The West at War', due to accompany a major 6-part series for ITV1 West of England, produced by Testimony Films and to be broadcast across May/June 2005, commemorates the 60th anniversary of the end of World War II and features the stories of servicemen and women from Bristol and the South West.
This work covers tales from local people whose journey through life has taken them from their homeland to Britain as well as those who left the Southwest for a life overseas. Testimonies and reconstructions tell of child migrants, war brides and African immigrants amongst others.
The battle of Loos was one of the most hard-fought battles that the British Expeditionary Force waged during the First World War. This work presents an interpretation of Loos, placing it not only within its political and strategic context, but also discussing command and control and the tactical realities of war on the Western Front during 1915.
The definitive account of Passchendaele, the months-long battle that epitomizes the immense tragedy of the First World War Passchendaele. The name of a small, seemingly insignificant Flemish village echoes across the twentieth century as the ultimate expression of meaningless, industrialized slaughter. In the summer of 1917, upwards of 500,000 men were killed or wounded, maimed, gassed, drowned, or buried in this small corner of Belgium. On the centennial of the battle, military historian Nick Lloyd brings to vivid life this epic encounter along the Western Front. Drawing on both British and German sources, he is the first historian to reveal the astonishing fact that, for the British, Passchendaele was an eminently winnable battle. Yet the advance of British troops was undermined by their own high command, which, blinded by hubris, clung to failed tactics. The result was a familiar one: stalemate. Lloyd forces us to consider that trench warfare was not necessarily a futile endeavor, and that had the British won at Passchendaele, they might have ended the war early, saving hundreds of thousands, if not millions, of lives. A captivating narrative of heroism and folly, Passchendaele is an essential addition to the literature on the Great War.
To help you in the wonderful and important task of naming your child, Baby Names provides a comprehensive listing of great choices for any boy or girl—from Aaron to Zuwena—with plenty of variety in between. In addition to its extensive list of names, this book also includes… Origins and meanings of a wide selection of names Ideas for creating a name specifically suited for your child Some of the greatest Bible names found in Scripture Alternative spellings and variations of popular names Things to avoid when naming your baby Helpful sidebars highlighting accomplishments of famous Christians Baby Names will be an invaluable resource in your family for one of the most cherished decisions you’ll ever make as a parent!
Takes a detailed look at the spirituality of people beyond the fringe of the church and offers insightful responses to how the church might address the issue of evangelism in the 21st century.
From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. In The Zoom, Nick Hall traces the century-spanning history of the zoom lens in American film and television. From late 1920s silent features to the psychedelic experiments of the 1960s and beyond, the book describes how inventors battled to provide film and television studios with practical zoom lenses, and how cinematographers clashed over the right ways to use the new zooms. Hall demonstrates how the zoom brought life and energy to cinema decades before the zoom boom of the 1970s and reveals how the zoom continues to play a vital and often overlooked role in the production of contemporary film and television.
This work covers tales from local people whose journey through life has taken them from their homeland to Britain as well as those who left the Southwest for a life overseas. Testimonies and reconstructions tell of child migrants, war brides and African immigrants amongst others.
The West at War, due to accompany a major 6-part series for ITV1 West of England, produced by Testimony Films and to be broadcast across May/June 2005, commemorates the 60th anniversary of the end of World War II and features the stories of servicemen and women from Bristol and the South West.
IT had rained in torrents all the way down from Schenectady, so when Jack Duane glimpsed the lights of what looked to be a big house through the trees, he braked his battered, convertible sedan to a stop at the side of the road. Mud lay along the fenders and running boards; mud and water had spumed up and freckled Duane’s face and hat. He pulled off the latter—it was soggy—and slapped it on the seat beside him, leaning out and squinting through the darkness and falling water. He was on the last lap of a two weeks’ journey from San Francisco, his objective being New York City. There he hoped to wangle a job as foreign correspondent from an old crony, J. J. Molloy, now editor of the New York Globe. Adventurer, journalist, globetrotter, Duane was of the type that is always on the move. “It’s a place, anyway, Moses,” he said to the large black man beside him, his servitor and bodyguard, who had accompanied him everywhere for the past three years. “Somebody lives there; they ought to have some gas.” “Yasah,” said Moses, staring past Duane’s shoulder, “it’s a funny-looking place, suh.” Duane agreed. Considering that they were seventy miles from New York, in the foothills of the Catskills, with woods all around them and the rain pouring down, the thing they saw through the trees, some three hundred yards from the country road, was indeed peculiar. It looked more like a couple of Pullman cars coupled together and lighted, than like a farmer’s dwelling. “Fenced in, too,” said Duane, pointing to the high steel fence that bordered the road, separating them from the object of their vision. “And look there—” A fitful flash of lightning in the east, illuminating the distant treetops, showed up the towering steel and network of a high-voltage electric line’s tower. The roving journalist muttered something to express his puzzlement, and got out of the car. Moses followed him. “Well,” said Duane presently, when they had stared a moment longer, “whatever it is, I’m barging in. We’ve got to have some gas or we’ll never make New York tonight.” MOSES agreed. The two men started across the road—the big Negro hatless and wearing a slicker—the reporter in a belted trench coat, his brown felt hat pulled out of shape on his head. “It’s a big thing,” Duane said as he and Moses halted at the fence and peered through. Distantly, he could see now that the mysterious structure in the woods was at least a hundred yards long, flat-topped and black as coal except from narrow shafts of light that came from its windows. “And look at the light coming out of the roof.” That was, indeed, the most peculiar feature of this place they had discovered. From a section of the roof near the center, as though through a skylight, a great white light came out, illuminating the slanting rain and the bending trees.
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