People don’t just die anymore. They endure. They stay young. Thanks to Rejuvenation, a miraculous medical advancement from the Extended Life Corporation. Yet, not all of humanity believes the procedure is a good thing. Simon Crowe is caught in the middle—voluntarily abstaining from Rejuvenation and living alongside his Rejuvenite girlfriend, Maggie. But when he’s framed for the murder of his EXLI-scientist neighbor, Simon is forced to flee, hunted by the authorities and even deadlier, unknown forces. Even more troubling is the puzzling message left by the murdered scientist—a cryptic set of clues alluding to a larger conspiracy. Now, on the run for their lives, Simon and Maggie must forge dangerous alliances if they hope to decipher the mysterious message, expose the truth, and clear their names. But they soon discover there’s much more buried in the truth they seek, shrouded by the youthful faces and long life bestowed by Rejuvenation. An unimaginable secret that threatens the future of the entire human race.
Sea urchins and sea cucumbers are highly sought after delicacies growing in popularity globally. The demand for these species is rapidly outpacing natural stocks, and researchers and seafood industry personnel are now looking towards aquaculture as a means of providing a sustainable supply of these organism. Echinoderm Aquaculture is a practical reference on the basic biology and current culture practices for a wide range of geographically diverse echinoderm species. Echinoderm Aquaculture begins by examining the basic ecology and biology of sea urchins and sea cucumbers as well as the breadth of uses of these organisms as a source of food and bioactive compound. Subsequent chapters delineate the specific species of interest invarious geographic regions from around the world. Together, chapters provide a comprehensive coverage of culture practices. Echinoderm Aquaculture is a practical reference for researchers and industry personnel, and will serve as an invaluable resource to this rapidly growing segment of the aquaculture industry.
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Until recently, ideas of creativity in music revolved around composers in garrets and the lone genius. But the last decade has witnessed a sea change: musical creativity is now overwhelmingly thought of in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesize both perspectives. It begins by developing the idea that creativity arises out of social interaction-of which making music together is perhaps the clearest possible illustration-and then shows how the same thinking can be applied to the ostensively solitary practices of composition. The book also emphasizes the contextual dimensions of musical creativity, ranging from the prodigy phenomenon, long-term collaborative relationships within and beyond the family, and creative learning to the copyright system that is supposed to incentivize creativity but is widely seen as inhibiting it. Music as Creative Practice encompasses the classical tradition, jazz and popular music, and music emerges as an arena in which changing concepts of creativity-from the old myths about genius to present-day sociocultural theory-can be traced with particular clarity. The perspective of creativity tells us much about music, but the reverse is also true, and this fifth and last instalment of the Studies in Musical Performance as Creative Practice series offers an approach to musical creativity that is attuned to the practices of both music and everyday life.
Olynthus, an ancient city in northern Greece, was preserved in an exceptionally complete state after its abrupt sacking by Phillip II of Macedon in 348 B.C., and excavations in the 1920s and 1930s uncovered more than a hundred houses and their contents. In this book Nicholas Cahill analyzes the results of the excavations to reconstruct the daily lives of the ancient Greeks, the organization of their public and domestic space, and the economic and social patterns in the city. Cahill compares the realities of daily life as revealed by the archaeological remains with theories of ideal social and household organization espoused by ancient Greek authors. Describing the enormous variety of domestic arrangements, he examines patterns and differences in the design of houses, in the occupations of owners, and in the articulations between household and urban economies, the value of land, and other aspects of ancient life throughout the city. He thus challenges the traditional view that the Greeks had one standard household model and approach to city planning. He shows how the Greeks reconciled conflicting demands of ideal and practice, for instance between egalitarianism and social inequality or between the normative roles of men and women and roles demanded by economic necessities. The book, which is extensively illustrated with plans and photographs, is supported by a Web site containing a database of the architecture and finds from the excavations linked to plans of the site.
This thesis breaks new ground in the physics of photonic circuits for quantum optical applications. The photonic circuits are based either on ridge waveguides or photonic crystals, with embedded quantum dots providing the single qubit, quantum optical emitters. The highlight of the thesis is the first demonstration of a spin-photon interface using an all-waveguide geometry, a vital component of a quantum optical circuit, based on deterministic single photon emission from a single quantum dot. The work makes a further important contribution to the field by demonstrating the effects and limitations that inevitable disorder places on photon propagation in photonic crystal waveguides, a further key component of quantum optical circuits. Overall the thesis offers a number of highly novel contributions to the field; those on chip circuits may prove to be the only means of scaling up the highly promising quantum-dot-based quantum information technology.
During the climactic years of the civil rights movement in the Deep South, a closely related struggle was going on within the United Methodist Church. That denomination, second only in membership in the region to the Southern Baptists, was slowly moving toward integration under mandate from its national governing body, the Methodist General conference. But in Alabama, external institutional pressures and even internal constituencies were not strong enough to break down the segregated church structure: doing that would require a significant shift in the leadership of the church. The story is one in which an institution based on the moral teachings of Christianity confronted the immorality of racism and legal segregation within its own ranks while it continued to operate within a racially divided larger society. Against the backdrop of the tumultuous events of the civil rights struggle (the 1954 Supreme Court school desegregation decision, the Freedom Rides in 1961, the King demonstration in Birmingham in 1963, and the Sixteenth Street Baptist church bombing), the North Alabama Conference and its counterpart in South Alabama carried on a spirited and often bitter debate over the existence of a completely separate conference for their black membership. This book tells the inside story of the struggle within the North Alabama Conference for the first time by utilizing the publications and official archives of the church. But its most important sources are interviews with a wide spectrum of Methodists, including those who served in roles of leadership and those who were simply faithful members of their respective churches. Their accounts are compelling and go far beyond the sometimes vague and uninformative official conference documents. Many of the persons interviewed are no longer living, but in transferring their spoken words onto the printed page, there is a sense that their long-suppressed stories are being told for the first time. They described in detail how a hierarchical institution moved from a position of absolute commitment to segregation to one in which the uniting of the races under one organizational structure was achieved. In the end, the integration of the church was finally realized as a result of the daring leadership of a single bishop who challenged the prevailing white segregationist laity, Kenneth Goodson. But along the way there were many other persons who risked their careers and even their personal safety on behalf of racial justice. This is their story as well.
On reading an earlier version of this biography, King remarked that it was 'an outstandingly good and at times riveting example of historical research' and commented on the author's 'unprecedented access' to archival sources, and 'unusually frank interviews' with informants."--BOOK JACKET.
Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures Immersed in music for much of his life as writer, broadcaster and concert presenter, former director of the BBC Proms, Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those which are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever.
This book evolved from lectures, courses and workshops on missing data and small-area estimation that I presented during my tenure as the ?rst C- pion Fellow (2000–2002). For the Fellowship I proposed these two topics as areas in which the academic statistics could contribute to the development of government statistics, in exchange for access to the operational details and background that would inform the direction and sharpen the focus of a- demic research. After a few years of involvement, I have come to realise that the separation of ‘academic’ and ‘industrial’ statistics is not well suited to either party, and their integration is the key to progress in both branches. Most of the work on this monograph was done while I was a visiting l- turer at Massey University, Palmerston North, New Zealand. The hospitality and stimulating academic environment of their Institute of Information S- ence and Technology is gratefully acknowledged. I could not name all those who commented on my lecture notes and on the presentations themselves; apart from them, I want to thank the organisers and silent attendees of all the events, and, with a modicum of reluctance, the ‘grey ?gures’ who kept inquiring whether I was any nearer the completion of whatever stage I had been foolish enough to attach a date.
In recent years the term corporate social responsibility (CSR) has gained prominence both in business and in the media, not least because of the rise in power of the transnational corporation in an increasingly globalized world. It is one of the most debated management issues, yet there is a lack of consensus on what the concept means, what it entails, why it should be embraced and how. This Research Companion brings together a team of scholars from around the world to offer their view of the key issues in corporate social responsibility research. Each author is concerned with different aspects of CSR, providing a variety of theoretical lenses and a wide range of perspectives from different countries and experiences. It presentrs scholars and graduate students with a valuable guide to current thinking and a comprehensive reference to this increasingly important field.
The music of J.S.Bach has a unique power and attraction some 300 years after it was written. From annual performances of the great Passions and BBC Radio 3's hugely successful Bach Christmas, to its use in adverts, films and popular arrangements, the imaginative strength of Bach's music continues to draw listeners to explore its mysteries. This new Pocket Guide looks at all Bach's music, sacred and secular, and explores why he speaks so profoundly to our age about both the spiritual and the sensual in life. Among the features of this easy-to-use book: The Bach Top Ten Bach: The music work by work Performing Bach today Bach: The life year by year What people said about Bach Accessible and easy to use, Nicholas Kenyon provides for the first time an up-to-date survey of all Bach's major works in the light of the latest research, from Masses to Cantatas, Concertos to Suites, and recommends the best CDs and further reading.
Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time. Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics--on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which--on the collegium poetarum, and on discussions of reading and libraries at Rome, for example--have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests. 'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.
“A vivid picture of how what we wear on our feet can tell us what it really means to be an American.”—Vanity Fair “Expansive, thorough, and entertaining . . . a comprehensive look at how much the sneaker became a signature indicator of cool.”—The Wall Street Journal A cultural history of sneakers, tracing the footprint of one of our most iconic fashions across sports, business, pop culture, and American identity “It’s gotta be the shoes.” When Spike Lee said it to Michael Jordan in a 1989 commercial, it was with a wink and a nod—what makes MJ so good? His Nike Air Jordan IIIs, of course. But as Nicholas Smith reveals in this captivating history, Lee’s line also speaks to the sneaker’s place at the heart of American culture. Once the athletic shoe graduated from the beaches and croquet courts of the wealthy elite to streetwear ubiquity, its journey through the heart of American life was just getting started. In this rollicking narrative, Nicholas K. Smith carries us through the long twentieth century as sneakers became the totem of subcultures. We follow the humble athletic and watch as sneakers become the calling card of California skaters and New York MCs, the spark of riots and gang violence, the heart of a global economic controversy, the muse of haute couture, and a lynchpin in the transformation of big sports into big business. Along the way, we meet larger-than-life mavericks and surprising visionaries: genius rubber inventor Charles Goodyear, risking everything to get his formula right; the warring brothers who started dueling shoe empires; road-warrior Chuck Taylor, hawking shoes out of his trunk; and many more mavericks, hustlers, and dreamers. With a sure stride and a broad footprint, Kicks introduces us to an influential and evolving legacy.
Before the Nation' argues that there is more than a grain of truth to nostalgic traditions following genocide. It points to the fact that intercommunality, a mode of everyday living based on the accommodation of cultural difference, was a normal and stabilizing feature of multi-ethnic societies.
The war between humans and robots has been going on for over 40 years. The war had been stalmated, but now the robots have devised a new way of attacking. Can the humans overcome insurmountable odds when they are thrown into the fray?
The biggest edition yet – expanded and updated with 35,000 words of new material Critically acclaimed in its previous editions, The Complete David Bowie is widely recognized as the foremost source of analysis and information on every facet of Bowie’s career. The A-Z of songs and the day-by-day dateline are the most complete ever published. From the 11-year-old’s skiffle performance at the 18th Bromley Scouts’ Summer Camp in 1958, to the emergence of the legendary lost album Toy in 2011, to his passing in January 2016, The Complete David Bowiediscusses and dissects every last development in rock’s most fascinating career. * The Albums – detailed production history and analysis of every album from 1967 to the present day. * The Songs – hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities – from ‘Absolute Beginners’ to ‘Ziggy Stardust’, from ‘Abdulmajid’ to ‘Zion’. * The Tours – set-lists and histories of every live show. * The Actor – a complete guide to Bowie’s career on stage and screen. * Plus – the videos, the BBC radio sessions, the paintings, the Internet and much more.
This is the first detailed commentary on Aeneid 3, being some three times the size of that by R.D.Williams(1962), and aimed at the scholarly public. It treats fully the thorny problem of book 3's place in the growth of the poem, matters of linguistic and textual interpretation, metre, prosody, grammar, lexicon and idiom, as well as Virgil's sources and the literary tradition in which he writes. Full attention is given to matters geographical and nautical. New critical approaches and recent developments in Virgilian studies have been taken into account, with more attention to their spirit than to their language. A text, with translation, and three indices are included.
In 1913, the Peter Bent Brigham Hospital in Boston admitted its first patient, Mary Agnes Turner, who suffered from varicose veins in her legs. The surgical treatment she received, under ether anesthesia, was the most advanced available at the time. At the same hospital fifty years later, Nicholas Tilney—then a second-year resident—assisted in the repair of a large aortic aneurysm. The cutting-edge diagnostic tools he used to evaluate the patient’s condition would soon be eclipsed by yet more sophisticated apparatus, including minimally invasive approaches and state-of-the-art imaging technology, which Tilney would draw on in pioneering organ transplant surgery and becoming one of its most distinguished practitioners. In Invasion of the Body, Tilney tells the story of modern surgery and the revolutions that have transformed the field: anesthesia, prevention of infection, professional standards of competency, pharmaceutical advances, and the present turmoil in medical education and health care reform. Tilney uses as his stage the famous Boston teaching hospital where he completed his residency and went on to practice (now called Brigham and Women's). His cast of characters includes clinicians, support staff, trainees, patients, families, and various applied scientists who push the revolutions forward. While lauding the innovations that have brought surgeons' capabilities to heights undreamed of even a few decades ago, Tilney also previews a challenging future, as new capacities to prolong life and restore health run headlong into unsustainable costs. The authoritative voice he brings to the ancient tradition of surgical invasion will be welcomed by patients, practitioners, and policymakers alike.
This study of Byron’s last complete long poem, the comparatively neglected The Island, is the first to devote a whole book to the examination, contextualization and motivation of both the poetry and its poet. It is much more than just a monograph, however; aside from biographical considerations, it illumines aspects of study that embrace feminism, racial politics and social considerations in relation to Polynesian island society, all of which are contrasted with the loose anarchy of an eighteenth century group of British mutineers. Two historical contexts – the infamous 1789 mutiny on the Bounty and Byron’s life in the year that led up to the poem’s composition – serve as an extended prelude to a deep analysis of the major symbols and characters in the poem, while its main chapters range beyond The Island, conducting a literary conversation with Shakespeare, Pope, 18th-century writers of memoirs and nautical sea history, classical authors and even Chinese poets, as well as other Romantic poets. Consideration is given to aspects of racial and feminist theory in relation to the poem’s extraordinary central female character; in particular there is a focus on her promotion of the poem’s happy ending, one that is quite unique in Byron’s oeuvre. The Appendix contains the first-ever published transcript of the holograph of the poem, allowing readers to appreciate Byron’s idiosyncratic and expressive punctuation—as well as his first thoughts before editing.
This groundbreaking book shatters historical stereotypes, demonstrating that, in the century before 1870, Ireland was not an anglicized kingdom and was capable of articulating modernity in the Irish language. It gives a dynamic account of the complexity of Ireland in the nineteenth century, developments in church and state, and the adaptive bilingualism found across all regions, social levels, and religious persuasions.
Provocative account exploring how a population explosion transformed nineteenth-century European and American culture, creating shared narratives of urban life.
Tracing the complex and troubled relationship between the British Left and the nationalist movement in India in the years before Indian independence, Nicholas Owen's study looks at the failure of British and Indian anti-imperialists to create the kind of powerful alliance that the Empire's governors had always feared.
Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of the early United States. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of London, New York, and Boston (1757-1822) were among the first trained professional composers to make their home in America and to pioneer the building of an art music tradition in the New World akin to the esteemed European classical music. Why, in middle age, would they emigrate and start over in uncertain and unfavorable conditions? How did the new environment affect them personally and musically? Temperley compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.
This volume discusses recent advances in research regarding the evolution of specific and nonspecific defense responses in a taxonomically diverse array of species. Topics regarding invertebrates include the protective mechanisms (cellular and molecular) employed by insects, the protective roles of lectins, and the self-nonself discrimination revealed by tissue incompatibility reactions. With vertebrates, the evolution of the immunoglobulin-related superfamily of recognition molecules (including immunoglobulins and the major histocompatibility complex molecules) is examined over several chapters. Other topics reviewed include the evolution of nonimmunoglobulin mediators of defense (e.g., cytokines and eicosanoids), lymphocyte subpopulations (including effects of ambient temperature on function) and the phylogenetic emergence of natural killer cells. Phylogenesis of Immune Functions provides invaluable information for evolutionary biologists, as well as all immunologists and other researchers interested in discovering how inhabitants in our increasingly threatened biosphere protect themselves against environmental pathogens and toxins.
This book offers detailed readings of relevant works by Blake, Shelley and Keats, to bring together what is loosely termed as Hermetic tradition, British Romantic poetry and responses to the present crises regarding our life on the planet, including those linked to the notion of posthumanism. This conjunction of forces, so to speak, points beyond the boundaries erected by general sociological complacency and the acceptance of humankind as the centre of existence on Earth, to affirm the value of the non-human world and the possibilities inherent in an awareness of its subtler manifestations. Although the idea of spiritual agency might stretch the bounds of credulity, for centuries the inspired imagination has been considered daemonic; that is, it brings to artists and poets (and certain scientists, indeed) a sense of heightened consciousness, seemingly from beyond the self. Whatever causality may be at play here, it is clear that instances of an exalted outlook on life exist in abundance in the poetry of Blake, Shelley and Keats. The present book explores them and their implications.
This text contains A-Z biographical listings of 1300 individuals worldwide, setting out their qualifications, affiliations, academic background, work experience, awards and distinctions, specialist interests and publications. Details are also given of their specialist expertise and language abilities, their availability for consultation, and full addresses and contact numbers. Fully cross-referenced indexes enable the user to find individuals by both country and specialist expertise.
The first part of the book (chapters 1-3) is about what goes on behind the scenes in an opera house : how the performance is planned, how the singers are chosen, trained and rehearsed, who runs the stage and how everything is organized. The second half presents the music and words of scenes from six famous operas, which make their effect in different ways. Questions and projects conclude each chapter.
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