A bold and deeply personal exploration of wealth, power, and the American elite, exposing how the ruling class—intentionally or not—perpetuates cycles of injustice "[A] story about American inequity, and how it mindlessly, immorally, reproduces itself. Unlike most such stories, however, this one left me believing in the possibility...of drastic change." —Maggie Nelson, author of On Freedom Nick McDonell grew up on New York City’s Upper East Side, a neighborhood defined by its wealth and influence. As a child, McDonell enjoyed everything that rarefied world entailed—sailing lessons in the Hamptons, school galas at the Met, and holiday trips on private jets. But as an adult, he left it behind to become a foreign correspondent in Iraq and Afghanistan. In Quiet Street, McDonell returns to the sidewalks of his youth, exhuming with bracing honesty his upbringing and those of his affluent peers. From Galápagos Island cruises and Tanzanian safaris to steely handshakes and schoolyard microaggressions to fox-hunting rituals and the courtship rites of sexually precocious tweens, McDonell examines the rearing of the ruling class in scalpel-sharp detail, documenting how wealth and power are hoarded, encoded, and passed down from one generation to the next. What’s more, he demonstrates how outsiders—the poor, the nonwhite, the suburban—are kept out. Searing and precise yet ultimately full of compassion, Quiet Street examines the problem of America’s one percent, whose vision of a more just world never materializes. Who are these people? How do they cling to power? What would it take for them to share it? Quiet Street looks for answers in a universal experience: coming to terms with the culture that made you.
A young man goes from Ivy League to international intrigue: “A spy who could have easily walked off the pages of le Carré’s better works.”—Publishers Weekly Mike Teak has a classic Harvard profile. He’s a twenty-five-year-old scholar/athlete from an upper-class family who was recruited by his godfather to work for a U.S. intelligence agency. On a covert mission in a Somali village, he delivers cash and cell phones to Hatashil, a legendary orphan warrior turned rebel leader. It’s a routine assignment until, minutes after they meet, the village is decimated by a missile assault, and although Mike escapes, his life is changed forever. Echoing across continents, the assault disrupts professor Susan Lowell, who has just won a Pulitzer Prize for her book celebrating Hatashil. Also shaken is Lowell’s student, David Ayan, who was born in the targeted village, a world away from Harvard’s most exclusive final club, the Porcellian, which is courting him and Jane, the smart, risk-taking daughter of East Coast money who’s sleeping with him. David Ayan struggles with his identity and Susan Lowell struggles against rumors about her relationship with Hatashil, who has been accused of ordering the village massacre. But it is Mike Teak who faces the most dangerous struggle—because when he discovers a horrific conspiracy, he immediately realizes that he has become expendable, with nowhere to run and no one to trust. “It's clear this young writer has only begun to show where his prodigious storytelling will take us.” —People “Smart and sexy.” —The Washington Post “Tempered by some hilarious insider glimpses of Harvard life, An Expensive Education is terrific, a thriller noir that's difficult to put down or forget." —Entertainment Weekly (A-)
A haunting and “compulsively readable” tale of brotherly love, family tragedy, and national grief from the bestselling author of Twelve (Booklist). Mike was a lucky child: a vacation house on Long Island, famous family friends, an Ivy League education, and an older brother, Lyle, who looked out for him. Now it’s 2001, and Mike is working in Thailand on a magazine internship. Sent on assignment to Bangkok, Mike finds the city electric with violence and hedonism. Nothing goes according to plan. When terrible news about his brother arrives from home, Mike rushes back to the States. Lyle is unstable and suffering from visions of an imaginary third brother. And then, a clear September morning is broken by catastrophe. While the Twin Towers burn, Mike makes an epic trek through the ghostly streets of New York to find and save Lyle. From Patpong to the World Trade Center to Harvard Yard, as his life and country come apart, Mike struggles to find his footing and go on. The joke, it turns out, is on him. “[McDonell’s] treatment of the 9/11 catastrophe is masterly.”—The Washington Post “Engrossing, with indelible scenes and a protagonist to care about.”—Kirkus Reviews (starred review)
From national bestselling author Nick McDonell, The Council of Animals is a captivating fable for humans of all ages—dreamers and cynics alike—who believe (if nothing else) in the power of timeless storytelling. “‘Now,’ continued the cat, ‘there is nothing more difficult than changing an animal’s mind. But I will say, in case I can change yours: humans are more useful to us outside our bellies than in.’” Perhaps. After The Calamity, the animals thought the humans had managed to do themselves in. But, it turns out, a few are cowering in makeshift villages. So the animals—among them a cat, a dog, a crow, a baboon, a horse, and a bear—have convened to debate whether to help the last human stragglers . . . or to eat them. Rest assured, there is a happy ending. Sort of. Featuring illustrations by Steven Tabbutt
Since the beginning of the wars in Iraq and Afghanistan, uncounted thousands of civilians have died in the fighting and as a result of the destruction. These are deaths for which no one assumes responsibility and which have been presented, historically, as fallout. No one knows their true number. In The Bodies in Person, Nick McDonell introduces us to some of the civilians who died, along with the rescue workers who tried to save them, U.S. soldiers grappling with their deaths, and everyone in between. He shows us how decent Americans, inside and outside the government and military, looked away from the mounting death toll, even as they claimed to do everything in their power to prevent civilian casualties. With a novelist's eye — and hundreds of hours of recorded interviews — McDonell brings us the untold story of the innocent dead in America's ongoing wars, from leveled cities to drone operation centers to Capitol back rooms. As we follow him around the world, The Bodies in Person raises questions not only about what it means to be an American, but about the value of a life, what it means to risk one, and what is owed afterward.
Novelist and Time correspondent Nick McDonell brings this stunning account back from the latest iteration of the War in Iraq--an engrossing, ground-level report on the conflict still unfolding under its second commander-in-chief. Traveling to Baghdad and then to Mosul with the 1st Cavalry Division, McDonell offers an unforgettable look at the way things stand now--at the translators stranded in a country that doesn't look kindly on their cooperation, at the infantrymen struggling to make something out of the soft counterinsurgency missions they call chai-ops, at the commanders inured to American journalists and Iraqi officials both--and what the so-called "end of major combat operations" means for where they're going.
Since the beginning of the wars in Iraq and Afghanistan, uncounted thousands of civilians have died in the fighting and as a result of the destruction. These are deaths for which no one assumes responsibility and which have been presented, historically, as fallout. No one knows their true number. In The Bodies in Person, Nick McDonell introduces us to some of the civilians who died, along with the rescue workers who tried to save them, U.S. soldiers grappling with their deaths, and everyone in between. He shows us how decent Americans, inside and outside the government and military, looked away from the mounting death toll, even as they claimed to do everything in their power to prevent civilian casualties. With a novelist's eye — and hundreds of hours of recorded interviews — McDonell brings us the untold story of the innocent dead in America's ongoing wars, from leveled cities to drone operation centers to Capitol back rooms. As we follow him around the world, The Bodies in Person raises questions not only about what it means to be an American, but about the value of a life, what it means to risk one, and what is owed afterward.
A young man goes from Ivy League to international intrigue: “A spy who could have easily walked off the pages of le Carré’s better works.”—Publishers Weekly Mike Teak has a classic Harvard profile. He’s a twenty-five-year-old scholar/athlete from an upper-class family who was recruited by his godfather to work for a U.S. intelligence agency. On a covert mission in a Somali village, he delivers cash and cell phones to Hatashil, a legendary orphan warrior turned rebel leader. It’s a routine assignment until, minutes after they meet, the village is decimated by a missile assault, and although Mike escapes, his life is changed forever. Echoing across continents, the assault disrupts professor Susan Lowell, who has just won a Pulitzer Prize for her book celebrating Hatashil. Also shaken is Lowell’s student, David Ayan, who was born in the targeted village, a world away from Harvard’s most exclusive final club, the Porcellian, which is courting him and Jane, the smart, risk-taking daughter of East Coast money who’s sleeping with him. David Ayan struggles with his identity and Susan Lowell struggles against rumors about her relationship with Hatashil, who has been accused of ordering the village massacre. But it is Mike Teak who faces the most dangerous struggle—because when he discovers a horrific conspiracy, he immediately realizes that he has become expendable, with nowhere to run and no one to trust. “It's clear this young writer has only begun to show where his prodigious storytelling will take us.” —People “Smart and sexy.” —The Washington Post “Tempered by some hilarious insider glimpses of Harvard life, An Expensive Education is terrific, a thriller noir that's difficult to put down or forget." —Entertainment Weekly (A-)
A bold and deeply personal exploration of wealth, power, and the American elite, exposing how the ruling class—intentionally or not—perpetuates cycles of injustice "[A] story about American inequity, and how it mindlessly, immorally, reproduces itself. Unlike most such stories, however, this one left me believing in the possibility...of drastic change." —Maggie Nelson, author of On Freedom Nick McDonell grew up on New York City’s Upper East Side, a neighborhood defined by its wealth and influence. As a child, McDonell enjoyed everything that rarefied world entailed—sailing lessons in the Hamptons, school galas at the Met, and holiday trips on private jets. But as an adult, he left it behind to become a foreign correspondent in Iraq and Afghanistan. In Quiet Street, McDonell returns to the sidewalks of his youth, exhuming with bracing honesty his upbringing and those of his affluent peers. From Galápagos Island cruises and Tanzanian safaris to steely handshakes and schoolyard microaggressions to fox-hunting rituals and the courtship rites of sexually precocious tweens, McDonell examines the rearing of the ruling class in scalpel-sharp detail, documenting how wealth and power are hoarded, encoded, and passed down from one generation to the next. What’s more, he demonstrates how outsiders—the poor, the nonwhite, the suburban—are kept out. Searing and precise yet ultimately full of compassion, Quiet Street examines the problem of America’s one percent, whose vision of a more just world never materializes. Who are these people? How do they cling to power? What would it take for them to share it? Quiet Street looks for answers in a universal experience: coming to terms with the culture that made you.
A news magazine intern sorts through the chaos of his life and the world around him after his parents' murder-suicide, and his brother's confession and suicide.
Air Commodore Peter Malam 'Pete' Brothers CBE, DSO, DFC, and Bar (1917-2008) was one of the most heroic and highly praised pilots of the Second World War. Decorated extensively, he secured a total of 16 'kills' over the course of the conflict, with 10 of these occurring during the Battle of Britain. Pivotal moments in his career include the time, in August 1940, when his flight encountered around a hundred enemy aircraft, including Messerschmitt 110's; he led the flight in attack against them, and soon found himself in a stalled position, out of which he spun, only to be confronted by a Dornier 215, which he shot down, before later destroying a Messerschmitt 109. Scores of these kind of risky manoeuvres and winning victories punctuated a career defined by great courage, leadership and initiative in the face of fierce opposition. ??This new and engaging biography profiles a pilot who, until now, hasn't been the subject of such a thorough book-length study. The story of his career is incredibly entertaining, featuring a number of hair-raising episodes, and is sure to appeal to fans of aviation history as well as the more general reader seeking out an action-packed biography offering fresh insights into one of the most pivotal conflicts of the twentieth century.
The fascination with tragedy and the subsequent theatre of voyeurism are part of human nature, especially when it involves our icons, celebrities and musicians. Knocking On Heaven's Door is the definitive book of rock 'n' roll, pop, R&B and blues deaths. Often, only the biggest selling artists are written about and sometimes it is the death of a personality that cements their iconic status. Knocking On Heaven's Door not only covers the rock legends who lived hard and died young, this detailed reference contains over 1,000 obituaries of music industry personalities, famous and obscure from mid-fifties to the present day. Alphabetical entries of all the important individuals, including: noteworthy producers, managers, songwriters, record company founders A&R men and even critics, puts all the information at your finger tips. Nick Talevski has spent a decade researching this comprehensive and authoritative reference book and it will be an indispensable and practical addition to every music library, full of irresistible and intriguing information.
White Mike raucht nicht, trinkt nicht und kifft nicht. Aber er ist ein erfolgreicher Drogendealer. Seine Kunden sind Highschool-Kids, die sich langweilen. Silvester soll die heisseste Party aller Zeiten steigen. Doch die Party gerät ausser Kontrolle: Im Zustand völligen Rausches schiesst jemand in die Menschenmenge und richtet ein Blutbad an.
IT had rained in torrents all the way down from Schenectady, so when Jack Duane glimpsed the lights of what looked to be a big house through the trees, he braked his battered, convertible sedan to a stop at the side of the road. Mud lay along the fenders and running boards; mud and water had spumed up and freckled Duane’s face and hat. He pulled off the latter—it was soggy—and slapped it on the seat beside him, leaning out and squinting through the darkness and falling water. He was on the last lap of a two weeks’ journey from San Francisco, his objective being New York City. There he hoped to wangle a job as foreign correspondent from an old crony, J. J. Molloy, now editor of the New York Globe. Adventurer, journalist, globetrotter, Duane was of the type that is always on the move. “It’s a place, anyway, Moses,” he said to the large black man beside him, his servitor and bodyguard, who had accompanied him everywhere for the past three years. “Somebody lives there; they ought to have some gas.” “Yasah,” said Moses, staring past Duane’s shoulder, “it’s a funny-looking place, suh.” Duane agreed. Considering that they were seventy miles from New York, in the foothills of the Catskills, with woods all around them and the rain pouring down, the thing they saw through the trees, some three hundred yards from the country road, was indeed peculiar. It looked more like a couple of Pullman cars coupled together and lighted, than like a farmer’s dwelling. “Fenced in, too,” said Duane, pointing to the high steel fence that bordered the road, separating them from the object of their vision. “And look there—” A fitful flash of lightning in the east, illuminating the distant treetops, showed up the towering steel and network of a high-voltage electric line’s tower. The roving journalist muttered something to express his puzzlement, and got out of the car. Moses followed him. “Well,” said Duane presently, when they had stared a moment longer, “whatever it is, I’m barging in. We’ve got to have some gas or we’ll never make New York tonight.” MOSES agreed. The two men started across the road—the big Negro hatless and wearing a slicker—the reporter in a belted trench coat, his brown felt hat pulled out of shape on his head. “It’s a big thing,” Duane said as he and Moses halted at the fence and peered through. Distantly, he could see now that the mysterious structure in the woods was at least a hundred yards long, flat-topped and black as coal except from narrow shafts of light that came from its windows. “And look at the light coming out of the roof.” That was, indeed, the most peculiar feature of this place they had discovered. From a section of the roof near the center, as though through a skylight, a great white light came out, illuminating the slanting rain and the bending trees.
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