Now a major motion picture starring Jeremy Renner! Kill the Messenger tells the story of the tragic death of Gary Webb, the controversial newspaper reporter who committed suicide in December 2004. Webb is the former San Jose Mercury News reporter whose 1996 "Dark Alliance" series on the so-called CIA-crack cocaine connection created a firestorm of controversy and led to his resignation from the paper amid escalating attacks on his work by the mainstream media. Author and investigative journalist Nick Schou published numerous articles on the controversy and was the only reporter to significantly advance Webb's stories. Drawing on exhaustive research and highly personal interviews with Webb's family, colleagues, supporters and critics, this book argues convincingly that Webb's editors betrayed him, despite mounting evidence that his stories were correct. Kill the Messenger examines the "Dark Alliance" controversy, what it says about the current state of journalism in America, and how it led Webb to ultimately take his own life. Webb's widow, Sue Bell Stokes, remains an ardent defender of her ex-husband. By combining her story with a probing examination of the one of the most important media scandals in recent memory, this book provides a gripping view of one of the greatest tragedies in the annals of investigative journalism.
Few stories in the annals of American counterculture are as intriguing or dramatic as that of the Brotherhood of Eternal Love. Dubbed the "Hippie Mafia," the Brotherhood began in the mid-1960s as a small band of peace-loving, adventure-seeking surfers in Southern California. After discovering LSD, they took to Timothy Leary's mantra of "Turn on, tune in, and drop out" and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process. Just days after California became the first state in the union to ban LSD, the Brotherhood formed a legally registered church in its headquarters at Mystic Arts World on Pacific Coast Highway in Laguna Beach, where they sold blankets and other countercultural paraphernalia retrieved through surfing safaris and road trips to exotic locales in Asia and South America. Before long, they also began to sell Afghan hashish, Hawaiian pot (the storied "Maui Wowie"), and eventually Colombian cocaine, much of which the Brotherhood smuggled to California in secret compartments inside surfboards and Volkswagen minibuses driven across the border. They also befriended Leary himself, enlisting him in the goal of buying a tropical island where they could install the former Harvard philosophy professor and acid prophet as the high priest of an experimental utopia. The Brotherhood's most legendary contribution to the drug scene was homemade: Orange Sunshine, the group's nickname for their trademark orange-colored acid tablet that happened to produce an especially powerful trip. Brotherhood foot soldiers passed out handfuls of the tablets to communes, at Grateful Dead concerts, and at love-ins up and down the coast of California and beyond. The Hell's Angels, Charles Mason and his followers, and the unruly crowd at the infamous Altamont music festival all tripped out on this acid. Jimi Hendrix even appeared in a film starring Brotherhood members and performed a private show for the fugitive band of outlaws on the slope of a Hawaiian volcano. Journalist Nicholas Schou takes us deep inside the Brotherhood, combining exclusive interviews with both the group's surviving members as well as the cops who chased them. A wide-sweeping narrative of sex, drugs, and rock 'n' roll (and more drugs) that runs from Laguna Beach to Maui to Afghanistan, Orange Sunshine explores how America moved from the era of peace and free love into a darker time of hard drugs and paranoia.
Few stories in the annals of American counterculture are as intriguing or dramatic as that of the Brotherhood of Eternal Love. Dubbed the “Hippie Mafia,” the Brotherhood began in the mid-1960s as a small band of peace-loving, adventure-seeking surfers in Southern California. After discovering LSD, they took to Timothy Leary’s mantra of “Turn on, tune in, and drop out” and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process. Just days after California became the first state in the union to ban LSD, the Brotherhood formed a legally registered church in its headquarters at Mystic Arts World on Pacific Coast Highway in Laguna Beach, where they sold blankets and other countercultural paraphernalia retrieved through surfing safaris and road trips to exotic locales in Asia and South America. Before long, they also began to sell Afghan hashish, Hawaiian pot (the storied “Maui Wowie”), and eventually Colombian cocaine, much of which the Brotherhood smuggled to California in secret compartments inside surfboards and Volkswagen minibuses driven across the border. They also befriended Leary himself, enlisting him in the goal of buying a tropical island where they could install the former Harvard philosophy professor and acid prophet as the high priest of an experimental utopia. The Brotherhood’s most legendary contribution to the drug scene was homemade: Orange Sunshine, the group’s nickname for their trademark orange-colored acid tablet that happened to produce an especially powerful trip. Brotherhood foot soldiers passed out handfuls of the tablets to communes, at Grateful Dead concerts, and at love-ins up and down the coast of California and beyond. The Hell’s Angels, Charles Mason and his followers, and the unruly crowd at the infamous Altamont music festival all tripped out on this acid. Jimi Hendrix even appeared in a film starring Brotherhood members and performed a private show for the fugitive band of outlaws on the slope of a Hawaiian volcano. Journalist Nicholas Schou takes us deep inside the Brotherhood, combining exclusive interviews with both the group’s surviving members as well as the cops who chased them. A wide-sweeping narrative of sex, drugs, and rock ’n’ roll (and more drugs) that runs from Laguna Beach to Maui to Afghanistan, Orange Sunshine explores how America moved from the era of peace and free love into a darker time of hard drugs and paranoia.
Few stories in the annals of American counterculture are as intriguing or dramatic as that of the Brotherhood of Eternal Love. Dubbed the "Hippie Mafia," the Brotherhood began in the mid-1960s as a small band of peace-loving, adventure-seeking surfers in Southern California. After discovering LSD, they took to Timothy Leary's mantra of "Turn on, tune in, and drop out" and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process. Just days after California became the first state in the union to ban LSD, the Brotherhood formed a legally registered church in its headquarters at Mystic Arts World on Pacific Coast Highway in Laguna Beach, where they sold blankets and other countercultural paraphernalia retrieved through surfing safaris and road trips to exotic locales in Asia and South America. Before long, they also began to sell Afghan hashish, Hawaiian pot (the storied "Maui Wowie"), and eventually Colombian cocaine, much of which the Brotherhood smuggled to California in secret compartments inside surfboards and Volkswagen minibuses driven across the border. They also befriended Leary himself, enlisting him in the goal of buying a tropical island where they could install the former Harvard philosophy professor and acid prophet as the high priest of an experimental utopia. The Brotherhood's most legendary contribution to the drug scene was homemade: Orange Sunshine, the group's nickname for their trademark orange-colored acid tablet that happened to produce an especially powerful trip. Brotherhood foot soldiers passed out handfuls of the tablets to communes, at Grateful Dead concerts, and at love-ins up and down the coast of California and beyond. The Hell's Angels, Charles Mason and his followers, and the unruly crowd at the infamous Altamont music festival all tripped out on this acid. Jimi Hendrix even appeared in a film starring Brotherhood members and performed a private show for the fugitive band of outlaws on the slope of a Hawaiian volcano. Journalist Nicholas Schou takes us deep inside the Brotherhood, combining exclusive interviews with both the group's surviving members as well as the cops who chased them. A wide-sweeping narrative of sex, drugs, and rock 'n' roll (and more drugs) that runs from Laguna Beach to Maui to Afghanistan, Orange Sunshine explores how America moved from the era of peace and free love into a darker time of hard drugs and paranoia.
Now a major motion picture starring Jeremy Renner! Kill the Messenger tells the story of the tragic death of Gary Webb, the controversial newspaper reporter who committed suicide in December 2004. Webb is the former San Jose Mercury News reporter whose 1996 "Dark Alliance" series on the so-called CIA-crack cocaine connection created a firestorm of controversy and led to his resignation from the paper amid escalating attacks on his work by the mainstream media. Author and investigative journalist Nick Schou published numerous articles on the controversy and was the only reporter to significantly advance Webb's stories. Drawing on exhaustive research and highly personal interviews with Webb's family, colleagues, supporters and critics, this book argues convincingly that Webb's editors betrayed him, despite mounting evidence that his stories were correct. Kill the Messenger examines the "Dark Alliance" controversy, what it says about the current state of journalism in America, and how it led Webb to ultimately take his own life. Webb's widow, Sue Bell Stokes, remains an ardent defender of her ex-husband. By combining her story with a probing examination of the one of the most important media scandals in recent memory, this book provides a gripping view of one of the greatest tragedies in the annals of investigative journalism.
Geology of the terrestrial planets with implications to astrobiology and mission design /Dirk Schulze-Makuch [und weitere] --Solar dynamics and solar-terrestrial influences /Katya Georgieva --Thedynamics of the plasmasphere /Viviane Pierrard --Flute and balloning modes in the inner magnetosphere of the earth : stability and influence of the ionospheric conductivity /O. K. Cheremnykh, A.S. Parnowski --Paleoshorelines and the evolution of the lithosphere of Mars /Javier Ruiz [und weitere] --Thermal properties and temperature variations in Martian soil analogues /F. Gori, S. Corasaniti --Dealing with potentially hazardous asteroids /Eric W. Elst --Effect of electromagnetic radiation on dynamics of cosmic dust particles /J. Klac̆ka, M. Kocifaj --Magnetic reconnection in the earth's magnetotail : reconstruction method and data analysis /T. Penz [und weitere] --Research on aerodynamics of large bolides /V. P. Stulov --Space weather /Juhani Huovelin.
Voters need to be informed to make political decisions, but what if their media diet not only prevents them from getting the information they need, but actively shapes inaccurate perceptions of the world? Drawing on examples and evidence from around the world, this book aims to make a timely intervention to the debate about the concept of fake news. Its underlying argument will have three objectives. First, to offer more precise definitions for a term that is often loosely used. Second, to offer a less technologically determinist view of fake news. New social media platforms, such as Facebook and WhatsApp, are clearly an important part of the story, but they exist in wider social, political and institutional settings. Third, to situate the idea of fake news (and our concern about it) in broader arguments about an ongoing crisis and loss of confidence in liberal democratic institutions. Only with this perspective, it will be argued, can we possibly address the question of what we should do about fake news.
When asked to conjure an impression of the 'typical fighter pilot', you may be inclined to think of the confident, extroverted, gregarious type, rallying his men and flying in the pursuit of victory. George Frederick 'Screwball' Beurling, DSO, DFC, and DFM, certainly achieved more victories than most typical fighter pilots dream of, but in temperament, personality and style, he was a one-off. A devout Christian, teetotaler and non-smoker, Beurling wasn't to be found patronising the local bars with his fellow pilots. Instead, he committed himself solely to the art of aerial combat. His very first missions saw him pursuing lone German fighters that he ultimately destroyed. He was determined to retain focus, noting how the men who did indulge had much briefer and much less effective tours. In Maltese skies he really came into his own, shooting down 27 Axis aircraft in just 14 days. In the month of July 1942, he secured five 'kills' in just four days. In the process he was awarded the DSO, DFC and DFM, along with hero-status amongst his fellow pilots and members of the public. He survived the war, only to be killed three years later whilst landing a transport aircraft following a test flight. This biographical study serves as a tribute to one of the most successful and intriguing fighter pilots of the twentieth century, and should appeal broadly to fans of the genre.
Code stoned. Debug sober. Document drunk. And never trust the Nuclear Regulatory Commission. Michael Luis Bolaño is the scion of Mexican oil wealth gone to rut in Texas. Sherman Spartacus Katz is the hyperliterate son of evangelical eccentrics from the North Georgia mountains. One hopes to restore what's been lost, the other to attain what never was. Together at an elite Institute of Technology they train as engineers. Together in the dark they study forbidden teachings. By graduation, they're formidably competent, audacious to a fault, and wholly ungovernable. Need LSD precursors? Biosynthesize them in yeast. Need souped-up wheelchairs? Disarm the governors. Need enriched uranium? CO₂ TEA lasers in the garage. Where there's a black market, they disrupt it. Where there's no black market, they create one. midnight's simulacra is a hysterical, scientifically rigorous, and fastpaced thriller, a modern picaresque, a portrait of autists as young men, and unlike any other novel you've read.
This new edition of Retreat from Injustice has the strengths and style of its predecessor: the account of human rights in Australia is firmly grounded in historical and international contexts; the availability and limitations of rights and freedoms are clearly detailed and illustrated with cases; and a particular spotlight is placed on key current human rights issues including terrorism, indigenous issues and asylum seekers.
Over the past thirty years, humanity has made a huge mistake. We handed over to big tech decisions that have allowed them to build what has become our "space of the world" – the highly artificial space of social media platforms where much of our social life now unfolds. This has proved reckless and has huge social consequences. The toxic effects on social life, young people’s mental health, and political solidarity are well known, but the key factor underlying all this has been missed: the fact that humanity allowed business to construct our space of the world at all and then exploit it for profit. In the process, we ignored two millennia of political thought about the conditions under which a healthy or even a non-violent politics is possible. We endangered the one resource that is in desperately short supply in the face of catastrophic climate change: solidarity. Is human solidarity possible in a world of continuous digital connection and commercially managed platforms, and what if it isn’t? In the first book of his trilogy, Humanising the Future, Nick Couldry offers a radical new vision of how to design our digital spaces so that they build, rather than erode, both solidarity and community. This trenchant and vividly written book stresses that we cannot afford not to care for our space of the world. We need to rebuild it together.
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