After forty–six years in upscale Manhattan, after two roaring decades as an investment banker and after nineteen years of marriage, Bill Schoenberg lost it all and ran for the hills. He made a mistake, regrettable and unspeakable; and having fled to his neglected country house in rural New York State to gather his wits, he found a chance to reacquire his self–respect as well – and possibly even redemption. To a man for whom flames existed solely in the kitchens of four–star restaurants, and who had volunteered for nothing in his life, the Harristown Volunteer Fire Company represented an unlikely pursuit – until a fire in his house convinced him otherwise. As Bill struggled to trade his French cuff shirts for flannel, to learn to dress in the back of a moving fire truck and to knock down forest fires, he was also forced to navigate the darker recesses of his mind and dying marriage. His wife may have been having an affair with one of his colorful country neighbors; an angry intruder seemed to be preying on his property; and his own unmentionable secret came closer to the surface the longer he stayed in Harristown. Intelligent and entertaining, funny and frightening, THE GOLDEN HOUR is a unique novel of manhood, neighborhood, and saving the day.
In this remarkable tale of a man's power to ruin and regain his life, an investment banker has lot it all. He finds a chance for self-respect and maybe even redemption with a rural New York volunteer fire department.
For ten long years, Oscar Campbell has done everything from picking up his boss's drycleaning to FedExing her tropical fish. His job as personal assistant to a legendary -- and temperamental -- publisher in New York City has given him more headaches than leg-ups. Yet none of Oscar's experiences has prepared him for his greatest challenge: planning his boss's wedding. Juggling his unappreciated duties as a publishing assistant with those of a pro bono wedding planner, Oscar labors to pull together the event of the year without falling apart in the process. Help arrives in the form of popular wedding columnist Lauren LaRose, with whom Oscar strikes a bargain: his editorial expertise for her nuptial advice. As the two work together to manufacture the romances of others, they will stumble into one of their own. Hilarious and wise, literate and charming, As Long As She Needs Me is a sparkling fable of love and luck in Manhattan.
In Choral Masterpieces: Major and Minor, historian Nicholas Tarling surveys the landscape of choral works, some standard masterpieces that are commonly performed by choruses around the world, others deserving a second, closer look. As noted in the foreword by Uwe Grodd , music director of the Auckland Choral Society, this work “is a collection of essays about a number of outstanding works, including Beethoven’s Miss Solemnis and Britten’s War Requiem, but he also invites attention to lesser masterpieces. If the choral movement, which includes both singers and listeners, is to survive, new works must be created and repertory expanded. The book is an easy and captivating read even if you are not a chorister.” Choral Masterpieces: Major and Minor features short essays on over 28 works, from major masterpieces such as Handel’s Messiah and Bach’s St. Matthew’s Passion to off-the-beaten path choral works such as Samuel Coleridge-Taylor’s Hiawatha and Frederick Delius’ A Mass of Life. Throughout, Tarling offers assessments that sparkle with unique insights and at the same time ground listener’s in the historical contexts of the work’s production and performance. Each work is transformed in Tarling’s able hands from musical work into a window into the mind and milieu of the composer. Choral Masterpieces: Major and Minor mixes choral mainstays with works that demand revisiting. Choral singers and their audiences, as well as choral societies and their directions and promoters, will find ample food for thoughts in these meditations on the choral tradition.
British industry at the start of the New Elizabethan Age was a world leader. The first - British - jet airliner was taking to the skies, the first nuclear power station was under construction at Calder Hall and British firms were pioneering the computer. Our shipyards reigned almost supreme, and from Britain's factories came cars, lorries, buses, heavy machinery, aircraft and locomotives, exported all over the world. Sixty years on, many of these industries and millions of jobs have disappeared, while competitors have flourished. Much of what remains is under foreign ownership. Britain has lost many export markets, and essential goods have to be imported. How did all this happen? Britain's loss of competitiveness has traditionally been blamed on outdated working practices, failure to invest and modernise, poor management, bloody-minded unions, the loss of Empire and the ability of post-war Germany and Japan to rebuild from scratch. All this is true, but the picture is far more complex. The role of Whitehall and successive governments, Britain's relationship with Europe, corporate greed, misjudgement and even suicide, and sheer bad luck all play a part. In Surrender, Nicholas Comfort revisits the past six decades and identifies some of the factors behind the greatest mass extinction since the dinosaurs.
For ten long years, Oscar Campbell has done everything from picking up his boss's drycleaning to FedExing her tropical fish. His job as personal assistant to a legendary -- and temperamental -- publisher in New York City has given him more headaches than leg-ups. Yet none of Oscar's experiences has prepared him for his greatest challenge: planning his boss's wedding. Juggling his unappreciated duties as a publishing assistant with those of a pro bono wedding planner, Oscar labors to pull together the event of the year without falling apart in the process. Help arrives in the form of popular wedding columnist Lauren LaRose, with whom Oscar strikes a bargain: his editorial expertise for her nuptial advice. As the two work together to manufacture the romances of others, they will stumble into one of their own. Hilarious and wise, literate and charming, As Long As She Needs Me is a sparkling fable of love and luck in Manhattan.
Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time. Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics--on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which--on the collegium poetarum, and on discussions of reading and libraries at Rome, for example--have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests. 'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.
Molds are everywhere: we inhale their microscopic spores from birth to death. But when an investigation in Ohio revealed that babies suffering from a serious lung illness had been exposed to a toxic black mold in their homes, millions of Americans became nervous about patches of mold in their own basements and bathrooms. Before long, lawsuits were filed by the residents of mold-contaminated homes in every state. By failing to address water damage, building contractors, plumbers, and insurance agents were held liable for exposing families to an unprecedented microbiological hazard. The mold crisis soon developed into a fully-fledged media circus. In Carpet Monsters and Killer Spores, Nicholas Money explores the science behind the headlines and courtroom dramas, and profiles the toxin-producing mold that is a common inhabitant of water-damaged buildings. Nicholas Money tells the most important mycological story since potato blight, with his inimitable style of scientific clarity and dark humor.
Introduction: The Tiniest Sign. Time and Chance: Punctuality and the Coin Toss. Dit Dah: Codes to Sigh For. With a Bullet: Checklists and Dingbats. And a Half: Musical Dots. For Short: Mr., Sr., et al. Dot Dot Dot: Ellipses, Lacunae, and Missing Links. Stet: Emendations of Immortality. Ninety-Eight Point Six: Decimals and Determinings. Dot Com: Computation Punctuation. Bang!: The Dot Meets The Family. Period: The End Point. Afterword and Acknowledgements. Notes. Bibliography. Index.
NATIONAL BESTSELLER Now a major motion picture starring Paul Rudd “A delightful book that recounts one of the strangest episodes in the history of espionage. . . . . Relentlessly entertaining.”—The New York Times Book Review Moe Berg is the only major-league baseball player whose baseball card is on display at the headquarters of the CIA. For Berg was much more than a third-string catcher who played on several major league teams between 1923 and 1939. Educated at Princeton and the Sorbonne, he as reputed to speak a dozen languages (although it was also said he couldn't hit in any of them) and went on to become an OSS spy in Europe during World War II. As Nicholas Dawidoff follows Berg from his claustrophobic childhood through his glamorous (though equivocal) careers in sports and espionage and into the long, nomadic years during which he lived on the hospitality of such scattered acquaintances as Joe DiMaggio and Albert Einstein, he succeeds not only in establishing where Berg went, but who he was beneath his layers of carefully constructed cover. As engrossing as a novel by John le Carré, The Catcher Was a Spy is a triumphant work of historical and psychological detection.
Working “in the shadow of Eduard Norden” in the author’s own words, Nicholas Horsfall has written his own monumental commentary on Aeneid 6. This is Horsfall’s fifth large-scale commentary on the Aeneid, and as his earlier commentaries on books 7, 11, 3, and 2, this is not a commentary aimed at undergraduates. Horsfall is a commentators’ commentator writing with encyclopedic command of Virgilian scholarship for the most demanding reader. Volume One includes the introduction, text and translation, and bibliography, Volume Two includes the commentary, appendices, and indices.
Published in 2005: At a time when the church sought to control and constrain lay access to vernacular and paramystical texts, the author’s translation, sanctioned by the Archbishop of Canterbury, met a pressing need for religious guidance among lay people. It became one of the most copied works of the fifteenth century.
Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503–13) this book focuses on the political, religious and artistic motives behind the changes. Each chapter focuses on a particular project, from the Palazzo dei Tribunali to the Stanza della Segnatura, and examines their topographical and symbolic contexts in relationship to the broader vision of Julian Rome. This original work explores not just historical sources relating to buildings but also humanist/antiquarian texts, papal sermons/eulogies, inscriptions, frescoes and contemporary maps. An important contribution to current scholarship of early sixteenth century Rome, its urban design and architecture.
This is the first comprehensive commentary on Aeneid 11. The commentary treats fully matters of linguistic and textual interpretation, metre and prosody, grammar, lexicon and idiom, of Roman behaviour, social and ritual, as well as Virgil’s sources and the literary tradition. New critical approaches and developments in Virgilian studies have been taken into account with economy and fairness. The Latin text is presented with a facing English translation. The commentary is followed by an appendix on Penthesilea and the Epic Cycle and a second appendix which discusses the weaknesses of Aeneid 11. The book concludes with English and Latin indices. In approach and learning, this commentary continues Nicholas Horsfall’s impressive work as a commentator and will advance our understanding of the Aeneid and the poet Virgil.
As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.
Test Pattern for Living is a kind of guidebook for anyone thinking about what they are doing with their life and why -- whether happy and wanting to stay that way, or working their way through one of life's many stresses. As such it touches on everything from camping to cooking, from religious values to the values of corporate advertising, the role of love and sexuality, and many, many more subjects. It leaves you making your own choices. But it frees you to ask what other choices you might have made if corporate media hadn't spent billions of dollars trying to persuade you to make the choices that maximize their profits.
The History of Jazz is a story rich with innovation, experimentation, controversy and emotion, this coffee table book concept provides an ideal setting to share the cultural history of the people and places that helped shape the development and progression of the history of jazz. And is presented in an eclectic format to preserve the works of the original authors of this subject matter. The Jazz Sippers Group presents these collective writings through interpretive techniques designed to educate and entertain, and seeks to preserve information and resources associated with the origins of the history of jazz. The musicians are the men and women who, made and still make the music, the leaders as well as the sidemen, and side women who have and continue to make jazz a popular music.
This book is not yet another introduction to Virgil’s poetry. The editor and three contributors offer a guide to the key problems and to the most intelligent discussions. They do not hesitate to point out what we do not know, and where more work needs to be done. Apart from ample discussion of the poems and the main issues they raise, the book offers chapters on the life of Virgil, his style, and his influence on late Latin epic.
Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its fifth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literature and laughter. The fifth edition has been revised throughout and includes four new chapters – ‘Feelings’, ‘Wounds’, ‘Body’ and ‘Love’ – to incorporate exciting recent developments in literary studies. In addition to further reading sections at the end of each chapter, the book contains a comprehensive bibliography and a glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.
Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of “orientalism,” the subject of literary scholar Edward Said’s modern classic on the topic. Nicholas Tarling’s Orientalism and the Operatic World places opera in the context of its steady globalization over the past two centuries. In this important survey, Tarling first considers how the Orient appears on the operatic stage in Britain, France, Germany, Russia, and the United States before exploring individual operas according to the region of the “Orient” in which the work is set. Throughout, Tarling offers key insights into such notable operas as George Frideric Handel’s Berenice, Giuseppe Verdi’s Aida, Giacomo Puccini’s MadamaButterfly, Pietro Mascagni’s Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support the notion propounded by Said that Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song. Orientalism and the Operatic World is not merely for opera buffs or even first-time listeners. It should also interest historians of both the East and West, scholars of international relations, and cultural theorists.
This is the first detailed commentary on Aeneid 3, being some three times the size of that by R.D.Williams(1962), and aimed at the scholarly public. It treats fully the thorny problem of book 3's place in the growth of the poem, matters of linguistic and textual interpretation, metre, prosody, grammar, lexicon and idiom, as well as Virgil's sources and the literary tradition in which he writes. Full attention is given to matters geographical and nautical. New critical approaches and recent developments in Virgilian studies have been taken into account, with more attention to their spirit than to their language. A text, with translation, and three indices are included.
The concepts of veterinary genetics are crucial to understanding and controlling many diseases and disorders in animals. They are also crucial to enhancing animal production. Accessible and clearly presented, Introduction to Veterinary Genetics provides a succinct introduction to the aspects of genetics relevant to animal diseases and production. Now in its third edition, this is the only introductory level textbook on genetics that has been written specifically for veterinary and animal science students. Coverage includes: basic genetics, molecular biology, genomics, cytogenetics, immunogenetics, population genetics, quantitative genetics, biotechnology, and the use of molecular tools in the control of inherited disorders. This book describes in detail how genetics is being applied to artificial selection in animal production. It also covers the conservation of genetic diversity in both domesticated and wild animals. New for the Third Edition: End-of-chapter summaries provide quick recaps. Covers new topics: epigenetics, genomics and bioinformatics. Thoroughly revised according to recent advances in genetics. Introduction to Veterinary Genetics is still the only introductory genetics textbook for students of veterinary and animal science and will continue to be an indispensable reference tool for veterinary students and practitioners alike.
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
A cup of seawater contains 100 million cells, which are preyed upon by billions of viruses. Fifty million tons of fungal spores are released into the atmosphere every year. And the human gut is home to somewhere between 500 and 1,000 species of bacteria. The more we learn about microbial biodiversity, the clearer it becomes that the vast majority of life has long gone unseen, and unobserved. The flowering of microbial science is revolutionizing biology and medicine in ways unimagined only a few years ago, and is inspiring a new view of what it means to be alive. In The Amoeba in the Room, Nicholas Money explores the extraordinary breadth of the microbial world and the vast swathes of biological diversity that can be detected only using molecular methods. Although biologists have achieved a remarkable level of understanding about the way multicellular organisms operate, Money shows that most people continue to ignore the fact that most of life isn't classified as either plant or animal. Significant discoveries about the composition of the biosphere are making it clear that the sciences have failed to comprehend the full spectrum of life on earth, which is far more diverse than previously imagined. Money's engaging work considers this diversity in all its forms, exploring environments from the backyard pond to the ocean floor to the "mobile ecosystem" of our own bodies. A revitalized vision of life emerges from Money's lively narrative of the lowly, one in which we are challenged to reconsider our existence in proper relationship to the single-celled protists, bacteria, and viruses that constitute most of life on earth. Proposing a radical reformulation of biology education and research in the life sciences, The Amoeba in the Room is a compelling romp through the least visible and yet most prodigiously magnificent aspects of life on earth.
This is Nicholas Horsfall's fourth commentary on a book of the Aeneid and in scale and approach follows closely the earlier volumes.It is aimed at the scholarly public and is not intended as a replacement for Austin's admirable school and undergraduate commentary of 1964. But so splendid an ancient text requires fresh scholarly instruments and this commentary discusses fully the acutely controversial Helen-episode (spurious), matters of linguistic and textual interpretation,, metre, prosody, grammar, lexicon and idiom, as well as Virgil's sources and the literary tradition in which he writes. Full attention is given to matters military and historiographical. New critical approaches and recent developments have been taken into account, with more attention to their spirit than to their language. A text, with translation, and three indices are included.
The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and provide vivid and original examples of what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.
The Truth Shall Set Your Wallet Free is aimed at debunking the myths that prevent people from achieving their wealth goals. And the first myth that needs to be bashed is that financial advisors are only for the very rich. In fact, there are more financial advisors who cater to modest-income Americans than those who cater to the rich. Myths propagated by the media, regulators, and even the financial industry itself harm every American, from those at the poverty level to billionaires and everyone in between. This is the first time a holistic view of the entire advice market has been written by a non-advisor industry insider, without bias from any of the financial services sectors.
This is the true story of Florence Foster Jenkins—now the basis of a major motion picture starring Academy Award-winning actress Meryl Streep! She was a woman with a dream. Nobody believed in her talent. But nothing could stop her. . . She had no pitch, no rhythm, and no tone. Still, Florence Foster Jenkins (Streep) became one of America’s best-known sopranos. Born in 1868, Florence was a talented young pianist whose wealthy father refused to let her continue her musical studies in Europe. In retaliation, Florence eloped with Dr. Frank Jenkins, a man twice her age, and moved to New York. But when her father died and left her a large sum of money, Florence finally had a chance to pursue her one true passion: Singing. But first she would have to learn how to become a great singer. Years of lessons and a chance meeting with St. Clair Bayfield (Hugh Grant), who would become her manager and common-law husband, would help launch Florence’s career and entry into New York’s prestigious classical musical societies, culminating in her giving a recital, at the age of seventy-six, at Carnegie Hall. This is story of a woman who was not afraid to recreate herself into the person she wished to become—and achieve her own version of the American Dream.
This book, from British interior designer Nicholas Haslam, is an account of a frenetic and full life - from the 1940s to the present - in Europe and America, in a crowd of friends and acquaintances that includes virtually all of the cultural icons of our time." "Redeeming Features is about much more than documenting a life among the celebrated and the eccentric: it is a vivid, at times humorous and moving portrait of a way of life that has all but disappeared. Haslam has an exacting eye for the telling detail and his story is a compelling and wholly fascinating document of our times." --Book Jacket.
Illustrating the differences between urgent interventions and interventions performed to manage chronic conditions the authors present the chapters in a consistent template for ease of use covering; background, indications, evidence review, device description, procedural techniques, follow-up care, and complications. Shows the differences between interventions performed to manage chronic conditions and interventions that are truly urgent Chapters follow a consistent structure from background through indications, evidence review, device description, procedural techniques to follow-up care and complications More than 40 high definition videos, hosted on companion website www.wiley.com/go/kipshidze/interventionaltherapies, complete with tips and tricks, provide a visual learning tool
Nicholas Barrington began his dramatic diplomatic career with a post in Afghanistan at a time the country was barely known to the world's headline writers. The narrative of his 37 year career in the British Foreign Office is woven with compelling insights on the countries to which he was posted and which are focal points of international attention: Afghanistan, Iran, Egypt and Pakistan. Serving in Iran during the political storm of the Islamic Revolution in 1979, he had to navigate his way through the drama of a new political order, while his time in Cairo coincided with the assassination of President Sadat. In his rich and varied career, Barrington served as High Commissioner to Pakistan, a subject on which he writes authoritatively. Exploring the complex power relations between Benazir Bhutto and Nawaz Sharif and examining the multifaceted conflicts in Kashmir and Afghanistan, this book sheds an invaluable new light on the interaction between Islam, the West and British Foreign Policy in the 20th Century. With erudition and wit, these unique memoirs will prove essential reading for those seeking to understand the political tensions and international issues of the post-war world.
Australia has been seen as a land of both punishment and refuge. Australian literature has explored these controlling alternatives, and vividly rendered the landscape on which they transpire. Twentieth-century writers left Australia to see the world; now Australia’s distance no longer provides sanctuary. But today the global perspective has arrived with a vengeance. In Contemporary Australian Literature: A World Not Yet Dead, Nicholas Birns tells the story of how novelists, poets and critics, from Patrick White to Hannah Kent, from Alexis Wright to Christos Tsiolkas, responded to this condition. With rancour, concern and idealism, modern Australian literature conveys a tragic sense of the past yet an abiding vision of the way forward. Birns paints a vivid picture of a rich Australian literary voice – one not lost to the churning of global markets, but in fact given new life by it. Contrary to the despairing of the critics, Australian literary identity continues to flourish. And as Birns finds, it is not one thing, but many. "In this remarkable, bold and fearless book, Nicholas Birns contests how literary cultures are read, how they are constituted and what they stand for … In examining the nature of the barriers between public and private utterance, and looking outside the absurdity of the rules of genre, Birns has produced a redemptive analysis that leaves hope for revivifying a world not yet dead." - John Kinsella
Paper Tigers is a riveting, authoritative and in-depth study of newspaper barons of the world – men and women who wield immense power, and whose ever-changing media empires make compelling case studies of business success and failure. From Rupert Murdoch to Robert Maxwell, Conrad Black to Lord Rothermere, Katharine Graham to Punch Sulzberger, Coleridge interviewed them all. The results confirm his status as a devastatingly astute observer of our times, one with few equals today.
Despite its association with the broadly disparaged rape-revenge category, Abel Ferrara's Ms. 45 is today considered one of the most significant feminist cult films of the 1980s. Straddling mainstream, arthouse, and exploitation film contexts, Ms. 45 is a potent case study for cult film analysis. At its heart lies two figures: Ferrara himself, and the movie's star, the iconic Zoe Lund, who would further collaborate with Ferrara on later projects such as Bad Lieutenant. This book explores the entwining histories and contexts that led to Ms. 45's creation and helped establish its enduring legacy, particularly in terms of feminist cult film fandom, and the film's status as one of the most important, influential, and powerful rape-revenge films ever made.
All the godchildren, looking back on that fateful dinner, remembered it in the same way: the vacant wooden throne at the head of the table, the huge array of wine glasses and water glasses that were always a feature of dining at any of Marcus' houses, the sense of expectation and dread that hung over them like a cloud of mustard gas. In his magnificent island home overlooking the sea, the great tycoon Marcus Brand plays host to his six godchildren. But soon, secrets will be revealed that dramatically alter the tone of this holiday weekend, and all will have to confront a web of betrayals and lies spanning four decades... Each from a different background, the godchildren grew up enthralled by their godfather: Charlie, fascinated by Marcus's wealth; Mary, whose life is blighted by tragedy; Jamie, feckless but utterly charming; Saffron, stunningly beautiful but unaware of her power over men; Abigail, insecure and gauche; and Stuart, who is torn between admiration and hatred for his capitalist godfather. Godchildren is an epic tale; powerful, engrossing, and impossible to put down. With his trademark blend of wicked satire and impeccable writing, Coleridge has created gloriously jaw dropping portrait of the British upper crust.
Delirium, stupor and coma are common clinical states that confront clinicians in almost every medical specialty. With appropriate diagnosis and treatment, coma can often be treated successfully. Conversely, delay in diagnosis and treatment may be lethal. This monograph provides an update on the clinical approach that was laid out in the previous 3 editions. It describes an approach for the physician at the bedside to diagnose and treat alterations of consciousness, based on pathophysiologic principles. The book begins with a description of the physiology of consciousness and the pathophysiology of disorders of consciousness. It continues with a description of the approach to a patient with a disorder of consciousness, emphasizing the bedside examination, but including the use of modern imaging techniques. The important structural and metabolic causes of coma are reviewed in detail. It then describes the emergency treatment, both medical and surgical, of patients with specific disorders of consciousness and their prognosis. New chapters describe the approach to the diagnosis of brain death and the clinical physiology of the vegetative state and minimally conscious state, as well as the ethics of dealing with such patients and their families. The book is aimed at medical students and residents, in fields from internal medicine and pediatrics to emergency medicine, surgery, neurology, neurosurgery, and psychiatry, who are likely to encounter patients with disordered states of consciousness. It includes historical background and basic neurophysiology that is important for those in the clinical neurosciences, but also lays out a practical approach to the comatose patient that is an important part of the repertoire of all clinicians who provide emergency care for patients with disorders of consciousness.
The Conservative Case for Education argues that educational thinking in English-speaking countries over the last fifty years has been massively influenced by a dominant liberal ideology based on unchallenged assumptions. Conservative voices pushing against the current of this ideology have been few, but powerful and drawn from across the political spectrum. The book shows how these twentieth-century voices remain highly relevant today, using them to make a conservative case for education. Written by a former government adviser and head teacher, the book focuses on four of the most powerful of these conservative voices: the poet and social critic T. S. Eliot, the philosopher Michael Oakeshott, the political thinker Hannah Arendt and the educationist E D Hirsch. In the case of each thinker, the book shows how their ideas throw fresh light on contemporary educational issues. These issues range widely across current educational practice and include: creativity, cultural literacy, mindfulness, the place of religion in schools, education for citizenship, the teaching of history and Classics, the authority of the teacher, the arguments for and against a national curriculum, the educational response to cultural diversity, and more. A concluding chapter sums up the conservative case for education in a set of Principles that would be acceptable to many from the Left, as well as the Right of the political spectrum. The book should be of particular interest to educators and educational policy makers at a time when ‘conservative’ governments are in power in the UK and the USA, as well as to researchers, academics and postgraduate students engaged in the study of educational policy, or those studying educational issues from an ethical, philosophical and cultural standpoint.
This is the first volume of a projected six-volume Commentary on Homer's Iliad, under the General Editorship of professor G.S. Kirk. Professor Kirk himself is the editor of the present volume, which covers the first four Books of Iliad. It consists of four introductory chapters, dealing in particular with rhythm and formular techniques, followed by the detailed commentary which aims at helping serious readers by attempting to identify and deal with most of the difficulties which might stand in the way of a sensitive and informed response to the poem. The Catalogues in Book 2 recieve especially full treatment. The book does not include a Greek text - important matters pertaining to the text are discussed in the commentary. It is hoped that the volume as a whole will lead scholars to a better understanding of the epic style as well as of many well-known thematic problems on a larger scale. This Commentary will be an essential reference work for all students of Greek literature. Archaeologists and historians will also find that it contains matters of relevance to them.
Molecular imaging is primarily about the chemistry of novel biological probes, yet the vast majority of practitioners are not chemists or biochemists. This is the first book, written from a chemist's point of view, to address the nature of the chemical interaction between probe and environment to help elucidate biochemical detail instead of bulk anatomy. Covers all of the fundamentals of modern imaging methodologies, including their techniques and application within medicine and industry Focuses primarily on the chemistry of probes and imaging agents, and chemical methodology for labelling and bioconjugation First book to investigate the chemistry of molecular imaging Aimed at students as well as researchers involved in the area of molecular imaging
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