Medieval churches are one of the most remarkable creative and technical achievements in architectural history. The complex vaults spanning their vast interiors have fascinated both visitors and worshippers alike for over 900 years, prompting many to ask: ‘How did they do that?’ Yet very few original texts or drawings survive to explain the processes behind their design or construction. This book presents a ground-breaking new approach for analysing medieval vaulting using advanced digital technologies. Focusing on the intricately patterned rib vaulting of thirteenth and fourteenth century England, the authors re-examine a series of key sites within the history of Romanesque and Gothic Architecture, using extensive digital surveys to examine the geometries of the vaults and provide new insights into the design and construction practices of medieval masons. From the simple surfaces of eleventh-century groin vaults to the gravity-defying pendant vaults of the sixteenth century, they explore a wide range of questions including: How were medieval vaults conceived and constructed? How were ideas transferred between sites? What factors led to innovations? How can digital methods be used to enhance our understanding of medieval architectural design? Featuring over 200 high quality illustrations that bring the material and the methods used to life, Digital Analysis of Vaults in English Medieval Architecture is ideal reading for students, researchers and anyone with an interest in medieval architecture, construction history, architectural history and design, medieval geometry or digital heritage.
When the Goddess Returns to Eden introduces two interdimensional and universal entities who are enemies and in pursuit of each other through space-time. The setting of their at present encounter is a fictional small town and county in south central Kentucky. There the antagonist, Turner Ashton, infiltrates a local drug cartel who is plotting the death of the protagonist, Rhea Michaels, an educator. She is encouraged by an elderly friend to make contact with the county attorney, Max Hastings, who is also a main character threatened by the cartel. The plot weaves the fictionalized main characters and supporting cast in a web of crime, torture, mayhem, and murder. The connecting element of the initial book and subsequent releases is a professor, Bradford Wainwright, who has received the manuscript from an unknown source with the directive to be read by him alone with the promise a future manuscript will identify him as the author. Once Wainwright finishes reading the initial manuscript and he is speaking to his agent, the second book arrives.
Cognition, Mindreading, and Shakespeare's Characters brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakespeare’s construction of character. Building on the work of the philosopher Alvin Goldman and cognitive literary critics such as Bruce McConachie and Lisa Zunshine, Nicholas Helms uses the language of mindreading to analyze inference and imagination throughout Shakespeare’s plays, dwelling at length on misread minds in King Lear, Much Ado About Nothing, Othello, and Romeo and Juliet. Shakespeare manipulates the mechanics of misreading to cultivate an early modern audience of adept mindreaders, an audience that continues to contemplate the moral ramifications of Shakespeare’s characters even after leaving the playhouse. Using this cognitive literary approach, Helms reveals how misreading fuels Shakespeare’s enduring popular appeal and investigates the ways in which Shakespeare’s characters can both corroborate and challenge contemporary cognitive theories of the human mind.
The benefits delivered by well-designed business premises are often intangible and thus overlooked in favour of low cost solutions. Current market-based approaches to property valuations frequently neglect to take account of the costs and benefits that can accrue through 'design investment' - investment that is specifically targeted towards increasing the quality of a building so it better meets the needs of the clients. How Buildings Add Value for Clients considers a building as an economic instrument that can serve to maximise a client's return on their investment. It examines the problem of managing a building as an investment and discusses how a well-designed and constructed asset can deliver greater capital returns for the client in the form of business benefits. This book offers a clear understanding of how buildings impact on organisations and, crucially, how they can enhance client's business processes. The authors have developed an asset value matrix to assess the benefits of design investment, which can be used to identify and analyse the generic attributes of buildings that influence organisational performance. The book draws from international research, academic papers, and recent press coverage to develop a greater understanding about design quality and the influence this has on buildings in use. Endorsed by the Confederation of Construction Clients, this work will help develop a better understanding of the benefits that buildings can deliver to clients, which will lead to greater client awareness and understanding of their own requirements and a greater ability to communicate them to designers. Although the focus is on buildings, the argument also applies to many infrastructure investments and so will be essential reading for all construction clients.
Long before anyone had heard of alien cookbooks, gremlins on the wings of airplanes, or places where pig-faced people are considered beautiful, Rod Serling was the most prestigious writer in American television. As creator, host, and primary writer for The Twilight Zone, Serling became something more: an American icon. When Serling died in 1975, at the age of fifty, he was the most honored, most outspoken, most recognizable, and likely the most prolific writer in television history. Though best known for The Twilight Zone, Serling wrote over 250 scripts for film and television and won an unmatched six Emmy Awards for dramatic writing for four different series. His filmography includes the acclaimed political thriller Seven Days in May and cowriting the original Planet of the Apes. In great detail and including never-published insights drawn directly from Serling’s personal correspondence, unpublished writings, speeches, and unproduced scripts, Nicholas Parisi explores Serling’s entire, massive body of work. With a foreword by Serling’s daughter, Anne Serling, Rod Serling: His Life, Work, and Imagination is part biography, part videography, and part critical analysis. It is a painstakingly researched look at all of Serling’s work—in and out of The Twilight Zone.
Help addicts to better their lives, even though they oppose treatment! This useful volume, the result of more than ten years of work in researching and refining the techniques most likely to lead to positive client outcomes, offers field-tested methods for dealing with the most challenging addicted client types. These include hopeless clients, clients considered to be in denial, and those who are in treatment not because they desire it, but because of a mandate from an outside authority. The techniques you'll find in Solutions for the “Treatment-Resistant” Addicted Client have proven to be successful with even the most difficult clients. The techniques you will learn in this book avoid generating resistance on the part of the client and are easily integrated into any treatment model. You'll also find case studies, practice worksheets, and suggestions for therapeutic tasks to assign to your clients. Solutions for the “Treatment-Resistant” Addicted Client will teach you: why treating even the most challenging clients with respect is vital to successful therapy why the concept of the client's “treatment readiness” is a myth; it is you, the therapist, who must be “ready” for the most challenging client! how to give your therapeutic message greater impact and break out of unproductive patterns of relating to your clients And the book's final section, presented in Q&A format, addresses: practical applications of the techniques discussed theoretical frameworks for the interventions suggested ethical concerns relating to dealing with clients who don't want treatment Alcohol and drug counselors, probation/parole officers, social workers, and other mental health professionals who work with addicted clients will find this book an invaluable aid in their work. Students preparing to enter these careers, as well as those preparing for certification as alcohol or drug abuse counselors, also need the information found here. Solutions for the “Treatment-Resistant” Addicted Client is must reading for anyone dealing with this extraordinarily difficult population.
“Anyone aiming for timeless elegance, rather than temporary chic, will benefit from Storey’s authoritative, but readable book.” —Esquire Everything you ever wanted to know about men’s clothing—and so much more—from the exact hour Nelson lost his right eye to the type of palm needed for a Panama hat, what Cary Grant’s tailor had to do to his shoulders—and those all-important questions of what to where, when and why, including when to wear a bow tie (surely never is the only answer?). A quirky book full of facts that you never realised you needed to know, including the exact thickness of animal hair used to create must-have fashion items, including suits. Provocative, and controversial at times but always very well dressed. “Mr. Storey, a barrister, offers a compendium of correct garments for all occasions, plus the best places to bespeak them, as well as anecdotes from films, books, royalty, and the beau monde . . . He solves every quandary, from proper ‘full-fig’ (white tie) to the right (grey) topper for Ascot, to where to get and wear tweed. It is all here. Hats off.” —Country Life “Leaders of fashion all share one thing in common: a discerning penchant for the English sartorial standard. This book covers all the main areas rather well, just how Beau Brummell would have specified.” —Maxim “Pokes gentle fun at men’s fashions through the last two centuries . . . This is popular history at its very best, amusing, entertaining, enlightening, and very, very funny . . . It’s a brilliant book!” —Books Monthly
Lifting the Veil is the second novel in the interdimensional travelers series and follows the initial novel When the Goddess Returns to Eden. Lifting the Veil begins with the existential and paranormal protagonist, Rhea Michaels, awakening in the attic from her cosmic journey where she was forced by ancients to view her crucifixion by the Romans. Turner Ashton, the existential and paranormal antagonist, is introduced in the second book undergoing an interrogation by Ross Jackson, the sheriff. Members of the drug cartel, as existential antagonists, continue their plans to assassinate both Rhea Michaels and Max Hastings, the district attorney. The fictionalized setting remains Bell City in Eaton County, Kentucky. The plot continues to weave the fictionalized main characters and supporting cast in a web of crime, torture, murder, and mayhem with both existential and paranormal features. Lifting the Veil presents themes that are worthy of thought and consideration by multiple members of the at-present civilization, including climate change, overpopulation, pollution, extinction, and enslavement. The connecting element of the interdimensional series is a professor, Bradford Wainwright, who, as a character, not only reads and analyzes the manuscript but also is caught in a web of personal and professional analysis. Once Wainwright finishes reading and reviewing Lifting the Veil, he calls Virgil, his literary agent. While they are speaking, the third manuscript arrives and is entitled Aila's Mission.
TABLE OF CONTENTS: Chapter I - Changing Lenses and Frames Chapter II - New Maps: Change on the Psychological Level Chapter III - The Group as Learning Laboratory Chapter IV - Change on the Interpersonal Level Chapter V - Change on the Level of Beliefs and Values Chapter VI - The Paradoxes of Group Therapy.
Building on the five previous titles in the Smart series with sales totaling over 300,000 copies--is an easy-to-use guide to help readers improve speed and comprehension. Designed for students and adults, this book is written in Princeton's trademark style of candor and irreverent humor.
Rapid evolution of technical advances in infrared sensor technology, image processing, ‘smart algorithms, databases, and system integration paves the way for new methods of research and use in medical infrared imaging. These breakthroughs permit easy-to-use, high-sensitivity imaging that can address key issues of diagnostic specificity and engende
Beyond the Bedtime Story: Understanding and Promoting Reading Development During the Middle School Years was written for educators, parents, and all who care about promoting the reading development of middle school students. The book fills a much-needed void in scholarly literature by considering the unique developmental nature of early adolescence. Although the authors highlight many of the challenges with promoting reading achievement during the middle school transition years, their hope is that this user-friendly book will suggest ways that reading can remain a critical part of middle school students’ lives, both in and out of school, so that we can create a nation of life-long readers. This book also encourages practitioners and family members to accept the challenge of creatively engaging reluctant readers so that all middle school students will share in the literacy legacy begun in preschools and elementary schools and offers practical strategies to build this legacy.
Events between which we have no epistemic reason to discriminate have equal epistemic probabilities. Bertrand’s chord paradox, however, appears to show this to be false, and thereby poses a general threat to probabilities for continuum sized state spaces. Articulating the nature of such spaces involves some deep mathematics and that is perhaps why the recent literature on Bertrand’s Paradox has been almost entirely from mathematicians and physicists, who have often deployed elegant mathematics of considerable sophistication. At the same time, the philosophy of probability has been left out. In particular, left out entirely are the philosophical ground of the principle of indifference, the nature of the principle itself, the stringent constraint this places on the mathematical representation of the principle needed for its application to continuum sized event spaces, and what these entail for rigour in developing the paradox itself. This book puts the philosophy and its entailments back in and in so doing casts a new light on the paradox, giving original analyses of the paradox, its possible solutions, the source of the paradox, the philosophical errors we make in attempting to solve it and what the paradox proves for the philosophy of probability. The book finishes with the author’s proposed solution—a solution in the spirit of Bertrand’s, indeed—in which an epistemic principle more general than the principle of indifference offers a principled restriction of the domain of the principle of indifference. Bertrand's Paradox and the Principle of Indifference will appeal to scholars and advanced students working in the philosophy of mathematics, epistemology, philosophy of science, probability theory and mathematical physics.
The greatest untold crime saga of the Victorian Era: the extraordinary true story of four American forgers who tried to steal five million dollars from the Bank of England. In the summer of 1873, four American forgers went on trial at the Old Bailey for the greatest fraud the world had ever seen: the attempted theft of five million dollars from the Bank of England. In The Thieves of Threadneedle Street, Nicholas Booth tells the extraordinary true story of the forgers' earliest escapades, culminating in the heist at the world’s leading financial institution. At the heart of the story is the charming criminal genius Austin Bidwell who, on the brink of escaping with his fortune, saw his luck finally run out. There were double crosses and miraculous escapes. There were chases across rural Ireland, through Scottish cities, across the Atlantic on ships heading toward Manhattan and — most exotic of all — Cuba, where the most elusive thief would eventually be captured, only to escape again. Hot on their trail was William Pinkerton, "the greatest detective in America," scion of the famous detective agency. With its cast of improbable villains, curious coincidences, and extraordinary adventures, this is an astounding international caper with twists and turns that often defy belief. With access to previously unopened archives, Nicholas Booth has unearthed the greatest untold crime saga of the Victorian Era.
This is the first comprehensive study of all the plantations that were attempted in Ireland during the years 1580-1650. It examines the arguments advanced by successive political figures for a plantation policy, and the responses which this policy elicited from different segments of the population in Ireland. The book opens with an analysis of the complete works of Edmund Spenser who was the most articulate ideologue for plantation. The author argues that all subsequent advocates of plantation, ranging from King James VI and I, to Strafford, to Oliver Cromwell, were guided by Spenser's opinions, and that discrepancies between plantation in theory and practice were measured against this yardstick. The book culminates with a close analysis of the 1641 insurrection throughout Ireland, which, it is argued, steeled Cromwell to engage in one last effort to make Ireland British.
Fresh, original and compelling, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘the beginning’ and concluding with ‘the end’, the book covers topics that range from the familiar (character, narrative, the author) to the more unusual (secrets, pleasure, ghosts). Eschewing abstract isms, Bennett and Royle successfully illuminate complex ideas by engaging directly with literary works – so that a reading of Jane Eyre opens up ways of thinking about racial difference, whilst Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literary laughter. Each chapter ends with a narrative guide to further reading and the book also includes a glossary and bibliography. The fourth edition has been revised to incorporate two timely new chapters on animals and the environment. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of both reading and studying literature.
This is the first book-length study of the uncanny, an important concept for contemporary thinking and debate across a range of disciplines and discourses, including literature, film, architecture, cultural studies, philosophy, psychoanalysis, and queer theory. Much of this importance can be traced back to Freud's essay of 1919, "The uncanny," where he was perhaps the first to foreground the distinctive nature of the uncanny as a feeling of something not simply weird or mysterious but, more specifically, as something strangely familiar. As a concept and a feeling, however, the uncanny has a complex history going back to at least the Enlightenment. Nicholas Royle offers a detailed historical account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on the death drive, déjà-vu, "silence, solitude and darkness," the fear of being buried alive, doubles, ghosts, cannibalism, telepathy, and madness, as well as more "applied" readings concerned, for example, with teaching, politics, film, and religion. This is a major critical study that will be welcomed by students and academics but will also be of interest to the general reader.
Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.
Containing all the information and analysis needed to understand the British system of Government and politics, Mastering British Politics is an essential text. This fifth edition has been fully revised and updated to reflect the results of and developments since the 2005 General Election.
Xenos dissects the political ideas of Leo Strauss by careful attention to his full body of work. The result is a critical examination of Strauss’s political theory and its influence on the neoconservative foreign policy of the Bush administration.
Though Abraham Lincoln was not a political philosopher per se, in word and in deed he did grapple with many of the most pressing and timeless questions in politics. What is the moral basis of popular sovereignty? What are the proper limits on the will of the majority? When and why should we revere the law? What are we to do when the letter of the law is at odds with what we believe justice requires? How is our devotion to a particular nation related to our commitment to universal ideals? What is the best way to protect the right to liberty for all people? The contributors to this volume, a methodologically and ideologically diverse group of scholars, examine Lincoln's responses to these and other ultimate questions in politics. The result is a fascinating portrait of not only Abraham Lincoln but also the promises and paradoxes of liberal democracy. The basic liberal democratic idea is that individual liberty is best secured by a democratic political order that treats all citizens as equals before the law and is governed by the law, with its limits on how the state may treat its citizens and on how citizens may treat one another. Though wonderfully coherent in theory, these ideas prove problematic in real-world politics. The authors of this volume approach Lincoln as the embodiment of this paradox--"naturally antislavery" yet unflinchingly committed to defending proslavery laws; defender of the common man but troubled by the excesses of democracy; devoted to the idea of equal natural rights yet unable to imagine a harmonoius, interracial democracy. Considering Lincoln as he attempted to work out the meaning and coherence of the liberal democratic project in practice, these authors craft a profile of the 16th president's political thought from a variety of perspectives and through multiple lenses. Together their essays create the first fully-dimensional portrait of Abraham Lincoln as a political actor, expressing, addressing, and reframing the perennial questions of liberal democracy for his time and our own.
Drawing conceptually and directly on music notation, this book investigates landscape architecture’s inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. A Musicology for Landscape makes available to a wider landscape architecture and urban design audience the works of three influential composers – Morton Feldman, György Ligeti and Michael Finnissy – presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields.
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