Throughout Louisiana's colonial and postcolonial periods, there evolved a highly specialized vocabulary for describing the region's buildings, people, and cultural landscapes. This creolized language -- a unique combination of localisms and words borrowed from French, Spanish, English, Indian, and Caribbean sources -- developed to suit the multiethnic needs of settlers, planters, explorers, builders, surveyors, and government officials. Today, this historic vernacular is often opaque to historians, architects, attorneys, geographers, scholars, and the general public who need to understand its meanings. With A Creole Lexicon, Jay Edwards and Nicolas Kariouk provide a highly organized resource for its recovery. Here are definitions for thousands of previously lost or misapplied terms, including watercraft and land vehicles, furniture, housetypes unique to Louisiana, people, and social categories. Drawn directly from travelers' accounts, historic maps, and legal documents, the volume's copious entries document what would actually have been heard and seen by the peoples of the Louisiana territory. Newly produced diagrams and drawings as well as reproductions of original eighteenth- and nineteenth-century documents and Historic American Buildings Surveys enhance understanding. Sixteen subject indexes list equivalent English words for easy access to appropriate Creole translations. A Creole Lexicon is an invaluable resource for exploring and preserving Louisiana's cultural heritage.
Marie-Antoinette (1755–1793) continues to fascinate historians, writers, and filmmakers more than two centuries after her death. She became a symbol of the excesses of France’s aristocracy in the eighteenth century that helped pave the way to dissolution of the country’s monarchy. The great material privileges she enjoyed and her glamorous role as an arbiter of fashion and a patron of the arts in the French court, set against her tragic death on the scaffold, still spark the popular imagination. In this gorgeously illustrated volume, the authors find a fresh and nuanced approach to Marie-Antoinette’s much-told story through the objects and locations that made up the fabric of her world. They trace the major events of her life, from her upbringing in Vienna as the archduchess of Austria, to her ascension to the French throne, to her execution at the hands of the revolutionary tribunal. The exquisite objects that populated Marie-Antoinette’s rarefied surroundings—beautiful gowns, gilt-mounted furniture, chinoiserie porcelains, and opulent tableware—are depicted. But so too are possessions representing her personal pursuits and private world, including her sewing kit, her harp, her children’s toys, and even the simple cotton chemise she wore as a condemned prisoner. The narrative is sprinkled with excerpts from her correspondence, which offer a glimpse into her personality and daily life. Visually rich and engaging, Marie-Antoinette offers a fascinating look at the multifaceted life of France’s last, ill-fated queen.
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.
The Political Sociology of Emotions articulates the political sociology of emotions as a sub-field of emotions sociology in relation to cognate disciplines and sub-disciplines. Far from reducing politics to affectivity, the political sociology of emotions is coterminous with political sociology itself plus the emotive angle added in the investigation of its traditional and more recent areas of research. The worldwide predominance of affective anti-politics (e.g., the securitization of immigration policies, reactionism, terrorism, competitive authoritarianism, nationalism and populism, etc.) makes the political sociology of emotions increasingly necessary in making the prospects of democracy and republicanism in the twenty-first century more intelligible. Through a weak constructionist theoretical perspective, the book shows the utility of this new sub-field by addressing two central themes: trauma and ressentiment. Trauma is considered as a key cultural-political phenomenon of our times, evoking both negative and positive emotions; ressentiment is a pertaining individual and collective political emotion allied to insecurities and moral injuries. In tandem, they constitute fundamental experiences of late modern times. The value of the political sociology of emotions is revealed in the analysis of civil wars, cultural traumas, the politics of pity, the suffering of distant others in the media, populism, and national identities on both sides of the Atlantic.
My book is relative to the message I wrote in a very early of the Sunday Easter April 15, 2001, about Jesus Christ and to testimonies that prove his willingness to be with us in any circumstance that overtakes our possibilities.And now where Israeli and Palestinian youths are joining, engaging in conflict resolution, I think my message of Peace and plan of Peace for them, can encourage Jewish, Christian and Muslim, through a human fraternity, to embrace the Trinity One, manifesting in this way the symbol of David's Star. I pray everyday for this union in peace.
[Ruwet] raises fundamental questions about the place of grammar in the study of language and provides several studies which suggest the possibility that some core data are outside the realm of grammatical explanation. A very remarkable book, in which the breadth of Ruwet's reflection is both challenging and deeply rewarding."—Denis Bouchard, University of Quebec, Montreal
Technological changes have often produced important social changes that translate into spatial and planning practice. Whereas the intelligent city is one of the unavoidable and even dominant concepts, digital uses can influence urban planning in four different directions. These scenarios are represented by a compass composed of a horizontal axis opposing institutional and non-institutional actors, and a second axis with open and closed opposition.
‘He plays the piano well,’ wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. ‘His compositions are not devoid of talent but he’s not a genius, and I’m afraid he thinks he is.’ Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of ‘genius’, preferring ‘artisan’, a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it’s boasting that he’d be happy never to hear The Mastersingers ever again, pointing out that what critics condemn as the ‘formlessness’ of French music is one of its delights, voicing his outrage at attempts to ‘finish’ the Unfinished Symphony, writing ‘in praise of banality’ - or remembering the affair of Debussy’s hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. This volume comprises selected articles from Francis Poulenc: J’écris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols's translation, capturing the very essence of Poulenc’s lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.
This book presents an introduction to the main concepts of statistical physics, followed by applications to specific problems and more advanced concepts, selected for their pedagogical or practical interest. Particular attention has been devoted to the presentation of the fundamental aspects, including the foundations of statistical physics, as well as to the discussion of important physical examples. Comparison of theoretical results with the relevant experimental data (with illustrative curves) is present through the entire textbook. This aspect is facilitated by the broad range of phenomena pertaining to statistical physics, providing example issues from domains as varied as the physics of classical and quantum liquids, condensed matter, liquid crystals, magnetic systems, astrophysics, atomic and molecular physics, superconductivity and many more. This textbook is intended for graduate students (MSc and PhD) and for those teaching introductory or advanced courses on statistical physics. Key Features: A rigorous and educational approach of statistical physics illustrated with concrete examples. A clear presentation of fundamental aspects of statistical physics. Many exercises with detailed solutions. Nicolas Sator is Associate Professor at Sorbonne University, Paris, France. He is a member of the Laboratory of Theoretical Physics of Condensed Matter (LPTMC) and his research focuses on the physics of liquids. Nicolas Pavloff is Professor at Paris-Saclay University, France. He is a member of Laboratoire de Physique Théorique et Modèles Statistiques (LPTMS) and his domain of research is quantum fluid theory. Lénaïc Couëdel is Professor at the University of Sasktchewan, Saskatoon, Canada and researcher at CNRS, France. His research area is plasma physics with a focus on complex plasma crystals.
Le général Curély. Itinéraire d’un cavalier léger de la Grande Armée (1793-1815), publié d’après un manuscrit authentique par le général Thoumas. Paris, Berger-Levrault, 1887, in-16, X-436 p., portr. « Malgré son titre, il s’agit bien de mémoires sur les campagnes de 1805, 1806, 1807 et 1809. La Russie, l’Allemagne, Waterloo sont également évoqués dans un panorama complet qui ne s’élève jamais au-dessus d’une stricte narration des aventures personnelles du brillant cavalier que fut Curély. » p 45 - Professeur Jean Tulard, Bibliographie Critique Des Mémoires Sur Le Consulat Et L’Empire, Droz, Genève, 1971.
Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
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