British propaganda brought America to the brink of war, and left it to the Japanese and Hitler to finish the job." So concludes Nicholas Cull in this absorbing study of how the United States was transformed from isolationism to belligerence in the years before the attack on Pearl Harbor. From the moment it realized that all was lost without American aid, the British Government employed a host of persuasive tactics to draw the US to its rescue. With the help of talents as varied as those of matinee idol Leslie Howard, Oxford philosopher Isaiah Berlin and society photographer Cecil Beaton, no section of America remained untouched and no method--from Secret Service intrigue to the publication of horrifying pictures of Nazi atrocities--remained untried. The British sought and won the support of key journalists and broadcasters, including Edward R. Murrow, Dorothy Thompson and Walter Winchell; Hollywood film makers also played a willing part. Cull details these and other propaganda activities, covering the entire range of the British effort. A fascinating story of how a foreign country provoked America's involvement in its greatest war, Selling War will appeal to all those interested in the modern cultural and political history of Britain and the United States.
Exam Board: OCR Level: A-level Subject: History First Teaching: September 2015 First Exam: June 2016 This is an OCR endorsed resource. Build strong subject knowledge and skills in A Level History using the in-depth analysis and structured support in this tailor-made series for OCR's British period studies and enquiries. - Develops the analytical skills required to succeed in the period study by organising the narrative content around the key issues for students to explore - Enhances understanding of the chosen historical period, supplying a wealth of extracts and sources that offer opportunities to practise the evaluative skills needed for the enquiry - Progressively improves study skills through developmental activities and advice on answering practice exam questions - Helps students to review, revise and reflect on the course material through chapter summaries and revision activities that consolidate topic knowledge - Equips students with transferable critical thinking skills, presenting contrasting academic opinions that encourage A Level historians to make informed judgements on major debates Each title in the OCR A Level History series contains one or two British period studies and its associated enquiry, providing complete support for every option in Unit Group 1.
In February 1942, intelligence officer Victor Jones erected 150 tents behind British lines in North Africa. "Hiding tanks in Bedouin tents was an old British trick," writes Nicholas Rankin. German general Erwin Rommel not only knew of the ploy, but had copied it himself. Jones knew that Rommel knew. In fact, he counted on it--for these tents were empty. With the deception that he was carrying out a deception, Jones made a weak point look like a trap. In A Genius for Deception, Nicholas Rankin offers a lively and comprehensive history of how Britain bluffed, tricked, and spied its way to victory in two world wars. As Rankin shows, a coherent program of strategic deception emerged in World War I, resting on the pillars of camouflage, propaganda, secret intelligence, and special forces. All forms of deception found an avid sponsor in Winston Churchill, who carried his enthusiasm for deceiving the enemy into World War II. Rankin vividly recounts such little-known episodes as the invention of camouflage by two French artist-soldiers, the creation of dummy airfields for the Germans to bomb during the Blitz, and the fabrication of an army that would supposedly invade Greece. Strategic deception would be key to a number of WWII battles, culminating in the massive misdirection that proved critical to the success of the D-Day invasion in 1944. Deeply researched and written with an eye for telling detail, A Genius for Deception shows how the British used craft and cunning to help win the most devastating wars in human history.
A TIMES POLITICAL BOOK OF THE YEAR A LONGMAN/HISTORY TODAY BOOK OF THE YEAR The award-winning history of the British Welfare State – now fully revised and updated for the 21st Century. ‘A masterpiece’ Sunday Times
A fresh portrait of the man behind James Bond, and his enduring impact, by an award-winning biographer with unprecedented access to the Fleming family papers. Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote. Ian's childhood with his gifted brother Peter and his extraordinary mother set the pattern for his ambition to be “the complete man,” and he would strive for the means to achieve this “completeness'”all his life. Only a thriller writer for his last twelve years, his dramatic personal life and impressive career in Naval Intelligence put him at the heart of critical moments in world history, while also providing rich inspiration for his fiction. Exceptionally well connected, and widely travelled, from the United States and Soviet Russia to his beloved Jamaica, Ian had access to the most powerful political figures at a time of profound change. Nicholas Shakespeare is one of the most gifted biographers working today. His talent for uncovering material that casts new light on his subjects is fully evident in this masterful, definitive biography. His unprecedented access to the Fleming archive and his nose for a story make this a fresh and eye-opening picture of the man and his famous creation.
This volume explores the intrigue and negotiations between the Admiralty and domestic politicians and social reformers before World War I. It also explains how Britain's naval leaders responded to non-military, cultural challenges under the direction of Adimiral Sir John Fisher.
This book, based on comprehensive archival research in official and private papers, offers a new history of the infamous British disaster at Gallipoli in 1915. Contrary to all previous accounts, it shows that the campaign originated not in the search for an alternative to the Western Front, but in the need to lower the price of bread in Britain.
In the annals of World War II, the role of America's British allies in the Pacific Theater has been largely ignored. Nicholas Sarantakes now revisits this seldom-studied chapter to depict the delicate dance among uneasy partners in their fight against Japan, offering the most detailed assessment ever published of the U.S. alliance with Great Britain, Australia, New Zealand, and Canada. Sarantakes examines Britain's motivations for participating in the invasion of Japan, the roles envisioned by its Commonwealth nations, and the United States' decision to accept their participation. He shows how the interests of all allies were served by maintaining the coalition, even in the face of disputes between nations, between civilian and military leaders, and between individual services-and that allied participation, despite its diplomatic importance, limited the efficiency of final operations against Japan. Sarantakes describes how Churchill favored British-led operations to revive the colonial empire, while his generals argued that Britain would be further marginalized if it didn't fight alongside the United States in the assault on Japan's home islands. Meanwhile, Commonwealth partners, preoccupied with their own security concerns, saw an opportunity to support the mother country in service of their own separatist ambitions. And even though the United States called the shots, it welcomed allies to share the predicted casualties of an invasion. Sarantakes takes readers into the halls of both civil and military power in all five nations to show how policies and actions were debated, contested, and resolved. He not only describes the participation of major heads of state but also brings in lesser-known Commonwealth figures, plus a cast of military leaders including General of the Army Douglas MacArthur and Fleet Admiral Chester Nimitz on the American side and Admiral of the Fleet Sir Andrew Cunningham and Field Marshal Sir Alan Brooke on the British. He also paints vivid scenes of battle, including the attack of the British Pacific Fleet on Japan and ground fighting on Okinawa. Deftly blending diplomatic, political, and military history encompassing naval, air, and land forces, Sarantakes's work reveals behind-the-scenes political factors in warfare alliances and explains why the Anglo-America coalition survived World War II when it had collapsed after World War I.
Exam board: OCR Level: A-level Subject: History First teaching: September 2015 First exams: Summer 2016 Target success in OCR AS/A-level History with this proven formula for effective, structured revision; key content coverage is combined with exam preparation activities and exam-style questions to create a revision guide that students can rely on to review, strengthen and test their knowledge. - Enables students to plan and manage a successful revision programme using the topic-by-topic planner - Consolidates knowledge with clear and focused content coverage, organised into easy-to-revise chunks - Encourages active revision by closely combining historical content with related activities - Helps students build, practise and enhance their exam skills as they progress through activities set at three different levels - Improves exam technique through exam-style questions with sample answers and commentary from expert authors and teachers - Boosts historical knowledge with a useful glossary and timeline
Trapped in History tells how the British colonised Kenya and how African nationalism arose under Jomo Kenyatta. It describes the terrifying first attacks by the guerrilla freedom fighters known as Mau Mau. Though defeated, the Mau Mau hastened the end of British rule in Kenya. Trapped in History explores the effect the uprising on the author, who grew up as a child in the Kenya colony. The book is both a history, as well as a memoir, of the end of Empire.
Before the First World War, the British Admiralty conceived a plan to win rapid victory in the event of war with Germany-economic warfare on an unprecedented scale.This secret strategy called for the state to exploit Britain's effective monopolies in banking, communications, and shipping-the essential infrastructure underpinning global trade-to create a controlled implosion of the world economic system. In this revisionist account, Nicholas Lambert shows in lively detail how naval planners persuaded the British political leadership that systematic disruption of the global economy could bring about German military paralysis. After the outbreak of hostilities, the government shied away from full implementation upon realizing the extent of likely collateral damage-political, social, economic, and diplomatic-to both Britain and neutral countries. Woodrow Wilson in particular bristled at British restrictions on trade. A new, less disruptive approach to economic coercion was hastily improvised. The result was the blockade, ostensibly intended to starve Germany. It proved largely ineffective because of the massive political influence of economic interests on national ambitions and the continued interdependencies of all countries upon the smooth functioning of the global trading system. Lambert's interpretation entirely overturns the conventional understanding of British strategy in the early part of the First World War and underscores the importance in any analysis of strategic policy of understanding Clausewitz's "political conditions of war.
“A compelling, dramatic account of the Royal Navy's last great sea battle.” —Robert K. Massie, Pulitzer Prize–winning and New York Times–bestselling author of Dreadnought More than a century later, historians still argue about this controversial and misunderstood World War I naval battle off the coast of Denmark. It was the twentieth century’s first engagement of dreadnoughts—and while it left Britain in control of the North Sea, both sides claimed victory and decades of disputes followed, revolving around senior commanders Admiral Sir John Jellicoe and Vice Admiral Sir David Beatty. This book not only retells the story of the battle from both a British and German perspective based on the latest research, but also helps clarify the context of Germany’s inevitable naval clash and the aftermath after the smoke had cleared.
Adolf Hitler's failure to take Gibraltar in 1940 lost him the Second World War. But in truth the formidable Rock, jutting between the Mediterranean and the Atlantic, was extraordinarily vulnerable. Every day, ten thousand people crossed its frontier to work, spy, sabotage or escape. It was threatened by Spain, Vichy France, Italy and Germany. After the USA entered the war, Gibraltar became General Eisenhower's strategic headquarters for the invasion of North Africa and the battle for the Mediterranean.
A truly international, authoritative A–Z guide to five centuries of propaganda, in both wartime and peacetime, which covers key moments, techniques, concepts, and some of the most influential propagandists in history. This fascinating survey provides a comprehensive introduction to propaganda, its changing nature, its practitioners, and its impact on the past five centuries of world history. Written by leading experts, it covers the masters of the art from Joseph Goebbels to Mohandas Gandhi and examines enormously influential works of persuasion such as Uncle Tom's Cabin, techniques such as films and posters, and key concepts like black propaganda and brainwashing. Case studies reveal the role of mass persuasion during the Reformation, and wars throughout history. Regional studies cover propaganda superpowers, such as Russia, China, and the United States, as well as little-known propaganda campaigns in Southeast Asia, Ireland, and Scandinavia. The book traces the evolution of propaganda from the era of printed handbills to computer fakery, and profiles such brilliant practitioners of the art as Third Reich film director Leni Riefenstahl and 19th-century cartoonist Thomas Nast, whose works helped to bring the notorious Boss Tweed to justice.
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