The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
Forever known for its blazing cinematic image of General George S. Patton (portrayed by George C. Scott) addressing his troops in front of a mammoth American flag, Patton won seven Oscars in 1971, including those for Best Picture and Best Actor. In doing so, it beat out a much-ballyhooed M*A*S*H, irreverent darling of the critics, and grossed $60 million despite an intense anti-war climate. But, as Nicholas Evan Sarantakes reveals, it was a film that almost didn't get made. Sarantakes offers an engaging and richly detailed production history of what became a critically acclaimed box office hit. He takes readers behind the scenes, even long before any scenes were ever conceived, to recount the trials and tribulations that attended the epic efforts of producer Frank McCarthy—like Patton a U.S. Army general—and Twentieth Century Fox to finally bring Patton to the screen after eighteen years of planning. Sarantakes recounts how filmmakers had to overcome the reluctance of Patton's family, copyright issues with biographers, competing efforts for a biopic, and Department of Defense red tape. He chronicles the long search for a leading man—including discussions with Burt Lancaster, John Wayne, and even Ronald Reagan—before settling on Scott, a brilliant actor who brought to the part both enthusiasm for the project and identification with Patton's passionate persona. He also tracks the struggles to shoot the movie with a large multinational cast, huge outlays for military equipment, and filming in six countries over a mere six months. And he provides revealing insider stories concerning, for example, Scott's legendary drinking bouts and the origins of and debate over his famous opening monologue. Drawing on extensive research in the papers of Frank McCarthy and director Franklin Schaffner, studio archives, records of the Academy of Motion Picture Arts and Sciences, contemporary journalism, and oral histories, Sarantakes ultimately shows us that Patton is more than just one of the best war films ever made. Culturally, it also spoke to national ideals while exposing complex truths about power in the mid-twentieth century.
Film Directing Fundamentals gives the novice director an organic methodology for realizing on-screen the full dramatic possibility of a screenplay. Unique among directing books, Nicholas Proferes provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is led through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques discussed. Written for both students and entry-level professionals, the book assumes no knowledge and introduces basic concepts and terminology. Appropriate for screenwriters, aspiring directors and filmmakers, Film Directing Fundamentals helps filmmakers bring their story to life on screen. This fourth edition is updated with a new foreword by Student Academy Award-winner Jimmy Keyrouz, who studied with author Nicholas Proferes, as well as an enhanced companion website by Laura J. Medina, available at www.routledge.com/cw/proferes, which features new supplemental material for both instructors and students, including two new analyses of contemporary films—Wendy and Lucy (2008) and Moonlight (2016)—study questions, suggested assignments and exercises, as well as the instructor’s manual written by Proferes in 2008.
During the 1990s, Naples' left-wing administration sought to tackle the city's infamous reputation of being poor, crime-ridden, chaotic and dirty by reclaiming the city's cultural and architectural heritage. This book examines the conflicts surrounding the reimaging and reordering of the city's historic centre through detailed case studies of two piazzas and a centro sociale, focusing on a series of issues that include heritage, decorum, security, pedestrianization, tourism, immigration and new forms of urban protest. This monograph is the first in-depth study of the complex transformations of one of Europe's most fascinating and misunderstood cities. It represents a new critical approach to the questions of public space, citizenship and urban regeneration as well as a broader methodological critique of how we write about contemporary cities.
Experience the Life of the City The rhythm of tango, the scent of Jacaranda, the sizzle of grilled steak... Once you fall in love with Buenos Aires, you'll find it hard to leave. Explore the City: Navigate by neighborhood or by activity with color-coded maps, making it easy to find what you want to do and where you need to be. See the Sights: Follow guided walks through the liveliest neighborhoods. Pop in and have a drink at the bar notables. Visit archaeological sites like El Zanjn de Granados, or marvel at the dramatic architecture of Teatro Colón and the serene beauty of the Reserva Ecológica Costanera Sur. Get a Taste of the City: Savor Argentina's best at local churrasquerías or parillas (or better yet, snag an invite to a backyard asado!), or sample the booming fine dining scene of Buenos Aires. Bars and Nightlife: Find where to watch (or dance!) the sultriest tango, and visit the clubs with the best music and the bars with the best views. Trusted Advice: Local expert, fútbol fan, and tango aficionado Nicholas Mills guides you through the exuberant city he calls home. Itineraries and Day Trips: All accessible by bus, train, or public transit, head out to Tigre and the Paran Delta or Iguaz Falls, or follow itineraries like Best of Buenos Aires, A Day of Culture, and Buenos Aires with Kids. Maps and Tools: Moon provides background information on the landscape, history, and culture of Buenos Aires, as well as vibrant, helpful photos and an easy-to-read foldout map to use on the go, packaged in a book light enough to toss in your bag. With Moon Buenos Aires practical tips, myriad activities, and an insiders view on the best things to do and see, you can plan your trip your way. Includes coverage of the following neighborhoods: Centro, Puerto Madero, San Telmo, La Boca, Retiro, Recoleta, Palermo, Almagro, and Balvanera Covers day trips to: Tigre and the Paraná Delta, San Antonio de Areco, Iguazú Falls, and Colonia, Uruguay Looking to explore more world-class cities? Try Moon Mexico City. Expanding your trip to South America? Check out Moon Patagonia or Moon Peru.
Frommer's Central America is the premier guide to the region, with complete coverage of Belize, Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama. Whether you're an archaeology buff, an outdoor adventurer, or a partier in search of a good time, Central America presents so many diverse travel options that it'll make your head spin. Frommer's Central America will help you plan a memorable trip, starting with our highly opinionated lists of the best experiences the region has to offer. Our authors have lived in and written about Central America for years, so they’re able to provide valuable insights and advice. They’ll steer you away from the touristy and the inauthentic, and show you the real heart of this region. Let them take you to exciting cities, charming colonial towns, lovely beach resorts, ancient ruins, traditional Maya villages, and natural wonders, with advice on everything from hiking Costa Rica’s cloudforests, to touring Nicaragua’s volcanoes, to snorkeling Belize’s Barrier Reef. You’ll travel Central America like a pro with our candid advice and handy Spanish-language glossary. Also included are accurate regional and town maps (including site plans of the major ruins), up-to-date advice on finding the best package deals, and extensive info on sustainable travel.
In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures Immersed in music for much of his life as writer, broadcaster and concert presenter, former director of the BBC Proms, Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those which are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever.
Nicholas Haeffner provides a comprehensive introduction to Alfred Hitchcock's major British and Hollywood films and usefully navigates the reader through a wealth of critical commentaries. One of the acknowledged giants of film, Hitchcock's prolific half-century career spanned the silent and sound eras and resulted in 53 films of which Rear Window (1954), Vertigo (1958) and Psycho (1960) are now seen as classics within the suspense, melodrama and horror genres. In contrast to previous works, which have attempted to get inside Hitchcock's mind and psychoanalyse his films, this book takes a more materialist stance. As Haeffner makes clear, Hitchcock was simultaneously a professional film maker working as part of a team in the film factories of Hollywood, a media celebrity, and an aspiring artist gifted with considerable entrepreneurial flair for marketing himself and his films. The book makes a case for locating the director's remarkable body of work within traditions of highbrow, middlebrow and lowbrow culture, appealing to different audience constituencies in a calculated strategy. The book upholds the case for taking Hitchcock's work seriously and challenges his popular reputation as a misogynist through detailed analyses of his most controversial films.
Face2face Pre-intermediate is an easy-to-teach General English course that helps adults and young adults to speak and listen with confidence. The DVD-ROM in the Student's Book includes consolidation activities and electronic portfolio for learners to track their progress with customisable tests and grammar and vocabulary reference sections.
In the fully rewritten third edition of this classic text, Nicholas Mirzoeff introduces visual culture as visual activism, or activating the visible. In this view, visual culture is a practice: a way of doing, making, and seeing. The 12 new chapters begin with five foundational concepts, including Indigenous ways of seeing, visual activism in the wake of slavery, and unfixing the gaze. The second section outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. The final section addresses catastrophe and trauma, from Palestine’s Nakba to the climate disaster and the intersections of plague and war. Each section also includes new, in-depth case studies called "Visualizations," ranging from oil painting to Kongo power figures and the mediated practice of taking a knee. Engaging with questions of racializing, colonialism, and undoing gender throughout, this edition maps the activist turn in the field since 2014 and sets directions for its future expansion. This is a key text in visual culture studies and an essential resource for research and teaching in the field.
Bringing together leading scholars in the fields of criminology, international law, philosophy and architectural history and theory, this book examines the interrelationships between architecture and justice, highlighting the provocative and curiously ambiguous juncture between the two. Illustrated by a range of disparate and diverse case studies, it draws out the formal language of justice, and extends the effects that architecture has on both the place of, and the individuals subject to, justice. With its multi-disciplinary perspective, the study serves as a platform on which to debate the relationships between the ceremonial, legalistic, administrative and penal aspects of justice, and the spaces that constitute their settings. The structure of the book develops from the particular to the universal, from local situations to the larger city, and thereby examines the role that architecture and urban space play in the deliberations of justice. At the same time, contributors to the volume remind us of the potential impact the built environment can have in undermining the proper juridical processes of a socio-political system. Hence, the book provides both wise counsel and warnings of the role of public/civic space in affirming our sense of a just or unjust society.
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
On 26 April 1937, in the rubble of the bombed city of Guernica, the world's press scrambled to submit their stories. But one journalist held back, and spent an extra day exploring the scene. His report pointed the finger at secret Nazi involvement in the devastating aerial attack. It was the lead story in both The Times and the New York Times, and became the most controversial dispatch of the Spanish Civil War. Who was this Special Correspondent, whose report inspired Picasso's black-and-white painting Guernica - the most enduring single image of the twentieth century - and earned him a place on the Gestapo Special Wanted List? George Steer, a 27-year-old adventurer, was a friend and supporter of the Ethiopian emperor Haile Selassie I. He foresaw and alerted others to the fascist game-plan in Africa and all over Europe; initiated new techniques of propaganda and psychological warfare; saw military action in Ethiopia, Spain, Finland, Libya, Egypt, Madagascar and Burma; married twice and wrote eight books. Without Steer, the true facts about Guernica's destruction might never have been known. In this exhilarating biography, Nicholas Rankin brilliantly evokes all the passion, excitement and danger of an extraordinary life, right up to Steer's premature death in the jungle on Christmas Day 1944.
From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is even more remarkable when compared with the output of studios and production companies in the United States and elsewhere at the same time. What accounts for the staggering number of films, and what does it say about Spain during this period? In Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, Nicholas G. Schlegel looks at movies produced, distributed, and exhibited under the crumbling dictatorship of General Franco. The production and content of these films, the author suggests, can lead to a better understanding of the political, social, and cultural conditions during a contentious period in Spain’s history. The author addresses the complex factors that led to the “official” sanctioning of horror films—which had previously been banned—and how they differed from other popular genres that were approved and subsidized by the government. In addition to discussing the financing and exhibiting of these productions, the author examines the tropes, conventions, iconography, and thematic treatments of the films. Schlegel also analyzes how these movies were received by audiences and critics, both in Spain and abroad. Finally, he looks at the circumstances that led to the rapid decline of such films in the late 1970s and early 1980s. By examining how horror movies thrived in Spain during this decade, this book addresses a sorely neglected gap in film scholarship and also complements existing literature on Spanish national cinema. Sex, Sadism, Spain, and Cinema will appeal to fans of horror films as well as scholars of film history, European history, genre studies, and cultural studies.
Face2face Pre-intermediate is an easy-to-teach General English course that helps adults and young adults to speak and listen with confidence. The DVD-ROM in the Student's Book includes consolidation activities and electronic portfolio for learners to track their progress with customisable tests and grammar and vocabulary reference sections.
The American people depend on a free press to keep a close and impartial watch on the national security operations that are carried out in our name. But in many cases, this trust is sadly misplaced, as leading journalists are seduced and manipulated by the secretive agencies they cover. While the press remains silent about its corrupting relationship with the intelligence community—a relationship that dates back to the Cold War—Spooking the News will blow the lid off this unseemly arrangement. Schou will name names and shine a spotlight on flagrant examples of collusion, when respected reporters have crossed the line and sold out to powerful agencies. The book will also document how the CIA has embedded itself in “liberal” Hollywood to ensure that its fictional spies get the hero treatment on screen. Among the revelations in Spooking the News: • The CIA created a special public affairs unit to influence the production of Hollywood films and TV shows, allowing celebrities involved in pro-CIA projects—including Harrison Ford and Ben Affleck—unique access inside the agency's headquarters. • The CIA vets articles on controversial topics like the drone assassination program and grants friendly reporters background briefings on classified material, while simultaneously prosecuting ex-officers who spill the beans on damaging information.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.
Witches and witchcraft are potent metaphors for feminine power, with a history that predates the advent of cinema. The figure of the witch represents a particularly fraught, contested kind of gendered power, and has long inspired filmmakers to explore themes of race, class, trauma, motherhood, grief, and identity. This book examines the relationship between women, witchcraft, and filmmaking, exploring types of storytelling and the central themes in these movies. Such films span the globe and have starred prominent figures like Madonna, Bette Midler, Bjork, and Nicole Kidman, as well as lesser-known women behind the scenes. Some of these filmmakers have premiered their works at major film festivals, while others have produced content for television and video releases. While notable in their diversity, these movies share one crucial thing: they were all created by women in an industry broadly dominated by men.
Dropping the Torch: Jimmy Carter, the Olympic Boycott, and the Cold War offers a diplomatic history of the 1980 Olympic boycott. Broad in its focus, it looks at events in Washington, D.C., as well as the opposition to the boycott and how this attempted embargo affected the athletic contests in Moscow. Jimmy Carter based his foreign policy on assumptions that had fundamental flaws and reflected a superficial familiarity with the Olympic movement. These basic mistakes led to a campaign that failed to meet its basic mission objectives but did manage to insult the Soviets just enough to destroy détente and restart the Cold War. The book also includes a military history of the Soviet invasion of Afghanistan, which provoked the boycott, and an examination of the boycott's impact four years later at the Los Angeles Olympics, where the Soviet Union retaliated with its own boycott.
Smart but clumsy Grace travels through time to stow away on the Apollo 11 spaceship and become the first kid to walk on the Moon."--Provided by publisher.
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Popular cinema is saturated with images and narratives of empire. With "Projecting Empire", Chapman and Cull have written the first major study of imperialism and cinema for over thirty years. This welcome text maps the history of empire cinema in both Hollywood and Britain through a serious of case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries, from the 1930s and "The Four Feathers" to the present, with "Indiana Jones" and "Three Kings". The authors consider industry-wide trends and place the films in their wider cultural and historical contexts. Using primary sources that include private papers, they look at the presence of particular auteurs in the cinema of Imperialism, including Korda, Lean, Huston and Attenborough, as well as the actors who brought the stories to life, such as Elizabeth Taylor and George Clooney. At a time when imperialism has a new significance in the world, this book will fulfil the needs of students and interested filmgoers alike.
An enthralling epic of love, money, power and revenge. On a luxurious Balinese island, the charismatic tycoon Marcus Brand entertains his six godchildren. By the end of the weekend, secrets will be revealed that will change everybody's life, a climax to the web of lies and betrayals spun over the course of thirty years. The godchildren are Charlie - the aristocratic Old Etonian, who's fascinated and enthralled by Marcus's wealth and who devotes his life to securing an inheritance; Mary - the daughter of one of Marcus's business colleagues, her life is blighted by tragedy; Jamie - feckless but utterly charming, he drifts from one job to another, crossing Marcus's path just once too often for comfort; Saffron - delicate and sensitive as well as stunningly beautiful, she is unaware of her power over men ... and of Marcus's power over her; Abigail - insecure and gauche, she blames Marcus for the disaster of her life; and Stuart - the working-class son of Marcus's dead chauffeur, he is torn between admiration and hatred for his supremely successful, capitalist godfather...
Long before anyone had heard of alien cookbooks, gremlins on the wings of airplanes, or places where pig-faced people are considered beautiful, Rod Serling was the most prestigious writer in American television. As creator, host, and primary writer for The Twilight Zone, Serling became something more: an American icon. When Serling died in 1975, at the age of fifty, he was the most honored, most outspoken, most recognizable, and likely the most prolific writer in television history. Though best known for The Twilight Zone, Serling wrote over 250 scripts for film and television and won an unmatched six Emmy Awards for dramatic writing for four different series. His filmography includes the acclaimed political thriller Seven Days in May and cowriting the original Planet of the Apes. In great detail and including never-published insights drawn directly from Serling’s personal correspondence, unpublished writings, speeches, and unproduced scripts, Nicholas Parisi explores Serling’s entire, massive body of work. With a foreword by Serling’s daughter, Anne Serling, Rod Serling: His Life, Work, and Imagination is part biography, part videography, and part critical analysis. It is a painstakingly researched look at all of Serling’s work—in and out of The Twilight Zone.
Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli--an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto.
Corporations engage young people and musicians in brand-building activities. These activities unfold in media-dense social spaces. Social networking sites, the user-generated content of web 2.0, live music events, digital cameras and cell phones are all used in constructing valuable brands. This book addresses the integration of popular music culture, corporate branding, and young people's mediated cultural practices. These intersections provide a rich site for examining how young people build brands within spaces and practices that they perceive as meaningful. The book is based on extensive ethnographic empirical research, drawing on participant observation, textual analysis and interviews with young people, musicians, marketers and other participants in the cultural industries. Contemporary theories of marketing and branding are brought together with critical and cultural accounts of mediated social life. The book explores the distinctive concerns and debates of these different perspectives and the lively interface between them.
Essential reading for any Star Trek and movie fan." -trekmovie.com When Nicholas Meyer was asked to direct the troubled second Star Trek film, he was something less than a true believer. A bestselling author and successful director, he had never been a fan of the TV series. But as he began to ponder the appeal of Kirk, Spock, et al., he realized that their story was a classical nautical adventure yarn transplanted into space and-armed with that insight-set out on his mission: to revitalize Trek.
One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in Rebel Without a Cause (1955), he is also well regarded for his cult western Johnny Guitar (1954), and such prestigious noir classics as On Dangerous Ground (1951). I Was Interrupted offers a provocative selection of the filmmaker's writings, lectures, interviews, and more.
This book maps the aesthetic experience of late socialism through Cuban film and media practice. It shows how economic and material scarcity as well as political uncertainty is expressed aesthetically in films from the period following the collapse of the Soviet Union, a characteristic described as imperfect aesthetics. The films examined in the book draw attention to the unique temporal experience of late socialism, a period marked both by rapid change and frustrating stasis, nostalgia for Cuba’s past and anxiousness about its future. Aesthetic modes such as melodrama and irony, and stylistic elements such as direct address and the long take, communicate the temporal experience of late socialism in Cuba, where new global traffic and a globalizing economy co-exist with iconic socialist features of the Cuban revolution. Film aesthetics constitute an important public dimension within this context, serving as a site of political and cultural critique amidst political uncertainty. In examining large-scale international co-productions as well as regional film collectives and amateur media making, the book traces the aesthetic continuities between contemporary film practices and those of the immediate post-revolutionary period, showing how the Cuban revolution continues to be an important touchstone for contemporary Cuban filmmakers in the face of new and imminent change.
Morson and Dawson's Gastrointestinal Pathology is one of the 'Gold Standards' of pathology textbooks. It has been completely revised to incorporate the latest advances in this rapidly evolving field including the developments in gastric cancer and Helicobacter pylori and the revised classification of other common gastrointestinal conditions. This new edition features a wealth of new material presented in full colour for the first time.
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