Time and the Universe have their own rules. Humans understand so little; yet Toby Dickinson must find a way to learn. Daurth is being destroyed and Earth is at risk. Bolgord Skuvinder and his deformed son Gawth bring a new evil that threatens to turn the stars to flame and destroy everyone Toby loves. In this the third book of the Daurth chronicles, Toby faces the greatest dangers yet...
The fourth book of the Daurth chronicles sees Toby Dickinson thrust into a world where everything has been changed. Nothing is as it seems. Toby is wanted for murder. He needs to find a way to Daurth, but none exist, so he must run and hide in a reality where nobody understands the way they were...
Time and the Universe have their own rules. Humans understand so little; yet Toby Dickinson must find a way to learn. Daurth is being destroyed and Earth is at risk. Bolgord Skuvinder and his deformed son Gawth bring a new evil that threatens to turn the stars to flame and destroy everyone Toby loves. In this the third book of the Daurth chronicles, Toby faces the greatest dangers yet...
Well, is there a God? Perhaps this book can answer that question for you and at the same time provide the evidence, which is so often lacking in any religious volume.
A change of direction for the human race before it is too late. Philosophy For The Beast offers alternatives that could unite humanity and see us reach for the stars together. But first we must look at what needs changing.
The fourth book of the Daurth chronicles sees Toby Dickinson thrust into a world where everything has been changed. Nothing is as it seems. Toby is wanted for murder. He needs to find a way to Daurth, but none exist, so he must run and hide in a reality where nobody understands the way they were...
A change of direction for the human race before it is too late. Philosophy For The Beast offers alternatives that could unite humanity and see us reach for the stars together. But first we must look at what needs changing.
On 13 April 1919, a fateful event took place which was to define the last decades of the British Raj in India. At 5:10pm on that day, Brigadier-General 'Rex' Dyer led a small party of soldiers through the centre of Amritsar into a walled garden known as the Jallianwala Bagh. He had been informed that an illegal political meeting was taking place and had come to disperse it. On entering the garden, Dyer's men immediately lined up in formation. Dyer then gave the order to open fire on the huge crowd that had gathered there. 379 people were killed and at least 1,000 more were wounded in what has became known as the Amritsar Massacre. Nick Lloyd here provides a highly readable, but detailed account of the most infamous British atrocity in the entire history of the Raj. He considers the massacre in its historical context, but also describes its impact in uniting the people of the sub-continent against their colonial rulers. The book dispels common myths and misconceptions surrounding the massacre and offers a new explanation of the decisions taken in 1919. Ultimately, it seeks to examine whether the massacre was an unfortunate and tragic mistake or a case of cold-blooded murder, and one which would fatally weaken the British position in India.
This core textbook offers a concise yet complete introduction to film, responding to shifts in the medium while addressing all of the main approaches that inform film studies. The rise of on demand internet-based video has transformed the way films are distributed and exhibited, with many previously unobtainable and obscure films becoming available for global audiences to view instantly. Interweaving historical and current theoretical approaches, Nick Lacey presents a tightly-focused and coherent overview of a discipline in transition, which can be read 'cover to cover' or in distinct chapters. With its original narrative line and student-oriented philosophy, the text greatly enriches student's appreciation of cinema, while equipping them with the essential skills and vocabulary to succeed in film studies. This is an ideal foundational text for all lecturers, undergraduate or A-level students of film and cinema studies, as well as enthusiasts of film and cinema looking for a comprehensive guide. New to this Edition: - Content reflecting the increasing importance of production contexts, in chapters focusing exclusively on the film business, distribution and exhibition - A more detailed chapter on representation and greater emphasis on audience - Updated content addressing the significance of transnational cinema, drawing on a more global, non-Hollywood range of film examples and case studies from Europe, Asia and Latin America - Text is broken up by a wider variety of film stills, representing world cinema from the classics to the latest in contemporary cinema
An exploration of TV year-by-year from 1956, reporting in time-capsule mode on celebrities and shows as they happened, from Happy Hammond and Skippy to the live telecast of the terrorist attack on New York's World Trade Centre.
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