation. Concurrently with his impressive activism he was analyzing acutely and lucidly the history, practice and theory of these intertwined movements; and it is such writings—including Non-violent Resistance and The Spies for Peace and After—that form the core of this book. But there are also memorable pieces on various libertarians, including the writers George Orwell, Herbert Read and Alan Sillitoe, the publisher C.W. Daniel and the maverick Guy A. Aldred. The Right to be Wrong is a notable polemic against laws limiting the freedom of expression. Other than anarchism, the passion of Walter’s intellectual life was the dual cause of atheism and rationalism; and the selection concludes appropriately with a fine essay on Anarchism and Religion and his moving reflections, Facing Death. Nicolas Walter scorned the pomp and frequent ignorance of the powerful and detested the obfuscatory prose and intellectual limitations of academia. He himself wrote straightforwardly and always accessibly, almost exclusively for the anarchist and freethought movements. The items collected in this volume display him at his considerable best.
This book provides a comprehensive coverage of hybrid high-order methods for computational mechanics. The first three chapters offer a gentle introduction to the method and its mathematical foundations for the diffusion problem. The next four chapters address applications of increasing complexity in the field of computational mechanics: linear elasticity, hyperelasticity, wave propagation, contact, friction, and plasticity. The last chapter provides an overview of the main implementation aspects including some examples of Matlab code. The book is primarily intended for graduate students, researchers, and engineers working in related fields of application, and it can also be used as a support for graduate and doctoral lectures.
Key Issues Raised by the Case Study -- Items of Note -- Rio de Janeiro Floods and Mudslides, Brazil, 2011 -- Stage 1 -- Stage 2 -- Key Issues Raised by the Case Study -- Item of Note -- 5. Case Studies: Disasters from Natural Forces: Tornadoes -- Natchez Tornado, Mississippi, 1840 -- Stage 1 -- Stage 2 -- Stage 3 -- Stage 4 -- Key Issues Raised by the Case Study -- Item of Note -- Goliad Tornado, Texas, 1902 -- Stage 1 -- Stage 2 -- Key Issues Raised by the Case Study -- Item of Note -- Tri-state Tornado, 1925 -- Stage 1 -- Stage 2 -- Stage 3 -- Key Issues Raised by the Case Study -- Item of Note -- Sinking of the MV Dong Fang Zhi Xing, Yangtze River, China, 2015 -- Stage 1 -- Stage 2 -- Key Issues Raised by the Case Study -- Items of Note -- 6. Case Studies: Disasters from Natural Forces: Earthquakes and Volcanoes -- San Francisco Earthquake, 1906 -- Stage 1 -- Stage 2 -- Stage 3 -- Stage 4 -- Stage 5 -- Key Issues Raised by the Case Study -- Items of Note -- Aleutian Islands Earthquake, 1946 -- Stage 1 -- Stage 2 -- Key Issues Raised by the Case Study -- Items of Note -- Great Chilean Earthquake, 1960 -- Stage 1 -- Stage 2 -- Stage 3 -- Key Issues Raised by the Case Study -- Items of Note -- Good Friday Earthquake, Alaska, 1964 -- Stage 1 -- Stage 2 -- Stage 3 -- Key Issues Raised by the Case Study -- Items of Note -- Mount St. Helens Eruption, Washington, 1980 -- Stage 1 -- Stage 2 -- Stage 3 -- Key Issues Raised by the Case Study -- Items of Note -- Sichuan Earthquake, China, 2008 -- Stage 1 -- Stage 2 -- Key Issues Raised by the Case Study -- Items of Note -- Haiti Earthquake, 2010 -- Stage 1 -- Stage 2 -- Key Issues Raised by the Case Study -- Items of Note -- Fukushima Daiichi Nuclear Disaster, Japan, 2011 -- Stage 1 -- Stage 2 -- Stage 3 -- Key Issues Raised by the Case Study -- Items of Note
The Metal Gear series is unquestionably the pantheon of the great sagas of video games. The Metal Gear Saga is one of the most iconic in the video game history. It’s been 25 years now that Hideo Kojima’s masterpiece is keeping us in suspens, thanks to its complex and deep scenario. As one of the pioneer of the stealth games, Metal Gear is its author shadow and present a varied content, a rich universe, some of the most memorable characters in video games, as well as a thorough attention to details. In this book you’ll find a complete panorama of the cult saga from Hideo Kojima, exploring all its facets: genesis of every iteration and trivia from the development, study of the scenario and analysis of the gameplay mechanics and themes. his essential book offers a complete panorama of Hideo Kojima's cult saga! EXTRACT In 1987, Kojima unveiled the first installment in the Metal Gear franchise for the MSX 2. This event would define his life forever. Before continuing with the creation of this franchise, the other works of this games designer deserve some consideration. In 1988, Snatcher was released on the MSX 2 and NEC PC-8801. This adventure game, similar to the interactive graphic novel, was inspired by Blade Runner (Ridley Scott, 1982) and the cyberpunk movement. Kojima’s interest in dense plotlines resurfaced. The game was subsequently remade for the PC Engine CD-Rom2 in 1992, and was enlivened by its use of voice acting. Snatcher was released in Europe and the United States on the Megadrive Mega-CD two years later. Its spiritual successor, Policenauts, appeared on the NEC PC-9821 in 1994, then on the PlayStation and 3DO in 1995 and the Saturn in 1996. For Hideo Kojima, Snatcher and Policenauts were major accomplishments in his career. He has retained a particular affection for these two games, so much so that they are frequently referenced in the Metal Gear series. ABOUT THE AUTHORS Nicolas Courcier and Mehdi El Kanafi - Fascinated by print media since childhood, Nicolas Courcier and Mehdi El Kanafi wasted no time in launching their first magazine, Console Syndrome, in 2004. After five issues with distribution limited to the Toulouse region of France, they decided to found a publishing house under the same name. One year later, their small business was acquired by another leading publisher of works about video games. In their four years in the world of publishing, Nicolas and Mehdi published more than twenty works on major video game series, and wrote several of those works themselves: Metal Gear Solid. Hideo Kojima’s Magnum Opus, Resident Evil Of Zombies and Men, and The Legend of Final Fantasy VII and IX. Since 2015, they have continued their editorial focus on analyzing major video game series at a new publishing house that they founded together: Third. Educated in law, Denis Brusseaux has worked as a journalist for fifteen years and is a specialist in the two arts that he loves: cinema and video games. He has contributed to the magazines Joypad and Videogamer, and the website DVDrama. He also co-wrote the 2012 film The Lookout (French title: Le Guetteur), which starred Daniel Auteuil and Mathieu Kassovitz.
This book provides an extensive introduction to numerical computing from the viewpoint of backward error analysis. The intended audience includes students and researchers in science, engineering and mathematics. The approach taken is somewhat informal owing to the wide variety of backgrounds of the readers, but the central ideas of backward error and sensitivity (conditioning) are systematically emphasized. The book is divided into four parts: Part I provides the background preliminaries including floating-point arithmetic, polynomials and computer evaluation of functions; Part II covers numerical linear algebra; Part III covers interpolation, the FFT and quadrature; and Part IV covers numerical solutions of differential equations including initial-value problems, boundary-value problems, delay differential equations and a brief chapter on partial differential equations. The book contains detailed illustrations, chapter summaries and a variety of exercises as well some Matlab codes provided online as supplementary material. “I really like the focus on backward error analysis and condition. This is novel in a textbook and a practical approach that will bring welcome attention." Lawrence F. Shampine A Graduate Introduction to Numerical Methods and Backward Error Analysis” has been selected by Computing Reviews as a notable book in computing in 2013. Computing Reviews Best of 2013 list consists of book and article nominations from reviewers, CR category editors, the editors-in-chief of journals, and others in the computing community.
“That artful master of the international policier . . . delivers another one of his uncommonly intelligent procedurals with Inspector Henri Castang.” —The New York Times When Police Commissaire Henri Castang is summoned to investigate a missing hotelier, he’s not alarmed at the young widow’s disappearance. Until a routine inquiry on the hotel’s last guest reveals him to be a Jewish artist and concentration camp survivor who never checked in to a room. All clues seem to lead to a dead end, until a terrorist bombing of a church convent sends Castang in search of a mystery that will link back to the crimes buried deep in Europe’s war-torn past. “[A] rich and savory ratatouille fans have come to expect from Freeling—ironical and humorous, sad, clever and insightful.” —Publishers Weekly “A dark vision of war then-and-now and of tangled loyalties—to God, to country, to man—with love overriding all.” —Kirkus Reviews
This 6-volume set of Bakers covers all musical genres, with entries written by a distinguished group of area specialists as well as the original articles of Nicolas Slonimsky. More than 15, 000 biographies span the medieval ages to the present.This work continues the tradition of offering the most comprehensive and authoritative information on the musicians, along with interesting and insightful evaluations of their contributions to the musical world. Bakers remains the most affordable, comprehensive and readable of all music reference works, providing everyone from the student to scholar a one-stop resource for all their music biographical needs. Some of the artists featured include: Louis Armstrong Johann Sebastian Bach The Beatles Ludwig van Beethoven James Brown John Cage Maria Callas Johnny Cash Miles Davis Claude Debussy Marvin Gaye Philip Glass George Frideric Handel Charlie Parker Luciano Pavarotti Arturo Toscanini Tom Waits And many more
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