Black men need hope to survive and, ultimately, flourish. As mental health is a critical but often neglected issue, especially among Black men, Care for the Mental and Spiritual Health of Black Men examines that sensitive topic in conjunction with reflections on race, gender, sexuality, and class to offer a hopeful and constructive framework for care and counseling, particularly for Black men. These are not separate from spiritual health and growth, as well, but both are integral to holistic, dynamic wellbeing. In this, the author provides a careful and critical analysis of spiritual hope and healing as ingredient to individual and communal flourishing. As such, this volume will be a vital resource for health practitioners, spiritual caregivers, and providers in community care who serve to bolster the mental wellbeing of Black men.
This is a book about the long cultural shadow cast by a single bestselling novel, Anthony Hope's The Prisoner of Zenda (1894), which introduced Ruritania, a colourful pocket kingdom. In this swashbuckling tale, Englishman Rudolf Rassendyll impersonates the king of Ruritania to foil a coup, but faces a dilemma when he falls for the lovely Princess Flavia. Hope's novel inspired stage and screen adaptations, place names, and even a board game, but it also launched a whole new subgenre, the "Ruritanian romance". The new form offered swordplay, royal romance, and splendid uniforms and gowns in such settings as Alasia, Balaria, and Cadonia. This study explores both the original appeal of The Prisoner of Zenda, and the extraordinary longevity and adaptability of the Ruritanian formula, which, it is argued, has been rooted in a lingering fascination with royalty, and the pocket kingdom's capacity to hold a looking glass up to Britain and later the United States. Individual chapters look at Hope's novel and its stage and film adaptations; at the forgotten American versions of Ruritania; at the chocolate-box principalities of the musical stage; at Cold War reworkings of the formula; and at Ruritania's recent reappearance in young adult fiction and made-for-television Christmas movies. The adventures of Ruritania have involved a diverse list of contributors, including John Buchan, P.G Wodehouse, Agatha Christie, Vladimir Nabokov, and Ian Fleming among the writers; Sigmund Romberg and Ivor Novello among the composers; Erich Von Stroheim and David O. Selznick among the film-makers; and Robert Donat, Madeleine Carroll, Peter Ustinov, Peter Sellers, and Anne Hathaway among the performers.
On rails-to-trails bike paths, city streets, and winding country roads, the bicycle seems ubiquitous in the Badger State. Yet there’s a complex and fascinating history behind the popularity of biking in Wisconsin—one that until now has never been told. Meticulously researched through periodicals and newspapers, Wheel Fever traces the story of Wisconsin’s first “bicycling boom,” from the velocipede craze of 1869 through the “wheel fever” of the 1890s. It was during this crucial period that the sport Wisconsinites know and adore first took shape. From the start it has been defined by a rich and often impassioned debate over who should be allowed to ride, where they could ride, and even what they could wear. Many early riders embraced the bicycle as a solution to the age-old problem of how to get from here to there in the quickest and easiest way possible. Yet for every supporter of the “poor man’s horse,” there were others who wanted to keep the rights and privileges of riding to an elite set. Women, the working class, and people of color were often left behind as middle- and upper-class white men benefitted from the “masculine” sport and all-male clubs and racing events began to shape the scene. Even as bikes became more affordable and accessible, a culture defined by inequality helped create bicycling in its own image, and these limitations continue to haunt the sport today. Wheel Fever is about the origins of bicycling in Wisconsin and why those origins still matter, but it is also about our continuing fascination with all things bicycle. From “boneshakers” to high-wheels, standard models to racing bikes, tandems to tricycles, the book is lushly illustrated with never-before-seen images of early cycling, and the people who rode them: bloomer girls, bicycle jockeys, young urbanites, and unionized workers. Laying the foundations for a much-beloved recreation, Wheel Fever challenges us to imagine anew the democratic possibilities that animated cycling’s early debates.
“Evans demonstrates the same intricacy of plot and depth of characterization that defined his international best-seller The Horse Whisperer…[a] heartrending story of a family in crisis.”—Booklist For many anguished months Ben and Sarah Cooper's daughter has been on the run from the FBI, wanted for murder and acts of eco-terrorism. But when Abbie's body is found embedded in the ice of a remote mountain creek, the family's devastation deepens into mystery. How did she die? And what was the trail of events that led this golden child of a loving family so tragically astray? In a journey of discovery and redemption that takes us from the streets of New York to the daunting grandeur of the West, The Divide tells the story of a family fractured by betrayal. It explores the pain we inflict on those we love the most and charts the passions and needs, the dashed hopes and disillusionments, that connect and divide all men and women.
Provocative account exploring how a population explosion transformed nineteenth-century European and American culture, creating shared narratives of urban life.
For this week's Black Cat Weekly, Michael Bracken has acquired an original mystery by Ashley-Ruth M. Bernier, Barb Goffman found a tale by SJ Rozan that will surely satisfy crime fans, and Cynthia Ward tracked down a Matthew Hughes story. Plus, for the sheer silliness of it all, there’s a Mickey Spillane parody from 1954 (which manages to be both a mystery and fantasy…but wasn’t everything of Spillane’s?) and classics from R. Austin Freeman (a Dr Thorndyke story), a Nick Carter novel, and the first Skylark of Space novel by E.E. “Doc” Smith. Here’s the complete lineup: Mysteries / Suspense / Adventure: “Ripen,” by Ashley-Ruth M. Bernier [Michael Bracken Presents short story] “Death Takes a Swing,” by Hal Charles [Solve-It-Yourself Mystery] “E-Golem,” by SJ Rozan [Barb Goffman Presents short story] “The Case Of Oscar Brodski,” by R. Austin Freeman [short story] A Human Counterfeit, by Nicholas Carter [novel] “The Shaky Undertaker,” by Ed Cox [short story] Science Fiction & Fantasy: “The Shaky Undertaker,” by Ed Cox [short story] “To the Sons of Tomorrow,” by Irving Cox, Jr. [short story] “Mastermindless,” by Matthew Hughes [Cynthia Ward Presents short story] “Problem In Solid,” by George O. Smith [short story] “Sequel,” by Ben Smith [short story] The Skylark of Space, by E.E. “Doc” Smith [novel]
This revised edition of his Autobiography brings up-to-date Rescher’s account of his life and work. The passage of years since the publication of an autobiographical work makes for its growing incompleteness. Moreover, the passage of time is bound to bring some new perspectives to view. This new edition comes to terms with these circumstances. Since the publication of the previous version Rescher’s philosophical work has made substantial progress, betokened by the publication of over a score of new books that mark an ongoing expansion of his philosophical range. Then too, the internet has brought to light interesting new information about Rescher’s family background and antecedence. Overall the book affords a detailed, vivid, and highly personalized picture of the life and work of someone who counts as one of the most prolific and many-sided contemporary thinkers.
In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue. Focusing on Spanish Golden Age theater and performative poetry from authors such as Calderón de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of habla de negros language are “racist buffoonery” or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts. Accessibly written and theoretically sophisticated, Jones’s groundbreaking study elucidates the ways that habla de negros animated black Africans’ agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines.
Decisions made by the food, tobacco, alcohol, pharmaceutical, gun, and automobile industries have a greater impact on today's health than the decisions of scientists and policymakers. As the collective influence of corporations has grown, governments around the world have stepped back from their responsibility to protect public health by privatizing key services, weakening regulations, and cutting funding for consumer and environmental protection. Today's corporations are increasingly free to make decisions that benefit their bottom line at the expense of public health. Lethal but Legal examines how corporations have impacted -- and plagued -- public health over the last century, first in industrialized countries and now in developing regions. It is both a current history of corporations' antagonism towards health and an analysis of the emerging movements that are challenging these industries' dangerous practices. The reforms outlined here aim to strike a healthier balance between large companies' right to make a profit and governments' responsibility to protect their populations. While other books have addressed parts of this story, Lethal but Legal is the first to connect the dots between unhealthy products, business-dominated politics, and the growing burdens of disease and health care costs. By identifying the common causes of all these problems, then situating them in the context of other health challenges that societies have overcome in the past, this book provides readers with the insights they need to take practical and effective action to restore consumers' right to health.
Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke. Included is a new chapter about women-directed rape-revenge films, a phenomenon that--revitalized since #MeToo exploded in late 2017--is a filmmaking tradition with a history that transcends a contemporary context. Featuring both famous and unknown movies, controversial and widely celebrated filmmakers, as well as rape-revenge cinema from around the world, this revised edition demonstrates that diverse and often contradictory treatments of sexual violence exist simultaneously.
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
The essays collected in this volume have a strong thematic and interpretative unity. Their underlying concern is with the overall nature of Kant's philosophical system, and thus with his deepest intentions and basic commitments. The book falls into three parts. The first three essays deal with Kant's approach to things in themselves and with the realm of noumenal causality. The second part considers Kant's approach to the methodology of rational inquiry, and, in particular, his views on cognitive systematization and the limits of philosophizing itself. The third section focuses on the role played by the categorical imperative in both the theoretical and practical philosophy. The aim throughout, one that many Kant scholars and students will find provocative, is to show that in an important sense Kant is prepared to assert the primacy of practical over theoretical philosophy.
What do Google, Snapchat, Tinder, Amazon, and Uber have in common, besides soaring market share? They're platforms - a new business model that has quietly become the only game in town, creating vast fortunes for its founders while dominating everyone's daily life. A platform, by definition, creates value by facilitating an exchange between two or more interdependent groups. So, rather that making things, they simply connect people. The Internet today is awash in platforms - Facebook is responsible for nearly 25 percent of total Web visits, and the Google platform crash in 2013 took about 40 percent of Internet traffic with it. Representing the ten most trafficked sites in the U.S., platforms are also prominent over the globe; in China, they hold the top eight spots in web traffic rankings. The advent of mobile computing and its ubiquitous connectivity have forever altered how we interact with each other, melding the digital and physical worlds and blurring distinctions between "offline" and "online." These platform giants are expanding their influence from the digital world to the whole economy. Yet, few people truly grasp the radical structural shifts of the last ten years. In Modern Monopolies, Alex Moazed and Nicholas L. Johnson tell the definitive story of what has changed, what it means for businesses today, and how managers, entrepreneurs, and business owners can adapt and thrive in this new era.
DIVIn America today, a public official’s lawful income consists of a salary. But until a century ago, the law frequently authorized officials to make money on a profit-seeking basis. Prosecutors won a fee for each defendant convicted. Tax collectors received a cut of each evasion uncovered. Naval officers took a reward for each ship sunk. The list goes on. This book is the first to document American government’s “for-profit” past, to discover how profit-seeking defined officials’ relationship to the citizenry, and to explain how lawmakers—by banishing the profit motive in favor of the salary—transformed that relationship forever./div
On the basis of an examination of the colonial mercury and silver production processes and related labor systems, Mercury, Mining, and Empire explores the effects of mercury pollution in colonial Huancavelica, Peru, and Potosí, in present-day Bolivia. The book presents a multifaceted and interwoven tale of what colonial exploitation of indigenous peoples and resources left in its wake. It is a socio-ecological history that explores the toxic interrelationships between mercury and silver production, urban environments, and the people who lived and worked in them. Nicholas A. Robins tells the story of how native peoples in the region were conscripted into the noxious ranks of foot soldiers of proto-globalism, and how their fate, and that of their communities, was—and still is—chained to it.
There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.
Nicholas F. Stang explores Kant's theory of possibility, from the precritical period of the 1750-60s to the Critical system initiated by the Critique of Pure Reason in 1781. He argues that the key to understanding the relationship between these periods lies in Kant's reorientation of an ontological question towards a transcendental approach.
Should human organs be bought and sold? Is it right that richer people should be able to pay poorer people to wait in a queue for them? Should objects in museums ever be sold? The assumption underlying such questions is that there are things that should not be bought and sold because it would give them a financial value that would replace some other, and dearly held, human value. Those who ask questions of this kind often fear that the replacement of human by money values – a process of commodification – is sweeping all before it. However, as Nicholas Abercrombie argues, commodification can be, and has been, resisted by the development of a moral climate that defines certain things as outside a market. That resistance, however, is never complete because the two regimes of value – human and money – are both necessary for the sustainability of society. His analysis of these processes offers a thought-provoking read that will appeal to students and scholars interested in market capitalism and culture.
A Resurrection can be: a defining moment or incident, a restoration of balance, an epiphany, a spiritual awakening, a solution, an escape from distress or simply leaving behind a life of quiet desperation. It might even be realizing that what you have or what you are is pretty good after all. Or it may be as perplexing as trying to understand the dream that helped you to resolve a difficult problem. Resurrections may result from focusing your attention and every conceivable resource to work your way through a troublesome situation. Or, it may be discovering you have insights or abilities beyond your wildest dreams. A resurrection may be like being in the Zone, occasionally teasing you with a glimpse of what is preternaturally possible but remaining elusive and mysterious. Resurrections can be changes, improvements or discoveries. They may include recognizing and understanding the significance of signs, details, nuances, implications and suggestions; occurring when we finally "connect the dots" and solve the riddles. A resurrection can be effectively dealing with adversity, perhaps in a way beyond our immediate comprehension, challenging everything we ́ve learned, believed and thought we knew. People are said to be "wired" differently, and there is every reason to believe that discovering and developing our unique areas of strength and ways of "seeing" may produce what we can now only label as extrasensory perceptions or intuitions. It may be that when we are under duress, our minds can extend their range and perhaps show us what they can really do. It may be exactly like the miraculous physical feats of strength people have been known to perform under extreme conditions. Those who may have experienced very unusual mental insights would naturally be hesitant to say anything, and an otherwise normal individual who discovers atypical abilities would be well advised to keep it to themselves. They should learn to understand and develop them quietly, but certainly not inadvertently dilute, discourage, suppress or exorcise a "gift" because it may be startling, unsettling or it isn ́t explainable in familiar terms and contexts. The following fictitious vignettes are inspired by real experiences and then embellished. Although the stories are very different, they have several common threads. They involve people who don ́t suppress their insights, they actively explore their worlds, and they face conflicts and difficult issues head on. They allow their instincts, intuition, reasoning, curiosity and innate abilities to flourish, empower and help them. You will find adventure, deceit, romance, honest talk, real issues and psychic/supernatural influences in the stories. Each vignette can stand on its own, and the characters ́ lives often intersect and continue as the various stories unfold. Please sit back and enjoy a very different and stimulating intellectual ride. Some of these incidents can stretch the limits of our imaginations. We can ignore them or we can choose to explore their significance and perhaps learn something new. We all try to categorize events in our minds in an orderly fashion, but perhaps we ́re overly constrained by our limited number of words, the few concepts we have to work with, and the unknown manner in which events/actions may actually influence one another. If chance, randomness and chaos are the natural order of things, then all the more reason to take as much control as you can. Why not try and summon and focus any and all possible energies to help organize events you can have control over to help achieve your purposes? Use superstitions, rites, objects, prayers, meditating or whatever, there ́s every reason to try, it may indeed do some good; provided you also supplement those efforts with tangible action. We simply don ́t know what ́s possible if we are able to put our conscious and subconscious efforts to work simultaneously. Scientists and philosophers all seem to agree
In recent years chemical engineers have become increasingly involved in the design and synthesis of new materials and products as well as the development of biological processes and biomaterials. Such applications often demand that product properties be controlled with precision. Molecular modeling, simulating chemical and molecular structures or processes by computer, aids scientists in this endeavor. Volume 28 of Advances in Chemical Engineering presents discussions of theoretical and computational methods as well as their applications to specific technologies.
Hollywood isn't all about the A-listinternationally famous actors and directors, highly paid writers, powerful producers. No, it's also about the failures, the inhabitants of the periphery, the bottom layers of the entertainment pyramid. That's the role Nicholas Kolya reluctantly played for the last decade. Follow his struggle at the margins of the entertainment industry, a nether region inhabited by washed-up game show hosts and once-perky child stars, professional monkey writers and drug-addicted talent agents. From the crummy sets of direct-to-video puppet movies to pitch meetings at major studios, laugh at his failures as he reaches, and reaches, and reaches, for that elusive golden ringHollywood success.
This text is a comprehensive coverage of concepts critical to the dvelopment of the nursing role: philosophy, nature of nursing, ways of knowing, influences on the development of the nursing profession, history and nature of nursing science, evolution of nursing practice and education.
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.
This third edition of a classic urban sociology text examines critical but often-neglected aspects of urban life from a social-psychological theoretical perspective. Symbolic interaction is among the most central theoretical paradigms in sociology and the theory that most thoroughly attends to how individuals give meaning to their world—in this case, how city dwellers interpret and respond to their daily experiences as urbanites. This thoroughly updated edition of Being Urban: A Sociology of City Life remains true to this particular theoretical angle of vision—the symbolic interactionist approach—focusing on specific topics that are relatively neglected in other urban sociology texts, and that lend themselves to the kind of social-psychological analyses that define the distinctive conceptual core of the authors' efforts. After the first two chapters supply readers with theoretical foundations of urban sociology, the next four chapters describe the various ways that individuals experience and make sense of key aspects of urban life. The final section—also composed of four chapters—addresses strategically chosen urban institutions and related processes of social change. Specific subject areas covered include sports, everyday public life, tolerance for diversity, women in cities, urban politics, and the arts. Readers will learn about how order is maintained in public urban places, understand why cities naturally breed a tolerance for diversity that may not be so easily achieved in less urban settings, and appreciate the delicate political and economic tensions between cities and their surrounding suburbs.
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