The teenage son of a hetaera (woman of pleasure), Pheidippides and his beautiful young mother are not recognized as citizens of ancient Athens. Yet he is enchanted with the essence of the grand city-state and all the promise it holds. His short daily runs are on mere delivery errands, but he aspires to one day be among the elite foot couriers who run up to fifty miles on vital missions of state. When an impending invasion from faraway Persia, the world's most powerful empire—led by a temperamental tyrant bent on destroying democracy—threatens Athens and the entire land of squabbling Greek city-states, Pheidippides must undertake a grueling solitary trek to outrun enemy ships heading for his beloved city. Chased by assassins over a distance more than four times his usual runs, can he save Athens and its fledgling democratic ideals...and at what cost?
Originally published October 14, 1911, here is issue #772 of The New Nick Carter Weekly. This ebook contains the complete novel originally published in the Nickel Weekly, entitled THE ROYAL FLUSH.
Has Nick Carter finally met his match? A new master-criminal is on the New York scene—and armed with medical knowledge, a talent for impersonation, and a brazen set of schemes that even use Nick to his advantage, he's pulled off a series of thefts that no one seems able to stop.
Originally published Feb. 11, 1911, here is issue #737 of the famous Nickel Weekly, Nick Carter Stories. This ebook contains the Nick Carter novel THE MARK OF A CIRCLE.
Originally pubished December 26, 1908, here is the lead novel from issue #626 of the famous magazine, Nick Carter Weekly. This ebook contains the complete Nick Carter novel THE MONEY SCHEMERS.
Originally pubished September 21, 1912, here is the lead novel from issue #2 of the famous Nickel Weekly, Nick Carter Stories. This ebook contains the complete Nick Carter novel THE FACE AT THE WINDOW.
John Lansing and his sister, heirs to a fortune, run afoul of crooks determined to swindle them out of their inheritance through a fake mine scheme. When Nick Carter agrees to help, he finds danger and murderous intent—these men will stop at nothing to win! And they may, in fact, tie into another case he worked on, but failed to completely resolve...
While visiting the United States, the wife of young British aristocrat Lord Waldmere goes missing in New York City under mysterious circumstances. He tell his story to Nick Carter, and Nick accepts the case.
Originally published March 11, 1911, here is issue #741 of the famous Nickel Weekly, Nick Carter Stories. This ebook contains the Nick Carter novel THE GREEN SCARAB.
IT had rained in torrents all the way down from Schenectady, so when Jack Duane glimpsed the lights of what looked to be a big house through the trees, he braked his battered, convertible sedan to a stop at the side of the road. Mud lay along the fenders and running boards; mud and water had spumed up and freckled Duane’s face and hat. He pulled off the latter—it was soggy—and slapped it on the seat beside him, leaning out and squinting through the darkness and falling water. He was on the last lap of a two weeks’ journey from San Francisco, his objective being New York City. There he hoped to wangle a job as foreign correspondent from an old crony, J. J. Molloy, now editor of the New York Globe. Adventurer, journalist, globetrotter, Duane was of the type that is always on the move. “It’s a place, anyway, Moses,” he said to the large black man beside him, his servitor and bodyguard, who had accompanied him everywhere for the past three years. “Somebody lives there; they ought to have some gas.” “Yasah,” said Moses, staring past Duane’s shoulder, “it’s a funny-looking place, suh.” Duane agreed. Considering that they were seventy miles from New York, in the foothills of the Catskills, with woods all around them and the rain pouring down, the thing they saw through the trees, some three hundred yards from the country road, was indeed peculiar. It looked more like a couple of Pullman cars coupled together and lighted, than like a farmer’s dwelling. “Fenced in, too,” said Duane, pointing to the high steel fence that bordered the road, separating them from the object of their vision. “And look there—” A fitful flash of lightning in the east, illuminating the distant treetops, showed up the towering steel and network of a high-voltage electric line’s tower. The roving journalist muttered something to express his puzzlement, and got out of the car. Moses followed him. “Well,” said Duane presently, when they had stared a moment longer, “whatever it is, I’m barging in. We’ve got to have some gas or we’ll never make New York tonight.” MOSES agreed. The two men started across the road—the big Negro hatless and wearing a slicker—the reporter in a belted trench coat, his brown felt hat pulled out of shape on his head. “It’s a big thing,” Duane said as he and Moses halted at the fence and peered through. Distantly, he could see now that the mysterious structure in the woods was at least a hundred yards long, flat-topped and black as coal except from narrow shafts of light that came from its windows. “And look at the light coming out of the roof.” That was, indeed, the most peculiar feature of this place they had discovered. From a section of the roof near the center, as though through a skylight, a great white light came out, illuminating the slanting rain and the bending trees.
Mr. Garside shook his head. He was a tall, slender man of forty, and was the junior partner of the firm of Rufus Venner & Co., a large retail jewelry house in New York City, with a handsome store on Fifth Avenue, not far from Madison Square.
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS A Broken Bond: Or, The Man Without Morals This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
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