Recognising veiled allusions to the Old Testament in the four Gospels has long contributed to our understanding of the Gospels message. Nicholas Lunn takes the investigation of allusion a significant step further in The Gospels Through Old Testament Eyes. He explores allusions not just in isolated verses, but rather occurring throughout whole passages, demonstrating that many Gospel episodes interact with specific Old Testament accounts through an extended sequence of allusions. Furthermore, his examination is not restricted to episodes presented by a single Gospel, but includes allusions distributed across two or more Gospel treatments of the same event. In The Gospels Through Old Testament Eyes, Lunn offers a series of self-contained studies that bring to light allusions, many of them previously unnoted, that affirm the intricate interweaving of New Testament texts with those of the Old. This volume will greatly enhance your appreciation of the Gospels' presentation of Jesus's life and ministry. It will inform and equip scholars, pastors, preachers, Bible teachers and readers to appreciate new depths in the Gospels.
Although traditionally accepted by the church down through the centuries, the longer ending of Mark's Gospel (16:9-20) has been relegated by modern scholarship to the status of a later appendage. The arguments for such a view are chiefly based upon the witness of the two earliest complete manuscripts of Mark, and upon matters of language and style. This work shows that these primary grounds of argumentation are inadequate. It is demonstrated that the church fathers knew the Markan ending from the very earliest days, well over two centuries before the earliest extant manuscripts. The quantity of unique terms in the ending is also seen to fall within the parameters exhibited by undisputed Markan passages. Strong indications of Markan authorship are found in the presence of specific linguistic constructions, a range of literary devices, and the continuation of various themes prominent within the body of the Gospel. Furthermore, the writings of Luke show that the Gospel of Mark known to this author containedthe ending. Rather than being a later addition, the evidence is interpreted in terms of a textual omission occurring at a later stage in transmission, probably in Egypt during the second century.
Recognising veiled allusions to the Old Testament in the four Gospels has long contributed to our understanding of the Gospels message. Nicholas Lunn takes the investigation of allusion a significant step further in The Gospels Through Old Testament Eyes. He explores allusions not just in isolated verses, but rather occurring throughout whole passages, demonstrating that many Gospel episodes interact with specific Old Testament accounts through an extended sequence of allusions. Furthermore, his examination is not restricted to episodes presented by a single Gospel, but includes allusions distributed across two or more Gospel treatments of the same event. In The Gospels Through Old Testament Eyes, Lunn offers a series of self-contained studies that bring to light allusions, many of them previously unnoted, that affirm the intricate interweaving of New Testament texts with those of the Old. This volume will greatly enhance your appreciation of the Gospels' presentation of Jesus's life and ministry. It will inform and equip scholars, pastors, preachers, Bible teachers and readers to appreciate new depths in the Gospels.
This study tackles the neglected subject of word order in biblical Hebrew poetry. The fact that the order of clause constituents frequently differs from that found in prose has often been noted, but no systematic attempt has been offered by way of explanation. Here two separate factors are taken into consideration, that of purely poetic variation (defamiliarisation), and that of pragmatic markedness. The former is common to the poetic genre. In the latter case there is a discernible significance in the positioning of the words that has implications with respect to the matters of topic and focus. Using Lambrecht's theory of information structure and building on the insights of previous studies in biblical Hebrew narrative the present volume shows that marked topic and focus structures in Old Testament poetry are identical to those found in prose and are distinguishable from defamiliarised word order by means of the environment in which the latter is found. Here the common phenomenon of parallelism is seen to be an important factor in providing a secondary line in which defamiliarisation may freely occur. This work offers a new approach to the poetry of the Old Testament that will be an aid towards more accurate translation, exegesis, and discourse analysis of poetic texts.
Although traditionally accepted by the church down through the centuries, the longer ending of Mark's Gospel (16:9-20) has been relegated by modern scholarship to the status of a later appendage. The arguments for such a view are chiefly based upon the witness of the two earliest complete manuscripts of Mark, and upon matters of language and style. This work shows that these primary grounds of argumentation are inadequate. It is demonstrated that the church fathers knew the Markan ending from the very earliest days, well over two centuries before the earliest extant manuscripts. The quantity of unique terms in the ending is also seen to fall within the parameters exhibited by undisputed Markan passages. Strong indications of Markan authorship are found in the presence of specific linguistic constructions, a range of literary devices, and the continuation of various themes prominent within the body of the Gospel. Furthermore, the writings of Luke show that the Gospel of Mark known to this author contained the ending. Rather than being a later addition, the evidence is interpreted in terms of a textual omission occurring at a later stage in transmission, probably in Egypt during the second century.
Designed for people with a busy lifestyle, this highly acclaimed series of inspiring and practical paperbacks cover a wide range of topics. Each book is a showcase of the trademark DK style that marries instructive photographs with easy-to-read text.
This study tackles the neglected subject of word order in biblical Hebrew poetry. The fact that the order of clause constituents frequently differs from that found in prose has often been noted, but no systematic attempt has been offered by way of explanation. Here two separate factors are taken into consideration, that of purely poetic variation (defamiliarisation), and that of pragmatic markedness. The former is common to the poetic genre. In the latter case there is a discernible significance in the positioning of the words that has implications with respect to the matters of topic and focus. Using Lambrecht's theory of information structure and building on the insights of previous studies in biblical Hebrew narrative the present volume shows that marked topic and focus structures in Old Testament poetry are identical to those found in prose and are distinguishable from defamiliarised word order by means of the environment in which the latter is found. Here the common phenomenon of parallelism is seen to be an important factor in providing a secondary line in which defamiliarisation may freely occur. This work offers a new approach to the poetry of the Old Testament that will be an aid towards more accurate translation, exegesis, and discourse analysis of poetic texts.
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