Nicola Gauld's Books

Words and Deeds

Birmingham Suffragists and Suffragettes 1832-1918

By: Nicola Gauld

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Words and Deeds

Birmingham Suffragists and Suffragettes 1832-1918

By: Nicola Gauld

In September 1909 Prime Minister Herbert Asquith came under attack during an event at Birmingham’s Bingley Hall. Members of the Women’s Social and Political Union (WSPU) - or ‘suffragettes’ as the papers had named them - prevented from attending the meeting by a heavy police presence, threw roof slates at Asquith’s car to register their frustration. Ten women were arrested and imprisoned for their actions that day. This incident was one of many that marked the campaign for women’s suffrage in Birmingham and the West Midlands. Often overlooked compared to London or Manchester, the region was nonetheless an important hub of the suffrage movement, at the heart of both the constitutional campaign for reform and militant action by the suffragettes. It witnessed explosions, vandalism and arson, as well as university debates, rallies, and vigorous newspaper campaigns. It also had the tragic honour of being the first place where the policy of force-feeding hunger-striking suffragettes in prison was implemented. The part the city played in the fight for universal suffrage has been forgotten for too long. This book examines the suffrage campaign in Birmingham from its beginnings in the 19th century to the First World War, from both militant and constitutional perspectives, exploring the significant incidents that took place in the city and telling the stories of the women who campaigned relentlessly for their democratic right to vote.

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Page Count

128

Published Date

ISBN 10

1905036493

ISBN 13

9781905036493

UK Feminist Cartoons and Comics

A Critical Survey

By: Nicola Streeten

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UK Feminist Cartoons and Comics

A Critical Survey

By: Nicola Streeten

This book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book highlights the relevance of humour and provides a comparative British perspective. The time frame is 1970 to 2019, chosen as representative of a significant historical period for the development of feminist cartoon and comics activity and of feminist theory and practice. Research methods include archival data collection, complemented by interviews with selected cartoonists. Visual and textual analysis of specific examples draws on literature from humour theory, comics studies and feminist theory. Examples are also considered as responses to the economic, social and political contexts in which they were produced.

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