From a New York Times–bestselling and National Book Critics Award–winning author comes a “small masterpiece” of fatherhood, childhood, and bottle-feeding (Publishers Weekly). In a novel Entertainment Weekly called “intensely funny and moving,” Nicholson Baker takes the reader on an intellectual odyssey over the course of the twenty minutes it takes a new father to give his baby daughter her bottle. Through inspired moments of mental flight, Mike’s thoughts on his newfound parenthood lead him back to his own childhood and to reflections on the objects of his youth. From glass peanut butter jars to French horns, from typography to courtship, Baker reveals “some of the tenderest, most delicate interaction between husband and wife, adult and infant, in modern fiction” (Los Angeles Times). “Sparkling . . . frequently hilarious . . . This is a big novel unfolding . . . so subtly that one is scarcely aware of its magnitude until the last page.” —The Boston Globe “A delightful book . . . Every page provokes the shock, or at least the smile, of recognition.” —The Washington Post “A major cosmic drama . . . It is a delightful book . . . a real charmer, a breath of fresh air, a show-stopping coloratura aria made of the quirks of memory and the quiddities of daily life.” —The Sacramento Union “[A] small masterpiece by an extraordinarily gifted . . . writer.” —Publishers Weekly
The Size of Thoughts, a collection of essays that have appeared in the New Yorker and other publications, includes one never-before-published piece on the world of electronics. The essays celebrate the joy--and exquisite details--of everything from library card catalogs and reading aloud to the significance of wine stains on a tablecloth. Baker turns any subject, from feeding a child to phone sex, into literature with a style that is sparklingly original, frequently beautiful, and always thought-provoking. The Size of Thoughts, through its varied forays into the realms of the overlooked, the underfunded, and the wrongfully scrapped, is a funny book by one of the most distinctive stylists and thinkers of out time.
**A New York Times Bestseller** “May be the most revealing depiction of the American contemporary classroom that we have to date." —Garret Keizer, The New York Times Book Review Bestselling author Nicholson Baker, in pursuit of the realities of American public education, signed up as a substitute teacher in a Maine public school district. In 2014, after a brief orientation course and a few fingerprinting sessions, Nicholson Baker became an on-call substitute teacher in a Maine public school district. He awoke to the dispatcher’s five-forty a.m. phone call and headed to one of several nearby schools; when he got there, he did his best to follow lesson plans and help his students get something done. What emerges from Baker’s experience is a complex, often touching deconstruction of public schooling in America: children swamped with overdue assignments, overwhelmed by the marvels and distractions of social media and educational technology, and staff who weary themselves trying to teach in step with an often outmoded or overly ambitious standard curriculum. In Baker’s hands, the inner life of the classroom is examined anew—mundane worksheets, recess time-outs, surprise nosebleeds, rebellions, griefs, jealousies, minor triumphs, kindergarten show-and-tell, daily lessons on everything from geology to metal tech to the Holocaust—as he and his pupils struggle to find ways to get through the day. Baker is one of the most inventive and remarkable writers of our time, and Substitute, filled with humor, honesty, and empathy, may be his most impressive work of nonfiction yet.
“Staggeringly good.” —Counterpunch A major new work, a hybrid of history, journalism, and memoir, about the modern Freedom of Information Act—FOIA—and the horrifying, decades-old government misdeeds that it is unable to demystify, from one of America's most celebrated writers Eight years ago, while investigating the possibility that the United States had used biological weapons in the Korean War, Nicholson Baker requested a series of Air Force documents from the early 1950s under the provisions of the Freedom of Information Act. Years went by, and he got no response. Rather than wait forever, Baker set out to keep a personal journal of what it feels like to try to write about major historical events in a world of pervasive redactions, witheld records, and glacially slow governmental responses. The result is one of the most original and daring works of nonfiction in recent memory, a singular and mesmerizing narrative that tunnels into the history of some of the darkest and most shameful plans and projects of the CIA, the Air Force, and the presidencies of Harry Truman and Dwight Eisenhower. In his lucid and unassuming style, Baker assembles what he learns, piece by piece, about Project Baseless, a crash Pentagon program begun in the early fifties that aimed to achieve "an Air Force-wide combat capability in biological and chemical warfare at the earliest possible date." Along the way, he unearths stories of balloons carrying crop disease, leaflet bombs filled with feathers, suicidal scientists, leaky centrifuges, paranoid political-warfare tacticians, insane experiments on animals and humans, weaponized ticks, ferocious propaganda battles with China, and cover and deception plans meant to trick the Kremlin into ramping up its germ-warfare program. At the same time, Baker tells the stories of the heroic journalists and lawyers who have devoted their energies to wresting documentary evidence from government repositories, and he shares anecdotes from his daily life in Maine feeding his dogs and watching the morning light gather on the horizon. The result is an astonishing and utterly disarming story about waiting, bureaucracy, the horrors of war, and, above all, the cruel secrets that the United States government seems determined to keep forever from its citizens.
Baker's second nonfiction collection, ranges over the map of life to examine what troubles us, what eases our pain, and what brings us joy. Baker moves from political controversy to the intimacy of his own life, from forgotten heroes of pacifism to airplane wings, telephones, paper mills, David Remnick, Joseph Pulitzer, the "OED," and the manufacture of the Venetian gondola. He writes about kite string and about the moment he met his wife, and he surveys our fascination with video games while attempting to beat his teenage son at "Modern Warfare 2." In a celebrated essay on Wikipedia, Baker describes his efforts to stem the tide of encyclopedic deletionism; in another, he charts the rise of e-readers; in a third he chronicles his Freedom of Information lawsuit against the San Francisco Public Library."--Provided by publisher.
A National Book Critics Circle Award–winner elevates the ordinary events that occur to a man on his lunch hour into “a constant delight” of a novel (The Boston Globe). In this startling, witty, and inexhaustibly inventive novel, New York Times–bestselling author Nicholson Baker uses a one-story escalator ride as the occasion for a dazzling reappraisal of everyday objects and rituals. From the humble milk carton to the act of tying one’s shoes, The Mezzanine at once defamiliarizes the familiar world and endows it with loopy and euphoric poetry. Baker’s accounts of the ordinary become extraordinary through his sharp storytelling and his unconventional, conversational style. At first glance, The Mezzanine appears to be a book about nothing. In reality, it is a brilliant celebration of things, simultaneously demonstrating the value of reflection and the importance of everyday human experiences. “A very funny book . . . Its 135 pages probably contain more insight into life as we live it today than anything currently on the best-seller list.” —The New York Times “Captures the spirit of American corporate life and invests it with a passion and sympathy that is entirely unexpected.” —The Seattle Times “Among the year’s best.” —The Boston Globe “Baker writes with appealing charm . . . [He] clowns and shows off . . . rambles and pounces hard; he says acute things, extravagant things, terribly funny things.” —Los Angeles Times Book Review “Wonderfully readable, in fact gripping, with surprising bursts of recognition, humor and wonder.” —The Washington Post Book World
Emmett has a wife and two children, a cat, and a duck, and he wants to know what life is about. Every day he gets up before dawn, makes a cup of coffee in the dark, lights a fire with one wooden match, and thinks. What Emmett thinks about is the subject of this wise and closely observed novel, which covers vast distances while moving no further than Emmett’s hearth and home. Nicholson Baker’s extraordinary ability to describe and celebrate life in all its rich ordinariness has never been so beautifully achieved.
Named a Most Anticipated Book of 2024 by Literary Hub From the acclaimed and bestselling writer Nicholson Baker, a deeply personal account of his journey learning how to paint for the first time, and a meditation on the power of art in times of crisis Nicholson Baker wanted to learn how to paint. In 2019, after years of researching and writing about secret and often horrible government programs for his book Baseless: My Search for Secrets in the Ruins of the Freedom of Information Act, he was wiped out. Having been steeped for so long in the history of war, violence, and conspiracy, the world had lost some of its brightness. Photography had scratched a creative itch for years, but now, Baker was desperate to squeeze more out of what he saw – he wanted to live, slowly, through the snatches of life he was recording in photos. Maybe, he thought, he could learn to paint? The idea consumed him, but he was nagged by an even more debilitating doubt: What if he failed? Finding a Likeness is Baker’s record of the years he worked to improve his artistic skills, beginning with his first, humble attempts to set paintbrush to paper. Driven by a natural curiosity and a strong desire to paint faces, clouds, and landscapes that actually resemble faces, clouds, and landscapes, he attends classes from local artists, watches YouTube tutorials, and seeks out master painters from the past and present in the hopes of uncovering their secrets. In his inimitable voice, Baker recounts the highs and lows of the creative process, reflects on memories of growing up as the son of two painters, and learns what it means to really see. Filled with Baker’s own art, as well as the work of artists from around the world, Finding a Likeness is a tender and deeply felt testimony to taking a step back and going back to basics. Baker improves dramatically in his craft, but as he considers what it means to try, fail, and try again, he discovers far more than what it takes to paint a cloud – rather, he shows us how to bear witness to the world, to the good and the bad, and to do it all justice with paper and ink.
Two men - Jay and Ben - sit in a Washington hotel room. Jay has called his old friend Ben there - to tell him why and how he wants to kill the President. Jay is a bit of a loser (he's lost his girlfriend, his job, his car), generally easy-going, but now he's on edge and he's angry - and he's acquired some radio-controlled flying saws, and is working on a boulder with a depleted uranium centre... but he also has a gun and bullets. Ben is the voice of liberal reason, with a job and a family. Jay switches on a tape machine, and the two men argue. Well, Ben tries feebly to reason or cajole, while Jay rants and rages about everything from the horror of what happened at that southern Iraq checkpoint where US forces opened fire on a Shiite family in a Land Rover, killing most of them, and decapitating two young girls; to the iniquities of the present administration, Bush, Cheney, Rumsfeld et al., and abortion (if they're against abortion, how come they can kill women and children?), not to mention the napalm-like substance ('improved fire jelly') used in bombs in Iraq. Their dialogue veers from chilling and serious to wacky and crazed (Bush, says Jay, is 'one dead armadillo').CHECKPOINT is a novel about a man pushed to the extremes, by a writer who is clearly angry. Like Michael Moore's Fahrenheit 9/11, it takes the temperature of America just below the surface and finds it at boiling point...
Paul Chowder, the poet protagonist of Nicholson Baker’s widely acclaimed novel The Anthologist, is turning fifty-five and missing his ex-girlfriend, Roz, rather desperately. As he approaches the dreaded birthday, Paul is uninspired by his usual artistic outlet (although he’s pleased that his poetry anthology, Only Rhyme, is selling “steadily”). Putting aside poetry in favor of music, and drawing on his classical bassoon training, Paul turns instead to his new acoustic guitar with one goal in mind: to learn songwriting. As he struggles to come to terms with the horror of America’s drone wars and Roz’s recent relationship with a local NPR radio host, Paul fills his days with Quaker meetings, Planet Fitness workouts, and some experiments with tobacco. Written in Baker’s beautifully unconventional prose, and scored with musical influences from Debussy to Tracy Chapman to Paul himself, Traveling Sprinkler is an enchanting, hilarious—and very necessary—novel by one of the most beloved and influential writers today.
This delightfully enhanced e-book edition includes Traveling Sprinkler: An Album, with twelve songs written, sung, and produced by Nicholson Baker. Paul Chowder, the poet protagonist of Baker’s widely acclaimed novel The Anthologist, is turning fifty-five and missing his ex-girlfriend, Roz, rather desperately. As he approaches the dreaded birthday, Paul is uninspired by his usual artistic outlet (although he’s pleased that his poetry anthology, Only Rhyme, is selling “steadily”). Putting aside poetry in favor of music, and drawing on his classical bassoon training, Paul turns instead to his new acoustic guitar with one goal in mind: to learn songwriting. As he struggles to come to terms with the horror of America’s drone wars and Roz’s recent relationship with a local NPR radio host, Paul fills his days with Quaker meetings, Planet Fitness workouts, and some experiments with tobacco. Written in Baker’s beautifully unconventional prose, and scored with musical influences from Debussy to Tracy Chapman to Paul himself, Traveling Sprinkler is an enchanting, hilarious—and very necessary—novel by one of the most beloved and influential writers today.
The Anthologist" captures all the warmth, wit, and extraordinary prose stylethat have made Baker--a National Book Critics Circle Award-winning author--anAmerican master.
Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying. Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.
TOGETHER FOR THE FIRST TIME, BOTH OF NICHOLSON BAKER’S BRILLIANT NOVELS FEATURING BELOVED HERO AND POET PAUL CHOWDER A New York Times notable book and a national bestseller, Nicholson Baker’s The Anthologist introduces his quirkiest and most unforgettable protagonist yet, the “erudite, unpretentious, and often hilarious” (The New Yorker) Paul Chowder. Chowder really needs to write an introduction to his new anthology of verse, Only Rhyme—it’s the first work his editor has sent him in months—but he’s having a hard time getting started. Not only is his career floundering, but his girlfriend, Roz, just moved out. Perhaps unsurprisingly, Chowder can’t keep his mind from drifting to the sufferings of the great poets, from Tennyson and Yeats to Roethke, Merwin, to every poet who’s been published in The New Yorker. As he ponders the strange power and musicality of language, and adjusts to his newly single life, Chowder’s introduction slowly but surely begins to take shape. A wholly entertaining and beguiling love story, and the first novel in the chronicles of Paul Chowder—which is followed by Traveling Sprinkler in this same volume—The Anthologist is “a loving and superbly witty homage to poetryand to life” (The Boston Globe).
The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries–including the Library of Congress–have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age. With meticulous detective work and Baker’s well-known explanatory power, Double Fold reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for preservation, even cashing in his own retirement account to save one important archive–all twenty tons of it. Written the brilliant narrative style that Nicholson Baker fans have come to expect, Double Fold is a persuasive and often devastating book that may turn out to be The Jungle of the American library system.
A study of the decades leading up to World War II profiles the world leaders, politicians, business people, and others whose personal politics and ideologies provided an inevitable barrier to the peace process and whose actions led to the outbreak of war.
A box of matches is the record of an untumultuous month in the life of Emmett, a forty-five-year-old editor of medical textbooks. Emmett has a wife and children, a cat, and a duck, and he wants to know what life is about. Every day he gets up before dawn, makes a cup of coffee in the dark, lights a fire with one wooden match, and thinks. What Emmett thinks about is the subject of this wise and closely observed novel, which covers vast distances while moving no farther than Emmett's hearth and home.
Nory is a nine-year-old American girl spending a year in an English cathedral town, based closely on Ely. She relates her impressions, tells us her favourite stories and dreams, comes to terms with the intricate politics of school friendships and explores the town.
A graphic novel collection of eight illustrated tales from bestselling author Scott Nicholson. Covering dark fantasy and the supernatural, these tales are adapted from Nicholson's short stories and drawn by Kewber (CHAOS CAMPUS, SLEEPRUNNERS). In the tradition of TALES FROM THE CRYPT, CREEPIE, and EERIE, Nicholson and Kewber take you through haunted cars, talking mailboxes, invisible friends, and zombie churchyards. Nicholson is the author of 10 novels, including SPEED DATING WITH THE DEAD, THE SKULL RING, and DRUMMER BOY, as well as the comic series GRAVE CONDITIONS. Learn more about the project at www.hauntedcomputer.com.
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