How to Live a Life H.umbly E.xperiencing L.ife's P.urpose fully is a inspired book that God has allowed to exist in today's time in which we live. A time where it seems that most are confused, and think that his/her mistakes in life has counted them out, and because some in churches today are doing a good job at masking flaws and not willing to share, so that those who are struggling in faith can benefit, leaves that struggling Christian brother or sister to feel like they are an isle to themselves, and that is not what Jesus prayed before going to the cross. He prayed that we would all be one just as he and his Father are one. This book seeks to address that God is still God though we may fall at times in our Christian journey. The book seeks to point to the bible for examples in simplifying our Christian journey. There are some personal testimonies within the book for those that may need to know they are not alone. Salvation only by faith in Jesus Christ and faith alone is the basis for how to live a life h.e.l.p.fully. This book is not about religious talk, but about spiritual growth in Jesus Christ as Savior and sometime that growth comes with some failures to show us where we are in him versus where we think we are in him. Failure should not be looked at a sign of illegitimacy as adopted children in him, but should serve as a mirror to grow and actually grow. Proverbs 24:16
Seminar paper from the year 2006 in the subject History Europe - Other Countries - Middle Ages, Early Modern Age, grade: 1,5, University of Wales, Aberystwyth (History Department), course: Politics and Political Culture in Norman an Angevin Englang, language: English, abstract: Williams Rufus, the second Norman king in England, did not strike a chord with his contemporary chroniclers and writers of history. Instead, he was portrayed as just about everything a monarch should not be. This changed in later centuries, but once his image had been set by eleventh and twelfth century writers, many others just drew on them, manifesting the negative picture that existed of William Rufus and reinterpreting it only in nuances. It is not the subject of this essay to retrace and follow this picture throughout the ages, although the conclusion will come back to this point. Instead, the focus here will be on two medieval writers who wrote about William Rufus, Eadmer and Henry of Huntingdon. A short passage will deal with their backgrounds and the key features of their work, so far as they are relevant to their attitudes towards William Rufus. The main body will look at passages written about William Rufus, taking into account the rhetoric and language involved, comparing where they differ and where they have similarities. The focus here will be a critical one, highlighting contradictions within and between the texts. Finally, the conclusion will again question both Eadmer's and Huntingdon's motives, and try evaluate the use of their accounts of Williams Rufus.
Seminar paper from the year 2006 in the subject Politics - Political Theory and the History of Ideas Journal, grade: 1,7, University of Wales, Aberystwyth (International Politics Department), course: Citizenship in Latin America, language: English, abstract: "Our Revolution, which has been heterodox in its forms and manifestations, has nevertheless followed the general lines of all the great historical events of this century characterized by anticolonial struggles and the transition towards socialism." Che Guevara: Cuba: Exception or Vanguard, 1961 "We are a product of five hundred years of struggle: first, led by insurgents against slavery during the War of Independence with Spain (...) They don't care that we have nothing, absolutely nothing, not even a roof over our heads. (...) But today we say: ENOUGH IS ENOUGH! General Command of the EZLN: War! First Declaration of the Lacandon Jungle, 1993. FOURTY-TWO YEARS LIE BETWEEN THESE TWO STATEMENTS, the statements of two Latin-American revolutionaries, equal in charisma, and by a mere coincidence both renown for the smoking materials perpetually accompanying their every moves. Yet far more lies between Che Guevara and Marcos than that the former was a cigar-addict whilst the latter goes nowhere without his pipe. This essay is no contrast between the two. It is neither a character-sketch of Che, nor an analysis of Marcos' poetry and prose, as the first would be ideal for psychologists, whilst the second task would be better performed in a literature department. Instead, I shall undertake to try and describe the changing fibre of revolutionary social movements in Latin America over the last forty years, explaining how Che Guevara's legacy, paired with the Sandinistas and other influences led to the emergence of the Zapatistas in today's Mexico. In saying this, I shall state here in the introduction that through the research for this essay my initial sympathies towards the Zapatistas, which I deve
Seminar paper from the year 2006 in the subject History of Europe - Middle Ages, Early Modern Age, grade: 1,5, University of Wales, Aberystwyth (History Department), course: Politics and Political Culture in Norman an Angevin Englang, language: English, abstract: Williams Rufus, the second Norman king in England, did not strike a chord with his contemporary chroniclers and writers of history. Instead, he was portrayed as just about everything a monarch should not be. This changed in later centuries, but once his image had been set by eleventh and twelfth century writers, many others just drew on them, manifesting the negative picture that existed of William Rufus and reinterpreting it only in nuances. It is not the subject of this essay to retrace and follow this picture throughout the ages, although the conclusion will come back to this point. Instead, the focus here will be on two medieval writers who wrote about William Rufus, Eadmer and Henry of Huntingdon. A short passage will deal with their backgrounds and the key features of their work, so far as they are relevant to their attitudes towards William Rufus. The main body will look at passages written about William Rufus, taking into account the rhetoric and language involved, comparing where they differ and where they have similarities. The focus here will be a critical one, highlighting contradictions within and between the texts. Finally, the conclusion will again question both Eadmer’s and Huntingdon’s motives, and try evaluate the use of their accounts of Williams Rufus.
Essay from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,0, University of Heidelberg (Anglistisches Seminar), course: British Institutions (Landeskunde), language: English, abstract: Broadly speaking, Thomas Hobbes' image of man was genuinely pessimistic. The proof for this claim may be found in the first book of Leviathan, in which Hobbes explains his view of the human nature, its soul and its mechanisms. Leviathan was not Hobbes' first attempt to give such a general overview, and when he claimed that "Homo homini lupus" (Man is a wolf to man), it was firstly not him who coined the phrase (it first appeared around 1500), and secondly not in Leviathan but nine years earlier in De Cive. The idea that "Man is a wolf to man" sums up many of Hobbes' theories in a single phrase. However, it should be noted that the sentence so often quoted as summarising Hobbes' theories continues, "Man is an arrant wolf to man, and man to man is a God." The second half is often forgotten but it is vitally important to remember it in order to fully understand what might be seen as the first coherent and scientific political theory. How can man to man be a wolf and a God simultaneously? Hobbes' image of man was not only pessimistic but ambiguous too.
Scholars have often drawn attention to William Blake's unusual sensitivity to his social context. In this book Nicholas Williams situates Blake's thought historically by showing how through the decades of a long and productive career Blake consistently responded to the ideas, writing, and art of contemporaries. Williams presents detailed readings of several of Blake's major poems alongside Rousseau's Emile, Wollstonecraft's Vindication of the Rights of Woman, Paine's Rights of Man, Burke's Reflections on the Revolution in France, and Robert Owen's Utopian Experiments. In so doing, he offers revealing new insights into key Blake texts and draws attention to their inclusion of notions of social determinism, theories of ideology-critique, and Utopian traditions. Williams argues that if we are truly to understand ideology as it relates to Blake, we must understand the practical situation in which the ideological Blake found himself. His study is a revealing commentary on the work of one of our most challenging poets.
To many mainstream-media saturated Americans, the terms 'progressive' and 'religious' may not seem to go hand-in-hand. As religion is usually tied to conservatism, an important way in which religion and politics intersect is being overlooked. [This book] focuses on this significant intersection, revealing that progressive religious activists are a driving force in American public life, involved in almost every political issue or area of public concern. This volume brings together [contributors] who dissect and analyze the inner worlds and public strategies of progressive religious activists from the local to the transnational level. It provides insight into documented trends, reviews overlooked case studies, and assesses the varied ways in which progressive religion forces us to deconstruct common political binaries such as right/left and progress/tradition...[This] book engages and rethinks long accepted theories of religion, of social movements, and of the role of faith in democratic politics and civic life."--
Essay from the year 2005 in the subject Politics - International Politics - Topic: Peace and Conflict Studies, Security, grade: 2,0, University of Wales, Aberystwyth (International Politics Department), course: September 11, International Terrorism and the Middle East, language: English, abstract: Does poverty cause terrorism? A simple equation which is frequently evoked in the media and public discourse on terrorism, but as has been shown quite frequently, terrorists tend to come from educated and middle-class backgrounds. So what does it take to make a terrorist? There is - as will hardly surprise anyone - no clear cut, simple answer, but this essay aims at providing an overview and further questions.
Just Jesus, A Praise In Poetry is Timeless and Life Changing. It is, not only, saturated with the praise and the worship of Jesus, but also with Encoragement and Hope to simply, behold Jesus, Just Jesus.
The full eBook version of The Harry Potter Piano Anthology in fixed-layout format. The Harry Potter Piano Anthology contains 56 of the biggest and best musical themes from the Harry Potter and Fantastic Beasts films, arranged for intermediate level piano. From the best-loved John Williams tunes Hedwig's Theme and Harry's Wondrous World, to The Crimes of Grindelwald and Dumbledore's Theme from the Fantastic Beasts films, this book has been created for pianists to enjoy and return to again and again. Transport yourself to the magical world of Harry Potter with this stunning piano anthology - featuring an exclusive, bespoke cover by MinaLima, the graphic design studio behind the Wizarding World.
Seminar paper from the year 2007 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Heidelberg (Anglistisches Seminar), course: PS II Literaturwissenschaft - Shaws Frühe Dramen, language: English, abstract: This essay shall aim at portraying Shaw’s Fabian thought and morality in his early plays, i.e. Widowers’ Houses, Arms and the Man, and The Devil’s Disciple. Such a task automatically renders the essay no more than an attempt at finding traces, for there are no socialists in the plays mentioned. Instead, socialist thought is conveyed implicitly, i.e. by means of the plot, by method of showing, or by confronting a Victorian theatre audience with realities they would only too well like to ignore. Widower’s Houses is a good case in point: it is highly unlikely any tenants living in the sort of substandard accommodation portrayed in the play could afford a night out in Covent Garden, and it is equally unlikely the theatre-going audience would ever bother to visit them in “their” rundown houses. Consequently, Shaw forced the reality upon the audience and explicitly tried to use drama as a means of propaganda (Grene: 1987: 15 and 3). However, here one could critically add that Shaw – like most Fabians – had as little contact with the working class as those he criticised for the same reasons (Ballay 1980: 237). I shall focus on Widowers’ Houses, Arms and the Man, and The Devil’s Disciple, for reasons I will explain in the conclusion. The essay follows a hypothesis, which is as written above: Shaw forced upon his audience realities they would like to ignore, and he wished to radicalise his audience (Gahan: 13). The second assumption this essay follows is that morality is as much part of Fabianism as politics are. In his economic and political writings, Shaw made a strong connection between economics and morality (Griffith: 29f.). His opposition to capitalism rooted very much in the fact that he rejected it morally. Hence, according to Fabian logic, the struggle for a better (i.e. socialist) society is hardly to be separated from the question of individual conduct, at least to those who can afford it. The verbal claims made by Trench and Sartorius that they would like to change society for the better but find their hands bound collide with Richard in “The Devil’s Disciple”, who claims to follow the devil but immunises himself from attack by immaculate behaviour. Again, Shaw forced a reality upon his audience they might not have witnessed elsewhere, and effectively used the stage for propagandistic purposes, even though they might not be quite as obvious as with other political writers such as Brecht.
Seminar paper from the year 2007 in the subject English - Literature, Works, grade: 1,3, University of Heidelberg (Anglistisches Seminar), course: PS II Literaturwissenschaft - Shaws Frühe Dramen, language: English, abstract: This essay shall aim at portraying Shaw's Fabian thought and morality in his early plays, i.e. Widowers' Houses, Arms and the Man, and The Devil's Disciple. Such a task automatically renders the essay no more than an attempt at finding traces, for there are no socialists in the plays mentioned. Instead, socialist thought is conveyed implicitly, i.e. by means of the plot, by method of showing, or by confronting a Victorian theatre audience with realities they would only too well like to ignore. Widower's Houses is a good case in point: it is highly unlikely any tenants living in the sort of substandard accommodation portrayed in the play could afford a night out in Covent Garden, and it is equally unlikely the theatre-going audience would ever bother to visit them in "their" rundown houses. Consequently, Shaw forced the reality upon the audience and explicitly tried to use drama as a means of propaganda (Grene: 1987: 15 and 3). However, here one could critically add that Shaw - like most Fabians - had as little contact with the working class as those he criticised for the same reasons (Ballay 1980: 237). I shall focus on Widowers' Houses, Arms and the Man, and The Devil's Disciple, for reasons I will explain in the conclusion. The essay follows a hypothesis, which is as written above: Shaw forced upon his audience realities they would like to ignore, and he wished to radicalise his audience (Gahan: 13). The second assumption this essay follows is that morality is as much part of Fabianism as politics are. In his economic and political writings, Shaw made a strong connection between economics and morality (Griffith: 29f.). His opposition to capitalism rooted very much in the fact that he rejected it morally. Hence, according to Fabian logic, the
This work is both a meditation on the theory of literary biography and an examination of the relationship between Tennessee Williams and the texts attributed to him.
With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present easy piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 37 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: * Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore’s Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * A New Beginning * Severus and Lily * Statues
With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present big note piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 36 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: * Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore's Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * Severus and Lily * Statues
This volume is a collection of forty articles dedicated to one of the most distinguished contemporary iranists, Nicholas Sims-Williams, on the occasion of his sixtieth birthday on 11th April 2009. It includes an essay on Sims-Williams' outstanding contributions to Iranian studies, especially Sogdian and Bactrian, a list of his publications, editions of various texts written in Sogdian, Khotanese, Parthian, Middle Persian, and Avestan and articles on Old Persian, Middle Persian, New Persian, Bactrian, Balochi, Tati, Judeo-Persian, Caucasian, Uighur philology, linguistics and iconography. The book is illustrated by numerous plates. From the table of contents (40 contributions) A.D.H. Bivar, The Rukhkh, Giant Eagle of the Southern Seas F. de Blois, A Sasanian Silver Bowl A. Cantera, On the History of the Middle Persian Nominal Inflection C.G. Cereti, The Pahlavi Signatures on the Quilon Copper Plates (Tabula Quilonensis) J. Cheung, Two Notes on Bactrian I. Colditz, The Parthian "Sermon on happiness" J. Elfenbein, Eastern Hill Balochi H. Falk, The Name of Vema Takhtu P. Gignoux, Les relations interlinguistiques de quelques termes de la pharmacopee antique.
This unique book draws on research that constituted the first major nationwide evaluation of the use and impact of key digital health information platforms which were provided to thousands of health consumers in the UK. The authors offer the first comprehensive and detailed comparison of usage and impact of the three major ICT platforms delivering health information - the internet, touch-screen kiosks and digital interactive television. It provides an extensive reference source on how health consumers behave when online, whether this differs according to digital platform or type of user, how users perceive digital health services and what health benefits these services deliver. The book will be invaluable reading for all those interested in digital health information - students, academics, health policy-makers and information managers.
Seminar paper from the year 2006 in the subject History Europe - Other Countries - Middle Ages, Early Modern Age, grade: 1,5, University of Wales, Aberystwyth (History Department), course: Politics and Political Culture in Norman and Angevin England, language: English, abstract: The problems arising from both the term "politics" and the term "ritual" is that they are essentially modern concepts, at least in the sense in which we use them today. Consequently, anything said about the involvement and use of ritual in the realm of politics, a word here used in a broad sense of meaning, should be read with extreme caution. Politics, on a provisional definition for the purpose of this essay, is therefore to be understood as the means and mechanism through which decisions concerning the community are taken, exercised, and communicated. A ritual, on the other hand, is harder to define, and all attempts to do so would not pass unchallenged. For the purpose of this essay it will be understood as an often recurring proceeding, with symbolic meaning attached to its outer appearance. Borrowing from linguistics, but without engaging in that discipline's debate between structuralists and followers of Noam Chomsky's generative grammar, the notion of Ferdinand de Saussure's sign theory may help: a ritual itself will in this essay be understood as a sign, the realization of which is a signifier (signifiant), and the meaning of which is the signified (signifi ). In other words, ritual here is understood as following similar patterns as language. Letters are of no use to an illiterate, as the shapes of letters mean nothing to him, nor does a ritual for someone unfamiliar with any given society's customs and values. The meaning (signified) has a dialectic connection with its realized counterpart, the performance of ritual (or, in Saussure's field, speech). The ritual itself is thus an abstract concept standing above both as the sign, which is, in turn, hollow if unperforme
Just Jesus, A Praise In Poetry is timeless and life changing. It is, not only, saturated with the praise and the worship of Jesus, but also with encouragement and hope to simply, behold Jesus, Just Jesus.
Just Jesus, A Praise In Poetry is Timeless and Life Changing. It is, not only, saturated with the praise and the worship of Jesus, but also with Encoragement and Hope to simply, behold Jesus, Just Jesus
Imitations of the Self reevaluates the poetry of Jiang Yan (444–505), long underappreciated because of its pervasive reliance on allusion, by emphasizing the self-conscious artistry of imitation. In context of “imitation poetry,” the popular genre of the Six Dynasties era, Jiang’s work can be seen as the culmination of central trends in Six Dynasties poetry. His own life experiences are encoded in his poetry through an array of literary impersonations, reframed in traditional literary forms that imbue them with renewed significance. A close reading of Jiang Yan’s poetry demonstrates the need to apply models of interpretation to Chinese poetry that do justice to the multiplicity of authorial self-representation.
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