Selected as the 2010 CBC Canada Reads Winner! Awards for the French-language edition: Prix des libraires 2006 Prix littéraire des collégiens 2006 Prix Anne-Hébert 2006 (Best first book) Prix Printemps des Lecteurs–Lavinal Intricately plotted and shimmering with originality, Nikolski charts the curious and unexpected courses of personal migration, and shows how they just might eventually lead us to home. In the spring of 1989, three young people, born thousands of miles apart, each cut themselves adrift from their birthplaces and set out to discover what — or who — might anchor them in their lives. They each leave almost everything behind, carrying with them only a few artefacts of their lives so far — possessions that have proven so formative that they can’t imagine surviving without them — but also the accumulated memories of their own lives and family histories. Noah, who was taught to read using road maps during a life of nomadic travels with his mother — their home being a 1966 Bonneville station wagon with a silver trailer — decides to leave the prairies for university in Montreal. But putting down roots there turns out to be a more transitory experience than he expected. Joyce, stifled by life in a remote village on Quebec’s Lower North Shore, and her overbearing relatives, hitches a ride into Montreal, spurred on by a news story about a modern-day cyber-pirate and the spirit of her own buccaneer ancestors. While her daily existence remains surprisingly routine —working at a fish shop in Jean-Talon market, dumpster-diving at night for necessities — it’s her Internet piracy career that takes off. And then there’s the unnamed narrator, who we first meet clearing out his deceased mother’ s house on Montreal’s South Shore, and who decides to move into the city to start a new life. There he finds his true home among books, content to spend his days working in a used bookstore and journeying though the many worlds books open up for him. Over the course of the next ten years, Noah, Joyce and the unnamed bookseller will sometimes cross paths, and sometimes narrowly miss each other, as they all pass through one vibrant neighbourhood on Montreal’s Plateau. Their journeys seem remarkably unformed, more often guided by the prevailing winds than personal will, yet their stories weave in and out of other wondrous tales — stories about such things as fearsome female pirates, urban archaeologists, unexpected floods, fish of all kinds, a mysterious book without a cover and a dysfunctional compass whose needle obstinately points to the remote Aleutian village of Nikolski. And it is in the magical accumulation of those details around the edges of their lives that we begin to know these individuals as part of a greater whole, and ultimately realize that anchors aren’t at all permanent, really; rather, they’re made to be hoisted up and held in reserve until their strength is needed again.
From the author of Canada Reads winner Nikolski comes a sweet, smart and occasionally surreal romantic comedy, featuring two young friends who could become lovers—if only one of them hadn't convinced herself that the end of the world is nigh. The Randall family was always a little strange. For generations, each member receives a prophetic vision of the apocalypse—but always on a different date. When the End of Days fails to materialize, yet another Randall goes mad. In the summer of 1989, Hope Randall's mother, in an attempt to forestall the latest imminent apocalypse, loads up the Lada and heads west from Yarmouth. After their car dies in Rivière-du-Loup, the mother and daughter put down roots, as yet another day of reckoning comes and goes. Mickey Bauermann has never seen the likes of the red-headed wonder that is Hope, whose idea of a good time is spending Friday nights watching David Suzuki reveal the mysteries of science on TV. The Bauermann family has been in the concrete business for generations, but Mickey has other ideas of what he wants to do with his life. For now, he spends every available second with Hope, whose mother has become increasingly unhinged. The teens take refuge in Mickey's bungalow basement, aka The Bunker, where they watch the twentieth century crumble and transform on the small screen. But when Hope's destiny as a Randall is revealed by chance—and by a bomb shelter's worth of ramen noodles—the time for hiding out is past. For Hope, the only way to deal with the end of the world is to confront it head on. The journey begins...
From the author of Canada Reads winner Nikolski comes a sweet, smart and occasionally surreal romantic comedy, featuring two young friends who could become lovers—if only one of them hadn't convinced herself that the end of the world is nigh. The Randall family was always a little strange. For generations, each member receives a prophetic vision of the apocalypse—but always on a different date. When the End of Days fails to materialize, yet another Randall goes mad. In the summer of 1989, Hope Randall's mother, in an attempt to forestall the latest imminent apocalypse, loads up the Lada and heads west from Yarmouth. After their car dies in Rivière-du-Loup, the mother and daughter put down roots, as yet another day of reckoning comes and goes. Mickey Bauermann has never seen the likes of the red-headed wonder that is Hope, whose idea of a good time is spending Friday nights watching David Suzuki reveal the mysteries of science on TV. The Bauermann family has been in the concrete business for generations, but Mickey has other ideas of what he wants to do with his life. For now, he spends every available second with Hope, whose mother has become increasingly unhinged. The teens take refuge in Mickey's bungalow basement, aka The Bunker, where they watch the twentieth century crumble and transform on the small screen. But when Hope's destiny as a Randall is revealed by chance—and by a bomb shelter's worth of ramen noodles—the time for hiding out is past. For Hope, the only way to deal with the end of the world is to confront it head on. The journey begins...
Selected as the 2010 CBC Canada Reads Winner! Awards for the French-language edition: Prix des libraires 2006 Prix littéraire des collégiens 2006 Prix Anne-Hébert 2006 (Best first book) Prix Printemps des Lecteurs–Lavinal Intricately plotted and shimmering with originality, Nikolski charts the curious and unexpected courses of personal migration, and shows how they just might eventually lead us to home. In the spring of 1989, three young people, born thousands of miles apart, each cut themselves adrift from their birthplaces and set out to discover what — or who — might anchor them in their lives. They each leave almost everything behind, carrying with them only a few artefacts of their lives so far — possessions that have proven so formative that they can’t imagine surviving without them — but also the accumulated memories of their own lives and family histories. Noah, who was taught to read using road maps during a life of nomadic travels with his mother — their home being a 1966 Bonneville station wagon with a silver trailer — decides to leave the prairies for university in Montreal. But putting down roots there turns out to be a more transitory experience than he expected. Joyce, stifled by life in a remote village on Quebec’s Lower North Shore, and her overbearing relatives, hitches a ride into Montreal, spurred on by a news story about a modern-day cyber-pirate and the spirit of her own buccaneer ancestors. While her daily existence remains surprisingly routine —working at a fish shop in Jean-Talon market, dumpster-diving at night for necessities — it’s her Internet piracy career that takes off. And then there’s the unnamed narrator, who we first meet clearing out his deceased mother’ s house on Montreal’s South Shore, and who decides to move into the city to start a new life. There he finds his true home among books, content to spend his days working in a used bookstore and journeying though the many worlds books open up for him. Over the course of the next ten years, Noah, Joyce and the unnamed bookseller will sometimes cross paths, and sometimes narrowly miss each other, as they all pass through one vibrant neighbourhood on Montreal’s Plateau. Their journeys seem remarkably unformed, more often guided by the prevailing winds than personal will, yet their stories weave in and out of other wondrous tales — stories about such things as fearsome female pirates, urban archaeologists, unexpected floods, fish of all kinds, a mysterious book without a cover and a dysfunctional compass whose needle obstinately points to the remote Aleutian village of Nikolski. And it is in the magical accumulation of those details around the edges of their lives that we begin to know these individuals as part of a greater whole, and ultimately realize that anchors aren’t at all permanent, really; rather, they’re made to be hoisted up and held in reserve until their strength is needed again.
This is a story of three characters--Noah, Joyce, and the anonymous narrator--as each leave their far-flung birthplaces to follow their own personal songs of migration. All three end up in Montreal, each on his or her voyage of selfdiscovery, each compelled to deal with the mishaps of heartbreak and the twisted branches of their shared family tree. Filled with humor, charm, and marvelous storytelling, this novel links cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs). This is a sweet, well-told story about three characters who break free from their families in order to live authentically.
Tout commence par un cambriolage. Non pas un banal vol dʹargent, mais un crime aux conséquences drôlement plus sérieuses. Un mercredi du mois de février, un homme coiffé dʹun extravagant chapeau violet demande à ses treize victimes de lui remettre lʹobjet qui a la plus grande valeur à leurs yeux, et en profite pour subtiliser 51% de leur âme. Dès le lendemain, une série dʹévénements étranges sʹamorce : lʹun se réveille transformé en bonhomme de neige, une autre métamorphosée en bonbon, une jeune fille est poursuivie par son tatouage, un bébé défèque des devises. Et Stacey Hinterland se met à rapetisser.--[Memento].
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