Summer break may be over and a new year may be starting at Arlington City High, but simmering tensions between the students are about to reach a boiling point as the annual Student Council elections draw near. In the wake of a ruined clandestine relationship, a scandal that ruined the former football team captain's life, and a suicide that sent shockwaves through the entire student body, this new year is shaping up to be even more traumatic than the one before. Still reeling over the events of the previous year, Bethany Hill wants to see the school turn to ashes. In the meantime, she will stop at nothing to get her girlfriend, Lauren Bradshaw, crowned the new school queen. Lauren's own reservations about the job be damned, Beth will make her President or die trying. Head Cheerleader Ashley Williams is out for blood after Beth (allegedly) stole Lauren, her secret ex-girlfriend, and puts forward her new boyfriend and star quarterback, Spencer Barnett, as Lauren's main competition. A true power couple, they stand to run the school unopposed if Spencer decides to take on yet another role as the "most popular guy in school," a role he grows to hate more and more with each passing day. And then there's poor Katherine Duvall, a sweet naïve girl that just wants to make the world around her a better place for people outside of the top one percent. How is she supposed to run for office one day if she can barely give a book report in front of the class without wanting to throw up? Unfortunately, Katherine can barely get her foot in the door before the Powers That Be force Tracy Summers, one of the sitting Class Representatives that is very much not apart of the "in-crowd," to befriend Katherine and sabotage her campaign from the inside in exchange for their friendship and a better spot on the Student Council. Knowing she will never get into Harvard if she doesn't get a stronger application, she begrudgingly accepts. Lies, cheating, and manipulation are the name of the game and only one person can win. In this first entry of the "MACBETHANY" series, we will see just how far people will go to help the ones they love and just how far they will go to help themselves.
My book follows the life of a young man (eighteen to nineteen) as he works for a secret agency in the protection of humankind against the forces of supernatural creatures and the prevention of mankind learning about the real supernatural world. (Every supernatural creature comes from a city kilometres underground—vampires, giants, Cyclops, demons, and so forth.) This agent is code named Black because he has the power to transform to a full-sized black-scaled dragon with red eyes and purple flames. But the first time he transformed, he was trying to protect a little girl from lava lizards, huge one-ton lizards that spit lava. His powers went out of control, and he burned up the little girl. Now, he does not let a lot of people close. One night, he comes across a work site where four teenagers are being attacked by a shadow wraith (a creature of darkness that feeds on the life force of any living thing). After the attack, Agent Black takes them back to this base to get them checked, where they meet Doc, an elven doctor, and the commander, an immortal woman that has lived for more than a thousand years, and she is the head of the SNPA, the Supernatural Protection/Prevention Agency (depends on which world you come from). Soon after all this, they learn that four teenagers have the same power as Black and have the power to change into dragon (three guys, one girl—ice, earth, and fire guys, and golden magical dragon girl) and are asked to learn from Black to control their powers and protect the secret of this world.
How did the Victorians read novels? Nicholas Dames answers that deceptively simple question by revealing a now-forgotten range of nineteenth-century theories of the novel, a range based in a study of human physiology during the act of reading, He demonstrates the ways in which the Victorians thought they read, and uncovers surprising responses to the question of what might have transpired in the minds and bodies of readers of Victorian fiction. His detailed studies of novel critics who were also interested in neurological science, combined with readings of novels by Thackeray, Eliot, Meredith, and Gissing, propose a vision of the Victorian novel-reader as far from the quietly immersed being we now imagine - as instead a reader whose nervous system was addressed, attacked, and soothed by authors newly aware of the neural operations of their public. Rich in unexpected intersections, from the British response to Wagnerian opera to the birth of speed-reading in the late nineteenth century, The Physiology of the Novel challenges our assumptions about what novel-reading once did, and still does, to the individual reader, and provides new answers to the question of how novels influenced a culture's way of reading, responding, and feeling.
A nuanced discussion of the connections between philosophy, theology, and science, written by a scholar who is also a values-oriented Christian. Churchich believes--unlike naturalistic theorists and biological evolutionists -- that nature offers a very limited picture of reality, and that our origin and destiny are one in the realm of God.
International Retailing reflects contemporary research and current practice, focusing on what is happening in the field, who is making it happen, why it is happening in the way it is, and how it is happening. Structured around four parts, this textbook guides students through the internationalization process, considering international markets, and how retail companies operate within them. It concludes by exploring future trends and challenges of the international retail marketplace." "The text is packed with a wealth of international examples and familiar case studies, clearly showing how the theory translated into practice."--BOOK JACKET.
Early in 1836 Charles Darwin spent two months in Australia as part of his voyage around the world on the Beagle. During this time he visited the town of Sydney, travelled on horseback across the Blue Mountains to Bathurst, visited Hobart in Tasmania, and called into King George Sound in Western Australia. Darwin met with several of the leading figures of the Australian colonies, including members of the King and Macarthur families in Sydney, and Alfred Stephen and George Frankland in Hobart.
The Belen Cutoff gave the AT&SF Railway a legitimate transcontinental freight line by eliminating the steep grades of Raton Pass. The Cutoff also transformed the eastern plains of New Mexico in the first half of the twentieth century, leading to New Mexico's most significant population increase as many homesteaders came to the region. This book tells that story by providing the perspectives of the AT&SF balanced by the experiences and narratives of railroad workers, homesteaders, and others. New research includes detailed consideration of internal railroad documents, local newspapers, and extensive oral-history interviews. As a result, this is the definitive account of the Belen Cutoff and provides a more complete and nuanced history of the region and the AT&SF Railway in New Mexico.
Why have scholars located the emergence of the novel in eighteenth-century England? What historical forces and stylistic developments helped to turn a disreputable type of writing into an eminent literary form? This Reader's Guide explores the key critical debates and theories about the rising novel, from eighteenth-century assessments through to present day concerns. Nicholas Seager: - Surveys major criticism on authors such as Aphra Behn, Daniel Defoe, Samuel Richardson, Henry Fielding and Jane Austen - Covers a range of critical approaches and topics including feminism, historicism, postcolonialism and print culture - Demonstrates how critical work is interrelated, allowing readers to discern trends in the critical conversation. Approachable and stimulating, this is an invaluable introduction for anyone studying the origins of the novel and the surrounding body of scholarship.
Drawing on startling new evidence from the mapping of the genome, an explosive new account of the genetic basis of race and its role in the human story Fewer ideas have been more toxic or harmful than the idea of the biological reality of race, and with it the idea that humans of different races are biologically different from one another. For this understandable reason, the idea has been banished from polite academic conversation. Arguing that race is more than just a social construct can get a scholar run out of town, or at least off campus, on a rail. Human evolution, the consensus view insists, ended in prehistory. Inconveniently, as Nicholas Wade argues in A Troublesome Inheritance, the consensus view cannot be right. And in fact, we know that populations have changed in the past few thousand years—to be lactose tolerant, for example, and to survive at high altitudes. Race is not a bright-line distinction; by definition it means that the more human populations are kept apart, the more they evolve their own distinct traits under the selective pressure known as Darwinian evolution. For many thousands of years, most human populations stayed where they were and grew distinct, not just in outward appearance but in deeper senses as well. Wade, the longtime journalist covering genetic advances for The New York Times, draws widely on the work of scientists who have made crucial breakthroughs in establishing the reality of recent human evolution. The most provocative claims in this book involve the genetic basis of human social habits. What we might call middle-class social traits—thrift, docility, nonviolence—have been slowly but surely inculcated genetically within agrarian societies, Wade argues. These “values” obviously had a strong cultural component, but Wade points to evidence that agrarian societies evolved away from hunter-gatherer societies in some crucial respects. Also controversial are his findings regarding the genetic basis of traits we associate with intelligence, such as literacy and numeracy, in certain ethnic populations, including the Chinese and Ashkenazi Jews. Wade believes deeply in the fundamental equality of all human peoples. He also believes that science is best served by pursuing the truth without fear, and if his mission to arrive at a coherent summa of what the new genetic science does and does not tell us about race and human history leads straight into a minefield, then so be it. This will not be the last word on the subject, but it will begin a powerful and overdue conversation.
Nicholas Rescher presents the first comprehensive chronology of philosophical anecdotes, spanning from antiquity to the current era. He introduces us to the major thinkers, texts, and historical periods of Western philosophy, recounting many of the stories philosophers have used over time to engage with issues of philosophical concern: questions of meaning, truth, knowledge, value, action, and ethics. Rescher's anecdotes touch on a wide range of themes—from logic to epistemology, ethics to metaphysics—and offer much insight into the breadth and depth of philosophical inquiry. This book illustrates the various ways philosophers throughout history have viewed the issues in their field, and how anecdotes can work to inform and encourage philosophical thought.
A groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals. The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one. Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.
Two decades after the collapse of the Tokugawa shogunate, the optimism of the early Meiji years was dissipating. In 1886 Tokutomi Soho's passionately eloquent Shorai no Nihon (The Future Japan) presented his panoramic view of the "world trend" of history and proclaimed that Japan must transform into an industrial and a democratic nation. Translated for the first time into English, The Future Japan offers valuable insights into the motives that led Japan to become one of the world's great powers.
The first major literary and cultural history of color in America, 1880–1930 Chromographia tells the story of how color became modern and how literature, by engaging with modern color, became modernist. From the vivid pictures in children’s books to the bold hues of abstract painting, from psychological theories of perception to the synthetic dyes that brightened commercial goods, color concerned both the material stuff of modernity and its theoretical and artistic formulations. Chromographia spans these diverse practices to reveal the widespread effects on U.S. literature and culture of the chromatic revolution that unfolded at the turn of the twentieth century. In analyzing color experience through the lens of U.S. writers (including Charlotte Perkins Gilman, L. Frank Baum, Stephen Crane, Charles Chesnutt, Gertrude Stein, Nella Larsen, and William Carlos Williams), Chromographia argues that modern aesthetic techniques are inseparable from the theories and technologies that drove modern color. Nicholas Gaskill shows how literature registered the social worlds within which chromatic technologies emerged, and also experimented with the ideas about perception, language, and the sensory environment that accompanied their proliferation. Chromographia is the only study of modern color in U.S. literature. It presents a new reading of perception in literature and a theory of experience that uses color to move beyond the usual divisions of modern thought.
Inspired by Michel Foucault's The Order of Things, this book tells a story about epochal change in the modern world. Like Foucault, Nicholas Onuf is concerned with how we moderns think about ourselves and our world, but in this book he emphasizes the conceptual links in the ways we think, talk, get things done, conduct ourselves, and run societies, from age to age. As with his previous work, Onuf emphasizes the "rules for rule" that have solidified over time through repeated behaviors that work themselves out into a system of social uniformity and hierarchy. Rules set out who is a member of society, establish goals, provide opportunities to act, and dictate who sits on top -- in other words, what any political society looks like in a particular time and place. This book looks at the political society that has evolved since the Renaissance, or what might be called "the modern world," in order to consider what is yet to come. Onuf argues that modernity, although consisting of a succession of epochs or ages separated by great ruptures, has continued to change within the confines of a "mightie frame" (a turn of phrase he borrows from John Milton). Epoch by epoch, this frame has linked the limits of our knowledge, à la Michel Foucault, to conditions of rule, and it points to a plausible ethics for what comes next. But unlike Foucault, Onuf argues that modernism marked an end to societal and political transitions, and that we have entered a period during which established conditions of rule are likely to be reinforced -- and the mighty frame will grow ever mightier.
Provides a comprehensive overview of range of approaches and methods available for synthesising qualitative and quantitative evidence and an explanation of why this is important. This book looks at different types of review and examining place of synthesis in reviews for policy and management decision making.
Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
British journalist Davies discloses the personal secrets, hopes, and ambitions--as well as the problems--of the winsome, captivating Princess Diana, the real queen of the House of Windsor. "A compassionate story of two lonely people and an uneasy monarch".--Publishers Weekly. Includes a stunning new chapter.
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