The moving story of an expatriate coming to terms with her country's history, and her joyous spiritual and emotional rebirth as an African healer. • One of the first accounts of the mysterious sangomas, the healers of South Africa's black population. • A mystical journey that will appeal to those wishing to reunite with their roots and a more spiritual life. Set against the stirring backdrop of a crumbling apartheid regime, African Spirits Speak is the lyrical account of white South African Nicky Arden's journey into the world of the sangomas, the diviners, doctors, psychologists, and priests of South Africa's black population. While in her early twenties Nicky fled South Africa with her husband as the stranglehold of apartheid tightened on her native land. For twenty-two years they lived in California as expatriates--never once returning to their homeland--until a deep depression, followed by a spiritual awakening in the California desert, compelled Nicky to return to South Africa. During her visit, while exploring deep in the bush, she unexpectedly met an old black medicine woman--a sangoma. This meeting would change her life. Few white South Africans are even aware of the world of the sangomas, but this prophetic old woman saw in Nicky the spirit of a fellow healer and set the author on a mystical journey that would reunite her soul with its African roots. Thus began her astonishing and complex initiation into a nearly unknown world and her quest to discover the truth about herself and her heritage.
Divorced, dateless and about to become desperate, Roger tries his luck with a dating agency, hoping to find the perfect woman, one with a GSOH - a Great Sense of Humour - only to find someone starts slaughtering the women he meets, making him look more like a serial killer than a lady killer. Forced to go on the run from the police, to try to rescue the ladies still living after a night out with him, and to save his own skin - not necessarily in that order - Roger discovers that, not only does the course of true love never run smooth, sometimes even just dating can be murder. "A terrific comic novel, utterly unputdownable." "A 'laugh out loud' kind of book." (Lulu Readers' reviews.) "I like the characters and I like the jaunty way the story moves along. Clever plot too." (Peter Guttridge, the Observer crime fiction critic.)
Discover how digital gaming can improve learning and prepare students for successful futures. The authors—both experienced educators and enthusiastic gamers—contend that students of the 21st century communicate and learn differently than previous generations. By incorporating digital games into lessons, student learning will more accurately reflect the interactive, engaging reality students experience outside the classroom and better prepare them for college and careers. Benefits Explore learning theory and research that supports why students of the digital generation require different learning and teaching methods than previous generations. Discover the benefits of classroom gamification for educational and professional development purposes, which include making students active participants in their learning. Gain consistent, clear definitions for terms related to gaming in education, and learn how to incorporate digital games into lesson design. Access lists of suggested digital games, and learn for what purposes the games are most useful. Consider how digital games can address students’ diverse learning needs and can be used for assessment. Contents Foreword by Ian Jukes Introduction: The Gamer in Us All Chapter 1: From Entertainment to Education 3.0 Chapter 2: The Arcade of Education Chapter 3: Learning Theory and the Attributes of the Digital Generation Chapter 4: How to Find and Evaluate Digital Games for Teaching, Learning, and Assessment Chapter 5: Lesson Design Using Digital Games Chapter 6: Digital Gaming and Assessment Chapter 7: The Nine I’s of Modern Learning Chapter 8: Beyond Linear Presentations Chapter 9: Takeaways References and Resources
This is a book to which the attention of students of art theory and criticism, and all those interested in the important application of psychoanalysis to other fields of study, should be drawn. Psychoanalytic Aesthetics rethinks the classical account of the relation between art and madness, creativity and psychoneurosis, and the distinction between the primary and secondary processes. It covers a great deal of ground and reviews many psychoanalytic writers (predominantly of the British tradition) on aesthetics, as well as many of the aestheticians using a psychoanalytic background. It is well written and there is an impressive grasp of the many writers covered. More than this, the book is also a work of psychoanalytic scholarship, being a masterly overview of psychoanalytic schools of thought, and an in-depth study of the British object-relations schools. It amply achieves its overriding goal to demonstrate that the work of the British School presents a significant contribution to psychoanalytic aesthetics and criticism, updating Freud, Kris and the classical contributions to the field. It is therefore potentially a very useful source book for future scholars of both psychoanalysis and of aesthetics.
The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.
Thirty years after creating one of the most memorable moments in sporting history, Indigenous AFL legend Nicky Winmar tells his story in a moving and compelling memoir. FROM BUSH KID TO AFL LEGEND Sport is made up of moments that thrill us at the time and quickly disappear. Very few endure for decades. Even fewer transcend sport and speak to an entire nation. April 17, 2023, marked the 30th anniversary of St Kilda legend Nicky Winmar's proud and defining stand against racism—one of those moments that hasn't diminished over time and regrettably is just as relevant today. It is a stand that has become iconic, and so has Winmar, not just for his courage as he declared to a hostile, jeering crowd, 'I'm black and I'm proud to be black,' but also because he was one of the game's most talented and celebrated players. Born to Noongar parents in Western Australia's Wheatbelt, 200 kilometres from Perth, Neil Elvis 'Nicky' Winmar quickly displayed an ability to overcome adversity. He would need it. He had a hard upbringing but loved to play footy every day with his younger brother amid the livestock on the farm where their father worked as a shearer. The skinny teenager soon began playing football among hardened men for the local club and was signed to a senior team as a promising fifteen-year-old. Winmar would go on to become one of the most decorated players in AFL history. Recently inducted into the illustrious AFL Hall of Fame, a member of both the Indigenous Team of the Century and the St Kilda Team of the Century, Nicky was the first Indigenous footballer to play 200 games. This long-awaited autobiography tells the story of Winmar's brilliant career in colourful detail, as well as giving moving insight into his life. Amid the pain, the turbulence and the triumph, his heart and abiding sense of humour shine through. 'His story is one that cannot be missed.' Tony Armstrong 'One of the truly great players . . . an amazing talent . . . If actions speak louder than words then Nicky Winmar's actions were better than anyone's.' Tony 'Plugger' Lockett 'Once we watched him in wonder. And now it's time to listen and learn.' Tim Winton 'A compelling account from the fleet-footed footballer who ran like the wind down the wing and stood strong against the rip tide of racism . . . A great read.' Peter Lalor 'Honest, moving, painful, funny . . . holds nothing back.' Gideon Haigh
Set against the stirring backdrop of the crumbling South African apartheid regime, African Spirits Speak is the lyrical account of a white South African woman's journey into the world of the sangomas, the indigenous diviners and priests of South Africa, and a mystical journey that changed her life.
The compelling and inspirational tale of the spiritual awakening of a white South African woman details her training as a medicine woman and her spiritual and emotional rebirth as an African and a healer.
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