Nick Virgilio, who started writing in the 1960s and was a pioneer of American haiku poetry, penned some of this country s most elegiac and memorable haiku. Born and bred in Camden, New Jersey, he was a legend to some, an inspiration to others. He spent countless hours in his cellar at his Remington typewriter, writing haiku about nature, the people of Camden and south Philadelphia, and his family. In particular, he detailed the deep sense of loss that affected him and his family when his youngest brother, Larry, was killed in Vietnam. Edited and introduced by Raffael de Gruttola, a haiku poet and former president of the Haiku Society of America, Nick: A Life in Haiku includes more than 100 newly discovered haiku as well as old favorites, essays on the craft of writing, excerpts of an interview with Nick on Radio Times in Philadelphia, a tribute by Michael Doyle of Sacred Heart Church, family photos and replicas of original manuscript pages from the Rutgers University archive in Camden, N.J., where Nick s papers are kept. It is a perfect companion for haiku lovers, urban poetry enthusiasts, combat veterans and their families as well as high school/college writing classes whose students will enjoy its easily accessible and deeply moving poetry, its glimpse inside the writing process and its encouragement of new authors. Readers will gain a strong sense of this great haiku poet and his life in Camden as well as an appreciation of the power of haiku as a form of poetry. An afterword by poet Kathleen O toole spells out Nick s legacy as one of the most beloved and influential haiku poets in America.
The most comprehensive and varied selection of recipes ever published from one of the most fascinating and diverse regions of the world - under the expert tutelage of globally renowned Peruvian chef, Virgilio Martinez
This is Nicholas Horsfall's fourth commentary on a book of the Aeneid and in scale and approach follows closely the earlier volumes.It is aimed at the scholarly public and is not intended as a replacement for Austin's admirable school and undergraduate commentary of 1964. But so splendid an ancient text requires fresh scholarly instruments and this commentary discusses fully the acutely controversial Helen-episode (spurious), matters of linguistic and textual interpretation,, metre, prosody, grammar, lexicon and idiom, as well as Virgil's sources and the literary tradition in which he writes. Full attention is given to matters military and historiographical. New critical approaches and recent developments have been taken into account, with more attention to their spirit than to their language. A text, with translation, and three indices are included.
Working “in the shadow of Eduard Norden” in the author’s own words, Nicholas Horsfall has written his own monumental commentary on Aeneid 6. This is Horsfall’s fifth large-scale commentary on the Aeneid, and as his earlier commentaries on books 7, 11, 3, and 2, this is not a commentary aimed at undergraduates. Horsfall is a commentators’ commentator writing with encyclopedic command of Virgilian scholarship for the most demanding reader. Volume One includes the introduction, text and translation, and bibliography, Volume Two includes the commentary, appendices, and indices.
This is the first detailed commentary on Aeneid 3, being some three times the size of that by R.D.Williams(1962), and aimed at the scholarly public. It treats fully the thorny problem of book 3's place in the growth of the poem, matters of linguistic and textual interpretation, metre, prosody, grammar, lexicon and idiom, as well as Virgil's sources and the literary tradition in which he writes. Full attention is given to matters geographical and nautical. New critical approaches and recent developments in Virgilian studies have been taken into account, with more attention to their spirit than to their language. A text, with translation, and three indices are included.
How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers of the time write operas in a matter of days? The secret lies in the solfeggio tradition, a music education method that was fundamental to the training of European musicians between 1680 and 1830 a time during which professional musicians belonged to the working class. As disadvantaged children in orphanages learned the musical craft through solfeggio lessons, many were lifted from poverty, and the most successful were propelled to extraordinary heights of fame and fortune. In this first book on the solfeggio tradition, author Nicholas Baragwanath draws on over a thousand manuscript sources to reconstruct how professionals became skilled performers and composers who could invent and modify melodies at will. By introducing some of the simplest exercises in scales, leaps, and cadences that apprentices would have encountered, this book allows readers to retrace the steps of solfeggio training and learn to generate melody by 'speaking' it like an eighteenth-century musician. As it takes readers on a fascinating journey through the fundamentals of music education in the eighteenth century, this book uncovers a forgotten art of melody that revolutionizes our understanding of the history of music pedagogy.
Nicholas Coghlan arrived in Bogota in 1997. A political officer for the Canadian government, it was his responsibility to report on Colombia's complex civil conflict, lobby the Colombian authorities on human rights, and provide visible moral support and other assistance to the victims of the war. Soon after he arrived it became apparent that he could not fulfill these functions from the relative peace and security of Bogota and he found himself traveling to remote and sometimes dangerous locations rarely visited by outsiders - the coca fields of Putumayo, the swamps of the Darien Gap, the vast savannahs of the Llano - meeting with everyone from impoverished inhabitants of the barrios to guerrilla leaders, from human rights activists to military commanders.
This book is not yet another introduction to Virgil’s poetry. The editor and three contributors offer a guide to the key problems and to the most intelligent discussions. They do not hesitate to point out what we do not know, and where more work needs to be done. Apart from ample discussion of the poems and the main issues they raise, the book offers chapters on the life of Virgil, his style, and his influence on late Latin epic.
The Truth Shall Set Your Wallet Free is aimed at debunking the myths that prevent people from achieving their wealth goals. And the first myth that needs to be bashed is that financial advisors are only for the very rich. In fact, there are more financial advisors who cater to modest-income Americans than those who cater to the rich. Myths propagated by the media, regulators, and even the financial industry itself harm every American, from those at the poverty level to billionaires and everyone in between. This is the first time a holistic view of the entire advice market has been written by a non-advisor industry insider, without bias from any of the financial services sectors.
Genoa has an incredible story to tell. It rose from an obscurity imposed by its harsh geography to become a merchant-pirate superpower that helped create the medieval world. It fought bitter battles with its great rival Venice and imprisoned Marco Polo, as the feuding city-states connected Europe to the glories of the East. It introduced the Black Death to Europe, led the fight against the Barbary Corsairs, bankrolled Imperial Spain, and gave the world Christopher Columbus and a host of fearless explorers. Genoa and Liguria provided the brains and the heroism behind the Risorgimento, and was the last place emigrants saw before building new lives across the Atlantic. It played host to writers and Grand Tourists, gave football to the Italians, and helped build modern Italy. Today, along with the glorious Riviera coast of Liguria, Genoa provides some of the finest places on earth to sip wine, eat pesto and enjoy spectacular views. This book brings the past to life and paints a portrait of a modern port city and region that is only now coming to terms with a past that is as bloody, fascinating and influential as any in Europe.
Combinatorial chemistry, by accelerating the process of chemical synthesis, is having a profound effect on all branches of chemistry, but especially on drug discovery. This informative text explains the origins of combinatorial chemistry and puts the many diverse library methods into context.It explains why some techniques are generally applicable and others are for specialists only. It also focuses on the renaissance of solid phase chemistry and describes the range of available reactions. This is the first single author book in this important, growing field and it describes thebeneficial impact of combinatorial chemistry, especially for the discovery and optimisation of biologically active molecules. This concise and comprehensive overview of combinatorial techniques is an essential text for final year undergraduates, postgraduates, academics and industrialists inchemistry, bio-orgainc chemistry, medicinal chemistry and drug discovery. It provides an accessible introduction to the area for those new to these methods and a valuable reference text to those experienced in this field.
Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time. Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics--on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which--on the collegium poetarum, and on discussions of reading and libraries at Rome, for example--have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests. 'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.
The Epic Distilled is a rich exploration of Virgil's use of sources in the Aeneid, considering elements of history, geography, mythology, and ethnography. Building on and developing the research involved in the author's monumental commentaries on the Aeneid, the volume investigates how the poem was written, what Virgil read, and why particular details are interwoven into the narrative. The volume looks beyond the Aeneid's poetry and plot to focus on the 'matter' of the epic: details of colour, material, arms, clothing, landscape, and physiology. Details which might seem trivial are revealed as carefully deliberate and highly significant. For instance, one Trojan's specifically oriental trousers are suggestive of the Trojans' non-Roman 'otherness' and fit solidly into a complex ethnographic argument. In this way, the meaning and implications of Virgil's heavily allusive style, including practices and techniques of composition, are unpicked meticulously. Particularly difficult and intricate passages are delved into and the significance of specific details, legends, arcane references, places, names, digressions, and inconsistencies are uncovered. By exposing new layers of illuminating material, The Epic Distilled offers readers a fresh approach to understanding the full intellectual texture of Virgil's epic poem.
The wines of Tuscany were famous long before Leonardo da Vinci described them as “bottled sunshine,” and they are at the forefront of the remarkable renaissance of Italian wine over the past 30 years. In this groundbreaking new book, Nicolas Belfrage shares his insider’s knowledge acquired as a specialist wine trader and writer. Mindful of the region’s fascinating past, Belfrage brings its story up to date, discussing such subjects as geology and geography, grape varieties, and the latest research into Sangiovese, the variety used in the top wines of Chianti Classico, Brunello di Montalcino, and Vino Nobile di Montepulciano. He also clarifies the regulatory framework and follows the recent controversial developments in viticulture and winemaking, including the rise of the Super-Tuscans and the ongoing “Brunellogate” scandal that broke in 2008. At the heart of the book are in-depth, illustrated profiles of more than 90 of the most interesting producers, large and small, with insightful notes on the essential character of their finest wines. The author also offers a comprehensive review of vintages and selects his top 100 wines in ten different categories, while wines of special quality or value are indicated throughout.
This Bulletin presents new discoveries and historical documentation on the preeminent New York cabinetmaker George A. Schastey, illuminating his life and his under-appreciated body of work while providing the first in-depth analysis of the Worsham-Rockefeller house and its patron Arabella Worsham.
This is the first comprehensive commentary on Aeneid 11. The commentary treats fully matters of linguistic and textual interpretation, metre and prosody, grammar, lexicon and idiom, of Roman behaviour, social and ritual, as well as Virgil’s sources and the literary tradition. New critical approaches and developments in Virgilian studies have been taken into account with economy and fairness. The Latin text is presented with a facing English translation. The commentary is followed by an appendix on Penthesilea and the Epic Cycle and a second appendix which discusses the weaknesses of Aeneid 11. The book concludes with English and Latin indices. In approach and learning, this commentary continues Nicholas Horsfall’s impressive work as a commentator and will advance our understanding of the Aeneid and the poet Virgil.
A payment system encompasses a set of instruments and means generally acceptable in making payments; the institutional and organizational framework governing such payments, including prudential regulation; and the operating procedures and communications network used to initiate and transmit payment information from payer to payee and to settle payments. This book, by Omotunde E.G. Johnson, with Richard K. Abrams, Jean-Marc Destresse, Tony Lybek, Nicholas Roberts, and Mark Swinburne, identifies main policy and strategic issues in payment system reform, describes the structure of payment systems in selected countries, highlights areas of consensus, and suggests the direction for future policy analysis.
“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice
In Santa Bárbara’s Legacy: An Environmental History of Huancavelica, Peru, Nicholas A. Robins presents the first comprehensive environmental history of a mercury producing region in Latin America. Tracing the origins, rise and decline of the regional population and economy from pre-history to the present, Robins explores how people’s multifaceted, intimate and often toxic relationship with their environment has resulted in Huancavelica being among the most mercury-contaminated urban areas on earth. The narrative highlights issues of environmental justice and the toxic burdens that contemporary residents confront, especially many of those who live in adobe homes and are exposed to mercury, as well as lead and arsenic, on a daily basis. The work incorporates archival and printed primary sources as well as scientific research led by the author.
Cell Interactions in Atherosclerosis covers the scientific foundations of the most important disease inflicting the developed world today. It presents a collection of topical aspects on the general theme of cell interactions in atherosclerosis, providing authoritative, up-to-the-minute accounts of how new developments in cell biology have advanced our understanding of these cellular interactions. The book is amply illustrated with electron micrographs and light micrographs incorporating modern cytochemical procedures. Cell Interactions in Atherosclerosis will interest all medical and scientific professionals dealing with atherosclerosis and heart disease.
This book is about snakebite and snake identification in ancient Egypt. The authors--in a remarkable collaboration between the fields of Egyptology, medicine, herpetology, biology, and ecology--offer a new examination of the Brooklyn Medical Papyrus, better-known as the Snakebite Papyrus, a pragmatic medical treatise concerned with snake identification, snakebite, and treatment. Dating to sometime in the seventh through fourth centuries BCE, the document is the first-known structured treatise on snakebites from antiquity. The preserved paragraphs name 24 snakes (and one chameleon), providing a brief description of the snake, sometimes its habits, the appearance of its bite, and the effects on the victim. The papyrus was intended to enable the ancient physician to identify the snake from the description given by the patient in order to give appropriate prognosis and treatment. As there was little effective treatment for snake bites in ancient Egypt, sometimes the physician resorted to magical incantations to invoke divine assistance. The Snakebite Papyrus was first translated into French by Serge Sauneron and published posthumously in 1989. Major advances in fields such as biogeography, climate and niche modeling, and linguistics in the past thirty years have brought new perspectives. The authors provide a review of Sauneron's and more recent studies and bring their own investigations, results, and comparisons to further clarify this remarkable historical document.
Since 1988 this textbook has provided a clear and easily grasped explanation of the origins of physical signs when examining a patient, (both historically and physiologically). Much has been rewritten to reflect new thinking and new techniques.
On the basis of an examination of the colonial mercury and silver production processes and related labor systems, Mercury, Mining, and Empire explores the effects of mercury pollution in colonial Huancavelica, Peru, and Potosí, in present-day Bolivia. The book presents a multifaceted and interwoven tale of what colonial exploitation of indigenous peoples and resources left in its wake. It is a socio-ecological history that explores the toxic interrelationships between mercury and silver production, urban environments, and the people who lived and worked in them. Nicholas A. Robins tells the story of how native peoples in the region were conscripted into the noxious ranks of foot soldiers of proto-globalism, and how their fate, and that of their communities, was—and still is—chained to it.
Some presidents throw out baseball’s first pitch of the season. Some post picks for college basketball’s March Madness. One might tweet about a football player kneeling. President Richard M. Nixon phoned Miami Dolphins coach Don Shula to suggest plays for the Super Bowl. He hosted players in the 1969 Major League All-Star game for a party deemed the strangest since the mob scene during Andrew Jackson's inauguration. He attended a Washington Redskins practice to boost moral; altered the NFL’s policy for televising home games; introduced the practice of calling teams after Super Bowl or World Series wins. The list goes on, but the point is clear: Richard Nixon was the nation’s first sports super fan to occupy the Oval Office. And this, Nicholas Evan Sarantakes suggests, may explain why Nixon, so despised for all his faults and failings, was nonetheless also widely loved by the American public. In Fan in Chief Sarantakes sets out to show how Richard Nixon’s passion for sports, more than policy positions or partisan politics, engaged the American people—and how Nixon used this passion to his political advantage. Fan in Chief takes place in the realm of political theater, a theater in which the president’s role was perfectly genuine. A true fan, Nixon exposed core elements of his personality, character, and values in the world of sports; through sport he could connect and communicate with the character and values of his fellow Americans. Fan in Chief is thus a story of both personality and politics; but more than that, it is an in-depth exploration of what Richard Nixon’s love of sport can tell us about the man and his times.
The four main essays in this volume investigate new sectors of the theory of decision, preference, act-characteristics, and action analysis. Herbert A. Simon applies tools developed in the theory of decision-making to the logic of action, and thereby develops a novel concept of heuristic power. Adapting ideas from utility and decision theory, Nicholas Rescher proposes a logic of preference by which conflicting theories proposed by G. H. von Wright, R. M. Chisholm, and others can be systematized. Donald Davidson discusses difficulties in specifying the structure of action sentences to elucidate how their meaning depends on that structure. G. H. von Wright devises a method for describing each "state of the world" that results from an action, in a revision of his own earlier work. Additionally, a study of the logic of norms by Alan Ross Anderson is presented as an appendix, along with an appendix by Rescher outlining the aspects of action.
The first full-scale biography of one of the most elusive and enigmatic painters of our time -- the self-proclaimed Count Balthus Klossowski de Rola -- whose brilliantly rendered, markedly sexualized portraits, especially of young girls, are among the most memorable images in contemporary art. The story of Balthus's life has been shrouded by contradiction and hearsay, most of it his own invention; over the years he created for himself a persona of mystery, aristocracy, and glamour. Now, in Nicholas Fox Weber's superb biography, Balthus, the man and the artist, stands revealed as never before. He was born in Paris in 1908 to Polish parents. At age twelve he first stepped into the spotlight with the publication of forty of his drawings illustrating a story about a cat by Rainer Maria Rilke, who was then Balthus's mother's lover and a crucial influence on the young boy. From that moment, Balthus has never been out of the public eye. In 1934 his first exhibition, in Paris, stunned the art world. The seven canvases drew attention to his extraordinary technique -- a mix of tradition and imagination informed by the work of Piero della Francesca, Courbet, and Joseph Reinhardt, but unique to the twenty-six-year-old artist -- and to their provocative content; one of the paintings, The Guitar Lesson, was so powerful in its sadomasochistic imagery that it was deemed necessary to remove it from public display. Continuously since then, Balthus's work has provoked both great opprobrium and profound admiration -- as has the artist himself, whether collaborating with Antonin Artaud on his Theater of Cruelty, transforming the Villa Medici into the social center of Fellini's Rome in the 1950s, or competing for the artistic limelight with his friends Picasso and André Derain. The artist's complexities are clarified and his genius understood in a book that derives its particular immediacy from Weber's long and intense conversations with Balthus -- who never previously consented to discuss his life and work with a biographer -- as well as his interviews with the painter's closest friends, members of his family, and many of the subjects of his controversial canvases. Weber's critical and human grasp (he acutely analyzes the paintings in terms of both their aesthetic achievement and what they reveal of their maker's psyche), combined with his rich knowledge of Balthus's life and his insight into the ideas and forces that have helped to shape Balthus's work over the past seven decades, gives us a striking, illuminating portrait of one of the most admired and outrageous artists of our time.
Frommer's Central America is the premier guide to the region, with complete coverage of Belize, Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama. Whether you're an archaeology buff, an outdoor adventurer, or a partier in search of a good time, Central America presents so many diverse travel options that it'll make your head spin. Frommer's Central America will help you plan a memorable trip, starting with our highly opinionated lists of the best experiences the region has to offer. Our authors have lived in and written about Central America for years, so they’re able to provide valuable insights and advice. They’ll steer you away from the touristy and the inauthentic, and show you the real heart of this region. Let them take you to exciting cities, charming colonial towns, lovely beach resorts, ancient ruins, traditional Maya villages, and natural wonders, with advice on everything from hiking Costa Rica’s cloudforests, to touring Nicaragua’s volcanoes, to snorkeling Belize’s Barrier Reef. You’ll travel Central America like a pro with our candid advice and handy Spanish-language glossary. Also included are accurate regional and town maps (including site plans of the major ruins), up-to-date advice on finding the best package deals, and extensive info on sustainable travel.
This is a little book with a big purpose: to put Mexico City on the map as one of the great food capitals of the world. Written by a resident gastronome who knows the city inside and out, this guide takes the reader to out-of-the-way market stalls, taco joints, as well as fashionable high-end dining spots. Included are chapters on bars and cantinas, cafés, food shopping and short essays on various aspects of Mexican cuisine and its history. Clear maps of the city, as well as an extensive glossary of ingredients, dishes, and cooking terms, make this an easy-to-use guide to great food in a grand city. Nick Gilman's book is a treasure, an insider's guide through the super-cool, super tasty side of Mexico City. Don't miss the section on street stalls and markets - you'll have some of the best food of your life, from the wacky Chupacabras taco stand wedged under a highway, to the truly hip Contramar in fashionable Condesa. There's no guidebook like this. - Rick Bayless, author of Authentic Mexican host of PBS' Mexico: One Plate at a Time Finally! The book I have been hunting for: a foodie's guide to the culinary wonders of one of the largest, most culturally diverse cities in the world. - Ceci Connolly, The Washington Post If you can't have the knowledgeable Mr. Gilman as your personal guide, this book is the next best thing. - Meredith Brody, food journalist Nicholas Gilman's recent release...is a must - The San Francisco Examiner
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