An entire household massacred. A family feud. A sheriff found dead. Neighbor turned against neighbor. Reports of ghosts, bounty hunters, deathbed confessions, and legacy fortunes. In 1874, the Saxtown massacre rocked a nation reeling from economic depression and shattered a small German immigrant farming community in Illinois. The murder of the Stelzriede family led investigators through forests and farmland, chasing footprints, bloody tobacco leaves, and the marks of an ax dragged away from the scene. Nicholas J. C. Pistor’s The Ax Murders of Saxtown is a gripping tale of suspense and suspicion that exposes brand new information about the century-old crime and showcases the flaws of the nineteenth-century justice system.
They took the most memorable photographs of the Civil War. Now their long rivalry was about to climax with the spilled blood of an American president--an event that would usher in a new age of modern media. Mathew Brady and Alexander Gardner were the new media moguls of their day. With their photographs they brought the Civil War -- and all of its terrible suffering -- into Northern living rooms. By the end of the war, they were locked in fierce competition. And when the biggest story of the century happened--the assassination of Abraham Lincoln--their paparazzi-like competition intensified. Brady, nearly blind and hoping to rekindle his wartime photographic magic, and Gardner, his former understudy, raced against each other to the theater where Lincoln was shot, to the autopsy table where Booth was identified, and to the gallows where the conspirators were hanged. Whoever could take the most sensational -- or ghastly -- photograph would achieve lasting camera-lens fame. Compelling and riveting, Shooting Lincoln tells the astonishing, behind-the-photographs story of these two media pioneers who raced to "shoot" the late president and the condemned conspirators. The photos they took electrified the country, fed America's growing appetite for tabloid-style sensationalism in the news, and built the media we know today.
They took the most memorable photographs of the Civil War. Now their long rivalry was about to climax with the spilled blood of an American president--an event that would usher in a new age of modern media. Mathew Brady and Alexander Gardner were the new media moguls of their day. With their photographs they brought the Civil War -- and all of its terrible suffering -- into Northern living rooms. By the end of the war, they were locked in fierce competition. And when the biggest story of the century happened--the assassination of Abraham Lincoln--their paparazzi-like competition intensified. Brady, nearly blind and hoping to rekindle his wartime photographic magic, and Gardner, his former understudy, raced against each other to the theater where Lincoln was shot, to the autopsy table where Booth was identified, and to the gallows where the conspirators were hanged. Whoever could take the most sensational -- or ghastly -- photograph would achieve lasting camera-lens fame. Compelling and riveting, Shooting Lincoln tells the astonishing, behind-the-photographs story of these two media pioneers who raced to "shoot" the late president and the condemned conspirators. The photos they took electrified the country, fed America's growing appetite for tabloid-style sensationalism in the news, and built the media we know today.
An entire household massacred. A family feud. A sheriff found dead. Neighbor turned against neighbor. Reports of ghosts, bounty hunters, deathbed confessions, and legacy fortunes. In 1874, the Saxtown massacre rocked a nation reeling from economic depression and shattered a small German immigrant farming community in Illinois. The murder of the Stelzriede family led investigators through forests and farmland, chasing footprints, bloody tobacco leaves, and the marks of an ax dragged away from the scene. Nicholas J. C. Pistor’s The Ax Murders of Saxtown is a gripping tale of suspense and suspicion that exposes brand new information about the century-old crime and showcases the flaws of the nineteenth-century justice system.
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