The NHL's New York Islanders were struggling. After winning four straight Stanley Cups in the early 1980s, the Islanders had suffered an embarrassing sweep by their geographic rivals, the New York Rangers, in the first round of the 1994 playoffs. Hoping for a new start, the Islanders swapped out their distinctive logo, which featured the letters NY and a map of Long Island, for a cartoon fisherman wearing a rain slicker and gripping a hockey stick. The new logo immediately drew comparisons to the mascot for Gorton's frozen seafood, and opposing fans taunted the team with chants of "We want fish sticks!" During a rebranding process that lasted three torturous seasons, the Islanders unveiled a new mascot, new uniforms, new players, a new coach, and a new owner that were supposed to signal a return to championship glory. Instead, the team and its fans endured a twenty-eight-month span more humiliating than what most franchises witness over twenty-eight years. The Islanders thought they had traded for a star player to inaugurate the fisherman era, but he initially refused to report and sulked until the general manager banished him. Fans beat up the new mascot in the stands. The new coach shoved and spit at players. The Islanders were sold to a supposed billionaire who promised to buy elite players; he turned out to be a con artist and was sent to prison. We Want Fish Sticks examines this era through period sources and interviews with the people who lived it.
Succeeding an air force base on the Hempstead Plains, Nassau Veterans Memorial Coliseum debuted in 1972 as Long Islands foremost sports and entertainment mecca. Its first tenants were a mediocre basketball team and expansion hockey club. Both appeared unlikely to foster a winning attitude, yet soon emerged as champions. Julius Dr. J. Erving dunked the New York Nets to two titles, and the Islanders launched a star-studded Stanley Cup dynasty. Over the decades, the coliseum has also hosted presidents, legendary musicians, the NHL All-Star Game, and WrestleMania 2. Nassau Veterans Memorial Coliseum chronicles, for the first time ever, the history of a suburban arena that has often garnered the national spotlight.
Forest Hills grew out of an experiment - the transformation of 142 undeveloped acres into America's first garden city. From the early renderings of 1909 came a "fairy-book suburb," as Sinclair Lewis wrote, with architecture that was inspired by medieval villages. The success of the community bred development of homes, churches, and businesses on nearby plots. Forest Hills landed the most prestigious tennis tournament in the country. Theodore Roosevelt visited. Helen Keller moved in. Only generations later would the peace shatter when residents viciously protested a historic proposal for public housing.
Forever known for its blazing cinematic image of General George S. Patton (portrayed by George C. Scott) addressing his troops in front of a mammoth American flag, Patton won seven Oscars in 1971, including those for Best Picture and Best Actor. In doing so, it beat out a much-ballyhooed M*A*S*H, irreverent darling of the critics, and grossed $60 million despite an intense anti-war climate. But, as Nicholas Evan Sarantakes reveals, it was a film that almost didn't get made. Sarantakes offers an engaging and richly detailed production history of what became a critically acclaimed box office hit. He takes readers behind the scenes, even long before any scenes were ever conceived, to recount the trials and tribulations that attended the epic efforts of producer Frank McCarthy—like Patton a U.S. Army general—and Twentieth Century Fox to finally bring Patton to the screen after eighteen years of planning. Sarantakes recounts how filmmakers had to overcome the reluctance of Patton's family, copyright issues with biographers, competing efforts for a biopic, and Department of Defense red tape. He chronicles the long search for a leading man—including discussions with Burt Lancaster, John Wayne, and even Ronald Reagan—before settling on Scott, a brilliant actor who brought to the part both enthusiasm for the project and identification with Patton's passionate persona. He also tracks the struggles to shoot the movie with a large multinational cast, huge outlays for military equipment, and filming in six countries over a mere six months. And he provides revealing insider stories concerning, for example, Scott's legendary drinking bouts and the origins of and debate over his famous opening monologue. Drawing on extensive research in the papers of Frank McCarthy and director Franklin Schaffner, studio archives, records of the Academy of Motion Picture Arts and Sciences, contemporary journalism, and oral histories, Sarantakes ultimately shows us that Patton is more than just one of the best war films ever made. Culturally, it also spoke to national ideals while exposing complex truths about power in the mid-twentieth century.
The NHL’s New York Islanders were struggling. After winning four straight Stanley Cups in the early 1980s, the Islanders had suffered an embarrassing sweep by their geographic rivals, the New York Rangers, in the first round of the 1994 playoffs. Hoping for a new start, the Islanders swapped out their distinctive logo, which featured the letters NY and a map of Long Island, for a cartoon fisherman wearing a rain slicker and gripping a hockey stick. The new logo immediately drew comparisons to the mascot for Gorton’s frozen seafood, and opposing fans taunted the team with chants of “We want fish sticks!” During a rebranding process that lasted three torturous seasons, the Islanders unveiled a new mascot, new uniforms, new players, a new coach, and a new owner that were supposed to signal a return to championship glory. Instead, the team and its fans endured a twenty-eight-month span more humiliating than what most franchises witness over twenty-eight years. The Islanders thought they had traded for a star player to inaugurate the fisherman era, but he initially refused to report and sulked until the general manager banished him. Fans beat up the new mascot in the stands. The new coach shoved and spit at players. The Islanders were sold to a supposed billionaire who promised to buy elite players; he turned out to be a con artist and was sent to prison. We Want Fish Sticks examines this era through period sources and interviews with the people who lived it.
Succeeding an air force base on the Hempstead Plains, Nassau Veterans Memorial Coliseum debuted in 1972 as Long Islands foremost sports and entertainment mecca. Its first tenants were a mediocre basketball team and expansion hockey club. Both appeared unlikely to foster a winning attitude, yet soon emerged as champions. Julius Dr. J. Erving dunked the New York Nets to two titles, and the Islanders launched a star-studded Stanley Cup dynasty. Over the decades, the coliseum has also hosted presidents, legendary musicians, the NHL All-Star Game, and WrestleMania 2. Nassau Veterans Memorial Coliseum chronicles, for the first time ever, the history of a suburban arena that has often garnered the national spotlight.
Forest Hills grew out of an experiment--the transformation of 142 undeveloped acres into America's first garden city. From the early renderings of 1909 came a "fairy-book suburb," as Sinclair Lewis wrote, with architecture that was inspired by medieval villages. The success of the community bred development of homes, churches, and businesses on nearby plots. Forest Hills landed the most prestigious tennis tournament in the country. Theodore Roosevelt visited. Helen Keller moved in. Only generations later would the peace shatter when residents viciously protested a historic proposal for public housing.
Forest Hills grew out of an experiment - the transformation of 142 undeveloped acres into America's first garden city. From the early renderings of 1909 came a "fairy-book suburb," as Sinclair Lewis wrote, with architecture that was inspired by medieval villages. The success of the community bred development of homes, churches, and businesses on nearby plots. Forest Hills landed the most prestigious tennis tournament in the country. Theodore Roosevelt visited. Helen Keller moved in. Only generations later would the peace shatter when residents viciously protested a historic proposal for public housing.
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