Nicola Harrison's The Show Girl gives a glimpse of the glamorous world of the Ziegfeld Follies, through the eyes of a young midwestern woman who comes to New York City to find her destiny as a Ziegfeld Follies star. "Fans of Elizabeth Gilbert's City of Girls will drink this up." --Booklist It's 1927 when Olive McCormick moves from Minneapolis to New York City determined to become a star in the Ziegfeld Follies. Extremely talented as a singer and dancer, it takes every bit of perseverance to finally make it on stage. And once she does, all the glamour and excitement is everything she imagined and more—even worth all the sacrifices she has had to make along the way. Then she meets Archie Carmichael. Handsome, wealthy—the only man she's ever met who seems to accept her modern ways—her independent nature and passion for success. But once she accepts his proposal of marriage he starts to change his tune, and Olive must decide if she is willing to reveal a devastating secret and sacrifice the life she loves for the man she loves.
An epic and cinematic novel by debut author Nicola Harrison, Montauk captures the glamour and extravagance of a summer by the sea with the story of a woman torn between the life she chose and the life she desires. Montauk, Long Island, 1938. For three months, this humble fishing village will serve as the playground for New York City’s wealthy elite. Beatrice Bordeaux was looking forward to a summer of reigniting the passion between her and her husband, Harry. Instead, tasked with furthering his investment interest in Montauk as a resort destination, she learns she’ll be spending twelve weeks sequestered with the high society wives at The Montauk Manor—a two-hundred room seaside hotel—while Harry pursues other interests in the city. College educated, but raised a modest country girl in Pennsylvania, Bea has never felt fully comfortable among these privileged women, whose days are devoted not to their children but to leisure activities and charities that seemingly benefit no one but themselves. She longs to be a mother herself, as well as a loving wife, but after five years of marriage she remains childless while Harry is increasingly remote and distracted. Despite lavish parties at the Manor and the Yacht Club, Bea is lost and lonely and befriends the manor’s laundress whose work ethic and family life stir memories of who she once was. As she drifts further from the society women and their preoccupations and closer toward Montauk’s natural beauty and community spirit, Bea finds herself drawn to a man nothing like her husband –stoic, plain spoken and enigmatic. Inspiring a strength and courage she had almost forgotten, his presence forces her to face a haunting tragedy of her past and question her future. Desperate to embrace moments of happiness, no matter how fleeting, she soon discovers that such moments may be all she has, when fates conspire to tear her world apart...
In 1942, Hazel Francis left Wichita, Kansas for California, determined to do her part for the war effort. At Douglas Aircraft, she became one of many “Rosie the Riveters,” helping construct bombers for the U. S. military. But now the war is over, men have returned to their factory jobs, and women like Hazel have been dismissed, expected to return home to become wives and mothers. Unwilling to be forced into a traditional woman’s role in the Midwest, Hazel remains on the west coast, and finds herself in the bohemian town of Laguna Beach. Desperate for work, she accepts a job as an assistant to famous artist Hanson Radcliff. Beloved by the locals for his contributions to the art scene and respected by the critics, Radcliff lives under the shadow of a decades old scandal that haunts him. Working hard to stay on her cantankerous employer’s good side, Hazel becomes a valued member of the community. She never expected to fall in love with the rhythms of life in Laguna, nor did she expect to find a kindred spirit in Jimmy, the hotel bartender whose friendship promises something more. But Hazel still wants to work with airplanes—maybe even learn to fly one someday. Torn between pursuing her dream and the dream life she has been granted, she is unsure if giving herself over to Laguna is what her heart truly wants.
In her study of anonymous infanticide news stories that appeared from 1822 to 1922 in the heart of the British Empire, in regional Leicester, and in the penal colony of Australia, Nicola Goc uses Critical Discourse Analysis to reveal both the broader patterns and the particular rhetorical strategies journalists used to report on young women who killed their babies. Her study takes Foucault’s perspective that the production of knowledge, of 'facts' and truth claims, and the exercise of power, are inextricably connected to discourse. Newspaper discourses provide a way to investigate the discursive practices that brought the nineteenth-century infanticidal woman - known as ’the Infanticide’ - into being. The actions of the infanticidal mother were understood as a fundamental threat to society, not only because they subverted the ideal of Victorian womanhood but also because a woman’s actions destroyed a man’s lineage. For these reasons, Goc demonstrates, infanticide narratives were politicised in the press and woven into interconnected narratives about the regulation of women, women's rights, the family, the law, welfare, and medicine that dominated nineteenth-century discourse. For example, the Times used individual stories of infanticide to argue against the Bastardy Clause in the Poor Law that denied unmarried women and their children relief. Infanticide narratives often adopted the conventions of the courtroom drama, with the young transgressive female positioned against a body of male authoritarian figures, a juxtaposition that reinforced male authority over women. Alive to the marked differences between various types of newspapers, Goc's study offers a rich and nuanced discussion of the Victorian press's fascination with infanticide. At the same time, infanticide news stories shaped how women who killed their babies were known and understood in ways that pathologised their actions. This, in turn, influenced medical, judicial, and welfare policies regar
Scholars in disciplines from architecture and the fine arts, to the various branches of history and social studies, will find this study timely given contemporary European controversies over what constitutes national identity and what parts are played by race, philosophy and religion, economics, immigration, and invasion. Many major European national identities barely predate the nineteenth century and were shaped not just by wars, philosophies, industrial change, and governmental policies, but also by artistic manipulation of how people perceived public spaces: landscapes, cityscapes, religious and cultural structures, museums, and monuments commemorating conflict. Among the most masterful manipulators of the day were popular nineteenth-century French and British novelists, who gave famous buildings a special prominence in their writing. Some, like Victor Hugo are still read and respected by scholars. Others, like Alexandre Dumas, though still widely read, are undervalued by contemporary critics. Still others, like William Harrison Ainsworth, a prolific English writer, are all but forgotten. These three writers authored architectural novels which gave major ancient Gothic buildings a new and portable cultural presence well beyond their physical location. During these revolutionary times, when national symbolism was being questioned and challenged, the threatened rupture with the past was admirably addressed through their art.
If the hurt and grief we carry is a woven blanket, it is time to weave ourselves anew. In the Nłeʔkepmxcín language, spíləx̣m are remembered stories, often shared over tea in the quiet hours between Elders. Rooted within the British Columbia landscape, and with an almost tactile representation of being on the land and water, Spíləx̣m explores resilience, reconnection, and narrative memory through stories. Captivating and deeply moving, this story basket of memories tells one Indigenous woman’s journey of overcoming adversity and colonial trauma to find strength through creative works and traditional perspectives of healing, transformation, and resurgence.
More exciting horror and science fiction tales are collected in this eleventh volume of Vampirella Archives. These classic Warren-era storylines showcase Vampirella's acting career as she meets supernatural menaces both on-screen and off, plus tales of ghosts, dragons, zombies, yetis, and all matter of unearthly danger. Collecting Vampirella Magazine #72-79, featuring the work of Jose Gonzalez, Esteban Maroto, Bruce Jones, Len Wein, and many more. Includes a wealth of bonus materials from a bygone era, including the "Feary Tales" feature on urban legends, the monthly "Scarlet Letters" column, "Vampi's Vault" of creator biographies and literary reviews, and intact vintage advertisements.
Inorganic Lead Exposure: Metabolism and Intoxication offers a comprehensive review of the evolution of scientific knowledge and the current state of the art in relation to lead interaction with the environment and the mammalian body. The authors focus on the sources of lead pollution to which humans are exposed during daily and working life, and on lead uptake, distribution, and excretion, clarifying our knowledge of the toxicity of this metal. They also provide a highly detailed description of saturnism and a thorough analysis of its critical effects on target organs.
There exists a series of contemporary artists who continually defy the traditional role of the artist/author, including Art & Language, Guerrilla Girls, Bob and Roberta Smith, Marvin Gaye Chetwynd and Lucky PDF. In Death of the Artist, Nicola McCartney explores their work and uses previously unpublished interviews to provoke a vital and nuanced discussion about contemporary artistic authorship. How do emerging artists navigate intellectual property or work collectively and share the recognition? How might a pseudonym aid 'artivism'? Most strikingly, she demonstrates how an alternative identity can challenge the art market and is symptomatic of greater cultural and political rebellion. As such, this book exposes the art world's financially incentivised infrastructures, but also examines how they might be reshaped from within. In an age of cuts to arts funding and forced self-promotion, this offers an important analysis of the pressing need for the artistic community to construct new ways to reinvent itself and incite fresh responses to its work.
“Frostbite is a perfectly executed cold fusion of science, history, and literary verve . . . as a fellow nonfiction writer, I bow down. This is how it's done.” — Mary Roach, author of Fuzz and Stiff An engaging and far-reaching exploration of refrigeration, tracing its evolution from scientific mystery to globe-spanning infrastructure, and an essential investigation into how it has remade our entire relationship with food—for better and for worse How often do we open the fridge or peer into the freezer with the expectation that we’ll find something fresh and ready to eat? It’s an everyday act—but just a century ago, eating food that had been refrigerated was cause for both fear and excitement. The introduction of artificial refrigeration overturned millennia of dietary history, launching a new chapter in human nutrition. We could now overcome not just rot, but seasonality and geography. Tomatoes in January? Avocados in Shanghai? All possible. In Frostbite, New Yorker contributor and cohost of the award-winning podcast Gastropod Nicola Twilley takes readers on a tour of the cold chain from farm to fridge, visiting off-the-beaten-path landmarks such as Missouri’s subterranean cheese caves, the banana-ripening rooms of New York City, and the vast refrigerated tanks that store the nation’s orange juice reserves. Today, nearly three-quarters of everything on the average American plate is processed, shipped, stored, and sold under refrigeration. It’s impossible to make sense of our food system without understanding the all-but-invisible network of thermal control that underpins it. Twilley’s eye-opening book is the first to reveal the transformative impact refrigeration has had on our health and our guts; our farms, tables, kitchens, and cities; global economics and politics; and even our environment. In the developed world, we’ve reaped the benefits of refrigeration for more than a century, but the costs are catching up with us. We’ve eroded our connection to our food and redefined what “fresh” means. More important, refrigeration is one of the leading contributors to climate change. As the developing world races to build a US-style cold chain, Twilley asks: Can we reduce our dependence on refrigeration? Should we? A deeply researched and reported, original, and entertaining dive into the most important invention in the history of food and drink, Frostbite makes the case for a recalibration of our relationship with the fridge—and how our future might depend on it.
Covers the final year of World War II in Europe. On the evening of Monday, 5th June 1944, the people of Britain went to bed with a sense of great events impending. They knew that any day now would come news of the battle that would forever alter the course of their lives, and the lives of their children and their grandchildren. The following day’s morning newspapers and early radio news bulletins were full of the fall of Rome to the Allies, which had been announced the day before. But then, at 9.33 am on that Tuesday, came the brief announcement: Allied naval forces, supported by strong air forces, had begun landing Allied armies on the coast of France.’ D-Day had finally dawned. D-Day to VE Day tells the story of the last year of the Second World War in Europe, from the Normandy landings and on through the hard slog to that long-awaited day – 8th May 1945 – when Britain broke out the bunting, rolled out the barrel, and celebrated victory over Hitler. The air-raid sirens were silenced, the lights could be switched on again, and the boys would be coming home. In many homes, festivities were muted because the war in the Far East was still to be won, but for a few short hours at least, the nation could afford to let its hair down and dance in the streets. Using contemporary accounts – interviews, newspaper reports and official documents – of those final months, D-Day to VE Day looks at life in Britain during those vital months, at the events that brought an end to war in Europe, and at the redrawing of national borders that would shape a new world order.
Shropshire Murders brings together numerous murderous tales, some which were little known outside the county, and others which made national headlines. Contained within the pages of this book are the stories behind some of the most heinous crimes ever committed in Shropshire. They include the Revd Robert Foulkes, who killed his illegitimate child in 1678; the murder of Catherine Lewis by John Mapp at Longden in 1867; the horrific axe murders committed by John Doughty at Church Stretton in 1924; and the tragic death of Dennis O'Neill, who was beaten and starved by his foster parents in 1944. Nicola Sly's carefully researched and enthralling text will appeal to anyone interested in the shady side of Shropshire's history.
At the turn of the millennium, a new phenomenon emerged: conservatives, who just decades before had rejected the expanding human rights culture, began to embrace human rights in order to advance their political goals. In this book, Nicola Perugini and Neve Gordon account for how human rights--generally conceived as a counter-hegemonic instrument for righting historical injustices--are being deployed to further subjugate the weak and legitimize domination. Using Israel/Palestine as its main case study, The Human Right to Dominate describes the establishment of settler NGOs that appropriate human rights to dispossess indigenous Palestinians and military think-tanks that rationalize lethal violence by invoking human rights. The book underscores the increasing convergences between human rights NGOs, security agencies, settler organizations, and extreme right nationalists, showing how political actors of different stripes champion the dissemination of human rights and mirror each other's political strategies. Indeed, Perugini and Gordon demonstrate the multifaceted role that this discourse is currently playing in the international arena: on the one hand, human rights have become the lingua franca of global moral speak, while on the other, they have become reconstrued as a tool for enhancing domination.
This collection of historic horrid happenings from across the country demonstrates that Christmas is not necessarily a time of peace, joy and goodwill to all men. Festive tragedies include the avalanche in Lewes, which destroyed several cottages in 1836, killing eight of the occupants and injuring many more, and the fall of a chimney in Bradford in 1882, which claimed fifty-four lives. There are fatal rail crashes in Oxfordshire, Bedfordshire, Cheshire, Cumbria and Scotland; freak weather conditions and devastating fires, such as the Christmas Eve fire in Glasgow that cost the lives of four firemen in 1927. The holiday season has witnessed a plethora of almost unbelievable accidents, such as the amateur mechanic who died with his head stuck in a car engine, the footballer who leaped into a quarry to retrieve a lost ball, and the Christmas party guest who fell down a flight of stairs and broke his neck. Among the chilling crimes featured here is that of Nottinghamshire man Edward Kesteven, who killed his wife on Christmas Day 1894, and the murder of Thirza Kelly in Norfolk by a local teenager on Christmas Eve 1900. Full of merry madness and hearty heartache, A Horrid History of Christmas will make you want to bypass the festivities altogether!
A fabulous closed-room mystery that will keep you guessing' - DENISE MINA 'Fabulous Dublin-based crime. Very much in the vein of Tana French' - JO SPAIN 'This creeps up on you until you're hooked' - HEAT THEY DID IT TO THEMSELVES BUT SOMEONE WAS WATCHING The Macnamara sisters hadn't been seen for months before anyone noticed. It was Father Timoney who finally broke down the door, who saw what had become of them. Berenice was sitting in her armchair, surrounded by religious tracts. Rosaleen had crawled under her own bed, her face frozen in terror. Both had starved themselves to death. Francesca Macnamara returns to Dublin after decades in the US to find her family in ruins. Meanwhile, Detectives Vincent Swan and Gina Considine are convinced that there is more to the deaths than suicide. Because what little evidence there is, shows that someone was watching the sisters die... A compelling mystery that will keep you reading late into the night, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain. ________________________________________ *** SUNDAY TIMES CRIME CLUB STAR PICK *** *** AN IRISH TIMES CRIME BOOK OF THE YEAR *** 'A terrific new gem of Irish noir, written with a light touch' - SUNDAY TIMES 'Sombre, psychological nuanced and compassionate... gripping' - IRISH TIMES 'Intriguing, compelling and highly entertaining. Formidably impressive' - LIZ NUGENT 'Thrilling... will keep you guessing until the very end' - MY WEEKLY 'Infused with depth, darkness and acute psychological drama' - HERALD
The Women's Land Army" was the forgotten victory of the Second World War. While troops fought on the front line, a battalion of young women joined up to take their place as agricultural workers. Despite many of them coming from urban backgrounds, these fearless, cheerful girls learnt how to look after farm land, operate and repair machinery, rear and manage farm animals, harvest crops and provide the work force that was badly needed in the years of the war. Back-breaking work such as thinning crops, continuous hoeing and digging made way for disgusting tasks such as rat-killing. Yet despite it all, the land girls were exuberant, fun-loving and hard-working, and became known for their articulate, feisty, humorous and modest attitude. It therefore comes as no surprise that despite hostility and teasing at the beginning, these robust farm workers won the hearts of the nation, and at the disbandment of the Land Army in the 1950s, the farming community were forced to eat their words. With delightful photographs documenting the camaraderie of the Land Army and real-life memories from those who joined, this nostalgic look at one of the real success stories of the Second World War will make modern women stand proud of what their grandmothers achieved in an era before our own.
What are some of the long held bellefs in early childhood education that need to be challenged? What can postmodern perspectives offer to early childhood educators? How can early childhood educators deal with the complex issues that arise in the lives of young children? This book examines critical issues in early childhood education across a broad range of contexts. The issues explored are critical not only in terms of being fundamental to early childhood education, but also in that they present ideas and use frameworks which are not traditional to the field. The topics under review include questioning the developmental basis of early childhood education and the notion of what constitutes child-centred curricula, and extends into a discussion of the complex nature of teacher's work in early childhood contexts which require new ways of reconceptualising the field and the role of the teacher in the lives of children.; The chapters explore contemporary issues using methodologies that are increasingly being favoured by teacher educators, parents and community members who find that developmental perspectives do not satisfactorily explain and assist us in our interactions with young children and their families in the 21st century.
A Grim Almanac of Leicestershire is a day-by-day catalogue of 366 macabre moments from the county's past. Featured here are such diverse tales as mining disasters, freak weather conditions, industrial catastrophes, train crashes and tragic accidents, including the Oadby woman who was killed by a wasp sting in 1925 and Dorothy Cain, who performed her first ever parachute jump in 1926 — without her parachute. Among the murders detailed in this volume are the assisted suicide of the vicar of Hungerton in 1925, and the unsolved 'Green Bicycle Murder' of 1919 at Little Stretton. Generously illustrated with 100 pictures, this chronicle is an entertaining and readable record of Leicestershire's grim past. Read on... if you dare!
Elizabeth Bowen was a prolific writer; her publishing career spanned five decades and during this time she wrote ten novels, over one hundred short stories and countless reviews and journal articles. While earlier novels are now acknowledged as Modernist texts, her later novels can be read through the lens of postmodernism; they can be considered variously as romantic fiction, marriage novels, war time spy thrillers and psychological drama but, throughout her novels, she consistently questioned notions of identity, sexuality and the loss of innocence. A World of Lost Innocence: The Fiction of Elizabeth Bowen offers a reading of Elizabeth Bowen’s fiction which focuses specifically on this loss, foregrounding the psychological conflicts experienced by her protagonists. It examines the subject not only across the range of her fiction, but also in relation to her unfolding narrative structures through a chronologically based discussion of her novels and selected short stories, interwoven with biographical information and drawing on unpublished letters. This book investigates the dominant kinds of innocence that Bowen represents throughout her fiction: the innocence attributed to childhood, sexual innocence and sexual morality, and political innocence, and argues that the transition from innocence to experience plays an important role in the epistemological journey faced both by Bowen’s characters and her readers.
The way that we interact with the environment on a daily basis is inherently multisensory. Even a simple task such as judging the location of a light in a dark room depends not only on vision but also on proprioceptive cues about the position of our body in space. The way that we experience food can be influenced not just by taste and smell, but by visual and auditory cues. Perception: A multisensory perspective adopts a multisensory approach to understanding perception. Rather than discussing each sense separately, this book defines perception as intrinsically multisensory from the start and examines multisensory interactions as the key process behind how we perceive our own body, control its movements, and perceive and recognise objects, space, and time. But the book delves even deeper. It discusses multisensory processing in conditions such as synaesthesia. It addresses attention and the role of multisensory processing in learning. By focussing on these domains, the authors highlight and identify general principles in the field of perception study and introduce models, experimental methods and pathologies that will be of interest to all those studying within the field of perception. The authors also illustrate applications that will be of interest to professionals whose work takes multisensory processing into account. As an introduction to the topic of multisensory perception, Perception: A multisensory perspective will be essential reading for students, from advanced undergraduate level through to postgraduate level in psychology, philosophy, and neuroscience. Those studying physiotherapy and neurological rehabilitation, human-computer interface development, or the design of products or services will also find this book of interest.
These timely essays highlight regional cross-fertilization in music, film, new media, and popular culture in Northeast Asia, including analysis of gender and labor issues amid differing regulatory frameworks and public policy concerning cultural production and piracy.
A Grim Almanac of Oxfordshire is a day-by-day catalogue of 366 ghastly tales from the county’s past.There are murders and manslaughters, including the killing by Mrs Barber of her entire family in 1909 while temporarily insane, and the brutal murder of four-year-old Edward Busby in 1871, killed by his mother to prevent his father ill-treating him. There are bizarre deaths, including those of four-year-old Charles Taylor, who was accidentally kicked clean through a top storey window in 1844 by a child playing on a swing, George Sheppard, who was struck by a cricket ball during a match in 1905, and of the vicar of Bucknell, who starved himself to death in 1935.There is an assortment of calamities which include strange and unusual crimes, devastating fires, rail crashes, explosions, disasters, mysteries, freak weather and a plethora of uncanny accidents.Generously illustrated, this chronicle is an entertaining and readable record of Oxfordshire’s grim past. Delve into the dreadful deeds of Oxford’s past, if you dare...
In 1942, Hazel Francis left Wichita, Kansas for California, determined to do her part for the war effort. At Douglas Aircraft, she became one of many “Rosie the Riveters,” helping construct bombers for the U. S. military. But now the war is over, men have returned to their factory jobs, and women like Hazel have been dismissed, expected to return home to become wives and mothers. Unwilling to be forced into a traditional woman’s role in the Midwest, Hazel remains on the west coast, and finds herself in the bohemian town of Laguna Beach. Desperate for work, she accepts a job as an assistant to famous artist Hanson Radcliff. Beloved by the locals for his contributions to the art scene and respected by the critics, Radcliff lives under the shadow of a decades old scandal that haunts him. Working hard to stay on her cantankerous employer’s good side, Hazel becomes a valued member of the community. She never expected to fall in love with the rhythms of life in Laguna, nor did she expect to find a kindred spirit in Jimmy, the hotel bartender whose friendship promises something more. But Hazel still wants to work with airplanes—maybe even learn to fly one someday. Torn between pursuing her dream and the dream life she has been granted, she is unsure if giving herself over to Laguna is what her heart truly wants.
Nicola Harrison's The Show Girl gives a glimpse of the glamorous world of the Ziegfeld Follies, through the eyes of a young midwestern woman who comes to New York City to find her destiny as a Ziegfeld Follies star. "Fans of Elizabeth Gilbert's City of Girls will drink this up." --Booklist It's 1927 when Olive McCormick moves from Minneapolis to New York City determined to become a star in the Ziegfeld Follies. Extremely talented as a singer and dancer, it takes every bit of perseverance to finally make it on stage. And once she does, all the glamour and excitement is everything she imagined and more—even worth all the sacrifices she has had to make along the way. Then she meets Archie Carmichael. Handsome, wealthy—the only man she's ever met who seems to accept her modern ways—her independent nature and passion for success. But once she accepts his proposal of marriage he starts to change his tune, and Olive must decide if she is willing to reveal a devastating secret and sacrifice the life she loves for the man she loves.
This is a key text for all those undertaking placements or work-based learning (WBL) in early years settings. Taking a practical approach underpinned by theory and research, it guides student practitioners through their WBL to help them achieve an outstanding experience. There is a focus on the variety of child, parent and practitioner perspectives plus case studies involving the full range of ages from across the early years. While it is invaluable in answering key questions about placements it also encourages a reflective and critical approach throughout that develops and promotes professionalism. It is completely up to date with the latest Early Years Foundation Stage and includes reference to the Early Years Teachers' Standards.
Murder by poison is often thought of as a crime mainly committed by women, usually to despatch an unwanted spouse or children. While there are indeed many infamous female poisoners, such as Mary Ann Cotton, who is believed to have claimed at least twenty victims between 1860 and 1872, and Mary Wilson, who killed her husbands and lovers in the 1950s for the proceeds of their insurance policies, there are also many men who chose poison as their preferred means to a deadly end. Dr. Thomas Neil Cream poisoned five people between 1881 and 1892 and was connected with several earlier suspicious deaths, while Staffordshire doctor William Palmer murdered at least ten victims between 1842 and 1856. Readily obtainable and almost undetectable prior to advances in forensic science during the twentieth century, poison was considered the ideal method of murder and many of its exponents failed to stop at just one victim. Along with the most notorious cases of murder by poison in the country, this book also features many of the cases that did not make national headlines, examining not only the methods and motives but also the real stories of the perpetrators and their victims.
War poetry - Wilfred Owen - Siegfried Sassoon - Battle of the Somme - Alfred Tennyson - Verdun - Rupert Brooke - Vera Brittain - Alan Seeger - Robert Graves.
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