The lost city of Ubar has fascinated explorers and archaeologists for centuries, and has eluded them all. Using a blend of modern and ancient research, Nicholas Clapp set out to discover the secret of Ubar.
Many a Western outlaw was destined for a violent life and an early grave. Kid Fraser was an exception, thanks to an odd pairing of La Violetta, a beguiling wire dancer, and a poet-prospector recently sprung (or escaped?) from a Utah insane asylum. But what really set the Kid on a better path was the strumming of string of his homemade violin. Decorated with doggerel and inked images, it mirrored his shift from would-be desperado to kindly frontier musician.
Providing a new perspective on the undeniable relationship between education reform and democratic revitalization, Nicholas V. Longo uncovers and examines practical models in which communities play an essential role in teaching the art of democracy.
The Hundred Days that saw the British response to General Galtiere of Argentinas invasion of the Falklands are for many British people the most remarkable of their lives. It describes the dark days of early April, the feverish response and forming of the Task Force, the anxieties and uncertainties, the naval and air battles that preceded the landings by 3 Commando Brigade and 5th Infantry Brigade. The extraordinary battles such as Goose Green, Mount Tumbledown, Wireless Ridge etc are narrated fully but succinctly. This is a very balanced overview of a never-to-be-repeated but triumphant chapter in British military history.
The author recounts his discovery of a lost Arabian city in this “captivating story of [a] stupendous archeological achievement” (Kirkus). No one thought that Ubar, the most fabled city of ancient Arabia, would ever be found, if it even existed. According to the Koran, the ancient trading outpost was sunk into the desert as punishment for the sins of its people. Over the centuries, many searched for the legendary “Atlantis of the Sands”—including Lawrence of Arabia—yet the city remained lost. Until now. Documentary filmmaker and amateur archaeologist Nicholas Clapp first stumbled on the legend of Ubar in the 1980s while poring over historical manuscripts. Filled with overwhelming curiosity, Clapp led two expeditions to Arabia with a team that included space scientists and geologists. In The Road to Ubar, he chronicles the grand adventure that led to a historic discovery.
In a world seeking to tackle global environmental problems such as climate change, the importance of local and national institutional change to deal most effectively with these issues is critical. This book presents an investigation of the institutional barriers preventing the development of a new vision for urban transport compatible with these realities and in those terms 'sustainable'. Through an examination of transport planning in Australia, the book challenges conventional wisdom by showing, through original research, how 'car dependence' is as much an institutional as a technical phenomenon. The authors' case studies in three metropolitan cities show how transport policy has become institutionally fixated on a path dominated by private, road-based transport and how policy systems become encrusted around investment to accommodate private cars, erecting an impenetrable barrier against more sustainable mobility and accessibility solutions. Representing a new approach to understanding transport policy, this book brings sophisticated political-institutional analysis to what has traditionally been the domain of engineering and technology. The authors connect the empirical content to this theory and the issue of sustainability making the findings applicable to most cities of the developed world, and to fields beyond transport planning. A strategy and program of action is outlined to take advantage of changing public perceptions and aimed at creating a new vision for urban transport.
For many people it was 3 Commando Brigade, commanded by Major General Julian Thompson, and made up of Royal Marines and Para's that recaptured the Falklands. Yet 5th Infantry Brigade played a key and until now little acknowledged role in this extraordinary saga. Cobbled together in haste (having been stripped of its assets to bring 3 Commando Brigade up to strength), it comprised principally of two Guards battalions (2nd Scots and 1st Welsh) and the Gurkhas. Many felt it was inadequately trained when it sailed from Southampton on the QE 2 and this view was given substance by early disasters such as the tragedy at Bluff Cove. Yet by the end, its contribution, of which Tumbledown is the best known, could not be denied. Why then was its commander (Brigadier Tony Wilson) so conspicuously ignored when the medals and decorations were handed out?
A New York Times bestseller, the groundbreaking authoritative history of the migration of African-Americans from the rural South to the urban North. A definitive book on American history, The Promised Land is also essential reading for educators and policymakers at both national and local levels.
From the Tony Award and Laurence Olivier Award-winning former director of London's National Theatre--this is a fascinating, candid, eloquent memoir about his career directing theater, producing films and opera, and working closely with some of the world's most celebrated actors. The list of Nicholas Hytner's accomplishments is long and distinguished: as Artistic Director of London's National Theatre from 2003-2015, he directed and produced a great number of their most popular and memorable plays and musicals, many of which have come to Broadway: Carousel, Richard Bean's One Man, Two Guvnors, David Hare's Stuff Happens among them. He directed both the London and Broadway productions of Miss Saigon, each of which ran for ten years. He directed Alan Bennett's The Madness of George III on both stage and screen. In short: He is one of today's most successful and admired theatrical impresarios. In Balancing Acts, Hytner gives us a detailed behind-the-scenes look at his creative process. From reviving classic musicals and mastering Shakespeare to commissioning new plays, he shows theater making to be a necessarily collaborative exercise, and he writes insightfully about the actors and playwrights he's worked with: Derek Jacobi, Richard Griffiths, Helen Mirren, Maggie Smith, Michael Gambon, Harold Pinter, and Tom Stoppard among them. With a cultural range that spans from The Mikado to The Lady in the Van, Balancing Acts is not only a memoir but a gathering of illuminating notes on the art of directing and a thoughtful meditation on the purpose of theater.
Has Nick Carter finally met his match? A new master-criminal is on the New York scene—and armed with medical knowledge, a talent for impersonation, and a brazen set of schemes that even use Nick to his advantage, he's pulled off a series of thefts that no one seems able to stop.
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