A beautifully illustrated study of mosaic art in Greco-Roman Egypt The art of the mosaic was developed by the Greeks, notably within the royal court of Macedonia, and was initially unknown to the Egyptians. Macedonian mosaicists then established busy workshops in the capital, Alexandria, and in the new towns of Greek Egypt. Under the stimulus of commissions from the Ptolemaic court, these workshops soon showed that they were capable of innovation. Beginning with pebbles, they then used tesserae of different sizes, and adopted new materials (glass, faience, paint) in order to transpose onto the floor images from grand paintings, which was the major art form of the time and was characterized by the vivid use of color. Alexandrian mosaicists were at the forefront of creativity during the Hellenistic period and their influence spread around the Mediterranean. After the Roman conquest of Egypt they adapted to the tastes of their new sponsors and to changes in architecture and were able to retain an important place within this art as it developed across the entire empire, in Rome and from east to west. The Mosaics of Alexandria provides the first overview of the mosaics and pavements of Egypt that were created between the end of the fourth century BC and the sixth century AD. It presents a selection of some seventy mosaics and pavements from Alexandria and Greco-Roman Egypt. Generally little known and more often than not unpublished, these works are illustrated here in full color, some for the first time. The aim is to better understand the artistic and artisanal production of a type of decoration that played an important role within the living environment of the ancients.
This book traces the evolution of environmental principles from their origins as vague political slogans reflecting fears about environmental hazards to their embodiment in enforceable laws. Environmental law has always responded to risks posed by industrial society but the new generation of risks have required a new set of environmental principles, emerging from a combination of public fears, science, ethics, and established legal practice. This book shows how three of the most important principles of modern environmental law grew out of this new age of ecological risk: the polluter pays principle, the preventive principle, and the precautionary principle. Since the first edition was published, the principles of polluter-pays, prevention, and precaution have been encapsulated in a swathe of legislation at domestic and international level. Courts have been invoking environmental law principles in a broad range of cases, on issues including GMOs, conservation, investment, waste, and climate change. As a result, more States are paying heed to these principles as catalysts for improving their environmental laws and regulations. This edition will integrate to a greater extent the relationship between environmental principles and human rights. The book analyses new developments including the EU Charter of Fundamental Rights, the case law of the European Court of Human Rights, which has continuously carved out environmental duties from a number of rights enshrined in the European Convention of Human Rights, and the implementation of the UNECE Convention on Access to Information.
With more states paying heed to environmental principles as catalysts for improving their environmental law, this book traces the evolution of environmental principles from their origins to their embodiment in enforceable laws. This edition will integrate to a greater extent the relationship between environmental principles and human rights.
In The Dura Language: Grammar & Phylogeny Nicolas Schorer provides the definite descriptive account of this hitherto poorly documented language of Lamjung, Nepal. The Dura language is effectively extinct, although attempts at revival may be undertaken by well-intentioned members of Dura ethnicity. On the basis of a comprehensive study and analysis of all of the extant Dura language material, the book outlines the phonology, nominal and verbal morphology, lexical and syntactic properties as well as the phylogenetic position of the language in unprecedented detail. The result of the phylogenetic inquiry will help explain some of the sociocultural realities associated with the Dura community in Nepal and is a significant contribution to our understanding of the linguistic landscape of the Himalayas.
This publication contains five studies on biological and landscape diversity in relation to road, rail and navigable waterway transport development, and on the approaches adopted at national and international level.
Structural Dynamics in Industry focuses on the behavior of structures subjected to a vibrational or shock environment. It takes a systematic approach to the basic concepts in order to enhance the reader's understanding and to allow industrial structures to be covered with the necessary degree of depth. The developments are explained with a minimum of mathematics and are frequently illustrated with simple examples, while numerous industry case studies are also provided.
’He plays the piano well,’ wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. ’His compositions are not devoid of talent but he’s not a genius, and I’m afraid he thinks he is.’ Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of ’genius’, preferring ’artisan’, a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it’s boasting that he’d be happy never to hear The Mastersingers ever again, pointing out that what critics condemn as the ’formlessness’ of French music is one of its delights, voicing his outrage at attempts to ’finish’ the Unfinished Symphony, writing ’in praise of banality’ - or remembering the affair of Debussy’s hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. This volume comprises selected articles from Francis Poulenc: J’écris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols's translation, capturing the very essence of Poulenc’s lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.
Le général Curély. Itinéraire d’un cavalier léger de la Grande Armée (1793-1815), publié d’après un manuscrit authentique par le général Thoumas. Paris, Berger-Levrault, 1887, in-16, X-436 p., portr. « Malgré son titre, il s’agit bien de mémoires sur les campagnes de 1805, 1806, 1807 et 1809. La Russie, l’Allemagne, Waterloo sont également évoqués dans un panorama complet qui ne s’élève jamais au-dessus d’une stricte narration des aventures personnelles du brillant cavalier que fut Curély. » p 45 - Professeur Jean Tulard, Bibliographie Critique Des Mémoires Sur Le Consulat Et L’Empire, Droz, Genève, 1971.
This book covers the latest advances in disciplines related to the middle ear pathologies such as: the innovations in the understanding of its functional anatomy and their implications along with the breakthroughs in the physiopathology of its diseases and the most recent concepts of their pathogenesis. More adapted audiological investigative methods and the advanced imaging approaches for an accurate diagnostic work up and the best management of middle ear ailments are presented . As an up-to-date learning resource, based on demonstrated clinico-radiological correlations, this book is a highly valuable teaching tool, especially when contemplating proceeding in middle ear surgery. Middle Ear Diseases is a comprehensive work, aimed for trainees, board candidates and teachers in otolaryngology and otology to respond to every educational need in regard to the most common middle ear pathologies. It is also a useful update for more experienced professionals in this field, as well as radiologists, audiologists and speech therapists.
A tape recorder. It is this device that served as the first electronic instrument to Jean-Michel Jarre: « My grandfather had given me a tape recorder and with my rock band, I recorded guitar solos that I was reversing, organ parts that I was slowing down. » Passionate about sound, the young Jarre applied to the Musical Research Group in 1968: 200 candidates present themselves for 4 places. Jean-Michel Jarre passes the exam and joins the GRM, which is then the best school in the world concerning electro-acoustic music. Trained by Pierre Henry and Pierre Schaeffer, Jean-Michel Jarre discovers an innovative approach to music at the time. Speaking of Pierre Henry, JMJ said: « He is the first, with Pierre Schaeffer, who said that the music was not only made of notes based on music theory, but sounds and that we could go out with a microphone and go record the sound of the rain, the sound of the wind, and make music out of it. » On leaving the GRM, Jean-Michel Jarre becomes a composer, lyricist, arranger and producer. And then in 1976, in his apartment turned into a home studio, he composes a record of instrumental music that nobody wants: Oxygène. Producer Francis Dreyfus accepts to release the album and it's a revolution. Thanks to this record, « He [Jean-Michel] has made millions of people discover electronic music! » Moby From Lyon to Equinoxe Infinity, discover the story of one of the pioneers of electronic music.
This 6-volume set of Bakers covers all musical genres, with entries written by a distinguished group of area specialists as well as the original articles of Nicolas Slonimsky. More than 15, 000 biographies span the medieval ages to the present.This work continues the tradition of offering the most comprehensive and authoritative information on the musicians, along with interesting and insightful evaluations of their contributions to the musical world. Bakers remains the most affordable, comprehensive and readable of all music reference works, providing everyone from the student to scholar a one-stop resource for all their music biographical needs. Some of the artists featured include: Louis Armstrong Johann Sebastian Bach The Beatles Ludwig van Beethoven James Brown John Cage Maria Callas Johnny Cash Miles Davis Claude Debussy Marvin Gaye Philip Glass George Frideric Handel Charlie Parker Luciano Pavarotti Arturo Toscanini Tom Waits And many more
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