Nicholas Hagger's 55 books include innovatory works on literature, history, philosophy and international politics. In his first published literary work he revived the Preface, which had fallen into disuse after Wordsworth and Shelley. He went on to write Prefaces (sometimes called ‘Prologues’, ‘Introductions’ or ‘Introductory Notes’) for all his subsequent books. Collected Prefaces, a collection of 55 Prefaces (excluding the Preface to this book), sets out his thinking and the reader can follow the development of his philosophy of Universalism (of which he is the main exponent), his literary approach (particularly his combination of Romanticism and Classicism which he calls "neo-Baroque") and his metaphysical thinking. His Prefaces can be read as essays, and as in T.S. Eliot’s Selected Essays there is an interaction between adjacent Prefaces that brings an entirely new perspective to Hagger's works. These Prefaces cover an enormous range. Nicholas Hagger is a Renaissance man at home in many disciplines. His Universalism focuses on humankind’s relationship to the whole universe as reflected in seven key disciplines seen as wholes: the whole of literature, history, philosophy and the sciences, mysticism, religion, international politics and statecraft and world culture. Behind all the Prefaces is Hagger’s fundamental perception of the unity of the universe as the One and of humankind’s position in it. These Prefaces complement his Selected Letters, a companion volume also published by O-Books, and contain startling insights that illumine and send readers to the works the Prefaces introduce.
The Traditions and Influences that Have Shaped the Works of Writers and Thinkers in All Civilisations, Including Nicholas Hagger's 60 Universalist Works
The Traditions and Influences that Have Shaped the Works of Writers and Thinkers in All Civilisations, Including Nicholas Hagger's 60 Universalist Works
All writers and thinkers, and their works, are in a tradition that preceded them. In The Tree of Tradition, Nicholas Hagger sets out a way for all writers and thinkers to be more aware of the traditions and influences that have shaped their works in all subjects and disciplines in all civilisations, using short personal reflections on how influences shaped his own works as an example. Each discipline has metaphysical and secular traditions, and Hagger's A New Philosophy of Literature set out the fundamental theme of world literature as a perennial conflict between a Romantic individual quest for Reality, the One, and a classical condemnation of social follies and vices. Hagger's 60 Universalist works are innovatory in seeing the ultimate unity of the universe, of all disciplines and of humankind, and in reconciling Romanticism and Classicism within a unity he calls Baroque. A Universalist writer is influenced by many sub-traditions, and Hagger particularises the traditions and sub-traditions that have inspired or influenced his works in seven disciplines (mysticism, literature, philosophy and the sciences, history, comparative religion, international politics and statecraft, and world culture) and in the seven branches of literature in which he has written his works (poems and poetic epics, verse plays and masques, short stories, diaries, autobiographies, letters and his statement of the fundamental unity of world literature), which he symbolises in a stag's two seven-branched antlers. This is an inspirational book that throws light on the traditions and influences behind all works in all disciplines and civilisations, and the 109 traditions and 84 influences behind Hagger's Universalist works.
Nicholas Hagger’s Collected Stories covered five volumes containing 1,001 very short stories detailing five decades (from the 1960s to the 2000s) in the life of Philip Rawley, whose demise was misleadingly announced at the end of the fifth volume. This sixth volume contains 201 stories and deals with the chill of winter, impending old age. These mini-stores present a wide range of characters, and their follies and flaws. They offer a complete literary experience in a page or two, and their combination of opposites derives its inspiration from the 17th century: Dr Johnson’s description in his ‘Life of Cowley’ of the wit of the Metaphysical poets as “a combination of dissimilar images” in which “the most heterogeneous ideas are yoked by violence together”. They are verbal paintings that present an image in action and reveal a poet’s eye for significant detail. Hagger’s stories are innovatory in their brevity. They are imagistic, economical and vivid, and cumulatively reflect the Age. They are ideal for short concentration spans: reading on journeys or in bed. Individual stories drop into the consciousness like a stone into a well, leaving the mind to reflect on the ripples. These imaginative stories in clean prose make excellent reading and contain memorable images and studies of character.
During a visit to Jordan Nicholas Hagger stood on Mount Nebo where the prophet Moses stood, and looked down on the Promised Land of Canaan that Moses saw shortly before he died. It seemed as if all the kingdoms of the earth were spread out below him, a new Promised Land: a coming World State called for by Dante and Kant, and more recently by Truman, Einstein, Churchill, Eisenhower, Gandhi, Russell, J.F. Kennedy and Gorbachev - and Hagger himself in World State and World Constitution. Combining travelogue and historical reflection, Nicholas Hagger draws on previous visits to the Biblical Middle East and traces the development of his Universalism in his formative years and then in his “wilderness years”, when like Moses he spent 40 years in the wilderness setting out Universalism in 60 books and arriving at its ten commandments. He reflects on a remarkable life and its pattern and reaches some conclusions on the Providential nature of its direction and on the European civilisation. Weaving together his wanderings in Arabia and Egypt, his past travels and his writings, he presents a coming democratic, partly federal World State with sufficient authority to abolish war, enforce disarmament, combat famine, disease and poverty and solve the world’s financial, environmental and virological problems, and in a closing vision a coming Promised Land that like Moses he will not live to see. This is a stunning work with a prophetic vision of the future.
These poems serve as an introduction to Nicholas Hagger’s poetic works, which include nearly 1,500 poems, more than 300 classical odes, two poetic epics and five verse plays. They are grouped in two parts which reflect the two aspects of the fundamental theme of world literature outlined in his A New Philosophy of Literature: ‘Quest for the One’ and ‘Follies and Vices’. They present a quest for Reality along with moments of heightened consciousness in which the universe is seen as a unity, and condemn social follies and over 220 vices in terms of an implied virtue. This selection of poems combines image and statement in the reconciling Universalist manner, and in different poems blends Romantic search and organic form with classical social attitudes, verbal precision and architectural structure. The poems cover five decades and include extracts from ‘The Silence’, which describes Freeman’s quest for Reality in Modernist style, ‘Archangel’ (a reflection on Communism following visits to China and the Soviet Union), poems written during a Dark Night of the Soul, glimpses of illumination and poems of social satire. There are also extracts from Hagger's verse plays. As can be seen from his ‘A Metaphysical in Marvell’s Garden’ Hagger derives his inspiration from the 17th-century Metaphysical poets and seeks to unite the later Augustan and Romantic traditions. This selection offers a chance to reappraise a poet whose material, accomplished technique and reconciling sensibility places him in the forefront of poets writing today.
These stories serve as an introduction to Nicholas Hagger’s five volumes totalling 1,001 stories (an echo of The Thousand and One Nights, or Arabian Nights). They are grouped in two parts which reflect the two aspects of the fundamental theme of world literature outlined in his A New Philosophy of Literature: ‘Follies and Vices’ and ‘Quest for the One’. These stories condemn follies and vices in relation to an implied virtue – more than 150 vices are listed in a Preface – and present moments of heightened consciousness in which the universe is perceived as a unity.
In this remarkable memoir Nicholas Hagger reflects on war and peace and on 'peace for our time', Chamberlain’s haunting words in 1938 that ushered in the Second World War. Peace then turned out to be an illusion shattered by the outbreak of hostilities. Will world peace again turn out to be an illusion? With a lightness of touch Nicholas Hagger addresses the burning issue of our time - whether a new world structure can avert a new world war - and unveils a vision of a better, safer world for our grandchildren. This stimulating work will fascinate and inspire a new generation looking beyond nation-state self-interest to world unity.
In King Charles the Wise, Nicholas Hagger celebrates the UK’s post-Brexit global destiny and foresees the birth of a united world. Following the tradition of Ben Jonson’s 17th-century celebratory court masques in verse and his own The Dream of Europa (which celebrated 70 years of peace in Europe), and incorporating the blend of mythology and history and five sections (prologue, antimasque, masque, revels and epilogue) found in all masques, he describes how Zeus sends Minerva, goddess of Wisdom, as an ambassador to Prince Charles in Buckingham Palace. Zeus wants a democratic World State to end all wars, as called for by Truman, Einstein, Churchill, Eisenhower, Gandhi, Russell, J.F. Kennedy and Gorbachev. He sees the innovative and influential UK as best placed to give this humanitarian vision global prominence, and seeks the support of its future King, Charles, deeming him more enduring and open-minded than its transient, partisan politicians. Minerva confronts Prince Charles with the conflicting perspectives of the goddesses Britannia, Europa and Columbia (who speak for the UK, EU and US), and foresees a World State that will abolish war. He accepts the humanitarian concerns behind this Universalist vision, and Minerva crowns him ‘King Charles the Wise’. Besides being King of the UK and all its faiths he will sympathise with the plight of all humankind and inspire a new world structure that can bring universal peace during the coming Carolingian Age.
Since 1945 the UN has failed to prevent 162 wars and the proliferation of nuclear weapons, and there is talk of a Third World War involving the Middle East, the Baltic states and North Korea. Competing nation-states seem powerless to achieve world peace under the UN. Continuing a tradition that began with the 1945 atomic bombs, Nicholas Hagger follows Truman, Einstein, Churchill, Eisenhower, Gandhi, Russell, J.F. Kennedy and Gorbachev in calling for a democratic, partly-federal World State with sufficient authority to abolish war, enforce disarmament, combat famine, disease and poverty, and solve the world’s financial and environmental problems. In World State Hagger sets out the historical background and the failure of the current political order of nation-states. He presents the ideal World State - its seven federal goals, its structure and the benefits it would bring - and sets out a manifesto that would turn the UN General Assembly into an elected lower house of a democratic World State. He details the constituencies for a World Parliamentary Assembly and World Senate, and provides the data for his calculations in full appendices. A companion volume, World Constitution, contains a Constitution for a ‘United Federation of the World’ that can be laid before the UN General Assembly. This comprehensive and authoritative study serves as an introduction to this Constitution and may come to be seen as the defining work on a World State.
This powerful sequel to The Secret Founding of America presents compelling evidence of a 'secret American Dream' - nothing less than the establishment of a benign World State which would establish a universal peace under which all the peoples of the Earth would flourish.
In King Charles the Wise, Nicholas Hagger celebrated Prince Charles's humanitarian vision and foresaw the birth of a united world. In The Coronation of King Charles he celebrates the coming Carolingian Age. The hope is that all the divisions within the UK and problems of humankind will be resolved under a new democratic World State working to abolish war, enforce disarmament, combat famine, disease and poverty, and solve the world's environmental and ecological problems of climate change and global warming; and that King Charles, Head of a Commonwealth of 53 nation-states, will work to bring his humanitarian vision to all the world's nations. Following the tradition of Ben Jonson's 17th-century court masques in verse and of his own masques The Dream of Europa and King Charles the Wise, which incorporate the blend of mythology and history and five sections (prologue, antimasque, masque, revels and epilogue) found in all masques. Hagger sets the third masque in his trilogy in London's Banqueting House, where masques were performed before James I. This coronation masque contains three pageant entertainments that are viewed by King Charles before his coronation and contrast the disorder and political chaos before his reign with the order and harmony of his new Carolingian Age. His philosopher-King's concern to benefit the lot of all humankind is applauded by the Universalist God of the One who assumes protean forms - the gods of all faiths including Biblical Israel's Yahweh and Olympian Zeus - and cares for all creation, and watches over him. King Charles, co-author of Harmony, is shown as presiding over what promises to be an Age of Universal Harmony.
Between 1979 and 1982 Nicholas Hagger wrote three letters to the eminent literary critic Christopher Ricks about his poetic identity, and Ricks agreed with his final view that his verse blends the Romantic and Classical traditions within the Baroque tradition. In 1979 and again in 1982 Ricks asked him to select 30 poems. Forty years later A Baroque Vision presents a selection that shows his Baroque roots. Part One presents 30 poems written before 1979, and Part Two adds 70 verse selections written between 1979 and 2019. A Baroque Vision presents 100 verse selections drawn from 50 volumes of his poems, verse plays and masques. The Baroque style, which can be found in all European countries, combines the spiritual and the sensual, and features movement, transformation, the Mystic Way, the mysterious Light, the transcending of death, the divine soul and Heaven, as illustrated in Rubens' The Apotheosis of James I (shown on the front cover); and blends the Romantic and Classical traditions. In his Preface Hagger shows very clearly that his Baroque vision was behind, and grew into, his Universalism, his philosophy and worldview of the unity of the universe whose development can be traced in his Selected Letters and Collected Prefaces, and in the companion volume to this work The Essentials of Universalism (all published by O-Books). These 100 verse selections confirm that his Baroque vision is inspired by the 17th century (by the Metaphysical poets, Milton and Dryden), but also by the 18th and 19th centuries (by Pope, Wordsworth and Tennyson).
In The Syndicate (2004) Nicholas Hagger described how in the 20th century a Syndicate of élitist mega-rich families levelled down the leading Western countries by promoting revolutions, wars and independence movements against their empires, and planned a New World Order and world government that would control the earth's resources for their own benefit. In The Secret History of the West (2005) he traced the Syndicate's roots back to secret Freemasonic organisations and revolutions that undermined the West from the Renaissance to the early 20th century. In The Fall of the West (2022), the third book in his trilogy on the West, Hagger updates the story to include the pandemic and describes how Syndicate-driven 21st-century events from the War on Terror to Covid have brought the Western financial system to the brink of collapse and shifted power from the West to the East, and China. In this first impartial attempt to assemble all the evidence to date for the origin of Covid (like fitting together available pieces of a jigsaw to reveal the main picture) Hagger, the first to discover the Cultural Revolution in China in March 1966, finds that the three main features of Covid-19 were man-made by American NIAID-funded medics in 2002 and patented 73 times since 2008, and seem to have been surreptitiously used as a bio-weapon in a Syndicate plan to limit the rise of China and its expanding trade. A dangerous new Biological Age has been born, and the West faces being levelled down and a sudden fall. Hagger sees the post-Covid West's dream of creating a good New World Order - a vaccine-protected democratic, presidential, part-federal world government and World State with sufficient authority to abolish war and solve the world's post-Covid problems - as being challenged by the self-interested Syndicate's levelling-down; and to survive, it first has to go along with the Syndicate's plan for West and East to draw together into an authoritarian world government involving China, and democratise later. This is a thought-provoking work with a prophetic vision of the future.
When he was ten Nicholas Hagger's dentist, Howard Carter's brother, told him about the opening of Tutankhamun's tomb, and he was later given a shawabti (funerary figurine) of Tutankhamun that came from the tomb. As a teenager he was fascinated by the Great Pyramid, and in 1963 he wrote ‘The Riddle of the Great Pyramid' as a parable for our time. Written as a report by an official living at Giza during the construction in progress in c.2600BC, it explains the massive organisation and endeavour that has gone into the building so far when those involved in the work do not know its purpose or why it is being built. The notion of the Great Pyramid as a symbol of bafflement and a microcosm of Western society has haunted Hagger throughout his working life. After visiting it in 2005 he wrote a sequel by the same official, ‘The Meaning and Purpose of the Great Pyramid', which carries the story forward, and after another visit in 2020 he wrote ‘The Great Pyramid as a House of Eternity', which completed a Pyramid trilogy. These three reports, which have followed research into the building of the Great Pyramid for 57 years, are now brought out together with illustrations that throw light on the events described and reveal the Pharaoh's face on the Sphinx. Collectively they offer a factual account of the construction soon after 2600BC and the aspirations of humans seeking a life beyond death before the birth of the established religions, and as parables in the tradition of Swift, they profoundly question the modern world of work and organisation of Western society. They present a quest for eternity that is also a self-aggrandising folly at the beginning of recorded history, and illustrate the dialectic between a quest for Reality and condemnation of follies and vices that Hagger identified as the fundamental theme of world literature in A New Philosophy of Literature.
In The Dream of Europa, following the tradition of celebratory court masques in verse by Ben Jonson and more recently William Empson, Nicholas Hagger celebrates the court of the leaders of the European Union. Through a chorus of 50 representatives of European states he presents the growth and expansion of what became the EU in an epic sweep that takes us from 1945 to 2015 and incorporates the five elements (prologue, antimasque, masque, revels, epilogue) and blend of mythology and history found in all masques. Zeus asks Europa, the goddess of Europe, to sort out the chaos and disorder that devastated Europe in 1945. Europa presides over the growing unification of a European Union of 28 states with 22 more expected to join. Celebratory revels acclaim the Treaty of Lisbon but there is a discordant note, and Churchill has strong words for the UK representative. Finally Europa hands the EU back to Zeus. The dream of Europa is that one day the EU will turn into a United States of Europe consisting of 50 states (see front cover) like the USA, and will bring in a Universalist World State. As a court entertainment for European leaders celebrating Europe’s progress from disorder to order, The Dream of Europa cries out to be performed in Brussels. It heralds the triumph of peace during the 70 years following 1945 and calls for a strengthening of European unity in the face of an expanding Russia that still regards Eastern Europe as being within its sphere of influence. This masque and its informative appendix on European states and rights will appeal to all generations in the 50 European states and to all beyond who value a peaceful Europe in our troubled time.
Nicholas Hagger’s Collected Poems contained 30 volumes of his poems that reflect his quest for the One. Life Cycle and Other New Poems contains volumes 31-34 and presents the vision of unity to which his quest has led. ‘Life Cycle’ is a reflection on the path and pattern in our lives, and on twelve seven-year ages from infancy to advanced old age. 'In Harmony with the Universe' presents poems on the soul’s harmony and oneness with Nature. 'An Unsung Laureate' focuses on public events and the conflicts within Western society. 'Adventures in Paradise' recounts journeys to remote places that have echoes of Paradise, including the Galapagos Islands and Antarctica - and reflections on evolution and global warming. Hagger derives his inspiration from the 17th-century Metaphysical poets and seeks to unite the later Augustan and Romantic traditions. These poems reconcile the soul’s harmony with the universe and the conflicts in public life, and are within the poetic tradition of Wordsworth and Tennyson. They add significantly to Collected Poems, Classical Odes and Hagger’s two poetic epics, Overlord and Armageddon, also published by O-Books (the manuscripts and papers for which are held in the Albert Sloman Library at the University of Essex). They carry forward his Universalist approach to poetry which unveils an ordered universe behind the apparent chaos of world events.
In World State Nicholas Hagger followed Truman, Einstein, Churchill, Eisenhower and others in calling for a democratic, partly-federal World State with sufficient authority to abolish war, enforce disarmament, combat famine, disease and poverty, and solve the world’s financial and environmental problems. Its lower house, a World Parliamentary Assembly, would initially be based in the UN General Assembly and eventually replace the UN. In this companion volume he sets out a Constitution for a United Federation of the World (UF). In 14 chapters and 145 Articles he details the UF’s structure and institutions at inter-national and supranational levels, and the rights and freedoms world citizens would be guaranteed. He lists the 26 precedents and 204 existing constitutions he consulted (including the UN Charter and the US and EU constitutional documents) and the sources on which the Articles are based. This comprehensive and authoritative Constitution sets out with great clarity and concision how the whole world can be governed, and can be laid before the UN General Assembly. As a blueprint for a World State that can bring universal peace and prosperity it may come to be regarded as one of the most remarkable feats of statecraft of our time.
In this final work of his American trilogy, Nicholas Hagger focuses on the unified World State it is America's secret destiny to create, and on the world's divided culture that impedes its creation. Throughout world culture there are conflicting and entrenched metaphysical and secular approaches that permeate all its main disciplines, including history, philosophy and science, literature and comparative religion. In each discipline there is a tussle between the traditional religious view, which is supported by the 4.6 billion of the world's 7.3 billion population that follow a religion, and the secular and social approach associated with humanism and the scientific reductionism of Hawking and Dawkins, which sees the universe as a random accident. Hagger argues that it is America's secret destiny to bring in a democratic, UN-based, partly federal World State that can unify humankind. The conflict between metaphysical and secular approaches can be healed within a new reconciling philosophy that unites both outlooks, Universalism, which is already making an impact in the US. The key to this reconciliation is focusing on the scientific view of the order in the universe, and on the experience of the common essence which resides in all religions (the belief in the ordering Light), and on the traditional view of order in the seven disciplines of world culture. This reconciliation can reunify each discipline and therefore world culture, and create world unity. Restoring the metaphysical vision of order in world culture can strengthen Americ's harmonizing of humankind within a World State based on political Universalism.
In 1999, while working as his Literary Secretary, the Earl of Burford, a descendant of the 3rd Earl of Southampton (Shakespeare’s patron) and of the 17th Earl of Oxford and heir to the Dukedom of St Albans, made a selection of Nicholas Hagger’s poems that celebrates places in England, conveys his mystical awareness of the unity of the universe and places him in the visionary tradition of William Blake, the poet of ‘Jerusalem’ and “England’s green and pleasant land”. Soon after Visions of England was completed the Earl of Burford came to international attention when he leapt onto the Woolsack of the House of Lords in a principled protest against the Blair Government’s plan to abolish hereditary peers’ voting rights, which led to 92 remaining in the Lords. A few months later he left Nicholas Hagger’s employ and the selection was buried under papers for nearly 20 years. In 2018 Nicholas Hagger came across Visions of England while preparing papers to send to his archive. It now seemed as if the selection had been made with Brexit in mind. The places are full of English history and culture, and the poems are prophetic in their anticipation of England’s new spirit of independence. These poems convey Englishness with a freshness and vividness that startle. The Earl of Burford is a prominent lecturer and biographer, and his selection is noteworthy for the metaphysical perspective he brings out in Nicholas Hagger’s profound poems whose traditional qualities constantly surprise and delight.
In My Double Life 1 Nicholas Hagger told of his four years’ service and double life as an undercover British intelligence agent during the Cold War (there revealed for the first time). Lost in a dark wood like Dante following his encounters with Gaddafi’s Libya and the African liberation movements, he found Reality on a ‘Mystic Way’ of loss, purgation and illumination, perceived the universe as a unity and had 16 experiences of the metaphysical Light. In My Double Life 2 he continues the story. He received new powers, coped with fresh ordeals, acquired three schools, renovated a historic house, and had 76 further experiences of the metaphysical Light. He founded a new philosophy of Universalism and new approaches to contemporary history, international statecraft and world literature. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills.
Lost in a dark wood like Dante, Nicholas Hagger tells the story of his search for meaning, purpose and truth that took him to Iraq and Japan, and encounters with Zen and China’s Cultural Revolution, which he was the first to discover. In Libya, then a Cold-War battleground, he began four years’ service and a double life as an undercover British intelligence agent (here revealed for the first time). He witnessed Gaddafi’s Egyptian/Soviet-backed coup, and its terrifying aftermath tore into his personal life, plunged him into a Dark Night of the Soul and faced him with execution. He went on to serve in London as Prime Minister Edward Heath’s “unofficial Ambassador” to the African liberation movements at the height of Soviet and Chinese expansion in Africa during the Cold War. Despite being routinely followed by surveillance squads he found Reality on a ‘Mystic Way’ of loss, purgation and illumination. He now perceived the universe as a unity, and had 16 experiences of the metaphysical Light.
These poems serve as an introduction to Nicholas Hagger’s poetic works, which include nearly 1,500 poems, more than 300 classical odes, two poetic epics and five verse plays. They are grouped in two parts which reflect the two aspects of the fundamental theme of world literature outlined in his A New Philosophy of Literature: ‘Quest for the One’ and ‘Follies and Vices’. They present a quest for Reality along with moments of heightened consciousness in which the universe is seen as a unity, and condemn social follies and over 220 vices in terms of an implied virtue. This selection of poems combines image and statement in the reconciling Universalist manner, and in different poems blends Romantic search and organic form with classical social attitudes, verbal precision and architectural structure. The poems cover five decades and include extracts from ‘The Silence’, which describes Freeman’s quest for Reality in Modernist style, ‘Archangel’ (a reflection on Communism following visits to China and the Soviet Union), poems written during a Dark Night of the Soul, glimpses of illumination and poems of social satire. There are also extracts from Hagger's verse plays. As can be seen from his ‘A Metaphysical in Marvell’s Garden’ Hagger derives his inspiration from the 17th-century Metaphysical poets and seeks to unite the later Augustan and Romantic traditions. This selection offers a chance to reappraise a poet whose material, accomplished technique and reconciling sensibility places him in the forefront of poets writing today.
Sport Psychology, 2nd Edition provides a synthesis of the major topics in sport psychology with an applied focus and an emphasis on achieving optimal performance. After exploring the history of sport psychology, human motivation, and the role of exercise, there are three main sections to the text: Performance Enhancement, Performance Inhibition, and Individuals and Teams. The first of these sections covers topics such as anxiety, routines, mental imagery, self-talk, enhancing concentration, relaxation, goals, and self-confidence. The section on Performance Inhibition includes chapters on choking under pressure, self-handicapping, procrastination, perfectionism, helplessness, substance abuse, and disruptive personality factors. While much of the information presented is universally applicable, individual differences based on gender, ethnicity, age, and motivation are emphasized in the concluding section on Individuals and Teams. Throughout, there are case studies of well-known athletes from a variety of sports to illustrate topics that are being explored.
In Fools' Paradise, a mock-heroic poem on Brexit which complements his masque King Charles the Wise, Nicholas Hagger presents the most important British event since the Second World War: the Brexiteers' struggle to wrest control of the UK's laws, borders, money and trade from the EU and turn the UK into a more prosperous paradise. In 16 cantos and an epilogue of heroic couplets with an epic tone, he narrates the 2018 Chequers compromise and its aftermath: the EU's opposition, lack of internal support, looming ‘no deal' and requests for extensions that keep the UK in the EU. He shows the UK Ship of State as manned by a squabbling crew sailing for an illusory paradise and too riven by division to reach agreement. The dream all were promised seems undeliverable. In the tradition of the social satire of Dryden and Pope, the elevated style is undermined by a recurring image of the Ship of Fools in Sebastian Brant's 1494 Swiss poem Ship of Fools (Das Narrenschiff), which makes a chaotic voyage from Europe to an illusory paradise across the waves. It becomes apparent that all on the UK Ship of State are to some extent living in a fools' paradise. Focusing on the historic decision to leave Europe that if carried through would have immense repercussions for coming generations, Nicholas Hagger presents the warring factions on the UK Ship of State and in true Universalist manner foresees a resolution of the conflict in the reconciliation of a coming united world. This is an astonishing poem that approaches the most important national event of our time in the spirit of Tennyson and gets to the heart of the UK's national predicament.
This volume is concerned mainly with the potential pathway for BSE infection posed by the use of veterinary and human medicines using animal tissues. The arrangements covering the safety of medicines and medical devices and the response to BSE over the period 1987-96 is described. The volume goes on to review action taken on cosmetics and toiletries, which shared features with topical medicines but were not covered by the provisions of the Medicines Act. It concludes by examining the events that surround the failure to prepare a comprehensive audit of uses of bovine tissues. Charts illustrate the extent of the uses of bovine material and the complex interaction of the many industries involved, the degree of recycling and the various ultimate disposal outlets.
2023 SMN Book Prize Winner - Significant Contribution to its Field The Algorithm of Creation is the last of Nicholas Hagger’s quartet on the unity of the universe and humankind, and follows The Universe and the Light (1993), The One and the Many (1999) and The New Philosophy of Universalism (2009). It offers an algebraic formula written out for him by Junzaburo Nishiwaki, Japan’s T.S. Eliot, in Tokyo in October 1965, that sums up the wisdom of the East: “+A + –A = 0.” Based on ancient Chinese thinking, yin (dark) + yang (light) = the Tao, it shows all opposites reconciled in the underlying unity of the One Void whose emptiness is also a fullness. During a dinner at a conference of leading scientists at Jesus College, Cambridge in September 1992, watched by Nobel physics prizewinner Roger Penrose, Hagger reversed the formula to 0 = +A + –A when he wrote down the maths for his view of the origin and creation of the universe and showed the first two particles emerging from the Void’s singularity, influenced by the 1992 discovery of ripples in the cosmic microwave background radiation and the Presocratic Anaximander of Miletus. In this work Hagger shows how this algebraic formula has worked as a universal algorithm, 0 = +A + –A = 0. Its many variations have acted as rules that have controlled the creation and development of the expanding universe, its evolution and the rise of human history, religion and science, and its ultimate fate. The formula is behind many of Hagger’s works, and his application of this algorithm to all human knowledge of the universe and all disciplines takes him to a first-ever Theory of Everything, which is set out at the end: the algorithm of Creation containing 100 mathematical symbols (reflecting all the variations) that can be summed up in the above algorithm. This startling achievement has been made possible by his Universalist cross-disciplinary approach which focuses on the fundamental oneness of the universe and humankind, and the unitive vision.
2023 SMN Book Prize Winner - Significant Contribution to its Field The Algorithm of Creation is the last of Nicholas Hagger’s quartet on the unity of the universe and humankind, and follows The Universe and the Light (1993), The One and the Many (1999) and The New Philosophy of Universalism (2009). It offers an algebraic formula written out for him by Junzaburo Nishiwaki, Japan’s T.S. Eliot, in Tokyo in October 1965, that sums up the wisdom of the East: “+A + –A = 0.” Based on ancient Chinese thinking, yin (dark) + yang (light) = the Tao, it shows all opposites reconciled in the underlying unity of the One Void whose emptiness is also a fullness. During a dinner at a conference of leading scientists at Jesus College, Cambridge in September 1992, watched by Nobel physics prizewinner Roger Penrose, Hagger reversed the formula to 0 = +A + –A when he wrote down the maths for his view of the origin and creation of the universe and showed the first two particles emerging from the Void’s singularity, influenced by the 1992 discovery of ripples in the cosmic microwave background radiation and the Presocratic Anaximander of Miletus. In this work Hagger shows how this algebraic formula has worked as a universal algorithm, 0 = +A + –A = 0. Its many variations have acted as rules that have controlled the creation and development of the expanding universe, its evolution and the rise of human history, religion and science, and its ultimate fate. The formula is behind many of Hagger’s works, and his application of this algorithm to all human knowledge of the universe and all disciplines takes him to a first-ever Theory of Everything, which is set out at the end: the algorithm of Creation containing 100 mathematical symbols (reflecting all the variations) that can be summed up in the above algorithm. This startling achievement has been made possible by his Universalist cross-disciplinary approach which focuses on the fundamental oneness of the universe and humankind, and the unitive vision.
In a world of competing public policy priorities, economic challenges and political uncertainty, sports development organisations and initiatives need to adapt to survive. This book makes the case for 'Sporting Capital' as a new conceptual model of sports participation with the potential to transform public policy and practice in sports development. The central argument presented is that a model of Sporting Capital - with its three domains of physiological, social and psychological attributes - provides a missing framework, creating a new impetus for sustained growth in community sport by joining up the levels at which sports development is planned and implemented. Touching on important issues such as youth sport, public health, volunteering, disability, ethnicity and social inequality, it examines patterns of sports participation in relation to age, gender and social class and offers recommendations for strategic policy improvements that can be implemented by practitioners working on the frontline of community sport. Sporting Capital: Transforming Sports Development Policy and Practice provides valuable insights for all those interested in sports development, youth sport, community sport, or sport and social policy.
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