A cutting-edge response to Ralph Kimball's challenge to thedata warehouse community that answers some tough questions aboutthe effectiveness of the relational approach to datawarehousing Written by one of the best-known exponents of the Bill Inmonapproach to data warehousing Addresses head-on the tough issues raised by Kimball andexplains how to choose the best modeling technique for solvingcommon data warehouse design problems Weighs the pros and cons of relational vs. dimensional modelingtechniques Focuses on tough modeling problems, including creating andmaintaining keys and modeling calendars, hierarchies, transactions,and data quality
The true story behind the Martin Scorsese film: A “riveting . . . account of how organized crime looted the casinos they controlled” (Kirkus Reviews). Focusing on Chicago bookie Frank “Lefty” Rosenthal and his partner, Anthony Spilotro, and drawing on extensive, in-depth interviews, the #1 New York Times–bestselling author of the Mafia classic Wiseguy—basis for the film Goodfellas—Nicholas Pileggi reveals how the pair worked together to oversee Las Vegas casino operations for the mob. He unearths how Teamster pension funds were used to take control of the Stardust and Tropicana and how Spilotro simultaneously ran a crew of jewel thieves nicknamed the “Hole in the Wall Gang.” For years, these gangsters kept a stranglehold on Sin City’s brightly lit nightspots, skimming millions in cash for their bosses. But the elaborate scheme began to crumble when Rosenthal’s disproportionate ambitions drove him to make mistakes. Spilotro made an error of his own, falling for his partner’s wife, a troubled showgirl named Geri. It would all lead to betrayal, a wide-ranging FBI investigation, multiple convictions, and the end of the Mafia’s longstanding grip on the multibillion-dollar gaming oasis in the midst of the Nevada desert. Casino is a journey into 1970s Las Vegas and a riveting nonfiction account of the world portrayed in the Martin Scorsese film of the same name, starring Robert DeNiro, Joe Pesci, and Sharon Stone. A story of adultery, murder, infighting, and revenge, this “fascinating true-crime Mob history” is a high-stakes page-turner (Booklist).
In one stimulating source this successful text provides a rigorous analysis of the political, economic and social developments in post-war France. The analysis is supported by specially selected French language texts and exercises. This text is suitable for undergraduate students of French (especially within a languages, social science, or business course) and for courses in French Studies and European Studies.
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the "Blackwood's Magazine" between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of "Blackwood's Magazine".
Description This is the story of the Holbrooks, who lived in 16 Manor Way in South London. On the outside they were a very affluent and normal Medical family, but their life together was to be far from normal. The two children were adopted separately, their Mum was an alcoholic, and one dark winter's night she climbed the stairs to commit suicide. Nick Holbrook tells the whole story of what it was like to grow up with this family. With great personal detail, his book documents what happened over their 20 years of life together and how those events have affected him so greatly to this day. Read their story if you have an interest in Adoption, Alcoholism, Suicide and Family Relationships. It's both a powerful and tragic family story where things might have been so different. About the Author Nick Holbrook is 48 and lives with his wife and children in Berkshire. He was adopted as a very young child, together with his sister, and another child who was taken back by her mother. He grew up in what he now sees was a highly privileged environment in a medical family in South London but his mother was an alcoholic. He considers himself to have been hugely impacted on by adoption, alcoholism and by the sudden death of his sister through meningitis. One thing that Nick has come to believe in as a result of his childhood experiences, is the importance of having what he calls crucial conversations. These did not happen in his family, particularly with his father. An actor, stand-up comedian and Professional Sales Trainer, Nick speaks French and Spanish fluently, and he both reads and writes on a diverse range of subjects.
From British interior designer Nicholas Haslam, a dazzling and witty account of a frenetic and full life—from the 1940s to the present—in Europe and America, in a crowd of friends and acquaintances that includes virtually all of the cultural icons of our time. Haslam has found himself at the center of some of the most interesting circles wherever he is—at parties, opening nights, royal weddings. In London in the late 1950s he crossed paths—and more—with Cecil Beaton, Francis Bacon, Diana Cooper, Greta Garbo, Lucian Freud, David Hockney, David Bailey, and Noël Coward. A time living in the still unspoiled south of France was an education in everything from the work of Buñuel to the style of toreros like Dominguín and Ordóñez. In Paris he met Jean Cocteau and Janet Flanner, and, in Saint-Tropez, danced with Brigitte Bardot. In the 1960s, in New York, he encountered Dorothy Parker, Cole Porter, Andy Warhol, Jack Kennedy, Joan Didion, and Marilyn Monroe while working in the art department at Vogue and later as art director, following Henry Wolf, at Huntington Hartford’s Show magazine. After Show, Haslam moved to a ranch in Arizona to raise Arabian horses—Truman Capote and John Richardson, among others, came to stay—and he began designing and commuting to Los Angeles to decorate for the stars. Back in England in the 1980s, he worked on David Bailey’s Ritz magazine, attended the wedding of his cousin Diana Spencer, and designed for everyone from the financier James Goldsmith to rock star Bryan Ferry. Redeeming Features is about much more than documenting a life among the celebrated and the eccentric: it is a vivid, at times humorous and moving portrait of a way of life that has all but disappeared. Haslam has an exacting eye for the telling detail and his story is a compelling and wholly fascinating document of our times.
An unauthorized portrait of the professional skateboarder and star of the MTV reality series Life of Ryan traces the rise to stardom of teen heartthrob Ryan Scheckler in a volume that is complemented by one hundred full-color and black-and-white photographs. Original.
To book a ride on the "World's Shortest Airline" or learn aerial stunts from the redheaded widow of Lawrence Avenue, you've got to go through the airports buried beneath the housing developments and shopping malls of Chicagoland. Many of these airports sprang up after World War I, when training killed more pilots than combat, and the aviation pioneers who developed Chicago's flying fields played a critical role in getting the nation ready to dare the skies in World War II. Author Nick Selig has rolled wheels on his fair share of Chicago's landing strips but faces an entirely new challenge in touching down in places being swallowed by a city and forgotten by history.
Descending into alcoholism in the face of her husband's unfaithfulness, her daughter's rehab difficulties and her estranged mother's death, Dr. Ruby Cardillo enlists her daughter to accompany her on a whirlwind trip up the East Coast to discover her family's ties to a long-rumored Edison cylinder recording of jazz musician Buddy Bolden.
Fresh, original and compelling, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘the beginning’ and concluding with ‘the end’, the book covers topics that range from the familiar (character, narrative, the author) to the more unusual (secrets, pleasure, ghosts). Eschewing abstract isms, Bennett and Royle successfully illuminate complex ideas by engaging directly with literary works – so that a reading of Jane Eyre opens up ways of thinking about racial difference, whilst Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literary laughter. Each chapter ends with a narrative guide to further reading and the book also includes a glossary and bibliography. The fourth edition has been revised to incorporate two timely new chapters on animals and the environment. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of both reading and studying literature.
The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris. The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment. This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.
It is 1916 and twenty-six-year-old John Morris cannot ignore the Great War anymore. Despite his fathers objections and the fact that America has not even entered the war yet, John leaves Maryland for France where he hopes to fulfill his mission of becoming a flyer in the Lafayette Escadrille. He leaves behind not only his parents, but also his surgeon brother, Michael, and sister, Catherine, who are quietly nurturing their own dreams to play a part in the war. Over two years later, Johns father is dead, his mother is in Arizona, and Michael and Catherine are heading to New York. Michael is soon assigned to an aid station in France while Catherine translates French documents for the State Department. But after she is supposedly sent to Paris to work at the United States Embassy, Catherine is made a counterspy in a French town near the Swiss border. As John, Michael, and Catherine each do their best to help in a war that stretches from the skies to the Western Front, none of them realize that only two of them will return home. In this historical novel, three young Americans drawn into the Great War bravely battle seemingly insurmountable challenges while attempting to survive loss, find love, and pursue their dreams.
A rich, wide-ranging meditation on the iPhone as direct descendant of the 1930s Bauhaus, one of the twentieth century's most influential schools of art and design (summed up in Mies van der Rohe's dictum, "less is more") whose principle aim was to connect art and industry. From one of the leading authorities on the Bauhaus and modernism. Nicholas Fox Weber, in this deft, entertaining, and brilliant rumination on art and technology, writes of the iPhone as the essence of the Bauhaus principles of form following function--of honesty of design and materials that reflect the true nature of objects and buildings, favoring linear and geometrical forms; adhering to line, shape, and colors; synthesizing art to modern times; the fusion in design of art and technology. Weber, an authority and celebrant of twentieth-century modernism, ranging from the paintings of Balthus to the architecture of Le Corbusier, was a close associate of Anni and Josef Albers, the last living giants of the Bauhaus, and absorbed firsthand its truest beliefs. The Alberses emphasized their passion for "good design over bad art." Anni, a groundbreaking textile artist and printmaker, and Josef, a painter and color theorist and influential art teacher, stuck to "what was taught at the Bauhaus: the right use of materials, good technique, a purpose that serves all." Weber writes that the Bauhaus was not a style but an attitude: clear design and visual acuity as the embodiment of morality and honesty. And in iBauhaus, Weber explores how the iPhone, with its effective design and its versatility, honors these deepest beliefs, as well as the values that the Bauhaus sought to give to the world.
On a snowy night in February, at the improbable point in Lower Manhattan where Waverly Place intersects Waverly Place, a photographer named Leo meets Veronica for the first time. Starkly beautiful, mysterious, aloof, she leads him into a world where illusion blends seamlessly with reality—a luminously transformed city where powerful underground streams crisscross beneath the streets, a city of dragonpoints and Tibetan mysticism where real time is magically altered. Ten years have passed since Veronica’s father, the famous magician Albin White, disappeared while performing a dangerous feat of time travel before a packed theater audience. White’s disappearance was no accident: he was sabotaged by his apprentice Starwood, who interfered at a critical moment and sent him hurtling into the past, free to explore other eras but with no means of returning to the present. Until Veronica finds Leo…
A chessboard of violence On one side was the most powerful Sicilian family in New York, with an interest in every form of illegal moneymaking in the metropolis. On the other side was a ruthless and determined black organization intent on carving out its own underworld empire. And the key piece of the gigantic game of murder and double cross being played out throughout the city was the Don himself, Sal Angeletti, his life hanging by a thread over a churning sea of blood.
Explores the perception of nature in early 19th-century France. The book centres on a discussion of subjectivity and class and the way in which the process of looking at the countryside reinforced the identity of the metropolitan bourgeoisie - and especially men.
This is a book about the making of a hero - a rescuer. There are few of us that can claim to be bigger-than-life heroes, but surely the story of Dr. Otto Trotts life is the story of one of these. Because of his existence many lives have been saved or improved, human suffering has been reduced, and the world is a better place. What greater statement can be made about a person? A hiker sees the beautiful blue of a mountain gentian just off the trail and stops to capture the image through a snapshot, but in seeking a slightly wider angle steps back -- in a flash the hiker lies injured amid the rocks. A snowboarder searches for untouched powder snow, but finds a cliff instead. A small plane has engine trouble and glides steeply toward a mountain meadow. An early snowstorm catches two climbers exposed in the high alpine. An avalanche buries a foolish snowmobiler trying to make the highest mark on the side of snow-covered slope. An older gentleman has a heart attack far from his city hospital. Its quite possible and even probable that what all of the above have in common is Dr. Otto Trott. He co-founded the search and rescue organization that seeks out the injured and carries them down from the mountains, he pioneered the medical treatments that will be used for hypothermia and frostbite, he introduced advanced European methods of climbing as well as the identification of avalanche danger areas and the systematic search for and rescue of accident victims. Most importantly, Otto taught generations of others to follow in his footsteps. As Lou Whittaker, the renowned mountain guide states, This book is a must for anyone who seeks the mountains and their reward. Dee Molenaar the acclaimed mountaineer, artist and writer, says that this treatise is long overdue, while the legendary high altitude premier climber Jim Wickwire writes that Nicholas Corff has brought to life the fascinating story of Otto Trott There is no question that Dr. Otto Trott was one of those few men who was a legend in his own time, but he always remained a man of great empathy as well as skill who sought to relieve suffering, improve the safety of the outdoors and protect the mountain environment he so loved. In his long and adventuresome life he overcame great loss with courage and perseverance, and ultimately was the recipient of many awards including the Jefferson Award. Along with the text there are over 250 full page photos and illustrations.
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
The composer Adolphe-Charles Adam (1803-1856) is known all over the world for the famous Christmas anthem ‘Minuit chrétiens’ (‘O Holy Night’). However, he wrote much more than just this. His ballet Giselle (1841) is the quintessence of mystical Romanticism and one of the most enduring works of the dance repertoire. Adam composed a series of ballets, principally for the Paris Opéra, establishing this genre as a serious and integral musical form. His last work was Le Corsaire (1856) which reaches sublime heights. However, Adam was just as famous as a composer for the lyric stage. With Boieldieu, Hérold and Auber, he forms one of the quartet of masters that represent the second school of that profoundly French genre of the opera-comique. The charming and elegant Le Chalet (1834) received over 1500 performances in Paris, and the exuberant and adorable Le Postillon de Lonjumeau (1836) is still played on stages throughout the world. This study considers this gentle, unassuming composer’s life and work, examining his 42 operas and 14 ballets in the context of the vibrant musical scene in Paris during the decades 1820-1860.
Nicholas Pileggi’s vivid, unvarnished, journalistic chronicle of the life of Henry Hill—the working-class Brooklyn kid who knew from age twelve that “to be a wiseguy was to own the world,” who grew up to live the highs and lows of the mafia gangster’s life—has been hailed as “the best book ever written on organized crime” (Cosmopolitan). This is the true-crime bestseller that was the basis for Martin Scorsese’s film masterpiece GoodFellas, which brought to life the violence, the excess, the families, the wives and girlfriends, the drugs, the payoffs, the paybacks, the jail time, and the Feds…with Henry Hill’s crackling narration drawn straight out of Wiseguy and overseeing all the unforgettable action. “Nonstop...absolutely engrossing” (The New York Times Book Review). Read it and experience the secret life inside the mob—from one who’s lived it.
This innovative textbook examines commercial law and the social and political context in which it develops. Topical examples, such as funding for terrorism, demonstrate this fast-moving field's relevance to today's concerns. This wide-ranging subject is set within a clear structure, with part and chapter introductions setting out the student's course of study. Recommendations for further reading at the end of every chapter point the reader to important sources for advanced study and revision questions encourage understanding. The extensive coverage and detailed commentary has been extensively market tested to ensure that the contents are aligned with the needs of university courses in commercial law.
Tom Nicholas has been a professional actor since 1974. He has worked in Televison, Film and live theatre. This book details the steps in his life that led him into the Biz. It is also a cautionary tale; told with candor and humor. For any aspiring performer it may be a wakeup call. Here is a look at his triumphs, failures, and his continuing search for lasting success.
“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (1835). Halévy, a native of Paris, was active when the French capital was at the centre of the operatic world. His 30 operas worked within established genres of grand opéra and opéra-comique, and many of them attained considerable popularity across Europe and the wider world (such as La Reine de Chypre 1841, Charles VI 1843, Les Mousquetaires de la reine 1846, and Le Val d’Andorre 1848). Although acclaimed in their day, most have not been staged for decades. This study throws light on this shadowy figure, looking at his life, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The book provides musical examples and something of the rich iconography that accompanied the creation of his works.
This book explores a world where the boundaries between reality and representation have become blurred, a world where LA Law is used to train lawyers. Drawing on examples from around the globe, Nick Perry presents a fascinating and entertaining analysis of both familiar objects and situations as well as the more unusual and absurd. Meals served in British pubs, motor-cycle gangs in downtown Tokyo, Australian movies, are just some examples used by the author in his engaging exploration of modern sense of the 'unreal'. Hyperrealities also engages with well known theorists of contemporary culture, from Baudrillard and Umberto Eco to Jameson and Sartre.
Growing up in a doomed hometown with a missing father and a single mother, Nicholas Dawidoff listened to baseball every night on his bedside radio, the professional ballplayers gradually becoming the men in his life. A portrait of a childhood shaped by a stoical, enterprising mother, a disturbed, dangerous father, the private world of baseball, and the awkwardness of first love, The Crowd Sounds Happy is the moving tale of a spirited boy's coming-of-age in troubled times.
Talion". . . Retaliation . . . Revenge - a dish here served 118 years cold; grand child kidnaped by revenging grand child; retaliation sought for outrage inflicted; and in the swirl, Samuel F.B. Morse, Commodore Cornelius Vanderbilt, injury, President Chester Arthur, Rough Rider Theodore Roosevelt, revenge, Samuel Gompers, William Randolph Hearst manifest destiny, all butting up against a 20th Century Mafi a Don, a suave criminal lawyer, the New York City police, Wall Street, - a riveting story spanning America from the industrial revolution, the dawning of America as a world power, two presidential assassinations, the machinations that resulted in the Panama Canal, the sexual revolution, and a modern woman, head of a bustling Wall Street law firm, . . . buried alive.
Los Angeles 1930s. The victim’s short blonde hair was wet, and she was naked. From the blueish tint to her skin, it appeared she had drowned. At this distance from shore, she should have been under thirty feet of water, but the reservoir was empty, only a shallow pool remaining where she lay. She looked European, perhaps Germanic, with her prominent nose and high cheekbones. In her early thirties, she was young and fit with an athletic build and piercing blue eyes that now stared vacantly into space. The way the killer had posed her body looked like a ritual, but that was only a guess. But Detective Mathieu had come to trust his instincts. They’d served him well in his previous cases. The case would plunge Mathieu into a world of unbridled hate, filled with Nazi spies and terrorists in 1930s Los Angeles.
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
This work of cultural history tells the stories of five young art patrons - Lincoln Kirstein, Edward M.M. Warburg, Agnes Mongan, James Thrall Soby and A. Everett (Chick) Austin, Jr - who, in the late 1920s and 1930s, were instrumental in bringing modern painting, sculpture and dance to America.
This book is the third in the series of volumes which provide the papers of the conferences held at Queens' College, Cambridge by the Construction History Society. Papers cover different aspects of the history of construction, including studies of different building materials, building firms, the development and education of building professionals, the construction of buildings and infrastructure, methods and techniques of construction, and other subjects related to the history and development of buildings.
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