All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Long recognized as one of the foremost literary critics of the twentieth century, the Hungarian-born Georg Lukacs (1885-1971) shocked many by turning to Marxism in 1918. Using his formidable knowledge of European cultural history, he revitalized Marxist theory with his book History and Class Consciousness (1923), and continued to write extensively about literature. The ultimate question posed by this book is how Lukacs in the 1930s was able to write enthusiastically about Goethe, citing him as an ideal exponent of humanism, while simultaneously accepting and even condoning Stalinism.
The Romanian historian Nicolae Iorga played a critical role in the history of his country for more than fifty years until his tragic death in 1940. The author of more than 1,200 books and 20,000 articles, Iorga was one of the most prolific scholars of all time. In recognition of his academic achievements, he received honorary doctorates from universities around the world. Nicolae Iorga is the first comprehensive biography of one of the most important European cultural and political personalities of the first half of the twentieth century. It considers Iorga not only as a historian, politician, journalist, literary critic, playwright, writer, poet, and linguist, but also as an orator, teacher, and a human being.Written by Nicholas M. Nagy-Talavera, a leading American scholar, and based on archival sources and family documents, this is the first biography to present a complete portrait of the world-renowned historian Nicolae Iorga.
This book is a newly revised edition of Nicholas M. Nagy-Talavera’s classic work The Green Shirts and the Others published by the Hoover Institution Press in 1970. This book is the standard work in English on the history of fascism in Romania and Hungary. The Green Shirts and the Others is the first comprehensive and comparative work in English on the history of the fascist movements in Hungary and Romania. The author presents an objective account of the history of the two countries from 1918 to 1945 and the role of fascist movements during these years. He considers the rise of these movements, the Arrow Cross in Hungary and the Legion of the Archangel Michael in Romania. He considers their evolution and growth during the interwar period, as well as during the tragic periods in which each movement came to power in its respective country. The author then draws conclusions and parallels from the comparative history of the two movements. The author, Nicholas M. Nagy-Talavera, was a leading American expert on the history of Hungary and Romania during the interwar period and World War II. He was a professor of history at California State University, Chico. His other books include Nicolae Iorga: A Biography.
This new edition is a direct response to the ever-growing need for better project management which covers the basics, but also addresses more-technical topics in much greater depth than any other book. Case studies and examples from engineering and technology projects are utilized to prepare technical and business students for management positions in technical fields. It's thorough yet accessible approach makes this text an ideal resource and reference for anyone studying or practicing project management within engineering or business. Includes case studies, examples and background on managing business, engineering, and technology projects to add context for specialists and prepare business students for managing projects in technical industry. New edition features closer alignment with PMBOK terms and definitions, simplified chapter summaries, several new case studies throughout, and expanded coverage of communication and leadership issues such as conflict resolution and the management of distributed teams.
Discussing social media-related scholarship found in criminology, legal studies, policing, courts, corrections, victimization, and crime prevention, this book presents the current state of our knowledge on the impact of social media and the major sociological frameworks employed to study the U.S. justice system. Building a theoretical framework for the study of social media and criminal justice in each chapter, the chapters provide a systematic reflection of extant research on social media in cybercrime, operations of courts, administration of institutional and community corrections, law enforcement, and crime prevention. The book fills the gap between the contemporary state of knowledge regarding social media and criminal justice with respect to both empirical evidence and types of sociological frameworks being employed to explore and identify the societal costs and benefits of our growing dependence upon social media. In addition to providing an up-to-date overview of our current state of knowledge, this book highlights important areas of future research, wherein the benefits of social media can be expanded and the negative aspects of its broadening use can be minimized. Social Media and Criminal Justice will be of interest to students, scholars and practitioners in the areas of judicial administration, corrections management, law enforcement, and criminal justice-engaged community-based nonprofit organizations involved in court-referred treatment and/or active collaboration with local law enforcement agencies.
Appropriate for classes on the management of service, product, and engineering projects, this book encompasses the full range of project management, from origins, philosophy, and methodology to actual applications.
Project Management for Business and Engineering is a direct response to the ever-increasing need for better project management. This book encompasses the full range of project management - everything from origins, philosophy, and methodology to actual applications. Nicholas describes concepts and techniques such as project initiation and proposals, scope and task definition, scheduling, budgeting, risk analysis, control, project organization, and the often overlooked "people" side - project leadership, team building, conflict, and stress management. The Systems Development Cycle is used as a framework to discuss project management in a variety of situations, making this book useful for managing virtually any kind of project, program, or task force. Over 230 figures and tables, 60 short examples and illustrative cases, and end-of-chapter summaries, review problems, questions, and case studies are included. The author draws upon his experience with projects in information technology, systems analysis, aerospace engineering, human resource development, and over a decade of teaching project management as a university professor. · Comprehensive, balanced topical coverage; interesting to read · Numerous figures and tables (figure/table appears every 2.5 pages, average) · Systems approach: methodologies, development cycle, and engineering
All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Long recognized as one of the foremost literary critics of the twentieth century, the Hungarian-born Georg Lukacs (1885-1971) shocked many by turning to Marxism in 1918. Using his formidable knowledge of European cultural history, he revitalized Marxist theory with his book History and Class Consciousness (1923), and continued to write extensively about literature. The ultimate question posed by this book is how Lukacs in the 1930s was able to write enthusiastically about Goethe, citing him as an ideal exponent of humanism, while simultaneously accepting and even condoning Stalinism.
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