A comprehensive guide to Dante’s life and literature, with an emphasis on his Commedia. This text looks at the influences that shaped Dante’s writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the present Written by an expert Dante scholar Provides new translations of substantial passages from Dante’s poems and from the world of his contemporaries Includes explanatory diagrams of Dante’s 'other-worlds', and a section of illustrations by medieval and modern artists Builds a vivid and complex picture of Dante's imagination, intellect and literary presence Helpful bibliographies include relevant web resources
This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.
The Apennines are Italy' exclaimed The Examiner two centuries ago, yet this unique region and its striking literary and cultural connections are underappreciated in the English-speaking world. Apennine Crossings: Travellers on the Edge of Tuscany links a twenty-first century journey in the mountains of Northern Italy to past writers, routes, and travellers. It follows the modern long-distance walking trail of the 'Great Apennine Excursion', whilst moving back and forth in time: from the Middle Ages to World War Two and from the journeys of pilgrims, merchants, and tourists to those of soldiers, partisans, and poets. Stories of past travellers in the region continually intersect with a contemporary account of a walk across the ridge of the Northern Apennines. Alongside Nick Havely's present-day narrator and traveller, the cast of characters includes major writers and poets, such as Dante, Montaigne, Goethe, Shelley, and Stendhal, together with a multitude of less well-known figures whose journeys, experiences, and responses cast new light on a landscape that is close to yet remote from the sites typically visited by modern travellers to Italy. Havely draws these earlier travellers' stories from a wide range of published and unpublished sources such as letters, journals, memoirs, poems, and interviews. Together, they illustrate several significant themes: the histories of mountain passes, remote lakes, and ancient sanctuaries; perceptions of the mountains; the social and religious culture of the Northern Apennines; the preoccupations of literary tourism; the impact of campaigns and conflict during World War Two; and the effects of depopulation and deforestation. The Apennine region features in its full literary, historical, and cultural richness. Included are twenty-six illustrations, with maps for the whole route and for the sections covered by each of the book's seven chapters.
A comprehensive guide to Dante’s life and literature, with an emphasis on his Commedia. This text looks at the influences that shaped Dante’s writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the present Written by an expert Dante scholar Provides new translations of substantial passages from Dante’s poems and from the world of his contemporaries Includes explanatory diagrams of Dante’s 'other-worlds', and a section of illustrations by medieval and modern artists Builds a vivid and complex picture of Dante's imagination, intellect and literary presence Helpful bibliographies include relevant web resources
The Apennines are Italy' exclaimed The Examiner two centuries ago, yet this unique region and its striking literary and cultural connections are underappreciated in the English-speaking world. Apennine Crossings: Travellers on the Edge of Tuscany links a twenty-first century journey in the mountains of Northern Italy to past writers, routes, and travellers. It follows the modern long-distance walking trail of the 'Great Apennine Excursion', whilst moving back and forth in time: from the Middle Ages to World War Two and from the journeys of pilgrims, merchants, and tourists to those of soldiers, partisans, and poets. Stories of past travellers in the region continually intersect with a contemporary account of a walk across the ridge of the Northern Apennines. Alongside Nick Havely's present-day narrator and traveller, the cast of characters includes major writers and poets, such as Dante, Montaigne, Goethe, Shelley, and Stendhal, together with a multitude of less well-known figures whose journeys, experiences, and responses cast new light on a landscape that is close to yet remote from the sites typically visited by modern travellers to Italy. Havely draws these earlier travellers' stories from a wide range of published and unpublished sources such as letters, journals, memoirs, poems, and interviews. Together, they illustrate several significant themes: the histories of mountain passes, remote lakes, and ancient sanctuaries; perceptions of the mountains; the social and religious culture of the Northern Apennines; the preoccupations of literary tourism; the impact of campaigns and conflict during World War Two; and the effects of depopulation and deforestation. The Apennine region features in its full literary, historical, and cultural richness. Included are twenty-six illustrations, with maps for the whole route and for the sections covered by each of the book's seven chapters.
This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.
This innovative exploration of the literature, history, and culture of the Apennines links a twenty-first century journey along the walking trail of the 'Great Apennine Excursion' to accounts and discussions of past travellers--including pilgrims, merchants, tourists, soldiers, partisans, and poets--from the Medieval period up to World War Two.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.