No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
A critical appropriation of Brutalism in the crisis conditions of today. The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a “concrete monstrosity” or a “modernist masterpiece”—have marginalized the estate’s residents and obscured its architectural originality. Recovering the social in the architectural, this book centers the estate’s lived experience of a multiracial working class, not to displace the architecture’s sensory qualities of matter and form, but to radicalize them for our present. Immersed in the materials, atmospheres, social forms and afterlives of this experimental estate, Robin Hood Gardens is reconstructed here as a socio-architectural expression of our times out of joint.
A critical and provocative exploration of the political, conceptual and cultural points of resonance between Deleuze's minor politics and Marx's critique of capitalist dynamics, engaging with Deleuze's missing work, The Grandeur of Marx. This book explores the core categories of communism and capital in conjunction with a wealth of contemporary and historical political concepts and movements - from the lumpenproletariat and anarchism, to Italian autonomia and Antonio Negri, immaterial labour and the refusal of work. This book will serve as an introduction to Deleuze's politics and the contemporary vitality of Marx for students and will challenge scholars in the fields of social and political theory, sociology and cultural studies.
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
A critical appropriation of Brutalism in the crisis conditions of today. The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a “concrete monstrosity” or a “modernist masterpiece”—have marginalized the estate’s residents and obscured its architectural originality. Recovering the social in the architectural, this book centers the estate’s lived experience of a multiracial working class, not to displace the architecture’s sensory qualities of matter and form, but to radicalize them for our present. Immersed in the materials, atmospheres, social forms and afterlives of this experimental estate, Robin Hood Gardens is reconstructed here as a socio-architectural expression of our times out of joint.
A critical and provocative exploration of the political, conceptual and cultural points of resonance between Deleuze's minor politics and Marx's critique of capitalist dynamics, engaging with Deleuze's missing work, The Grandeur of Marx. This book explores the core categories of communism and capital in conjunction with a wealth of contemporary and historical political concepts and movements - from the lumpenproletariat and anarchism, to Italian autonomia and Antonio Negri, immaterial labour and the refusal of work. This book will serve as an introduction to Deleuze's politics and the contemporary vitality of Marx for students and will challenge scholars in the fields of social and political theory, sociology and cultural studies.
This book explores the limits of the idea of 'neo-colonialism' - the idea that in the period immediately after independence Malaya/Malaysia enjoyed only a 'pseudo-independence', largely because of the entrenched and dominant position of British business interests allied to indigenous elites. The author argues that, although British business did indeed have a strong position in Malaysia in this period, Malaysian politicians and administrators were able to utilise British business, which was relatively weak vis-a-vis the Malaysian state, for their own ends, at the same time as indigenous businesses and foreign, non-British competitors were gathering strength. In addition, despite the commitment of both Conservative and Labour governments in the UK to preserving British influence worldwide through the Commonwealth relationship, British firms in Malaysia received only limited support from the British post-imperial state.
The British Expeditionary Force sent to France in the late summer of 1914 has been referred to as ‘The Best British Army Ever Sent to War’ as it was one of the most highly trained and disciplined forces in the world. It was also the ‘Best Birdwatching Army Ever Sent to War’ for among its ranks were hundreds of both amateur and professional ornithologists. When not fighting many soldiers turned to birdwatching as a way of wiling away the long hours spent on guard duty or watching over ‘no man's land’. As a result, the hobby ranked as one of the most popular past-times for soldiers at the front, on a par with smoking, writing, games, gambling, sport and shooting rats. The list of birds seen by soldiers serving in all the theatres of war was truly impressive ranging from the common like sparrows, skylarks and swallows to the exotic like golden orioles, hoopoes and bee-eaters. It was not just at the battle front that birds found themselves in the firing line but also on the home front. Birds provided inspiration for politicians, poets and painters who carried on despite the terrible conflict raging all around them. For the Foreign Secretary Edward Grey, who worked tirelessly to preserve peace but ended up convincing the House of Commons to go to war, birds were his hinterland. But as well as declaring war on Germany on 4 August 1914 the government also declared war on the humble house sparrow, farmers falsely accusing it of destroying Britain’s dwindling wheat and oat supplies. When the guns finally fell silent on the 11 November 1918 and the Great War came to an ignoble end, a generation of birdwatchers lay dead. Among them were scientists, researchers, lords, librarians, artists, authors, professors, poets, lawyers, surgeons and explorers, many barely having entered manhood. If they had lived the science of ornithology and the hobby of birdwatching would have undoubtedly been much the richer. A selection of them is included in the Ornithological Roll of honor at the back of this book.
A sweeping new history that reveals how British, African, and American merchants developed the transatlantic slave trade “This is a landmark study given its clear status as easily the best researched and most comprehensive book on the British slave trade to date.”—David Eltis, coauthor of Atlas of the Transatlantic Slave Trade “A masterful account of one of the most brutal moments in the history of capitalist modernity. Radburn brilliantly details all aspects of the process of commodification of human beings in the Liverpool slave trade, vividly depicting the long journeys endured by Africans in Africa, across the Atlantic, and in the Americas.”—Leonardo Marques, Universidade Federal Fluminense During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into a transatlantic system through which fifty thousand men, women, and children were enslaved every year. In this wide-ranging history, Nicholas Radburn explains how thousands of merchants collectively transformed the slave trade by devising highly efficient but violent new business methods. African brokers developed commercial infrastructure that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade dragged millions of people into its terrible vortex and became one of the most important phenomena in world history.
Politics and Suicide argues that whilst the historical lineage of suicidal politics is recognised, the fundamental significance of autodestruction to the political remains under examined. It contends that practices like suicide-bombing do not simply embody a strange or abnormal ‘suicidal’ articulation of the political, but rather, that the existence of suicidal politics tells us something fundamental about the political as such and thinking about political violence more broadly. Recent world events have emphatically shown our need for tools with which to develop better understandings of the politics of suicide. Through the exploration of several arresting case-studies, including the ‘Kamikaze’ bombers of World War Two, Jan Palach’s self-immolation in 1969, Cold War nuclear deterrence, and the suicide-terrorist attacks of 9/11 Michelsen asks how we might talk of a political suicide in any of these contexts. The book charts how political processes ‘go suicidal’, and asks how we might still consider them to be political in such a case. It investigates how suicide can function as ‘politics’. A strong contribution to the fields of philosophy and international relations theory, this work will also be of interest to students and scholars of political theory and terrorism & political violence.
This volume is an introduction to the United Kingdom's constitution that recognises its historical, political, and legal dimensions. It pays attention to the revival of the constituent territories of the UK. The constitution is shaped by constitutional principles, including state sovereignty, separation of powers, democracy, and subsidiarity.
A history of mainline Protestant responses to immigrants and refugees during the twentieth century Open Hearts, Closed Doors uncovers the largely overlooked role that liberal Protestants played in fostering cultural diversity in America and pushing for new immigration laws during the forty years following the passage of the restrictive Immigration Act of 1924. These efforts resulted in the complete reshaping of the US cultural and religious landscape. During this period, mainline Protestants contributed to the national debate over immigration policy and joined the charge for immigration reform, advocating for a more diverse pool of newcomers. They were successful in their efforts, and in 1965 the quota system based on race and national origin was abolished. But their activism had unintended consequences, because the liberal immigration policies they supported helped to end over three centuries of white Protestant dominance in American society. Yet, Pruitt argues, in losing their cultural supremacy, mainline Protestants were able to reassess their mission. They rolled back more strident forms of xenophobia, substantively altering the face of mainline Protestantism and laying foundations for their responses to today’s immigration debates. More than just a historical portrait, this volume is a timely reminder of the power of religious influence in political matters.
Robert Holden enters the bunyips lair to reveal the fascinating literature, folklore and superstitions that have immortalised Australia's most enigmatic creature. Bunyips includes extracts from Australian stories about bunyips, featuring work by Edel Wignell, Rosa Campbell Praed, Catherine Stow, Dal Stivens and others.
The Constitutional State provides an original account of the nature of the state and its constitution. This account casts light on some of the central puzzles faced by writers on constitutions - such as the possibility of states to undertake actions and form intentions, and the moral significance of these actions for the state's citizens.
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