In 1998, Nicholas Gonzalez, M.D. received National Cancer Institute approval for a clinical trial to evaluate his nutritional-enzyme approach in the treatment of patients with pancreatic cancer. Though Dr. Gonzalez hoped the venture would initiate an era of cooperation between conventional scientists and serious alternative researchers, problems plagued the study from its beginning. The design discouraged patient participation; conventional oncologists discouraged patients from joining and at times pressured those already admitted for nutritional therapy to change to more conventional treatment. Then in 2000 the NCI insisted that all patient selection decisions be turned over to the Principal Investigator, who as it turned out helped develop the chemotherapy protocol used as the control treatment.Repeatedly, the Principal Investigator approved patients for the nutritional treatment who did not meet the entry requirements, or who were too ill or uncommitted to follow the self-administered regimen. An evaluation by government scientists in early 2005 confirmed that so many patients had failed to follow the prescribed nutritional therapy that the data had little meaning. Despite such problems, without Dr. Gonzalez¿ knowledge the Principal Investigator published an article implying the study was properly run, patients complied fully and that the nutritional therapy had no effect.In response, Dr. Gonzalez, a former journalist, has written What Went Wrong, to bring the truth of this project to light, and show how bias, indifference, and at times incompetence undermined a promising research effort that, if properly run, might have ushered in a new direction in cancer treatment.
Ten years ago, Carol Alt was feeling bad. Really bad. She had chronic headaches, sinusitis, and stomach ailments; she was tired and listless. And then Carol started eating raw—and changed her life. Eating in the Raw begins with her story and then presents practical, how-to information on everything you need to know about the exciting movement that’s been embraced by Demi Moore, Pierce Brosnan, Sting, Edward Norton, and legions of other health-minded people. You’ll learn: •What exactly raw food is—and isn’t—and how to integrate it into your diet •How to avoid the all-or-nothing pitfall: you can eat some cooked foods, you can eat some foods partially cooked, and you don’t have to deprive yourself •Why raw food is not just for vegetarians or vegans—Carol eats meat, and so can you •The differences between cooked and raw vitamins, minerals, and enzymes, and what they mean for you •An ease-in approach to eating raw, and how to eat raw in restaurants In addition, Carol answers frequently asked questions and offers forty simple recipes for every meal, from light dishes such as Gazpacho and Lentil Salad to entrees including Tuna Tartare and Spaghetti al Pesto and even desserts like Pumpkin Pie and Apple Tart with Crème Anglaise—rounding out a thorough, accessible, and eminently compelling case why in the raw is the best way to eat.
This monograph, completed in 1986, reports Dr. Gonzalez's investigation of the nutritional/enzyme cancer treatment developed by the controversial alternative practitioner Dr. William Donald Kelley. Dr. Gonzalez pursued this study, the first evaluation of an alternative cancer regimen by an outside academic researcher, under the direction of Robert A Good, Ph.D., M.D., considered to be the "founder of modern immunology" and for ten years President of Sloan-Kettering. Although never previously published, this monograph has been generating interest in the alternative and conventional medical world for over two decades.The book documents Dr. Gonzalez's in-depth analysis of Dr. Kelley's theories and practice, and demonstrates the potential value of this approach against even the most aggressive of cancers. The author includes 50 representative case histories of patients diagnosed with a variety of poor prognosis or terminal cancer who did well under Dr. Kelley's care, with copies of the actual relevant medical records. The results of Dr. Gonzalez's investigation have been discussed before a Congressional committee, on national TV, and in print media. This pioneering book is now available to all those with an interest in cancer in general, the enzyme treatment cancer in particular, alternative medicine, and Dr. Kelley.
It's here--the second edition of the anthology series that "Rue Morgue Magazine" hailed--and warned--readers about. Twice as big as the first volume, with twice as many authors and twice as intense. Includes stories by D.F. Lewis, James A. Moore, Hart Fisher, David Annandale, and others.
STORIES:Ryan Wilson – “American Trash”Stuart Gibbel – “Break on Through”Craig Clevenger – “Obsolescence”Nik Korpon - "South of Thirteen"Dennis Cruz – “Smile Now, Cry Later”Pela Via – “Bathhouse”Stephen Conley – "Don't Feed the Animals"Grigori Black – “This Was Heaven”Doc O'Donnell – “Your Personal Apocalypse”Nikki Guerlain – “Sick Ticket”Patrick Verhagen – “Swim”Craig Wallwork – “El Bordello Alexandra”Nicholas Merlin Karpuk – “Ahm's Bay”Nik Houser – “Subtitles for a Silent Film”H.R. Tardiff – “Walls in the Sand”Richard Thomas – “The Jenny Store”Bob Pastorella – “Alexandra”Simon West-Bulford – “Project Asmodeus”Jay Slayton-Joslin – “The Fantasy of California vs. The Reality of London”Amanda Gowin – “Gilded Bones”Chris Deal – “Padre Nuestro”Boden Steiner – “Here”Gordon Highland – "Fry Girl"edward j rathke – “All the Dreams You Dreamt Retold”Michael Paul Gonzalez – “Tidal”Victor Bengtsson – “Venice, Forever”ABOUT THE BOOK:Los Angeles is whatever you want it to be, and nothing like you think. I gave these photos to a group of authors and asked them for precisely 1,000 words about what they saw. They didn't disappoint. Dreams, drugs, drama. Fame, famine, and fading glory. Few of the authors in this book have stepped foot in L.A., yet the soul of this city is so invasive and pervasive that the collection embodies everything that makes up this sprawling metropolitan mess.There's everyday life in Los Angeles, from the shiny dreams of the Hills to the hard realities of life in the Valley and out to the Inland Empire, and even more stories that are purely the stuff of dreams and fantasies, the kinds of worlds that exist only behind giant creaking doors on backlots scattered throughout the Southland.Whether you live here or just want to visit for a few moments, you're in for one hell of a ride.
Essays in honour of Nicholas Round, one of the most significant figures of contemporary Hispanism. Nicholas Round is among international Hispanisms's most prodigiously gifted scholars. These essays in his honour embrace the three areas to which he has most memorably contributed. Within Medieval studies, Alan Deyermond illuminates the tradition of the true king and the usurper; David Pattison challenges conventional interpretations of women's place in the Spanish epic; David Hook uncovers the surprising 'afterlife' of medieval documents; John England examines Juan Manuel's views on money. Within Nineteenth-century studies, Geoffrey Ribbans analyses unexpected continuities between Galdós's Marianelaand El doctor Centeno, Eamonn Rodgers discovers mythic dimensions inEl caballero encantado, Rhian Davies explores regeneración in the Torquemada novels and the late Arthur Terry reflects on the non-realist bases of El amigo Manso, while Harriet Turner traces parallels between Alas'sLa Regenta and the trial of Martha Stewart. Within Translation studies and pedagogy, Jeremy Lawrance analyses sixteenth-century translation's contribution to the prestige of vernacular languages; Philip Deacon evaluates theItalian translation of Moratín's El viejo y la niña; Robin Warner explores the translation of cartoon humour; Patricia Odber contrasts ten translations of a poem by Gil Vicente; and Anthony Trippett and Paul Jordan reflecton the purpose and practices of higher education. RHIAN DAVIES is Senior Lecturer, and ANNY BROOKSBANK JONES is Hughes Professor of Spanish, in the Department of Hispanic Studies at the University of Sheffield. OTHER CONTRIBUTORS: Philip Deacon, Alan Deyermond, John England, David Hook, Paul R. Jordan, Jeremy Lawrance, Pat Odber, D. G. Pattison, G. W. Ribbans, E. J. Rodgers, Arthur Terry, Anthony Trippett, Harriet Turner, Robin Warner.
Alvaro de Luna was for almost forty years Juan II of Castile's closest friend, and for the greater part of that time his chief minister. Working ceaselessly to consolidate Juan's position, achieved through his great-grandfather's murder of his half-brother king Pedro, he had initially to establish a power base and, in the years preceding his eventual downfall, to maintain it against the constant restlessness of the Spanish nobility. Only in the middle years can he be seen to have given Spain a fiscal regime, an enterprising recruitment policy for the public services, and a coherent ideology. This study of the violent and enigmatic circumstances in which his career came to an end makes a valuable contribution to understanding 15th-century Castilian history.
Martin Luis Guzman was many things throughout his career in twentieth-century Mexico: a soldier in Pancho Villa's revolutionary army, a journalist-in-exile, one of the most esteemed novelists and scholars of the revolutionary era, and an elder statesman and politician. In The Man Who Wrote Pancho Villa, we see the famous author as he really was: a careful craftsman of his own image and legacy. His five-volume biography of Villa propelled him to the heights of Mexican cultural life, and thus began his true life's work. Nicholas Cifuentes-Goodbody shapes this study of Guzman through the lens of "life writing" and uncovers a tireless effort by Guzman to shape his public image. The Man Who Wrote Pancho Villa places Guzman's work in a biographical context, shedding light on the immediate motivations behind his writing in a given moment and the subsequent ways in which he rewrote or repackaged the material. Despite his efforts to establish a definitive reading of his life and literature, Guzman was unable to control that interpretation as audiences became less tolerant of the glaring omissions in his self-portrait.
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