Roerich recounts his journeys to more than fifty monasteries and his meetings with lamas eager to share their spiritual insights and heritage with the Western world. His expeditions crossed thirty-five mountain passes, and included here are dramatic descriptions of snow blindness, mountain floods, and mysterious electrical phenomena, as well as intimate depictions of daily life in the rigorous yet beautiful Himalayan environment.
Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves). Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.
Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves). Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.
Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves). Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.
Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.
Nicholas Roerich--artist, philosopher, and explorer--relates the remarkable encounters and events of his travels through central Asia and Tibet at the turn of the 20th century. In his detailed diary notes he chronicled the legends and tales of Shambhala, the long-awaited realization of paradise on earth. With chapters on Tibetan art, the desert cities, and subterranean dwellers, Shambhala reveals Roerich's vision of a new age of human achievement.
Nicholas Roerich is master of the singing word no less than of the singing form and color. His poetry is direct, simple, arrow-like. It has the same vibrant touch of the master, the same sense of mysticism and cosmic unfoldment found in his paintings. The depth and intensity, the rhythmic sweep and exaltation that mark his work as artist is no less present here. His lyric words, like so many singing arrows, fly straight to their invisible goal. Light rays out powerfully from the lines. It is evident that they have been "made in flame as nature makes." In the poetry of Roerich, finally, there is a fullness and expansion of consciousness, a vibration of light and color, a sense of prophecy and ongoing, of search, discovery and fulfilment that is as much part of his singing word as of the colors and contours of his brush. These poems are true children of the Flame in Chalice.
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