Sir, now the matter is perfectly clear. You... you are my nose!" The Collegiate Assessor Kovalyov wakes one morning to discover that his nose has disappeared. Unbeknownst to him, it has mysteriously found its way into a loaf of bread on the barber Yokovlevich's breakfast table. The barber attempts to dispose of it, but when Kovalyov steps out onto the St Petersburg streets, he finds his nose, now the size of a human, wearing a gold-embroidered uniform and travelling around in a carriage ... Dave Eggers says, of the series: "I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed.
The conflict in Ukraine has deep domestic roots. A third of the population, primarily in the East and South, regards its own Russian cultural identity as entirely compatible with a Ukrainian civic identity. The state’s reluctance to recognize this ethnos as a legitimate part of the modern Ukrainian nation, has created a tragic cycle that entangles Ukrainian politics. The Tragedy of Ukraine argues that in order to untangle the conflict within the Ukraine, it must be addressed on an emotional, as well as institutional level. It draws on Richard Ned Lebow’s ‘tragic vision of politics’ and on classical Greek tragedy to assist in understanding the persistence of this conflict. Classical Greek tragedy once served as a mechanism in Athenian society to heal deep social trauma and create more just institutions. The Tragedy of Ukraine reflects on the ways in which ancient Greek tragedy can help us rethink civic conflict and polarization, as well as model ways of healing deep social divisions.
Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world literature. As Nicolai Volland demonstrates, after 1949 China engaged with the world beyond its borders in a variety of ways and on many levels—politically, economically, and culturally. Far from rejecting the worldliness of earlier eras, the young People's Republic developed its own cosmopolitanism. Rather than a radical break with the past, Chinese socialist literature should be seen as an integral and important chapter in China's long search to find a place within world literature. Socialist Cosmopolitanism revisits a range of genres, from poetry and land reform novels to science fiction and children's literature, and shows how Chinese writers and readers alike saw their own literary production as part of a much larger literary universe. This literary space, reaching from Beijing to Berlin, from Prague to Pyongyang, from Warsaw to Moscow to Hanoi, allowed authors and texts to travel, reinventing the meaning of world literature. Chinese socialist literature was not driven solely by politics but by an ambitious—but ultimately doomed—attempt to redraw the literary world map.
O Nariz é o nome de um dos contos satíricos clássicos na literatura russa. Foi escrito pelo célebre escritor Nikolai Gogol e inspirou o compositor Dmitri Shostakovich a compor a ópera homônima. Escrita entre 1835 e 1836, a narrativa conta a história de um oficial de São Petersburgo cujo nariz abandona o rosto e decide ter vida independente. O Nariz, não trata de forças sobrenaturais, mas de uma manipulação estética da qual Gogol soube tirar proveito graças à sua genialidade como escritor.
Seine satirisch-grotesken, teils phantastischen Dramen und Erzählungen machen ihn zu einem der wichtigsten Autoren des 19. Jahrhunderts. Doch mit dem Roman "Die toten Seelen" hat sich der ukrainisch-russische Schriftsteller Nicolai Gogol in die Weltliteratur eingeschrieben! Im Alter von 42 verbrennt er gegen den Protest seines weinenden Dieners den letzten Teil der als Trilogie angelegten "Toten Seelen" und verweigert seitdem die Nahrungsaufnahme.
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