Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites Paradox': Ambivalence, Destabilization and Resistance in Five Miles from Outer Hope Ginette Carpenter 'Woah there a moment. Time out!': Slowing Down in Clear: A Transparent Novel Beccy Kennedy Beneath the Thin Veneer of the Modern: Medievalism in Darkmans Christopher Vardy Burley Cross Postbox Theft as Comedy Huw Marsh 'Tuning into My "Awareness Continuum"': Optimized Attention in The Yips Alice Bennett Exuberant Narration as Metaphysical Currency in In the Approaches Berthold Schoene The Pursuit of Happiness in H(A)PPY, or What a Difference an (A) Makes Eleanor Byrne Notes on Contributors Index
On September 5, 2003, illusionist David Blaine entered a small Perspex box adjacent to London's Thames River and began starving himself. Forty-four days later, on October 19, he left the box, fifty pounds lighter. That much, at least, is clear. And the rest? The crowds? The chaos? The hype? The rage? The fights? The lust? The filth? The bullshit? The hypocrisy? Nicola Barker fearlessly crams all that and more into this ribald and outrageous peep show of a novel, her most irreverent, caustic, up-to-the-minute work yet, laying bare the heart of our contemporary world, a world of illusion, delusion, celebrity, and hunger.
*WINNER OF THE GOLDSMITHS PRIZE 2017* *SHORTLISTED FOR THE GORDON BURN PRIZE 2018* *LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018* A GUARDIAN BOOK OF THE YEAR A TELEGRAPH BOOK OF THE YEAR AN INDEPENDENT BOOK OF THE YEAR From the internationally acclaimed, Man Booker-shortlisted Nicola Barker comes a new novel, a post-post apocalyptic story that overflows with pure creative talent. Imagine a perfect world where everything is known, where everything is open, where there can be no doubt, no hatred, no poverty, no greed. Imagine a System which both nurtures and protects. A Community which nourishes and sustains. An infinite world. A world without sickness, without death. A world without God. A world without fear. Could you...might you be happy there? H(A)PPY is a post-post apocalyptic Alice in Wonderland, a story which tells itself and then consumes itself. It's a place where language glows, where words buzz and sparkle and finally implode. It's a novel which twists and writhes with all the terrifying precision of a tiny fish in an Escher lithograph – a book where the mere telling of a story is the end of certainty.
Spurting with kinetic energy, nasty wit, and kindness to animals, Wesley ought to be a star. Or so it seems to the "Behindlings" -- followers who nip at his heels, turn up everywhere he goes, and lie in wait for him around every corner. They skulk through the dreary streets of their tiny English town, gathering their own scabby intentions, irritating habits, and weird manners, burying all differences in the common pursuit of their true prize, their Wesley. In Behindlings, the inimitable and ungovernable Nicola Barker takes her most compelling character to date, gives him his head and her novel, and sees him run off with her readers.
2006 is a foreign country; they do things differently there. Tiger Woods' reputation is entirely untarnished and the English Defence League does not exist yet. Storm-clouds of a different kind are gathering above the bar of Luton's less than exclusive Thistle Hotel. Among those caught up in the unfolding drama are a man who's had cancer seven times, a woman priest with an unruly fringe, the troubled family of a notorious local fascist, an interfering barmaid with three E's at A-level but a PhD in bullshit, a free-thinking Muslim sex therapist and his considerably more pious wife. But at the heart of every intrigue and the bottom of every mystery is the repugnantly charismatic Stuart Ransom – a golfer in free-fall. Nicola Barker's The Yips is at once a historical novel of the pre-Twitter moment, the filthiest state-of-the-nation novel since Martin Amis' Money and the most flamboyant piece of comic fiction ever to be set in Luton.
As winner of the highly prestigious IMPAC International Dublin Literary Award, Wide Open beat out books by such masters as Toni Morrison, Philip Roth, and Michael Cunningham. It is truly extraordinary work of fiction, taking readers into a small English seaside town, and into the minds and hearts of its remarkable inhabitants -- a man named Ronny, weed killer by trade, who has some strange things in common with a man he finds dangling from a bridge; Nathan, the son of a pedophile, who toils in the Underground's Lost Property department, endlessly logging missing items; Sara, purveyor of her family boar farm, and Lily, her teenage daughter, tragically born with unformed organs and blood that refuses to clot. Starkly original and at turns hilarious, sad, and hopeful, Wide Open brilliantly displays Nicola Barker's delightfully singular literary talent.
This book analyzes the relation between print cultures and eighteenth-century literary and political practices and, identifying Queen Anne's England as a crucial moment in the public life of gossip, offers readings of key texts that demonstrate how gossip's interpretative strategies shaped readers' participation in the literary and public spheres.
Root-lesion nematodes of the genus Pratylenchus are recognized worldwide as one of the major constraints of crop of primary economic importance including vegetables, and many small and fruit trees. Pratylenchus spp. rank third behind root-knot and cyst nematodes as the nematodes of greatest economic impact.
Magdalene is a mob-connected madam. Tommy Flynn is the hitman who loves her. And when they're framed for the murder of a rival crime boss’s favorite son, Magdalene fears the sins of her past have come back to haunt her. After spending half a lifetime in a seamy underworld where love is for sale and men worship at the altar of sex and greed, claiming sanctuary in a cathedral is the last thing she wants to do - and the only chance she has to find out who set her up. With all clues pointing to Magdalene's ex-lover, a working girl called Lola, the legendary madam is reluctant to trust Tommy, a smooth-talking hired gun, and risk being burned again. But as time grows short and secrets are revealed, Magdalene will have to look into the dark places inside herself if she is to catch a killer and survive with body and soul intact. In the corrupt city of Crawley, Massachusetts, passion, crime and religion collide in this steamy, neo-noir work of romantic suspense.
Murder by poison is often thought of as a crime mainly committed by women, usually to despatch an unwanted spouse or children. While there are indeed many infamous female poisoners, such as Mary Ann Cotton, who is believed to have claimed at least twenty victims between 1860 and 1872, and Mary Wilson, who killed her husbands and lovers in the 1950s for the proceeds of their insurance policies, there are also many men who chose poison as their preferred means to a deadly end. Dr. Thomas Neil Cream poisoned five people between 1881 and 1892 and was connected with several earlier suspicious deaths, while Staffordshire doctor William Palmer murdered at least ten victims between 1842 and 1856. Readily obtainable and almost undetectable prior to advances in forensic science during the twentieth century, poison was considered the ideal method of murder and many of its exponents failed to stop at just one victim. Along with the most notorious cases of murder by poison in the country, this book also features many of the cases that did not make national headlines, examining not only the methods and motives but also the real stories of the perpetrators and their victims.
Home in British Working-Class Fiction offers a fresh take on British working-class writing that turns away from a masculinist, work-based understanding of class in favour of home, gender, domestic labour and the family kitchen. As Nicola Wilson shows, the history of the British working classes has often been written from the outside, with observers looking into the world of the inhabitants. Here Wilson engages with the long cultural history of this gaze and asks how ’home’ is represented in the writing of authors who come from a working-class background. Her book explores the depiction of home as a key emotional and material site in working-class writing from the Edwardian period through to the early 1990s. Wilson presents new readings of classic texts, including The Ragged Trousered Philanthropists, Love on the Dole and Saturday Night and Sunday Morning, analyzing them alongside works by authors including James Hanley, Walter Brierley, Lewis Grassic Gibbon, Buchi Emecheta, Pat Barker, James Kelman and the rediscovered ’ex-mill girl novelist’ Ethel Carnie Holdsworth. Wilson's broad understanding of working-class writing allows her to incorporate figures typically ignored in this context, as she demonstrates the importance of home's role in the making and expression of class feeling and identity.
In Global Perspectives on Income Taxation Law, Avi-Yonah covers basic, corporate and international tax law from a comparative perspective. The book both supplements readings in U.S. tax law courses and serves as a textbook for a comparative tax law class. It is arranged by subject matter in the order in which they are usually covered in U.S. tax law classes. The materials are drawn from a wide variety of countries, including developing countries.
A new and innovative approach to Latin American Studies which makes an important contribution to contemporary debates about cultural appropriation and the integration of immigrant communities
In 1906, Sir George Newman's 'Infant Mortality: A Social Problem', one of the most important health studies of the twentieth century, was published. To commemorate this anniversary, this volume brings together an interdisciplinary team of leading academics to evaluate Newman's critical contribution, to review current understandings of the history of infant and early childhood mortality, especially in Britain, and to discuss modern approaches to infant health as a continuing social problem. The volume argues that, even after 100 years of health programmes, scientific advances and medical interventions, early childhood mortality is still a significant social problem and it also proposes new ways of defining and tracking the problem of persistent mortality differentials.
The 'Marginal' as a concept has become an integral part of the British novel as it stands at the turn of the century. Both popular and literary fiction since the mid-1970s has seen an increasing emphasis on the marginal subject. This study offers readings of a wide range of contemporary British novels that represent characters or communities at the margin of society. Nicola Allen analyses three conceptual categories representing the marginal subject in the contemporary British novel: the character of the misfit or outsider; the emergence of the grotesque; and the rediscovery of previously marginalized narratives such as myth and fantasy. This innovative and original monograph focuses on the contention that the contemporary novel of marginality conveys a belief in the socially transformative powers of narrative, and suggests that narrative has played a central role in bringing marginal politics and marginal issues to the fore in contemporary Britain.
The rise of international criminal trials has been accompanied by a call for domestic responses to extraordinary violence. Yet there is remarkably limited research on the interactions among local, national, and international transitional justice institutions. Rwanda offers an early example of multi-level courts operating in concert, through the concurrent practice of the United Nations International Criminal Tribunal for Rwanda (ICTR), the national Rwandan courts, and the gacaca community courts. Courts in Conflict makes a crucial and timely contribution to the examination of these pluralist responses to atrocity at a juncture when holistic approaches are rapidly becoming the policy norm. Although Rwanda's post-genocide criminal courts are compatible in law, an interpretive cultural analysis shows how and why they have often conflicted in practice. The author's research is derived from 182 interviews with judges, lawyers, and a group of witnesses and suspects within all three of the post-genocide courts. This rich empirical material shows that the judges and lawyers inside each of the courts offer notably different interpretations of Rwanda's transitional justice processes, illuminating divergent legal cultures that help explain the constraints on the courts' effective cooperation and evidence gathering. The potential for similar competition between domestic and international justice processes is apparent in the current practice of the International Criminal Court (ICC). However, this competition can be mitigated through increased communication among the different sites of justice, fostering legal cultures of complementarity that can more effectively respond to the needs of affected populations.
How can psychologists explain strange experiences such as hallucinations or unusual beliefs in ghosts and angels? This compelling introduction aims to uncover how and why such beliefs occur, exploring explanations based on different psychological models, and evaluating the scientific basis of parapsychology and the challenges that researchers face.
Are you thinking about studying nursing? Do you have an upcoming interview? Or have you just been accepted on a course? Do you need a guide? Then this book is for you. The number of students applying for nursing is increasing every year, making each place more competitive and more precious. This book will give you the edge in your application, knowledge for your interview, and support throughout your course. This trusty companion will answer your queries and settle your concerns, giving you an insight into the world of nursing. The experienced team of authors: - Introduce the different branches of nursing - Define the key concepts you will study on your course - Give you an insight into specialist study skills - Help you to understand research - Offer advice on professional development and life after university. Using case studies, activities and incorporating four end-of-part glossaries, this one-stop resource will prepare you for the experience of being a student nurse and equip you for the challenges of the profession.
This book is the result of a major research effort in Britain concerning the prevalence of both faith and non-faith among British youth. This is the only holistic examination of the entire range of belief (including non-belief) among contemporary British youth. It will be the currently definitive study of the negotiation of religious identities in contemporary British youth.
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
At once a compelling murder mystery and a moving exploration of love and grief, critically acclaimed author Nicola Upson's eighth Josephine Tey mystery is a force to be reckoned with. In the summer of 1915, the sudden death of a young girl brings grief and notoriety to Charleston Farmhouse on the Sussex Downs. Years later, Josephine Tey returns to the same house--now much changed--and remembers the two women with whom she once lodged as a young teacher during the Great War. As past and present collide, with murders decades apart, Josephine is forced to face the possibility that the scandal which threatened to destroy those women's lives hid a much darker secret.
First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music. His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned.
This book proposes a significant new interpretation of the relations between Italian partisans and British forces during the Italian campaign of 1943-1945. The core of the argument challenges many assumptions that are today still present both in Italian and in the Anglophone historiography on the subject. In current historiography, the debate is still ongoing as to whether the British were a hostile force to the Italian Resistance, trying to weaken it to better control it, or a genuine and committed ally. Instead of a clear-cut and artificial dichotomy between the 'Italians' and the 'British' this book posits the idea that lines were often blurred, and relations existed on a scale that included lots of grey and overlapping areas. Thanks to an original approach that examines the Italo-British interaction from a point of view as close as possible to the ‘action’, it proposes a new interpretation based on the way the British image was cast in Italy. Politics is left in the background in favour of an analysis of the concrete problems and difficulties that Italians and the British had to face when working together and how these processes influenced the image of Great Britain in Italy in the following decades. This produces a final interpretation that enriches current historiography and pushes forward our understanding of the relationship between Italian partisans and British forces.
“Hilarious and erudite, spooky and unconventional, Darkmans is a dazzling achievement.” — Washington Post Shortlisted for the Man Booker Prize, Darkmans is an exhilarating, extraordinary examination of the ways in which history can play jokes on us all... If History is just a sick joke which keeps on repeating itself, then who exactly might be telling it, and why? Could it be John Scogin, Edward IV's infamous court jester, whose favorite pastime was to burn people alive—for a laugh? Or could it be Andrew Boarde, Henry VIII's physician, who kindly wrote John Scogin's biography? Or could it be a tiny Kurd called Gaffar whose days are blighted by an unspeakable terror of–uh–salad? Or a beautiful, bulimic harpy with ridiculously weak bones? Or a man who guards Beckley Woods with a Samurai sword and a pregnant terrier? Darkmans is a very modern book, set in Ashford [a ridiculously modern town], about two very old-fashioned subjects: love and jealousy. It's also a book about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. And the main character? The past, which creeps up on the present and whispers something quite dark—quite unspeakable—into its ear. The third of Nicola Barker's narratives of the Thames Gateway, Darkmans is an epic novel of startling originality.
Most specialist mental health care is provided by nurses who use face to face helping skills with a wide range of people in a variety of contexts. This book puts therapeutic skills at the heart of the nurse’s role, with one central aim: to equip you with knowledge to use in your practice, thus improving your ability to deliver care. This book: • Will enable you to strengthen your core therapeutic skills and broaden your knowledge to include other practical therapeutic approaches • Collates in one place information on a range of therapeutic approaches, from person centred counselling, motivational interviewing and solution focused approaches, through to day to day skills of challenging unhelpful thoughts, de-escalating difficult situations, working with families, and problem solving • Demonstrates application of theory to practice through a variety of practical examples • Features reader activities to facilitate personal growth and learning • Includes a chapter exploring clinical supervision and how this makes practice more effective Each chapter is grounded in authentic clinical experiences and focuses on equipping the reader to develop confidence in their client facing skills. This text is an essential purchase for all mental health nurse students as well as qualified nurses. "Whilst the essential therapeutic component of mental health nursing is the nurse themselves, it is also essential that they have knowledge and competencies to offer the client. This valuable book offers the reader an introduction to a wide range of approaches that are considered helpful, evidence based and effective. Modern mental health nursing requires much of its practitioners; this book will help inform and support that endeavour." Ian Hulatt, Mental Health Adviser, Royal College of Nursing, UK “This is a timely book which addresses, head on, questions about what mental health nurses can do to be effective with their patients. At last we have a book that mental health nurses can draw on to understand why and how various therapeutic approaches are used. The range is from cognitive behavioural therapy, to psychodynamic approaches to mindfulness, with others in between. Each chapter is written by an expert and each offers concrete examples of what it involved in each of the approaches. These examples are imperative if readers are to understand how to use interventions in their everyday work. This ground breaking book will be compulsory reading for everyone involved in the care of those with mental health problems. A wonderful book.” Philip Burnard, Emeritus Professor of Nursing, Cardiff University, UK
Broadmoor Inmates: True Crime Tales of Life and Death in the Asylum brings together the histories of people who died in Broadmoor Criminal Lunatic Asylum, each having committed a crime that led to them being pronounced criminally insane, necessitating their confinement and containment for their own protection, as well as that of the public. Nowadays, staff have a wide range of therapeutic tools at their disposal but historically the only treatment offered to patients was work, leisure activities and abundant fresh air. All human life is here the addicts, the mentally deranged, the delusional, the tragic and the chronically and postnatally depressed men and women whose acts of madness led them to be reviled and feared, but who were often as much victims of their own internal demons as were those they harmed. As well as wife murderers James Potter and Peter Whittle, the characters within include Henry Dommett, James Senior and Mary Ann Parr, who each killed their own children and Christiana Edmunds, who poisoned several people in Brighton to divert suspicion from herself, after attempting to murder her love rival. Other vignettes include serial arsonist John Green, counterfeiter Emma Jackson and James Stevenson and Roderick Edward McClean, both of whom took exception to the accession of Her Majesty Queen Victoria to the throne, the latter attempting to assassinate her. Daniel McNaughten became so paranoid about the Tory spies that he believed followed him constantly that he killed a civil servant in 1843, mistakenly believing his victim to be prime minister Sir Robert Peel. Such was McNaughtens derangement that his crime spawned a new standard for the legal definition of insanity. Generously illustrated throughout, this book will prove of interest to those with a fascination for historical true crime and the way its perpetrators were dealt with by society.
Studies of opera, film, television, and literature have demonstrated how constructions of madness may be referenced in order to stigmatise but also liberate protagonists in ways that reinforce or challenge contemporaneous notions of normality. But to date very little research has been conducted on how madness is represented in popular music. In an effort to redress this imbalance, Nicola Spelman identifies links between the anti-psychiatry movement and representations of madness in popular music of the 1960s and 1970s, analysing the various ways in which ideas critical of institutional psychiatry are embodied both verbally and musically in specific songs by David Bowie, Lou Reed, Pink Floyd, Alice Cooper, The Beatles, and Elton John. She concentrates on meanings that may be made at the point of reception as a consequence of ideas about madness that were circulating at the time. These ideas are then linked to contemporary conventions of musical expression in order to illustrate certain interpretative possibilities. Supporting evidence comes from popular musicological analysis - incorporating discourse analysis and social semiotics - and investigation of socio-historical context. The uniqueness of the period in question is demonstrated by means of a more generalised overview of songs drawn from a variety of styles and eras that engage with the topic of madness in diverse and often conflicting ways. The conclusions drawn reveal the extent to which anti-psychiatric ideas filtered through into popular culture, offering insights into popular music's ability to question general suppositions about madness alongside its potential to bring issues of men's madness into the public arena as an often neglected topic for discussion.
What is it like to be a child growing up in Britain these days? Is it a happy or anxious time? What are the best and worst aspects of being a child today? This book draws on accounts of over two thousand children and five hundred adults, to examine the present day meaning of childhood and its implications for policy and practice.
Heading Inland is a funny, broody, saucy collection of stories about the kind of people you sometimes meet but might prefer to ignore. Barker creates a wonderfully fantastical and unimaginable world: an unborn baby escapes an unsuitable mother through a secret belly-button zip; a wayward and yet enigmatic man attempts to rescue eels from an East End pie shop; a young woman discusses her fascination in other women's breasts; a boy with his inside organs back to front desperately seeks attention; and a bitter old woman becomes bent on war with a tramp. This collection confirms Nicola Barker as one of the most versatile and original writers of her generation with a brilliant unconventional imagination she creates a new world that sparkles with dark humour.
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