Black men need hope to survive and, ultimately, flourish. As mental health is a critical but often neglected issue, especially among Black men, Care for the Mental and Spiritual Health of Black Men examines that sensitive topic in conjunction with reflections on race, gender, sexuality, and class to offer a hopeful and constructive framework for care and counseling, particularly for Black men. These are not separate from spiritual health and growth, as well, but both are integral to holistic, dynamic wellbeing. In this, the author provides a careful and critical analysis of spiritual hope and healing as ingredient to individual and communal flourishing. As such, this volume will be a vital resource for health practitioners, spiritual caregivers, and providers in community care who serve to bolster the mental wellbeing of Black men.
Part of the 'Law Basics' series, this title provides students of commercial law and students of those related disciplines for which commercial law is a primary consideration, with a clear and simple pre-examination guide to the subject.
Black men need hope to survive and, ultimately, flourish. As mental health is a critical but often neglected issue, especially among Black men, Care for the Mental and Spiritual Health of Black Men examines that sensitive topic in conjunction with reflections on race, gender, sexuality, and class to offer a hopeful and constructive framework for care and counseling, particularly for Black men. These are not separate from spiritual health and growth, as well, but both are integral to holistic, dynamic wellbeing. In this, the author provides a careful and critical analysis of spiritual hope and healing as ingredient to individual and communal flourishing. As such, this volume will be a vital resource for health practitioners, spiritual caregivers, and providers in community care who serve to bolster the mental wellbeing of Black men.
This textbook provides a foundation and introduction to business studies. It is designed to enable students to examine critically the aims, objectives and practises of business organizations from their economic, environmental and social aspects, and to appraise these phenomena in relation to the nation, the local community, industry, the proprietors, the management, the employees and the consumers. By examining the integrated nature of business problems this book aims to help students to develop their skills of analysis, evaluation and synthesis in business.
A concise, practical handbook covering the commercial and technical aspects of debt which will provide students, accountants, bankers and legal practitioners with a useful guide to the law of debt.
This is a book about the long cultural shadow cast by a single bestselling novel, Anthony Hope's The Prisoner of Zenda (1894), which introduced Ruritania, a colourful pocket kingdom. In this swashbuckling tale, Englishman Rudolf Rassendyll impersonates the king of Ruritania to foil a coup, but faces a dilemma when he falls for the lovely Princess Flavia. Hope's novel inspired stage and screen adaptations, place names, and even a board game, but it also launched a whole new subgenre, the "Ruritanian romance". The new form offered swordplay, royal romance, and splendid uniforms and gowns in such settings as Alasia, Balaria, and Cadonia. This study explores both the original appeal of The Prisoner of Zenda, and the extraordinary longevity and adaptability of the Ruritanian formula, which, it is argued, has been rooted in a lingering fascination with royalty, and the pocket kingdom's capacity to hold a looking glass up to Britain and later the United States. Individual chapters look at Hope's novel and its stage and film adaptations; at the forgotten American versions of Ruritania; at the chocolate-box principalities of the musical stage; at Cold War reworkings of the formula; and at Ruritania's recent reappearance in young adult fiction and made-for-television Christmas movies. The adventures of Ruritania have involved a diverse list of contributors, including John Buchan, P.G Wodehouse, Agatha Christie, Vladimir Nabokov, and Ian Fleming among the writers; Sigmund Romberg and Ivor Novello among the composers; Erich Von Stroheim and David O. Selznick among the film-makers; and Robert Donat, Madeleine Carroll, Peter Ustinov, Peter Sellers, and Anne Hathaway among the performers.
On rails-to-trails bike paths, city streets, and winding country roads, the bicycle seems ubiquitous in the Badger State. Yet there’s a complex and fascinating history behind the popularity of biking in Wisconsin—one that until now has never been told. Meticulously researched through periodicals and newspapers, Wheel Fever traces the story of Wisconsin’s first “bicycling boom,” from the velocipede craze of 1869 through the “wheel fever” of the 1890s. It was during this crucial period that the sport Wisconsinites know and adore first took shape. From the start it has been defined by a rich and often impassioned debate over who should be allowed to ride, where they could ride, and even what they could wear. Many early riders embraced the bicycle as a solution to the age-old problem of how to get from here to there in the quickest and easiest way possible. Yet for every supporter of the “poor man’s horse,” there were others who wanted to keep the rights and privileges of riding to an elite set. Women, the working class, and people of color were often left behind as middle- and upper-class white men benefitted from the “masculine” sport and all-male clubs and racing events began to shape the scene. Even as bikes became more affordable and accessible, a culture defined by inequality helped create bicycling in its own image, and these limitations continue to haunt the sport today. Wheel Fever is about the origins of bicycling in Wisconsin and why those origins still matter, but it is also about our continuing fascination with all things bicycle. From “boneshakers” to high-wheels, standard models to racing bikes, tandems to tricycles, the book is lushly illustrated with never-before-seen images of early cycling, and the people who rode them: bloomer girls, bicycle jockeys, young urbanites, and unionized workers. Laying the foundations for a much-beloved recreation, Wheel Fever challenges us to imagine anew the democratic possibilities that animated cycling’s early debates.
“Evans demonstrates the same intricacy of plot and depth of characterization that defined his international best-seller The Horse Whisperer…[a] heartrending story of a family in crisis.”—Booklist For many anguished months Ben and Sarah Cooper's daughter has been on the run from the FBI, wanted for murder and acts of eco-terrorism. But when Abbie's body is found embedded in the ice of a remote mountain creek, the family's devastation deepens into mystery. How did she die? And what was the trail of events that led this golden child of a loving family so tragically astray? In a journey of discovery and redemption that takes us from the streets of New York to the daunting grandeur of the West, The Divide tells the story of a family fractured by betrayal. It explores the pain we inflict on those we love the most and charts the passions and needs, the dashed hopes and disillusionments, that connect and divide all men and women.
Provocative account exploring how a population explosion transformed nineteenth-century European and American culture, creating shared narratives of urban life.
For this week's Black Cat Weekly, Michael Bracken has acquired an original mystery by Ashley-Ruth M. Bernier, Barb Goffman found a tale by SJ Rozan that will surely satisfy crime fans, and Cynthia Ward tracked down a Matthew Hughes story. Plus, for the sheer silliness of it all, there’s a Mickey Spillane parody from 1954 (which manages to be both a mystery and fantasy…but wasn’t everything of Spillane’s?) and classics from R. Austin Freeman (a Dr Thorndyke story), a Nick Carter novel, and the first Skylark of Space novel by E.E. “Doc” Smith. Here’s the complete lineup: Mysteries / Suspense / Adventure: “Ripen,” by Ashley-Ruth M. Bernier [Michael Bracken Presents short story] “Death Takes a Swing,” by Hal Charles [Solve-It-Yourself Mystery] “E-Golem,” by SJ Rozan [Barb Goffman Presents short story] “The Case Of Oscar Brodski,” by R. Austin Freeman [short story] A Human Counterfeit, by Nicholas Carter [novel] “The Shaky Undertaker,” by Ed Cox [short story] Science Fiction & Fantasy: “The Shaky Undertaker,” by Ed Cox [short story] “To the Sons of Tomorrow,” by Irving Cox, Jr. [short story] “Mastermindless,” by Matthew Hughes [Cynthia Ward Presents short story] “Problem In Solid,” by George O. Smith [short story] “Sequel,” by Ben Smith [short story] The Skylark of Space, by E.E. “Doc” Smith [novel]
This revised edition of his Autobiography brings up-to-date Rescher’s account of his life and work. The passage of years since the publication of an autobiographical work makes for its growing incompleteness. Moreover, the passage of time is bound to bring some new perspectives to view. This new edition comes to terms with these circumstances. Since the publication of the previous version Rescher’s philosophical work has made substantial progress, betokened by the publication of over a score of new books that mark an ongoing expansion of his philosophical range. Then too, the internet has brought to light interesting new information about Rescher’s family background and antecedence. Overall the book affords a detailed, vivid, and highly personalized picture of the life and work of someone who counts as one of the most prolific and many-sided contemporary thinkers.
In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue. Focusing on Spanish Golden Age theater and performative poetry from authors such as Calderón de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of habla de negros language are “racist buffoonery” or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts. Accessibly written and theoretically sophisticated, Jones’s groundbreaking study elucidates the ways that habla de negros animated black Africans’ agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines.
Decisions made by the food, tobacco, alcohol, pharmaceutical, gun, and automobile industries have a greater impact on today's health than the decisions of scientists and policymakers. As the collective influence of corporations has grown, governments around the world have stepped back from their responsibility to protect public health by privatizing key services, weakening regulations, and cutting funding for consumer and environmental protection. Today's corporations are increasingly free to make decisions that benefit their bottom line at the expense of public health. Lethal but Legal examines how corporations have impacted -- and plagued -- public health over the last century, first in industrialized countries and now in developing regions. It is both a current history of corporations' antagonism towards health and an analysis of the emerging movements that are challenging these industries' dangerous practices. The reforms outlined here aim to strike a healthier balance between large companies' right to make a profit and governments' responsibility to protect their populations. While other books have addressed parts of this story, Lethal but Legal is the first to connect the dots between unhealthy products, business-dominated politics, and the growing burdens of disease and health care costs. By identifying the common causes of all these problems, then situating them in the context of other health challenges that societies have overcome in the past, this book provides readers with the insights they need to take practical and effective action to restore consumers' right to health.
Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke. Included is a new chapter about women-directed rape-revenge films, a phenomenon that--revitalized since #MeToo exploded in late 2017--is a filmmaking tradition with a history that transcends a contemporary context. Featuring both famous and unknown movies, controversial and widely celebrated filmmakers, as well as rape-revenge cinema from around the world, this revised edition demonstrates that diverse and often contradictory treatments of sexual violence exist simultaneously.
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
The essays collected in this volume have a strong thematic and interpretative unity. Their underlying concern is with the overall nature of Kant's philosophical system, and thus with his deepest intentions and basic commitments. The book falls into three parts. The first three essays deal with Kant's approach to things in themselves and with the realm of noumenal causality. The second part considers Kant's approach to the methodology of rational inquiry, and, in particular, his views on cognitive systematization and the limits of philosophizing itself. The third section focuses on the role played by the categorical imperative in both the theoretical and practical philosophy. The aim throughout, one that many Kant scholars and students will find provocative, is to show that in an important sense Kant is prepared to assert the primacy of practical over theoretical philosophy.
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