Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.
This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others."The Modern Russian Stage" is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse.
The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and provide vivid and original examples of what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.
The Life and Thought of Filaret Drozdov, 1782–1867: The Thorny Path to Sainthood is an intellectual biography of the foremost historical figure in the religious world of nineteenth-century Russia. The product of decades of archival research, most of which was in the Russian language, this is the first book-length study of St. Filaret in English. The volume is designed for specialists engaged in imperial Russian history, students in upper-level undergraduate or graduate courses, and for readers interested in Eastern Orthodox spirituality, and observers of the contemporary Russian scene who wish to understand traditional church/state relations. Deeply researched and including a formidable bibliographic component, the volume also serves as a reference guide to scholars desiring to study, at greater length, one of the many topics raised. Racheotes argues that Filaret was far more than a neo-patristic theologian steeped in the tradition of the Eastern fathers. He was simultaneously a valued monarchal apologist and a guardian of the privileges of the Russian Orthodox Church to the point of subtly resisting the state. By means of translation, select passages from sermons, letters, and official reports are available in English for the first time. Often preaching before three reigning tsars, writing or editing such monumental documents as Alexander I’s will and Alexander II’s decree emancipating the Russian serfs, leading the drive for a Russian translation of the Bible, and preparing Orthodox catechisms are but a few examples of St. Filaret’s historical importance. His centrality to policy formation with respect to the so called Old Believers, his incessant campaigns for clerical education reform, and for translation into Russian of the seminal works of Eastern theologians account for the enduring influence attributable to this Archbishop. Today, his pronouncements are enjoying a revival among a new generation of religious historians in Russia and are often adduced by a host of contemporaries arguing for Russian exceptionalism.
This book investigates the question of Russian identity, looking at changes and continues over a huge territory, many centuries, and a variety of political, social, and economic structures. Its main emphases are on the struggle against the steppe peoples, Orthodox Christianity, autocratic monarchy, and Westernization.
This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others."The Modern Russian Stage" is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse.
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are the letters of their four daughters and their only son, the haemophiliac Alexis, whose health was to introduce the crucial and some say malign influence of Rasputin. The editors also draw on Nicholas's diaries, letters to his mother, and the diaries and memoirs of their close contemporaries. It includes first hand accounts of the murder of Rasputin in 1916 and the assassination of the Romanovs at Ekaterinburg in 1918.
A Lifelong Passion is a collection of the hitherto unpublished correspondence and diaries of the Romanov family. As well as archival material, the editors also include the accounts of the Bolsheviks who carried out the assassinations.
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