Many have told of the East India Company’s extraordinary excesses in eighteenth-century India, of the plunder that made its directors fabulously wealthy and able to buy British land and titles, but this is only a fraction of the story. When one of these men—Warren Hastings—was put on trial by Edmund Burke, it brought the Company’s exploits to the attention of the public. Through the trial and after, the British government transformed public understanding of the Company’s corrupt actions by creating an image of a vulnerable India that needed British assistance. Intrusive behavior was recast as a civilizing mission. In this fascinating, and devastating, account of the scandal that laid the foundation of the British Empire, Nicholas Dirks explains how this substitution of imperial authority for Company rule helped erase the dirty origins of empire and justify the British presence in India. The Scandal of Empire reveals that the conquests and exploitations of the East India Company were critical to England’s development in the eighteenth century and beyond. We see how mercantile trade was inextricably linked with imperial venture and scandalous excess and how these three things provided the ideological basis for far-flung British expansion. In this powerfully written and trenchant critique, Dirks shows how the empire projected its own scandalous behavior onto India itself. By returning to the moment when the scandal of empire became acceptable we gain a new understanding of the modern culture of the colonizer and the colonized and the manifold implications for Britain, India, and the world.
Was the author of Pride and Prejudice really a poor, uneducated woman with no experience of sex or marriage? A woman who spent most of her life in rural seclusion, never meeting any other authors or literary figures, and whose only formal education was two years at a basic primary school? This is what biographers of Jane Austen expect us to believe, and what Nicholas Ennos refutes in this exposé, Jane Austen: A New Revelation. How could Jane Austen have written these novels, he asks, that have been considered by discriminating critics as some of the finest in the English language? Nicholas Ennos shows how the novels reveal the real author to have been a woman who moved in the highest circles of London society, was educated in Latin and Greek and who spoke fluent French. It reveals the author to be not a retiring spinster, but Jane Austen’s cousin and sister-in-law, Eliza de Feuillide, a married lady of the highest intellect whose ten-year course of education was supervised by her famous father, a man at the very centre of the intellectual life of London. The book traces Eliza’s exciting life, from her birth in Calcutta, India, to the court of Marie Antoinette, the execution of her first husband in the French Revolution and her connections to the leading literary figures of England and Germany. Jane Austen: A New Revelation reveals many new facts and the close connection between the supposed novels of Jane Austen and those of the novelist with the greatest influence on her, Fanny Burney. Nicholas Ennos’s knowledge of languages enables him to cast a fresh eye on these novels, revealing their true author to be a master linguist herself, who took her writing style from both French and Latin.Jane Austen: A New Revelation is the first book published to reveal the true author of these works. It will appeal both to fans of Jane Austen, and literary conspiracists.
Lifting the Veil is the second novel in the interdimensional travelers series and follows the initial novel When the Goddess Returns to Eden. Lifting the Veil begins with the existential and paranormal protagonist, Rhea Michaels, awakening in the attic from her cosmic journey where she was forced by ancients to view her crucifixion by the Romans. Turner Ashton, the existential and paranormal antagonist, is introduced in the second book undergoing an interrogation by Ross Jackson, the sheriff. Members of the drug cartel, as existential antagonists, continue their plans to assassinate both Rhea Michaels and Max Hastings, the district attorney. The fictionalized setting remains Bell City in Eaton County, Kentucky. The plot continues to weave the fictionalized main characters and supporting cast in a web of crime, torture, murder, and mayhem with both existential and paranormal features. Lifting the Veil presents themes that are worthy of thought and consideration by multiple members of the at-present civilization, including climate change, overpopulation, pollution, extinction, and enslavement. The connecting element of the interdimensional series is a professor, Bradford Wainwright, who, as a character, not only reads and analyzes the manuscript but also is caught in a web of personal and professional analysis. Once Wainwright finishes reading and reviewing Lifting the Veil, he calls Virgil, his literary agent. While they are speaking, the third manuscript arrives and is entitled Aila's Mission.
When the Goddess Returns to Eden introduces two interdimensional and universal entities who are enemies and in pursuit of each other through space-time. The setting of their at present encounter is a fictional small town and county in south central Kentucky. There the antagonist, Turner Ashton, infiltrates a local drug cartel who is plotting the death of the protagonist, Rhea Michaels, an educator. She is encouraged by an elderly friend to make contact with the county attorney, Max Hastings, who is also a main character threatened by the cartel. The plot weaves the fictionalized main characters and supporting cast in a web of crime, torture, mayhem, and murder. The connecting element of the initial book and subsequent releases is a professor, Bradford Wainwright, who has received the manuscript from an unknown source with the directive to be read by him alone with the promise a future manuscript will identify him as the author. Once Wainwright finishes reading the initial manuscript and he is speaking to his agent, the second book arrives.
The decades between 1970 and the end of the twentieth century saw the disciplines of history and anthropology draw closer together, with historians paying more attention to social and cultural factors and the significance of everyday experience in the study of the past. The people, rather than elite actors, became the focus of their inquiry, and anthropological insights into agriculture, kinship, ritual, and folk customs enabled historians to develop richer and more representative narratives. The intersection of these two disciplines also helped scholars reframe the legacies of empire and the roots of colonial knowledge. In this collection of essays and lectures, history's turn from high politics and formal intellectual history toward ordinary lives and cultural rhythms is vividly reflected in a scholar's intellectual journey to India. Nicholas B. Dirks recounts his early study of kingship in India, the rise of the caste system, the emergence of English imperial interest in controlling markets and India's political regimes, and the development of a crisis in sovereignty that led to an extraordinary nationalist struggle. He shares his personal encounters with archives that provided the sources and boundaries for research on these subjects, ultimately revealing the limits of colonial knowledge and single disciplinary perspectives. Drawing parallels to the way American universities balance the liberal arts and specialized research today, Dirks, who has occupied senior administrative positions and now leads the University of California at Berkeley, encourages scholars to continue to apply multiple approaches to their research and build a more global and ethical archive.
For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.
This book explores the inter-relationships between Agatha Christie and her works to seek the wholeness in the Christie experience. The authors perceive an integration in personal experience and moral and aesthetic values between the woman and her art.
1 Henry of Lancaster and the English Expedition to Aquitaine, 1345-46 -- 2 English and Welsh Soldiers: Troop Types in Lancaster's Army -- 3 Raising an Army: Recruitment and Composition -- 4 Paying an Army: Financial Administration -- 5 The Twin Victories: The First Campaign, 1345 -- 6 Siege and Conquest by Sword: The Second Campaign, 1346 -- 7 Lancaster's War Retinue in 1345: Formation and Structure -- 8 Lancaster's War Retinue in 1345: Cohesion and Stability -- 9 An Era of Military Professionalism: Careers and Patterns of Service
Watching Eclipse is the man who wants to buy him. An adventurer and rogue who has made his money through gambling, Dennis O'Kelly is also a known companion to the madam of a notorious London brothel. Under O'Kelly's management, Eclipse would go on a winning streak unparalleled for the next two centuries. As journalist Nicholas Clee explores in this captivating romp, while O'Kelly was destined to remain an outcast to the racing establishment, his horse would go on to become the undisputed, undefeated champion of the sport. Not only a consummate winner, Eclipse exemplified the perfect thoroughbred -- a status he retains even today. Eclipse's male-line descendants include Secretariat, Barbaro, and all but three of the Kentucky Derby winners of the past fifty years.
This book explores the things which united, rather than divided, poets during the English Civil Wars, focusing less on conflicts between 'Cavaliers' and 'Roundheads' than on the friendships and shared literary enthusiasms of men of various political allegiance. Includes new readings of the early verse of John Milton and Andrew Marvell.
Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.
Honorable Mention, 2024 Outstanding Published Book Award, Altruism, Morality, and Social Solidarity Section, American Sociological Association Today, “corruption” generally refers to pursuing personal interests at the expense of one’s responsibilities, the law, or the common good. It calls to mind some official violating their public duty for private gain, suggesting seamy bureaucracies taking payoffs, kickbacks, and bribes. Yet at other times, notions of corruption were rooted in a more expansive view of the causes of people’s behavior and the appropriate ways to regulate conduct. In this understanding, to be “corrupt” meant losing a delicate balance among competing appetites under specific circumstances and in the eyes of peers. Why did a narrower definition of corruption become dominant? Nicholas Hoover Wilson develops a new account of the changing category of corruption by examining the English East India Company and its transformation from a largely commercial enterprise to a militarized offshoot of British empire in the eighteenth and nineteenth centuries. He argues that the modern idea of corruption arose as an unintended consequence of conflicts among company officials and the changing audiences to which they justified themselves in Britain. This new understanding unified an imperial elite at risk of fragmenting into irreconcilable moral worlds and, in the process, helped redefine the boundaries of state, society, and economy. Modernity’s Corruption is at once a novel historical sociology of imperial administration and its contradictions, a fresh argument about the nature of corruption and its political and organizational effects, and a reinvigoration of classic arguments about the nature and consequences of global modernity.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.